Tag: Disney

July 17-19 Box Office Predictions

Christopher Nolan’s eagerly awaited epic The Odyssey looks to dominate the box office charts this weekend. Perched in what has become the bankable filmmaker’s typical mid-July release date, it is the only new picture out wide and you can peruse my detailed prediction post on it here:

The Odyssey Box Office Prediction

The range for The Odyssey is all over the map for the adaptation of Homer’s tale. On the low end we are talking $80 million while the rosiest expectations have it landing around $130 million. My projection gives it nine digits out of the gate for what should be a healthy summer run.

Holdover family friendly flicks should populate spots 2-4. Disney’s Moana did not have a splashy start (more on that below) and we could see a mid 50s decline to just below $20 million. Animated efforts Minions & Monsters and Toy Story 5 should follow.

After a subpar premiere, Evil Dead Burn is likely to round out the top five with a hefty decline typical for horror fare.

Here’s how I have it shaking out:

1. The Odyssey

Predicted Gross: $106.2 million

2. Moana

Predicted Gross: $19.1 million

3. Minions & Monsters

Predicted Gross: $13.7 million

4. Toy Story 5

Predicted Gross: $12.4 million

5. Evil Dead Burn

Predicted Gross: $5.5 million

Box Office Results (July 10-12)

A lot of parents and kids sat out the live-action rendering of Disney’s Moana. With mediocre reviews and quiet buzz, the musical adventure starring Dwayne Johnson brought in $43.1 million. With a reported $250 million price tag, that’s a huge letdown for the Mouse Hunt and well under my $54.3 million prediction.

After a less than anticipated rollout over the Fourth of July frame, Minions & Monsters dropped to second with $21.1 million. That’s in range with my $20 million call as Illumination Entertainment’s latest animated comedy declined 43%. The two-week take is $108 million as it is poised to become the lowest grossing domestic earner of the seven Despicable Me/Minions sagas.

Toy Story 5 was third with $19 million, ahead of my $16.2 million forecast. The fifth feature in the Pixar franchise sits at $404 million after four weeks.

Evil Dead Burn was not a hot commodity in fourth with just $13.7 million compared to my generous $21.9 million take. The third entry in this current iteration of Dead series came in well below the mid 20s debuts of its predecessors.

Young Washington proved to be a Fourth of July play with a considerable 64% plummet in its sophomore weekend. At $6.9 million, it failed to reach my $11 million projection. The two-week total is a laudable $33 million for the Angel Studios production.

Finally, Olivia Wilde’s acclaimed comedy The Invite expanded nationwide and was sixth with $5.7 million (I said $6.4 million). It has made $7.3 million when factoring in the limited engagements that started a couple weeks back.

And that does it for now, folks! Until next time…

Oscar Predictions: Moana (2026)

Arriving in theaters this weekend and not even a decade behind the animated original, Disney’s live-action version of Moana hopes for smooth sailing at the box office. Broadway vet Thomas Kail makes his directorial debut with Dwayne Johnson headlining and Catherine Laga’aia in the title role. Costars include Rena Owen, John Tui, Frankie Adams, and Jemaine Clement.

In 2016, the Mouse House had a commercial and critical darling with the animated pic. The Rotten Tomatoes score was 95% with Metacritic at 81. A Best Animated Feature nomination followed (losing to the studio’s own Zootopia) along with an Original Song mention for “How Far I’ll Go” (written by Lin-Manuel Miranda). Reviews were not as strong for the 2024 sequel (61% RT, 58 MC) and no Oscar attention was paid.

