Léa Seydoux was working double duty at the Cannes Film Festival this year with The Unknown (look for that individual post shortly) and the family drama Gentle Monster. The co-production between Austria, France, Germany, and Sweden is the latest feature from Corsage director Marie Kreutzer. Jella Haase, Laurence Rupp, and Catherine Deneuve are among the supporting players.
Both pics for the headlining French actress have the commonality of Seydoux being praised with the film drawing more of a mixed reaction. Rotten Tomatoes is at 59% with the somewhat rare occurrence of Metacritic being higher at 70.
The only feasible awards play is Best Actress. Netflix has reportedly picked up distribution rights. They would need a robust campaign. I would also say Monster needs to pick up steam by playing fall fests and hoping the buzz gets stronger. My Oscar Prediction posts will continue…
John Turturro has had a decades long critically acclaimed career with memorable performances in Do the Right Thing, Miller’s Crossing, Barton Fink, Quiz Show, and O Brother Where Art Thou to name a handful. He has not found a role that has given him an Oscar nomination. Could that change with The Only Living Pickpocket in New York?
The crime thriller debuted in Sundance back in January and made a festival stop in Berlin. Noah Segan directs with Turturro as the title character and a supporting cast including Giancarlo Esposito, Tatiana Maslany, Will Price, Steve Buscemi, Lori Tan Chinn, Karina Arroyave, Victoria Moroles, and Jamie Lee Curtis. Impressive reviews greeted it with 100% on Rotten Tomatoes and an 83 Metacritic. Sony Pictures Classics picked up distribution rights with a planned release for the fall. With a robust campaign, Original Screenplay could be a (somewhat remote) possibility. Yet the studio may focus solely on getting Turturro that first shot with the Academy.
On paper, Best Actor is looking crowded with potential heavy hitters like Tom Cruise (Digger), Matt Damon (The Odyssey), and John Malkovich (Wild Horse Nine) on deck and Ryan Gosling (Project Hail Mary) probably with a reserved slot. However, I wouldn’t discount the overdue narrative helping to get Turturro firmly in the mix. My Oscar Prediction posts will continue…
Masters of the Universe hopes to have the power of box office potency when it debuts this weekend. As I wrote in my financial prediction post, that could be a challenge. This is the second big screen treatment for the animated series and toy line behind 1987’s dud with Dolph Lundgren as He-Man. Nicholas Galitzine takes over the role almost four decades later with Jared Leto as Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Jóhannes Haukur Jóhannesson, Kristin Wiig (providing voiceover work), Morena Baccarin, and Idris Elba. Travis Knight, no stranger to adapting 80s material with Bumblebee, directs.
Several critics are being kind and calling it entertaining summer fluff. The Rotten Tomatoes score is 74%. The 53 Metacritic is more indicative of some negative critical reaction as well. The mid 80s Masters actually received a Razzie nomination in Supporting Actor for Billy Barty. The new Masters probably won’t show up there. With Visual Effects as the only remote possibility, I can’t imagine it showing up at the Academy Awards either. My Oscar Prediction posts will continue…
It’s been over three weeks since I’ve updated my Oscar predictions in the six major categories of Picture, Director, and the four acting races. A little thing called the Cannes Film Festival happened in between. In the past few cycles, you can usually count on 2-3 films screened in the French Riviera to eventually make the Best Picture cut at the Academy Awards.
Some features like Na Hong-jin’s Hope and James Gray’s Paper Tiger saw their fortunes take a hit. I would say there are four titles that standing the best chance at finding themselves in the Oscar mix: Cristian Mingiu’s Fjord (which won the Palme d’Or), Ryusuke Hamaguchi’s All of a Sudden, Fatherland from Pawel Pawlkowski, and especially The Black Ball from Javier Calvo and Javier Ambrossi. You can read my detailed prediction posts on the those Cannes titles and more on the blog from the past few days. There’s others that could gain momentum including Minotaur, Coward, and Club Kid.
