Disney’s live-action rendering of its 1994 classic TheLionKing is out next weekend and it’s expected to make a killing at the box office. The computer generated saga from director Jon Favreau is among a quartet of Mouse Factory updates of their animated filmography out in 2019.
Reviews are out today and it’s a mixed bag. Even the majority of positive reviews essentially say it’s a carbon copy of the original. Even the majority of negative reviews seem impressed with its state of the art visuals.
The Rotten Tomatoes score stands at 59% and that’s right in range with the 57% that Aladdin received two months ago. That certainly puts this out of Best Picture range. However, I look for this to be a serious player in Visual Effects. If so, it would follow Favreau’s 2016 smash TheJungleBook and it won the award. This has a shot at following suit. My Oscar Watch posts will continue…
Disney’s live action reimagining of TheLionKing roars into theaters next weekend a quarter century after the classic animated tale. Jon Favreau, who has some experience in the genre with 2016’s $364 million grosser TheJungleBook, directs. The computer animated animal epic features the voices of many recognizable faces. They include Donald Glover, Seth Rogen, Beyoncé, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, and James Earl Jones returning as Mufasa.
Expectations are sky high and it’s easy to see why. The Mouse Factory has achieved massive successes in this unique sub genre and have done so very recently. This May’s Aladdin now stands at over $321 million in domestic earnings. The high water mark is from 2017 with BeautyandtheBeast. It opened to $174 million and topped out at $504 million total.
The 1994 original was a phenomenon, taking in $422 million. And that was 25 years ago and would be over $800 million when adjusted for inflation. It still stands as the fourth highest grossing animated feature of all time.
Considering those gaudy numbers, TheLionKing is likely to make a killing and set a new record for the studio’s remakes. $200 million is reachable in my view, but I’ll put it a bit under that.
TheLionKing opening weekend prediction: $192.7 million
The fourth edition of ToyStory is unveiled in theaters next weekend and reviews are out today. It is the 21st film for Pixar that began in 1995 with… ToyStory. And when it comes to Oscar voters honoring the studio’s works, there’s a rich history.
Critics so far have given a 100% stamp of approval to the sequel. The Academy established the Best Animated Feature in 2001. There’s been 18 winners and half of them are Pixar pics. The studio has also nabbed two nods in Best Picture with 2009’s Up and 2010’s… ToyStory3.
First things first: there is approximately zero doubt that part four will get Animated Feature recognition. And unless something special comes along in the second half of the year (perhaps Frozen2?), it has an excellent shot at winning. It’s also feasible that it could land Pixar’s third Picture nod, but that is far less certain at this juncture.
Another category where ToyStory4 could contend is Best Original Song. There’s two possibilities: Randy Newman’s “I Can’t Let Yourself Throw Away” and “The Ballad of the Lonesome Cowboy”, which was written by Newman and is performed by country superstar Chris Stapleton.
Blogger’s Note (06/19)… and it’s a significant one. Revising my estimate down from to $191.5 million to $167.5 million.
With the release of ToyStory4 next weekend, Pixar should have no problem having the top three animated openings of all time. The big question is whether or not it manages to have the largest so far. The sequel arrives nearly a quarter century after ToyStory kicked off the Disney owned Pixar phenomenon and nearly a decade since ToyStory3. The iconic characters of Woody (Tom Hanks) and Buzz (Tim Allen) return along with the vocal works of Annie Potts, Joan Cusack, Wallace Shawn, John Ratzenberger, Estelle Harris, and the late Don Rickles. New actors joining the party include Keegan-Michael Key, Jordan Peele, Tony Hale, Christina Hendricks, and Keanu Reeves. Josh Cooley makes his directorial debut.
Each chapter in this cinematic universe has seen its overall domestic gross increase with each entry. Part 3 took in $110 million in its first frame and legged out to $415 million. That predecessor currently has the fifth highest animated start ever. ToyStory4 is in line to easily top that and more.
Last summer’s Incredibles2 nabbed the record for the genre by a wide margin when it took in $182 million. Pixar also holds the #2 spot with 2016’s FindingDory with $135 million. I don’t see Woody and Buzz’s fourth go round having any issue topping that and it could definitely hit the #1 designation.
I’ll say it falls just a manages a few million over the Incredibles sequel for a historic start.
ToyStory4 opening weekend prediction: $167.5 million
Just a day before its theatrical release, Disney’s live-action update of Aladdin had its review embargo lifted. The big-budget fantasy, which casts Will Smith in the genie role made iconic by Robin Williams in the 1992 animated feature, could’ve certainly fared worse. Based upon fears from a poorly received first trailer, some wondered if the pic would be a disaster. Most critics, while certainly mixed with some negative, haven’t been too harsh. It stands at 60% currently on Rotten Tomatoes. Particular praise has gone to the performances of Mena Massoud and Naomi Scott, who respectively play the title character and Princess Jasmine.
When it comes to these updates of studio classics, many in the past decade have scored technical nods. This includes AliceinWonderland, Maleficent, Cinderella, TheJungleBook, and BeautyandtheBeast. In 2019, Aladdin will find itself competing for space with three other Disney live-action renderings: the already released Dumbo, this summer’s TheLionKing, and this winter’s Maleficent: MistressofEvil. Don’t be surprised if TheLionKing gets the lions share of attention.
That said, Costume Design and Makeup and Hairstyling could be the two best possibilities here. My Oscar Watch posts will continue…
The second of four live-action renderings of Disney animated features in 2019, Aladdin is wishing for bountiful box office returns over Memorial Day weekend. Directed by Guy Ritchie, the musical fantasy adventure casts Will Smith as the genie in a role made iconic in 1992 by Robin Williams. In the title role is Mena Massoud with Naomi Scott as Princess Jasmine. Costars include Marwan Kenzari, Nasim Pedrad, and Billy Magnussen.
Reaction to the teaser was mixed at best. The full trailer was better received. The film follows this spring’s Dumbo, which was a bit of a disappointment with a $45 million opening gross. TheLionKing will follow later this summer with Maleficent: MistressofEvil in the year’s fourth quarter.
While there’s little doubt Aladdin will rule the holiday frame, it’s got a wide range of possibilities. The Mouse Factory’s largest start for one of its reimaginings was 2017’s BeautyandtheBeast, which roared to $174 million. Don’t expect anywhere near that kind of number. Some forecasts are putting this in the $100 million four-day ballpark, but I have serious doubts about that.
I could actually see this performing similarly to Mr. Smith’s other Memorial Day opener – 2012’s MIB3, which earned $69 million. For a Disney comp, there’s 2015’s Cinderella with its $67 million haul. Given that there’s an extra day involved, I’ll bump Aladdin up slightly.
Aladdin opening weekend prediction: $74.8 million (Friday to Monday estimate)
His fantastical literary works have made billions at the box office and now J.R.R. Tolkien gets the biopic treatment next weekend. Set during World War I, Tolkien casts Nicholas Hoult in the title role of the famed author behind LordoftheRings and TheHobbit. Finnish director Dome Karukoski is behind the camera and costars include Lily Collins, Colm Meaney, and Derek Jacobi.
This is a rare headlining role for Hoult, sandwiched between supporting parts in TheFavourite and X–Men: DarkPhoenix. Critics have been decidedly mixed and its Rotten Tomatoes score stands at 54%.
The film has the distinction of being the first Fox Searchlight project distributed by new owner Disney. With zero awards buzz and a smallish theater count of approximately 1300, Tolkien will likely struggle to even see $5 million. Just because its subject matter’s novels are box office gold doesn’t mean this will be.
Tolkien opening weekend prediction: $3.1 million
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