The downward trend continues with this live-action rendering. The Tomato meter is a lowly 36% with Metacritic at 45. Even though Miranda contributes an Original Song, it’s safe to assume this Moana will not be an awards player in any way. My Oscar Prediction posts will continue…

July 10-12 Box Office Predictions

Disney’s live-action version of Moana should top the charts, but it could face choppy waters in a marketplace with competition for kiddos and their parents. We also have Evil Dead Burn, the latest entry in that 45-year-old horror franchise and the nationwide expansion of Olivia Wilde’s acclaimed comedy The Invite. You can peruse my detailed prediction posts on the newcomers here:

Moana (2026) Box Office Prediction
Evil Dead Burn Box Office Prediction
The Invite Box Office Prediction

The Mouse House will easily achieve #1 but not bragging rights for Moana. My mid 50s forecast would cook up a disappointing start for Dwayne Johnson’s latest and that would mark the second lowball family flick debut in as many weekends.

I am referring to Minions & Monsters. Its unimpressive rollout (more on that below) was a Fourth of July surprise. If it eases in the mid 40s, the latest animated adventure in the series may have to settle for third.

That’s because Evil Dead Burn seeks a runner-spot slot as it hopes to post a $20M+ opening like its predecessors. I’m projecting it will get there.

Toy Story 5 and Young Washington should round out the top five and I have each declining in the mid 40s range.

As for The Invite, a mid single digits result in its nationwide expansion should mean sixth place.

Here’s how I have it shaking out:

1. Moana

Predicted Gross: $54.3 million

2. Evil Dead Burn

Predicted Gross: $21.9 million

3. Minions & Monsters

Predicted Gross: $20 million

4. Toy Story 5

Predicted Gross: $16.2 million

5. Young Washington

Predicted Gross: $11 million

6. The Invite

Predicted Gross: $6.4 million

Box Office Results (July 3-5)

With Minions & Monsters, Illumination Entertainment experienced the smallest debut of the seven Despicable Me/Minions movies with a far less than anticipated $37 million from Friday to Sunday and $62 million since its Wednesday bow. To put it mildly, I was more optimistic with respective estimates of $66.4 million and $106.5 million. The studio was obviously banking on more fireworks at the multiplex as this received stronger reviews than its predecessors.

Toy Story 5 slid to second after two weeks in 1st with $30.3 million, under my $35.4 million call. The three-week tally builds to $365 million.

Young Washington from Angel Studios took advantage of the holiday with its historical subject and earned $19.3 million in third. That’s on par with my $18.5 million take.

Supergirl crash landed once again in its sophomore weekend with a 77% fall to $8.6 million. I thought it might only crater in the mid 60s and went with $13.2 million. Summer’s biggest bomb has collected a piddly $57 million domestically.

Disclosure Day rounded out the top five with a 30% ease and $5.7 million. I incorrectly had Steven Spielberg’s sci-fi tale on the outside looking in and it crossed the century mark at $105 million after four weeks.

Obsession finally performed like a normal summer pic by decreasing 46% in sixth with $5.2 million (I said $6.8 million). The eight-week tally is $245 million.

And that does it for now, folks! Until next time…

Moana (2026) Box Office Prediction

Out July 10th and arriving nearly a decade behind the original, Moana is Disney’s latest live-action rendering of their animated blockbusters. The musical adventure marks the directorial debut of Broadway vet Thomas Kail with Dwayne Johnson reprising his role as Maui and Catherine Laga’aia making her big screen debut in the title role. Costars include John Tui, Frankie Adams, Jemaine Clement, and Rena Owen.

In 2016, Moana kicked off with $56 million over the traditional Thanksgiving weekend and $82 million over the five-day holiday frame. The domestic haul was an eventual $248 million. Over Turkey Day in 2024, Moana 2 tremendously exceeded expectations with $139 million from Friday to Sunday, $225 million for the five-day, and $460 million overall.

The Mouse House wasted no time with this live-action version to capitalize on the franchise’s viability. An argument could be made that the eight-year wait between the first two Moana‘s helped with anticipation. That may not be the case for this version considering that two years hasn’t even lapsed. Minions & Monsters and Toy Story 5 are still offering competition for family crowds. That could spell trouble for Moana and I’m projecting only mid 50s for what would be seen as a major letdown.