Steven Spielberg’s Disclosure Day didn’t screen at Cannes, but is readying release on June 12th. Influencers who’ve seen it are highly positive. That said, it is a wise practice to wait until the real review embargo lapses to get a clear picture of its awards viability. For now, I have the movie, Spielberg, and Emily Blunt just on the outside looking in.
The horror flick Obsession drew rave critical reactions and fantastic box office numbers that are continuing to grow. This has truly opened the door for Inde Navarrette to snag an acting nod and, in a best case scenario, BP inclusion (still seems like a long shot but you never know). It’s a legit question as to whether Navarrette competes in lead Actress or Supporting Actress. For now, I’m slotting her as a possibility (though not yet a nominee) in the former. Focus Features will clear it up as some point though it might be a while.
You can read all the movement below and I’ll have the next update available in mid-June!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Digger (PR: 4) (+1)
4. Wild Horse Nine (PR: 3) (-1)
5. The Black Ball (PR: Not Ranked)
6. Fjord (PR: 5) (-1)
7. Dune: Part Three (PR: 8) (+1)
8. No One Cares (PR: 6) (-2)
9. The Social Reckoning (PR: 9) (E)
10. Cry to Heaven (PR: 12) (+2)
Other Possibilities:
11. Disclosure Day (PR: Not Ranked)
12. All of a Sudden (PR: 10) (-2)
13. Fatherland (PR: 7) (-6)
14. Sense and Sensibility (PR: 17) (+2)
15. A Place in Hell (PR: 13) (-2)
16. Werwulf (PR: 15) (-1)
17. The Adventures of Cliff Booth (PR: 25) (+8)
18. Jack of Spades (PR: 20) (+2)
19. Behemoth! (PR: 23) (+4)
20. Being Heumann (PR: 21) (+1)
21. The Entertainment System is Down (PR: 19) (-2)
22. Michael (PR: 24) (+2)
23. Josephine (PR: 17) (-6)
24. Saturn Return (PR: 18) (-6)
25. Obsession (PR: Not Ranked)
Dropped Out:
Hope
Paper Tiger
A Long Winter
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Alejandro G. Iñárritu, Digger (PR: 2) (E)
3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)
4. Javier Calva and Javier Ambrossi, The Black Ball (PR: Not Ranked)
5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)
Other Possibilities:
6. Cristian Mingiu, Fjord (PR: 4) (-2)
7. Tom Ford, Cry to Heaven (PR: 11) (+4)
8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)
9. Pawel Pawlikowski, Fatherland (PR: 6) (-3)
10. Steven Spielberg, Disclosure Day (PR: Not Ranked)
11. Ryusuke Hamaguchi, All of a Sudden (PR: 7) (-4)
12. Jesse Eisenberg, No One Cares (PR: 9) (-3)
13. Aaron Sorkin, The Social Reckoning (PR: 12) (-1)
14. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)
15. Robert Eggers, Werwulf (PR: 13) (-2)
Dropped Out:
Na Hong-jin, Hope
James Gray, Paper Tiger
Greg Kwedar, Saturn Return
Best Actress
Predicted Nominees:
1. Renate Reinsve, Fjord (PR: 1) (E)
2. Julianne Moore, No One Cares (PR: 3) (+1)
3. Mikey Madison, The Social Reckoning (PR: 4) (+1)
4. Michelle Williams, A Place in Hell (PR: 5) (+1)
5. Virginie Efira, All of a Sudden (PR: 6) (+1)
Other Possibilities:
6. Sandra Hüller, Fatherland (PR: 2) (-4)
7. Emily Blunt, Disclosure Day (PR: Not Raked)
8. Cynthia Erivo, Prima Facie (PR: 7) (-1)
9. Inde Navarrette, Obsession (PR: Not Ranked)
10. Sandra Hüller, Rose (PR: 8) (-2)
11. Daisy Edgar-Jones, Sense and Sensibility (PR: 12) (+1)
12. Ruth Madeley, Being Heumann (PR: 9) (-3)
13. Sophie Okonedo, Clarissa (PR: 10) (-3)
14. Mason Reeves, Josephine (PR: 11) (-3)
15. Rachel Brosnahan, Saturn Return (PR: 13) (-2)
Dropped Out:
Penélope Cruz, Bunker
Lily Gladstone, The Memory Police
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. Sebastian Stan, Fjord (PR: 3) (E)
4. John Malkovich, Wild Horse Nine (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 6) (+1)
