In a summer dominated by one massive low-budget horror success story, Leviticus is quietly making its own impression. The Australian coming-of-age supernatural tale marks the directorial debut of Adrian Chiarella. Joe Bird and Stacey Clausen headline with a supporting cast including Jeremy Blewitt, Ewen Leslie, and Mia Wasikowska. The film premiered at Sundance back in January with Neon snatching up stateside distribution rights for $5 million.
Out this weekend on just over 1000 screens, Leviticus might make close to that pickup tag right away (and outgross the higher profile The Death of Robin Hood). Mixing a queer love story with religious overtones and horror elements, critics have been praising Chiarella’s first feature. Rotten Tomatoes is at 93% with an 83 on Metacritic.
I could see the Indie Spirit Awards paying attention, but the Academy could be a stretch unless Neon pushes a campaign in Original Screenplay. I suspect Oscar voters will instead look to Obsession to honor the genre. My Oscar Prediction posts will continue…
John Turturro has had a decades long critically acclaimed career with memorable performances in Do the Right Thing, Miller’s Crossing, Barton Fink, Quiz Show, and O Brother Where Art Thou to name a handful. He has not found a role that has given him an Oscar nomination. Could that change with The Only Living Pickpocket in New York?
The crime thriller debuted in Sundance back in January and made a festival stop in Berlin. Noah Segan directs with Turturro as the title character and a supporting cast including Giancarlo Esposito, Tatiana Maslany, Will Price, Steve Buscemi, Lori Tan Chinn, Karina Arroyave, Victoria Moroles, and Jamie Lee Curtis. Impressive reviews greeted it with 100% on Rotten Tomatoes and an 83 Metacritic. Sony Pictures Classics picked up distribution rights with a planned release for the fall. With a robust campaign, Original Screenplay could be a (somewhat remote) possibility. Yet the studio may focus solely on getting Turturro that first shot with the Academy.
On paper, Best Actor is looking crowded with potential heavy hitters like Tom Cruise (Digger), Matt Damon (The Odyssey), and John Malkovich (Wild Horse Nine) on deck and Ryan Gosling (Project Hail Mary) probably with a reserved slot. However, I wouldn’t discount the overdue narrative helping to get Turturro firmly in the mix. My Oscar Prediction posts will continue…
My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.
The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.
In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.
Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.
The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.
We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.
You can read all the speculation below and my next update will arrive as Cannes concludes!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Digger (PR: 5) (E)
5. Fjord (PR: 6) (E)
6. No One Cares (PR: 6) (E)
7. Fatherland (PR: 8) (+1)
8. Dune: Part Three (PR: 10) (+2)
9. The Social Reckoning (PR: 9) (E)
10. All of a Sudden (PR: 7) (-3)
Other Possibilities:
11. Hope (PR: Not Ranked)
12. Cry to Heaven (PR: 16) (+4)
13. A Place in Hell (PR: 12) (-1)
14. Paper Tiger (PR: 21) (+7)
15. Werwulf (PR: 18) (+3)
16. Sense and Sensibility (PR: 23) (+7)
17. Josephine (PR: 17) (E)
18. Saturn Return (PR: 22) (+4)
19. The Entertainment System is Down (PR: 14) (-5)
Following its Sundance premiere in January, The AI Doc: Or How I Became an Apocaloptimist is in actual theaters this weekend. Daniel Roher, who made the 2022 Oscar winning documentary Navalny, co-directs with Charlie Tyrell. Per the title, the Focus Features pickup centers on a hot button issue and should generate a fair amount of attention for its genre.
Whether that translates to any awards focus is a trickier question. While Rotten Tomatoes is at an optimistic 88%, the 57 Metacritic is more glass half empty. The Academy’s branch of doc voters often don’t go with the highest profile titles and the mixed critical reaction can’t help much. That said, I’m sure its distributor will attempt to keep it visible months down the line. My Oscar Prediction posts will continue…
Ethan Hawke, fresh off his third acting Oscar nod for Blue Moon, headlines the 1930s set survival drama The Weight. Directed by Padraic McKinley and scheduled for domestic release in September, it premiered at the Sundance Film Festival and has also played Berlin. Costars include Julia Jones, Austin Amelio, and Russell Crowe.
Plenty of reviews are praising this as an old-fashioned yarn with 94% on Rotten Tomatoes. The 70 on Metacritic is more indicative of positive write-ups expressing some reservations. A lot of the kudos are going to Hawke’s performance.
Indie outlet Vertical picked up distribution rights. This is not a company who’ve successfully played much in the awards campaigning space. They’ll need to up their game for Hawke to be in contention for a back-to-back nomination. My Oscar Prediction posts will continue…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:
Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.
The Case Against Train Dreams:
Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.
The Verdict:
Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.
My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…
Olivia Colman headlines the irreverent and vulgarly romantic Sundance premiere Wicker from co-directors Alex Huston Fischer and Eleanor Wilson. As a Fisherwoman who builds herself a wooden boyfriend, the supporting cast includes Alexander Skarsgård (as said BF), Peter Dinklage, and Elizbeth Debicki.
Currently seeking distribution, Rotten Tomatoes is at 93% with 68 on Metacritic for the bawdy concoction. Three-time nominee and one-time winner Colman (for The Favourite) will probably assist in easily securing a release deal. Oscar attention will be harder to achieve though I do wonder if the Globes could bite in their Musical or Comedy competitions if a legit campaign is mounted. If nothing else, the BAFTAs are a possibility (maybe remote dependent on competition) for Colman. My Oscar Prediction posts will continue…
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.
Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…
The Sundance Film Festival is underway this weekend for the final time in Park City before it moves to Boulder in 2027. This is also the first Sundance since the passing of its legendary founder Robert Redford. In particular, Sundance is a major indicator of the documentaries that will be in eventual Oscar contention. At the 2025 fest, all five just nominated docs played there. Also last year, BP nominee Train Dreams got its first exposure as did Rose Byrne’s nominated Best Actress turn in If I Had Legs I’d Kick You.
You can expect a few Sundance related prediction posts to pop up in the coming days, but we’ll start with Josephine. The drama marks the second film for auteur Beth de Araújo (behind 2022’s Soft & Quiet) and it incorporates a traumatizing incident involving sexual violence that the filmmaker experienced at a young age. Gemma Chan, Channing Tatum, and Philip Ettinger lead the cast and early word-of-mouth is very complimentary to them.
Yet the loudest praise is going to eight-year-old Mason Reeves in her title role cinematic debut. The raves for Josephine and the girl playing her is already an indication of potential awards attention down the line. Reeves might be a shoo-in at the Critics Choice Awards for Best Young Actor/Actress. A distributor is likely to snatch up rights quickly. One question is whether the tough subject matter will be a hindrance. The first reviews out of Utah suggest it could be in the mix for Picture, some acting nods, and Original Screenplay with a deftly handled campaign. My Oscar Prediction posts will continue…
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