Moana opening weekend prediction: $54.3 million

For my Evil Dead Burn prediction, click here:

Evil Dead Burn Box Office Prediction

For my The Invite prediction, click here:

The Invite Box Office Prediction

July 3-5 Box Office Predictions

Animation domination looks to be in order over the holiday weekend with Minions & Monsters debuting and Toy Story 5 sliding to the runner-up slot. Angel Studios is also releasing Young Washington focused on the formative years of America’s 1st POTUS. You can peruse my detailed prediction posts on the newcomers here:

Minions & Monsters Box Office Prediction
Young Washington Box Office Prediction

The seventh feature in Illumination Entertainment’s Despicable Me/Minions franchise, Monsters is unleashed on Wednesday. The Fourth of July falls on a Saturday where many families will opt for literal fireworks instead of causing financial ones at the multiplex. I’ll project mid 60s for Friday to Sunday while topping nine digits over the five-day rollout.

Young Washington‘s projections are all over the map with some as low as $10 million and others in the $30 million range. The timing of release is hopefully shrewd for its studio. I’m basically splitting the difference with a high teens gross and that should be good for third.

Toy Story 5 may lose around 50% of its audience (especially with the Minions competition) for second place. The sophomore frame decline for Supergirl should be far more significant after a weak opening (more on that below). I have it plummeting in the mid 60s for low teens while Obsession should round out the top five.

Here’s how I envision it shaking out:

1. Minions & Monsters

Predicted Gross: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)

2. Toy Story 5

Predicted Gross: $35.4 million

3. Young Washington

Predicted Gross: $18.5 million

4. Supergirl

Predicted Gross: $13.2 million

5. Obsession

Predicted Gross: $6.8 million

Box Office Results (June 26-28)

Toy Story 5 fell an understandable 56% in weekend #2 to $70.8 million after a franchise best start. I had it holding stronger at $80.6 million though Disney/Pixar is perfectly happy with the $298 million in its domestic coffers.

The story of the week was the collective meh that audiences and critics greeted Supergirl with. The second pic in the newly configured DC Universe after last summer’s Superman, the stand-alone effort for the Man of Steel’s cousin brought in only $37.1 million compared to my $44.5 million call. To put that in perspective, Superman from last summer started off with $125 million.

Obsession was third with $9.7 million, a touch more than my $9 million forecast. The horror sensation has amassed $233 million after seven weeks.

No previous Jackass flick has earned less than $20 million out of the gate before now. However, series finale Jackass: Best and Last ensured it probably will be the swan song. It opened in fourth with a disappointing $8.4 million, under my $11.3 million projection.

Disclosure Day was fifth with $8.2 million (I said $8.4 million) for an underwhelming three-week take of $94 million.

And that does it for now, folks! Until next time…

June 26-28 Box Office Predictions

Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:

Supergirl Box Office Prediction
Jackass: Best and Last Box Office Prediction

The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.

Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.

Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.

Here’s how I see the top 5 shaking out:

1. Toy Story 5

Predicted Gross: $80.6 million

2. Supergirl

Predicted Gross: $44.5 million

3. Jackass: Best and Last

Predicted Gross: $11.3 million

4. Obsession

Predicted Gross: $9 million

5. Disclosure Day

Predicted Gross: $8.4 million

Box Office Results (June 19-21)

Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.

Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.

Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.

A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).

Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.

That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

June 19-21 Box Office Predictions

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5

Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:

Toy Story 5 Box Office Prediction
The Death of Robin Hood Box Office Prediction

In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.

I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.

Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.

Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.

Here’s how I see the top 6 shaking out:

1. Toy Story 5

Predicted Gross: $166.8 million

2. Disclosure Day

Predicted Gross: $21.5 million

3. Obsession

Predicted Gross: $15.2 million

4. Backrooms

Predicted Gross: $6.6 million

5. Scary Movie

Predicted Gross: $6.1 million

Box Office Results (June 12-14)

In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.

Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.

Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.

Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.

Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.

And that does it for now, folks! Until next time…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction

June 5-7 Box Office Predictions

**Blogger’s Update (06/03): A day after posting my top 5 predictions, we are making it a top 6. The Amazing Digital Circus: The Last Act wasn’t really on my radar screen. However, the combination of episodes for the adult web animated series opens Thursday and is expected to make some noise. My $13.1 million Friday to Sunday guesstimate gives it the 5 spot, knocking The Mandalorian to sixth.

While scary movies ruled the charts in the remarkable weekend that just happened, the franchise that spoofs them returns to theaters for the first time in 13 years and should place #1. In addition to Scary Movie, He-Man is back in multiplexes after nearly 40 years offscreen with Masters of the Universe. You can peruse my detailed prediction posts on the newcomers here:

Scary Movie Box Office Prediction
Masters of the Universe Box Office Prediction

Scary Movie looks to be arriving at an opportune time as horror flicks are dominating and posting previously unthought of grosses via Backrooms and Obsession. The sixth entry in the series began in 2000, it could absolutely break the franchise opening record held by Scary Movie 3 at $48 million. I’ve got it just under in what should be an uncomplicated path to the top slot.

The race for #2 is more open. Adapting the toy line and Saturday morning cartoon that began over 40 years ago (and led to a panned Dolph Lundgren live-action version in 1987), Masters needs family audiences to turn out as teens and adults will be preoccupied with Scary Movie and scary movies. My projection of just under $30 million would be considered a letdown. If Masters does my estimated figure, it opens the door for Backrooms to be second if it drops in the 60% range. That’s what I’m saying will happen in a photo finish.

Then there’s Obsession which has built its earnings from the first week to the second to the third. As mentioned before, that’s practically unheard of for any wide release movie (let alone a horror one). I have it finally easing in the mid teens in week #4, but we’re in uncharted territory here so who knows?

After a troubling second outing, The Mandalorian and Grogu should round out the top five. Finally, Power Ballad with Paul Rudd and Nick Jonas expands nationwide. I didn’t do an individual post for it. I’ll put its wide release at $4.2 million and that’s well outside the top five.

Here’s how I have it shaking out:

1. Scary Movie

Predicted Gross: $47.5 million

2. Backrooms

Predicted Gross: $30.6 million

3. Masters of the Universe

Predicted Gross: $29.8 million

4. Obsession

Predicted Gross: $23.4 million

5. The Amazing Digital Circus: The Last Act

Predicted Gross: $13.1 million

6. The Mandalorian and Grogu

Predicted Gross: $11 million

Box Office Results (May 29-31)

Before Backrooms came out, A24’s largest opening weekend belonged to Civil War at $25 million. I knew Backrooms would blast past that record and predicted that it would more than double that figure at $57 million. I couldn’t have been more wrong. Based on the hit found footage web series, it more than tripled A24’s previous best at $81.4 million. To say the least, young viewers turned out in droves and a new franchise is undoubtedly born.

Obsession stayed in second and increased its crowd by 14% at $27.3 million, falling just below my $29.5 million prediction. The phenomenon now has $105 million in the bank after three weeks.

A week after experiencing the worst Star Wars start in the Disney era, The Mandalorian and Grogu had the heftiest percentage drop of them all. Falling 70%, it made $24.4 million compared to my $25.6 million call. The less than anticipated total is $136 million.

Michael was fourth with $11.8 million (I said $13 million) as the musical biopic has amassed $340 million after six weeks.

Nate Bargatze is a bestselling stand-up, but it didn’t translate to box office bucks in his first starring vehicle The Breadwinner. It sputtered in fifth with only $7.3 million. I was more generous at $12.1 million.

Finally, Pressure opened in seventh with $5.8 million. The well-reviewed World War II drama got beyond my $4.9 million estimate with the fifth highest per theater average in the top 10.

And that does it for now, folks! Until next time…