Other Possibilities:
6. Nicholas Hoult, Cry to Heaven (PR: 9) (+3)
7. Jaafar Jackson, Michael (PR: 8) (+1)
8. Dominic Sessa, Tony (PR: 7) (-1)
9. Pedro Pascal, Behemoth! (PR: Not Ranked)
10. Rami Malek, The Man I Love (PR: 14) (+4)
11. Robert Pattinson, Primetime (PR: Not Ranked)
12. Timothée Chalamet, Dune: Part Three (PR: 15) (+3)
13. John Turturro, The Only Living Pickpocket in New York City (PR: 10) (-3)
14. Hanns Zischler, Fatherland (PR: 5) (-9)
15. Javier Bardem, The Beloved (PR: Not Ranked)
Dropped Out:
Jeremy Allen White, The Social Reckoning
Adam Driver, Paper Tiger
Josh O’Connor, Jack of Spades
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Sandra Hüller, Digger (PR: 2) (E)
3. Anne Hathaway, The Odyssey (PR: 7) (+4)
4. Tao Okamoto, All of a Sudden (PR: 6) (+2)
5. Penélope Cruz, The Black Ball (PR: Not Ranked)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 3) (-3)
7. Sandra Hüller, Project Hail Mary (PR: 8) (+1)
8. Daisy Edgar-Jones, A Place in Hell (PR: 5) (-3)
9. Halle Bailey, No One Cares (PR: 4) (-5)
10. Esmé Creed-Miles, Sense and Sensibility (PR: 11) (+1)
11. Elizabeth Debicki, The Adventures of Cliff Booth (PR: Not Ranked)
12. Adele, Cry to Heaven (PR: Not Ranked)
13. Penélope Cruz, The Invite (PR: 14) (+1)
14. Lesley Manville, Jack of Spades (PR: 10) (-4)
15. Scarlett Johansson, Paper Tiger (PR: 9) (-6)
Dropped Out:
Kirsten Dunst, The Entertainment System is Down
Caitriona Balfe, A Long Winter
Gemma Chan, Josephine
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, No One Cares (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 5) (+1)
5. Steve Buscemi, Wild Horse Nine (PR: 4) (-1)
Other Possibilities:
6. Jeremy Strong, The Social Reckoning (PR: 6) (E)
7. Aaron Taylor-Johnson, Cry to Heaven (PR: 15) (+8)
Marking the directorial debut of Kane Parsons and based on his viral creepypasta phenomenon, horror pic Backrooms is expected to dominate the box office charts this weekend. Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, and Lukita Maxwell fill out the cast.
With 86% on Rotten Tomatoes and a 76 Metacritic, reviews are generally being kind. Unlike other recent genre titles (hello unexpected box office juggernaut and critical darling Obsession), this is not expected to be talked about for major awards. On the other hand, the plot revolves around the sets and that’s where Academy voters could consider this for a Production Design nomination. My Oscar Prediction posts will continue…
Recounting the meteorological challenges leading up to the D-Day invasion, Pressure arrives in multiplexes this weekend from director Anthony Maras. Andrew Scott stars as Scottish Captain James Stagg with Brendan Fraser portraying General Dwight D. Eisenhower. Kerry Condon, Chris Messina, and Damian Lewis also provide support.
The film’s footprint is fairly small for a summer feature with a reported theater count of around 1500. Plenty of reviews say it’s worth the watch with 85% on Rotten Tomatoes and a more subdued 68 on Metacritic. This is the type of project that might normally hit the festival circuit or be a fall release. The fact that it’s neither is a signal that StudioCanal is unlikely to push this in an awards campaign. Despite some nice notices for Scott (and others saying Fraser is miscast), don’t forecast it for the Academy’s radar. My Oscar Prediction posts will continue…
Lukas Dhont’s Coward has drawn attention at the Cannes Film Festival. The World War I drama/love story saw its two leads Valentin Campagne and Emmanuel Macchia share a Best Actor prize. This is Dhont’s follow-up to 2022’s Close which was an Oscar nominee for International Feature Film, falling short to All Quiet on the Western Front.
