Summer 1989: The Top 10 Hits and More

In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.

As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.

A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.

10. Uncle Buck

Domestic Gross: $66 million

John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.

9. Turner & Hooch

Domestic Gross: $71 million

Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K9 with Jim Belushi from three months earlier. This one made a bit more cash.

8. When Harry Met Sally

Domestic Gross: $92 million

Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.

7. Dead Poets Society

Domestic Gross: $95 million

Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.

6. Parenthood

Domestic Gross: $100 million

Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.

5. Ghostbusters II

Domestic Gross: $112 million

The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.

4. Honey, I Shrunk the Kids

Domestic Gross: $130 million

And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.

3. Lethal Weapon 2

Domestic Gross: $147 million

Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.

2. Indiana Jones and the Last Crusade

Domestic Gross: $197 million

While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of Raiders of the Lost Ark in 1981, it did earn more than 1984 predecessor Temple of Doom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.

1. Batman

Domestic Gross: $251 million

As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.

And now for some notable pictures outside of the top ten:

The Abyss

Domestic Gross: $54 million

James Cameron was riding a high after The Terminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.

Weekend at Bernie’s

Domestic Gross: $30 million

Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.

Road House

Domestic Gross: $30 million

It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.

Do the Right Thing

Domestic Gross: $27 million

A cultural milestone, Do the Right Thing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.

sex, lies, and videotape

Domestic Gross: $24 million

Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.

It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:

Star Trek V: The Final Frontier

Domestic Gross: $52 million

Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.

The Karate Kid Part III

Domestic Gross: $38 million

In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.

Licence to Kill

Domestic Gross: $34 million

Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.

Lock Up

Domestic Gross: $22 million

Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.

Casualties of War

Domestic Gross: $18 million

Brian de Palma was coming off a massive hit with The Untouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.

Pink Cadillac

Domestic Gross: $12 million

Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.

I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!

Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

Best Actor: A Look Back

My look back at the major Oscar categories from 1990 to the present arrives at Best Actor today! If you missed my posts covering Actress and the Supporting races, you can find them here:

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

As with those previous entries, I am picking the three least surprising winners of the last 28 years, along with the three biggest upsets. Additionally, you’ll see my personal picks for strongest and weakest fields overall.

As a primer, here are the winners from 1990 to now:

1990 – Jeremy Irons, Reversal of Fortune

1991 – Anthony Hopkins, The Silence of the Lambs

1992 – Al Pacino, Scent of a Woman

1993 – Tom Hanks, Philadelphia

1994 – Tom Hanks, Forrest Gump

1995 – Nicolas Cage, Leaving Las Vegas

1996 – Geoffrey Rush, Shine

1997 – Jack Nicholson, As Good As It Gets

1998 – Roberto Benigni, Life is Beautiful

1999 – Kevin Spacey, American Beauty

2000 – Russell Crowe, Gladiator

2001 – Denzel Washington, Training Day

2002 – Adrien Brody, The Pianist

2003 – Sean Penn, Mystic River

2004 – Jamie Foxx, Ray

2005 – Philip Seymour Hoffman, Capote

2006 – Forest Whitaker, The Last King of Scotland

2007 – Daniel Day-Lewis, There Will Be Blood

2008 – Sean Penn, Milk

2009 – Jeff Bridges, Crazy Heart

2010 – Colin Firth, The King’s Speech

2011 – Jean Dujardin, The Artist

2012 – Daniel Day-Lewis, Lincoln

2013 – Matthew McConaughey, Dallas Buyers Club

2014 – Eddie Redmayne, The Theory of Everything

2015 – Leonardo DiCaprio, The Revenant

2016 – Casey Affleck, Manchester by the Sea

2017 – Gary Oldman, Darkest Hour

Let’s begin with the three that I’m deeming as the non-surprise winners. Whittling this down to that number was a challenge. The double wins by Hanks and Penn and even last year’s winner Oldman could’ve easily been named here, too. Here goes…

3. Al Pacino, Scent of a Woman

The legendary thespian was 0 for 6 when it came to nominations and wins entering 1992. He picked up his 7th and 8th nods that year with his supporting role in Glengarry Glen Ross and lead role as a blind former colonel in this Martin Brest directed drama. By Oscar night, it was clear he was finally going to make that trip to the podium.

2. Leonardo DiCaprio, The Revenant

Like Pacino, DiCaprio had been an Academy bridesmaid before… four times. His fifth nod for The Revenant guaranteed he’d finally be a winner against weak competition (more on that below).

1. Daniel Day-Lewis, Lincoln

I could have named the Method actor’s victory in 2007 for There Will Be Blood as well, but his win five years later as the nation’s 16th President edges it out. From the moment the Steven Spielberg project was announced, Day-Lewis was the odds on favorite and it never changed.

