There was an upset tonight at the 35th PGA Awards and there’s only 3 categories covering feature films…
Did the unthinkable happen and something other than Oppenheimer collected their top prize?!?! Of course not. As rightly called, Christopher Nolan’s future Oscar juggernaut is the victor as it continues to pick up every precursor imaginable.
The surprise happened in their documentary derby where American Symphony emerged over the favored 20 Days in Mariupol.
That made me go 2 for 3 in my picks. This is not, however, a boon to Symphony‘s Academy play since it isn’t nominated. One could argue that the makers of Four Daughters could get an unexpected assist. That is seen as Mariupol‘s main competition at the Oscars and tonight at least opens the door for something other Mariupol winning.
There was a little intrigue in their animated feature race as The Boy and the Heron acquired trophies at BAFTA and the Globes. Yet Critics Choice and Annie Award recipient Spider-Man: Across the Spider-Verse seemed more safe for PGA and the branch followed suit. Heron could upset Spidey in two weeks, but I’d still consider it an upset.
As a side note, I wrote this post before I even saw that Oppenheimer triumphed. That’s how much I’m now taking its success for granted. Unless a seismic shock occurs, I will hit publish as soon as I know for sure it won and this will be the last sentence of the post…
A weekend of precursors culminates on Sunday with the 35th PGA Awards. The 10 nominees in the top race at PGA happen to match the 10 that Oscar put up in Best Picture. There’s two other categories to consider with animated fare and docs. I will walk through all three with a winner prediction and a runner-up possibility.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s not make this complicated, shall we? Oppenheimer should have no trouble taking this as it’s taken all key precursors. 7 of the last 10 PGA victors have ended up as the Academy’s BP (the last diversion was 2019 when 1917 took PGA and Parasite was BP).
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Producer of Animated Theatrical Motion Pictures
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem
The Boy and the Heron has made this category one to watch with Globe and BAFTA trophies. That being said, I think Spidey has the edge with PGA.
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Outstanding Producer of Documentary Theatrical Motion Pictures
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, The Disappearance of Shere Hite, The Mother of All Lies, Smoke Sauna Sisterhood, Squaring the Circle (The Story of Hipgnosis)
Mariupol has cleaned up on its way to a likely Oscar victory and it should emerge here.
Predicted Winner: 20 Days in Mariupol
Runner-Up: American Symphony
I’ll have a recap up on the blog after the show on Sunday!
The Producers Guild of America hold their 35th ceremony on February 25th with nominations out today. In an unexpected way, the PGA surprised us with their BP contenders.
For the two races (Best Theatrical Motion Picture and Best Animated Motion Picture), I went 12/15 in my picks.
For the big competition, there was general consensus that eight movies would make the cut: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things.
Oppenheimer is seen as the frontrunner with Barbie and Killers as potential threats. That octet of expected features are nominated. It’s the other two that will get the lions share of attention on social media.
The PGA, in the past, has shown an aversion to international titles. Occasionally one gets in their top ten. 2018’s Roma and 2019’s Parasite are recent examples. Yet they seemed to be outliers. Roma was the favorite to win Oscar’s BP (though it lost to Green Book). Parasite did win.
Therefore it made sense for me (and most other prognosticators) to leave out Anatomy of a Fall and The Zone of Interest. Instead I went with Air and Spider-Man: Across the Spider-Verse. Plenty of others selected The Color Purple and it was my alternate.
Yet PGA went ahead and nominated Anatomy and Zone (causing me to go 8/10). This is the first time they’ve nominated 2 foreign pics in the same year. Surprise surprise!
And this is where it gets tricky when it comes to projecting the Academy’s Best Picture lineup. It is very rare that PGA/Oscar match. In fact, we’ve seen four years (2009, 2010, 2021, 2022) where there’s been a set 10 contenders for both shows. In 2009 – the correlation between the two was 8 for 10. In 2010 – there was the high mark of 9. For 2021, it was 8. And it was 7 last year.
Here’s the problem. The PGA 10 is currently my Oscar BP 10. Will they actually match up? Is that possible? It sure seems to be, but time will tell and let’s see if my predictions shift when I update them this weekend.
In the Animated competition, your nominees are: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, and Teenage Mutant Ninja Turtles: Mutant Mayhem.
I went 4 for 5. Mario, the highest grosser of the quintet, gets in over my pick of Wish (which was a Disney dud). Maybe I should’ve figured this guild would go with the massive blockbuster. Spidey is the safe call for victory.
I’ll have final predictions for the winners up shortly before the show!
As if there weren’t enough Oscar precursor activity with the SAG and DGA nominations arriving tomorrow, the Producers Guild of America (PGA) unveil their ten nominees for Best Theatrical Motion Picture and Best Animated Motion Picture on Friday.
In 2021, the Academy reverted back to a set 10 for BP contenders. There was an 8 for 10 correlation that year between the PGA’s movies and the Academy’s. Last year it was 7 for 10.
One commonality is that international titles usually don’t make the cut with PGA. While Parasite was a rare exception in 2019, Drive My Car and All Quiet on the Western Front weren’t to be found on PGA’s list in the last two years. Therefore I’m leaving out Anatomy of a Fall and The Zone of Interest for the 35th ceremony. Either or both could pop up, but this seems to be the smarter play.
With those potential Oscar BP hopefuls out, I do believe there’s a somewhat safe 8 to predict: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things. I could see one or two potentially miss – Fiction, Maestro, and Lives might be vulnerable. Yet I won’t go as far in projecting any of them out.
That leaves two slots. The PGA often goes for blockbusters that the Academy ignores. Examples over the past decade include Straight Outta Compton, Deadpool, Wonder Woman, A Quiet Place, Crazy Rich Asians, Knives Out, and its sequel Glass Onion: A Knives Out Mystery.
The list does not include Spider-Man: Into the Spider-Verse from 2018 (somewhat surprisingly). I’m hesitant, therefore, to include its sequel Spider-Man: Across the Spider-Verse. The PGA could simply decide that it’ll likely win their Animated race and can be left off. However, Across was an even bigger financial success with glowing reviews. I’ve gone back and forth on this one, but I’m giving Spidey one of the open spots.
For the tenth film, there’s plenty of hopefuls. Could this be where The Color Purple makes a last stand for viability with the Academy? Could The Iron Claw pop up? Perhaps PGA will go with an unexpected title that didn’t garner across the board critical acclaim, but has a high profile director. Napoleon or Ferrari come to my mind. Will Saltburn or May December get in?
Those are all, to varying degrees, feasible. I ultimately am going with Air from Ben Affleck. While I don’t think it gets in for BP at the Oscars, the reviews and overall feeling that this is a rock solid sports drama puts it in over some of the aforementioned others.
As for the animated race and their five contenders, we’ve already established that Spidey is in. Because of the international movies thing, you may not find freshly minted Golden Globe winner The Boy and the Heron here. That same logic could apply to Chicken Run: Dawn of the Nugget. We shall see.
Let’s get to the list of nominees and an alternate, shall we?
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