The 100% Rotten Tomatoes score is more balanced by the 68 on Metacritic. Coward‘s most effusive reviews, however, indicate it has a major shot at inclusion in IFF when Belgium likely makes it the submission. An elevation to Best Picture is a reach for the Mubi distributed title. My Oscar Prediction posts will continue…
As a theater actor in the late 80s dying of the AIDS virus, Rami Malek headlines The Man I Love. It premiered at Cannes Film Festival and is the latest drama from Ira Sachs, maker of the Passages and Peter Hujar’s Day. Costars include Tom Sturridge, Luther Ford, Rebecca Hall, and Ebon Moss-Bachrach.
WME Independent is handling stateside distribution likely for this fall. Don’t be surprised if it pops up at future fests (especially New York’s). With 96% on Rotten Tomatoes and 78 on Metacritic, critics are appreciative. However, the buzz doesn’t cause me to believe Best Picture is in play and that it’ll be Sachs’s first major awards breakout.
That is with one possible exception. Malek is drawing particular praise in some write-ups saying it’s a career best performance. Eight years ago, he took home Best Actor as Freddie Mercury in the blockbuster Bohemian Rhapsody. Since then, he’s yet to have a follow-up role that the Academy would notice. If WME can run a worthwhile campaign and if competition isn’t too steep, he could be viable for one of the five spots. My Oscar Prediction posts will continue…
This year’s Grand Prix prize at the Cannes Film Festival is the political drama Minotaur. Set against the backdrop of the Russo-Ukrainian war, Andrey Zvyagintsev’s latest looks to join previous features Leviathan (2014) and Loveless (2017) as an International Feature Film nominee at the Oscars. The cast includes Iris Lebedeva, Dmitriy Mazurov, Varvara Shmykova, and Juris Zagars.
The reviews are impressive with 96% on Rotten Tomatoes and 90 on Metacritic. Essentially marking second place at the French festival, two of the last three Grand Prix victors have scored Best Picture nominations (The Zone of Interest and Sentimental Value). Minotaur is a co-production between France, Latvia, and Germany and any of them could submit it for IFF. The filmmaker’s previously nominated pics were Russian submissions and that won’t be the case this time around. With Mubi handling distribution, I would expect a spirited campaign with a solid likelihood of inclusion in the final quintet for foreign feature. Best Picture is possible, but perhaps more of a reach unless this starts to be seen as a frontrunner to win the international race. My Oscar Prediction posts will continue…
A nearly 160 minute epic spanning decades of gay history in Spain, Javier Calva and Javier Ambrossi’s The Black Ball (or La bola negra in its home language) was greeted with an extended ovation at the Cannes Film Festival. Telling three stories interconnected over 85 years, the cast includes singer Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas, Julio Torres, Glenn Close, and Penélope Cruz.
Based on an unfinished play by Federico Garcia Lorca, all eyes are on the Cannes jury to see if Ball picks up a major prize later this weekend. The melodrama is being highly praised with many critics calling it a festival standout. Rotten Tomatoes is at 88% with 85 on Metacritic.
This is exactly the type of ambitious project that the Academy could honor in numerous categories including Best Picture and Director (the filmmakers are collectively known as Los Javis). The buzz reminds me of Emilia Pérez when it was unburdened by the controversies that would eventually follow. We probably have our Spanish submission for International Feature Film where this has immediately become a surefire contender. The reaction also indicates this could play in several down-the-line races like Casting, Costume Design, Production Design, and Sound.
As for the actors, Casting could be seen as a way to honor them all. Quifes seems to be generating particular attention. With Penélope Cruz, her small but memorable part might be remembered in Supporting Actress where she may also be in contention for this summer’s The Invite. Close’s role sounds too minor.
Just this morning, Netflix won the bidding war for Ball‘s release. Expect them to go all out in their campaign. My Oscar Prediction posts will continue…
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