Now – my selections for the upsets:

3. Anthony Hopkins, The Silence of the Lambs

While it might seem an obvious win nearly 30 years later, Nick Nolte’s work in The Prince of Tides had nabbed him the Golden Globe. Additionally, there was some controversy about Sir Anthony’s inclusion in the lead race due to his approximate 16 minutes of screen time. This is truly evidence of a performance so towering that it couldn’t be ignored.

2. Roberto Benigni, Life is Beautiful

The Italian director/writer/actor was an underdog against competition that included Nick Nolte (once again) for Affliction and Ian McKellen in Gods and Monsters. Mr. Benigni seemed a bit shocked himself when his name was called, as he famously bounded exuberantly to the stage.

1. Adrien Brody, The Pianist

The smart money in 2002 was with Jack Nicholson in About Schmidt or Daniel Day-Lewis in Gangs of New York. Brody’s win was pretty shocking, as was the giant smooch he planted on presenter Halle Berry.

When it comes to overall fields, I’m going recent history with both. For strongest, I’ll give it to 2012. That’s the year Day-Lewis won for Lincoln. All other nominees were rock solid as well with Bradley Cooper (Silver Linings Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

For weakest, I’m picking 2015. This is the aforementioned year of DiCaprio’s overdue win. The rest of the field, however, was a bit lacking. It consisted of Bryan Cranston (Trumbo), Matt Damon (The Martian), Michael Fassbender (Steve Jobs), and Eddie Redmayne (The Danish Girl).

And there’s your Actor look back, folks! Keep an eye out for Best Picture soon as the final post in this series…

The Dark Knight Legacy: 10 Years Later

Ten years ago tomorrow, The Dark Knight was unleashed into theaters. Looking back at the summer of 2008, you could argue that the two most important superhero pics in recent memory were released in that short time frame. Two months earlier in May of that year, Iron Man kicked off the Marvel Cinematic Universe which now stands at 20 films strong. Yet it was The Dark Knight that set box office records and brought critical appreciation of the genre to new heights. In a genre that has exploded in the 21st century, many consider this to be the crown jewel. I believe it’s certainly up on the Mount Rushmore.

A decade prior to its release, Batman had run into some trouble at multiplexes with the deservedly derided Batman and Robin. It was a disappointment both commercially and with reviewers. Joel Schumacher’s two run experiment with the iconic character had dissolved into campy non-fun. In the new century, Christopher Nolan was brought in to resurrect the franchise after making Memento and Insomnia. 

2005’s Batman Begins would achieve that goal, but that was not apparent immediately. Despite glowing reviews, Begins started with $48 million at the box office and $206 million overall domestically. Those are solid numbers but some context is needed. That’s nearly $50 million less than 1989’s Batman made 16 years earlier. In other words, it wasn’t obvious that the eventual sequel would turn into a phenomenon.

That’s what happened. The Dark Knight had the advantage of pitting Christian Bale’s Caped Crusader against his most known foe, The Joker. Many questioned whether Heath Ledger (coming off an Oscar nomination for Brokeback Mountain) had the goods to fill Jack Nicholson’s shoes. Early trailers indicated the answer was yes. And he nailed it with an unforgettable performance. As we know, Ledger never got to witness the acclaim. He died six months before the picture’s release and it added a tragic level of publicity leading up to the premiere.

Once Knight was released, expectations were sky-high and it earned $158 million out of the gate. That was an opening weekend record which has since been surpassed by 14 movies including its sequel The Dark Knight Rises and seven other comic book themed experiences.

The Dark Knight still stands as the 10th highest grossing movie of all time and fourth biggest superhero effort behind Black Panther, Avengers: Infinity War, and The Avengers. It received eight Oscar nominations – something previously unheard of for something in its genre. That stands as another portion of its legacy. While Ledger would posthumously win Best Supporting Actor for his work, many figured The Dark Knight should and would nab a Best Picture nomination. It didn’t. And that caused the Academy to expand Best Picture from a finite five nominees to anywhere between five and ten (nine has been the major number most years in the decade following).

While no comic book film has managed a Best Picture nomination since then (Black Panther could change that this year), that rule change has perhaps allowed non-traditional awards material like District 9, Nolan’s own Inception, Gravity, The Grand Budapest Hotel, Mad Max: Fury Road, Arrival, and Get Out to garner nods.

And The Dark Knight, for many moviegoers, proved what comic book lovers had known all along. This material, done right, could truly be a work of art.

A Supporting Actor Oscar History

In the eight decades of Oscar history, we have seen the Supporting Actor category honor actors from the same picture about one-fifth of the time. It’s a fairly rare occurrence, but it’s been especially so as of late. It’s been 26 years since the Academy last did so and that serves as the longest gap by a lot. 2017 could change that.

Before we get to that, a little history lesson…

The first multiple Supporting Actor nominees happened in 1939 when Harry Carey and Claude Rains were nominated for Mr. Smith Goes to Washington. 

It was 14 years before it happened again with 1953’s Shane bestowing nods for Jack Palance and Brandon deWilde. The following year gave us our first three actor nominations when Lee J. Cobb, Karl Malden, and Rod Steiger all had their names up for On the Waterfront. The 1950s would do this twice more – in 1957’s Peyton Place for Arthur Kennedy and Russ Tamblyn and 1959’s Anatomy of a Murder for Arthur O’Connell and George C. Scott.

1961 would bring Scott another nod for The Hustler, along with Jackie Gleason. 1967’s Bonnie and Clyde nominated both Gene Hackman and Michael J. Pollard.

1971 was the first year when one of the multiple picture nominees actually won. Ben Johnson emerged victorious for The Last Picture Show, while costar Jeff Bridges was nominated.

The Godfather saga would bestow six nominations among its two classic films. The 1972 original nominated James Caan, Robert Duvall, and Al Pacino. The 1974 sequel had Robert De Niro winning the statue, along with the nominated Michael V. Gazzo and Lee Strasberg. 1976’s Rocky nominated both Mick (Burgess Meredith) and Paulie (Burt Young) while Jason Robards won for 1977’s Julia with Maximillian Schell getting a nod.

Timothy Hutton would win for Ordinary People in 1980 with costar Judd Hirsch nominated. Jack Nicholson won for 1983’s Terms of Endearment with John Lithgow getting recognition. 1986’s Platoon was granted two nominees – Willem Dafoe and Tom Berenger.

And in 1991 – Harvey Keitel and Ben Kingsley were nominated for Bugsy. 

That is the 16th and final time this has happened.

As mentioned, this year could potentially change that and there’s a surprising four ways for it to happen.

The least likely of the four scenarios in my opinion would be Jason Mitchell or Garrett Hedlund for Mudbound. Perhaps Mitchell could sneak in, but even that’s a long shot and the chances of both getting in seems non-existent.

The other three scenarios are all plausible. There’s Michael Shannon and Richard Jenkins for The Shape of Water. We have Armie Hammer and Michael Stuhlbarg for Call Me by Your Name. It wouldn’t shock me for either to occur, but maybe the best chance is Sam Rockwell (a lock for a nod) and Woody Harrelson (less so) for Three Billboards Outside Ebbing, Missouri. 

It’s been a quarter century since two actors from the same film heard the names called in Supporting Actor. Will 2017 change that?

Stay tuned…

Summer 1987: The Top 10 Hits and More

As we begin the month of August and the dog days of summer, I’ll be traveling back 30, 20, and 10 years ago to seasons past giving you the top ten hits and more of that particular time frame. Today we are going all the way to 1987.

It was a simpler time back then. There were very few sequels and franchises and reboots and a good portion of the highest grossing flicks dealt with law enforcement in action type settings. Only one picture grossed over $100 million dollars. Yes, the times have changed, but what a hoot to look back at what was burning up the box office charts three decades ago. This post will also discuss some other notable flicks outside the top ten and some big ole flops.

Let’s get to it!

10. The Living Daylights

Domestic Gross: $51 million

The 15th James Bond picture kicked off the brief two picture reign of Timothy Dalton, who took over the iconic role after the late Roger Moore’s 12 year long portrayal of 007. It’s $51M gross would just surpass the $50M earnings of Moore’s swan song, 1985’s A View to a Kill. Two summers later, Dalton would star in his swan song Licence to Kill before Pierce Brosnan donned the tuxedo six years later.

9. Robocop

Domestic Gross: $53 million

Paul Verhoeven’s futuristic sci-fi action thriller nearly received the dreaded X rating upon its release. It also received critical acclaim and spawned two sequels and a 2014 remake.

8. La Bamba

Domestic Gross: $54 million

This biopic of singer Ritchie Valens starring Lou Diamond Phillips was a major summer sleeper and even earned a Golden Globe nod for Best Picture (Drama). It also featured the Los Lobos cover of the title song that was in the top ten summer songs of 1987.

7. Dragnet

Domestic Gross: $57 million

A few years before Tom Hanks was earning back to back Best Actor Oscars, he was costarring in silly remakes of 1950s cop dramas. Dragnet managed to perform well and it’s a guilty pleasure, especially Dan Aykroyd’s take on Sgt. Joe Friday (a role made famous by Jack Webb).

6. Predator

Domestic Gross: $59 million

One of Arnold Schwarzenegger’s finest action pics, Predator also kicked off an impressive three picture directorial run by John McTiernan that was followed up by Die Hard and The Hunt for Red October. This franchise is still going strong today, but nothing beats the hard edged original.

5. Dirty Dancing

Domestic Gross: $63 million

The biggest sleeper hit of the summer vaulted Patrick Swayze into super stardom and won the Oscar for Best Original Song for Bill Medley and Jennifer Warnes’s “(I’ve Had) The Time of My Life”.

4. The Witches of Eastwick

Domestic Gross: $63 million

Mad Max maker George Miller went Hollywood with this critically appreciated comedic fantasy with an all-star cast of Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer.

3. Stakeout

Domestic Gross: $65 million

This was the height of the buddy cop era and it propelled this one starring Richard Dreyfuss and Emilio Estevez to big grosses. A less regarded sequel costarring Rosie O’Donnell would follow six years later.

2. The Untouchables

Domestic Gross: $76 million

Brian De Palma’s take on the classic TV series was a big-budget and highly entertaining affair headlined by Kevin Costner, Robert De Niro, Andy Garcia, and Sean Connery (who won a Supporting Actor Oscar for his work).

1. Beverly Hills Cop II

Domestic Gross: $153 million

Eddie Murphy was just about the biggest movie star in the world in summer 1987 and that’s shown here by the enormous gross of the sequel to his 1984 classic, directed by Tony Scott. A much less successful third entry would follow seven summers later after Murphy’s box office potency had waned.

And now – here’s some other notable pictures from the season:

Full Metal Jacket

Domestic Gross: $46 million

Legendary director Stanley Kubrick’s first film in seven years (since The Shining) is now considered a modern classic, especially for its unforgettable first half featuring R. Lee Ermey’s Vietnam drill sergeant.

Spaceballs

Domestic Gross: $38 million

This Mel Brooks spoof of Star Wars may not be in Blazing Saddles or Young Frankenstein territory, but it’s certainly earned quite a cult status through the last 30 years.

Adventures in Babysitting

Domestic Gross: $34 million

The directorial debut of Chris Columbus (who would go on to make Home Alone, Mrs. Doubtfire and the first two Harry Potter pics), Babysitting has also achieved cult cred in addition to its decent box office showing at the time.

The Lost Boys

Domestic Gross: $32 million

Another flick with a rabid fan base, the teen pic cast Kiefer Sutherland, Jason Patric, and Corey Feldman in a California town overrun by vampires.

And now for a couple of 1987 summer box office bombs:

Jaws IV: The Revenge

Domestic Gross: $20 million

12 summers prior, Steven Spielberg’s original was a landmark motion picture. By the time the fourth entry came around, the series had gotten terrible. It still has a 0% score on Rotten Tomatoes and Michael Caine actually missed picking up his Oscar for Hannah and Her Sisters because he was shooting this turkey.

Superman IV: The Quest for Peace

Domestic Gross: $15 million

Not a solid summer for four-quels. This served as a bad ending to a series started nine years earlier. There was a moratorium on Supes pic for the next 19 years.

Ishtar

Domestic Gross: $14 million

Considered one of the largest bombs in film history at the time, this comedy with Warren Beatty and Dustin Hoffman was a punchline for years. Its reputation has grown a bit since.

And that’s my recap folks! I’ll be back recounting summer 1997 very soon…

A Spectre and a Joker

While moviegoers this weekend will be left with only Thanksgiving leftovers to munch on, it’s been quite a week for film news.

Just today, the title of the 24th James Bond picture was revealed: Spectre. Longtime 007 fans know what this means. SPECTRE (it stands for Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) is the dastardly organization that has been run by Ernst Stavro Blofeld during the franchise including Dr. No, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, and Diamonds Are Forever. The group appears to be heading back into Bond lore with two time Oscar winner Christoph Waltz playing the bad guy (whether or not he plays Blofeld is still a mystery). The official announcement this morning lists him playing a different character, but many suspect it’s a head fake and he’ll be stepping into role of Bond’s most iconic villain. Spectre will be out in November 2015 with Daniel Craig returning for his fourth outing as 007 and Skyfall director Sam Mendes behind the camera.

Speaking of iconic villains, news was confirmed this week that The Joker will return in Suicide Squad, Warner Bros. 2016 pic focusing on villains in the DC Comics Universe. Jared Leto, fresh off his Dallas Buyer’s Club Oscar, steps into the part made famous by Jack Nicholson first and then the late Heath Ledger (who picked up a posthumous Academy Award for his work). David Ayer (director of Fury) is heading up the project that also stars Will Smith, Tom Hardy, and Margot Robbie.

So there we have it! Potentially two beloved baddies with two Oscar certified actors filling the roles. Also – ICYMI, there was a trailer for something called Star Wars: The Force Awakens. I’ve posted it already, but it never hurts to watch again… and again.