Kingdom of the Planet of the Apes is poised to rule over the box office charts as it looks for a similar opening to its predecessors. We also have Not Another Church Movie, spoofing the Tyler Perry assembly line of features out. You can peruse my detailed prediction posts on the newcomers here:
I have Kingdom premiering similarly to 2011’s Rise of the Planet of the Apes and 2017’s War for the Planet of the Apes and even a smidge higher. I don’t foresee it reaching the heights of 2014’s Dawn of the Planet of the Apes at $72 million.
As for Church, I’m forecasting its number of parishioners gives it a mid single digits start and that should mean a third place showing. I do believe it has a shot at over performance, per my individual write-up. It could also flame out in the low single digits (this is a tough one).
There’s no question that The Fall Guy did not exceed expectations. In fact, the action comedy with Ryan Gosling and Emily Blunt came in at the lowest end of its anticipated range (more on that below). An A- Cinemascore could mean the sophomore drop won’t be too damaging, but I suspect high 40s to low 50s is where the dip will be.
Holdovers Challengers and the re-release of Star Wars: Episode 1 – The Phantom Menace should round out the top five. The latter’s first weekend back in theaters is probably front loaded. Therefore I see Phantom sliding from 2nd to 5th and Challengers only down one spot in fourth.
Here’s how I see it shaking out:
1. Kingdom of the Planet of the Apes
Predicted Gross: $55.2 million
2. The Fall Guy
Predicted Gross: $13.3 million
3. Not Another Church Movie
Predicted Gross: $4.9 million
4. Challengers
Predicted Gross: $4.7 million
5. Star Wars: Episode 1 – The Phantom Menance
Predicted Gross: $4 million
Box Office Results (May 3-5)
Despite the Barbenheimer pedigree (the pics that ruled summer 2023), The Fall Guy‘s performance was stunted at just $27.7 million. That’s well under my $38.3 million prediction and a letdown considering the reported $150 million price tag. For the past decade and a half, the MCU/Disney has owned the first weekend of May that marks the official start of cinematic summer. With that franchise sitting it out, audiences responded with indifference to the Gosling and Blunt show.
The Mouse Factory did bank some more cash for its Star Wars franchise. Marking its 25th anniversary and despite its checkered reputation, the re-release of The Phantom Menace took in $8.7 million for second place. It certainly didn’t hurt that Saturday fell on May 4th (a sacred date for many fans). That tops my $6.8 million forecast as the first episode is now at $483 million stateside in the last quarter century.
Challengers was third with $7.5 million, on target with my $7.9 million call. Zendaya’s sports drama eased an expected 49% to bring its two-week total to $29 million.
Poorly reviewed horror flick Tarot had a fourth place debut in the cards with $6.5 million, a bit over my $5.6 million projection. Look for this to fade fast as have other recent genre offerings.
Godzilla x Kong: The New Empire rounded out the top five with $4.5 million (I said $4.7 million) to bring its haul to $188 million after six weeks.
Finally, faith-based drama Unsung Hero fell considerably further in weekend #2 than I figured. In seventh place, its $2.9 million gross was well under my estimate of $5.4 million. The total is $13 million.
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
Horror comedy Lisa Frankenstein looks to top the charts in what should be a sleepy box office frame. It’s the only new wide release hitting cineplexes and you can peruse my detailed prediction post on it here:
While I don’t have Frankenstein even achieving $10 million, my forecast is enough to put it in first position. Let’s be frank – Sunday should especially be a dead zone as many moviegoers will be preoccupied by the Chiefs and 49ers.
Argylle was ushered in as the champ this past frame (more on that below), but it underwhelmed. With a troubling C+ Cinemascore grade, I’m thinking a sophomore plummet in the range of 60% is possible.
The Chosen Season 4: Episodes 1-3 had a fruitful runner-up beginning. Yet it appears poised to drop from the high five considering its decline should be massive (probably in the 75-80% arena like its previous episodic releases).
That could leave holdovers The Beekeeper, Wonka, and Migration in their current 3-5 places. This is with a big caveat: Dune is scheduled to be re-released this weekend ahead of the sequel’s March bow and I’m waiting to see a count. I certainly believe it’s feasible that it manages a top 5 showing. Disney is also putting Turning Red back in venues. I’m less convinced it makes the five, but it’s doable. I will edit this post if I put either of them in (probably on Wednesday).
Here’s how I see it playing out:
1. Lisa Frankenstein
Predicted Gross: $6.8 million
2. Argylle
Predicted Gross: $6.1 million
3. The Beekeeper
Predicted Gross: $3.5 million
4. Wonka
Predicted Gross: $3.4 million
5. Migration
Predicted Gross: $3.2 million
Box Office Results (February 2-4)
As mentioned, Matthew Vaughn’s spy action comedy Argylle had a hollow victory at #1 with $17.4 million. That’s a tad under my $18.3 million call and not an impressive gross considering the reported king’s ransom of $200 million that Apple paid for the rights.
The Chosen Season 4: Episodes 1-3 had pleasing viewership with $5.9 million from Friday to Sunday – just ahead of my $5.4 million take. Counting its Thursday start, it has earned $7.3 million.
The Beekeeper was third in weekend #4 with $5.2 million (I went with $4.8 million) for $49 million total.
Wonka was fourth after 8 weeks with $4.6 million. My prediction? $4.6 million! The overall tally is $201 million.
Migration rounded out the top five at $4.1 million and I incorrectly had it on the outside looking in. The animated tale is up to $106 million after 7 weeks.
Mean Girls fell from 1st to 6th after three weeks atop the charts with $3.8 million compared to my $4.3 million projection. It has made $66 million.
Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million. I’m also lowering my Renaissance prediction from $8.9M to $7.6M and raising my Hunger Games estimates from $7.8M to $8.6M. This dramatically alters my previous top five.
Before some high profile holiday releases are unwrapped, it should be a quiet weekend at the box office as Hayao Miyazaki’s The Boy and the Heron is the only significant newcomer. You can peruse my detailed prediction post on it here:
After an impressive debut, Godzilla Minus One should stay in third with Trolls Band Together remaining in fourth. I have Heron rounding out the top five, just ahead of Disney’s dud Wish.
Here’s how I see it playing out:
1. The Hunger Games: The Ballad of Songbirds and Snakes
The Hunger Games: A Ballad of Songbirds and Snakes slid to second with $14.1 million in its third outing, just ahead of my $13.1 million call. The franchise prequel is up to $120 million.
In a weekend with many debuts, Godzilla Minus One achieved the largest one at $11.4 million. The Japanese was third with $11.4 million, well ahead of my $7.6 million projection. This is especially impressive since it’s making most of its green overseas.
Trolls Band Together was fourth with $7.8 million (I said $8.5 million) as the three-week total is $75 million.
Disney’s Wish tumbled a steep 61% for fifth in its sophomore frame with $7.7 million. I was more generous at $9.3 million. The two-week tally is a troubling $42 million.
The second weekend plummet was even higher for Napoleon in sixth. It was down 65% to $7.2 million compared to my $9.2 million forecast. The overall gross is $45 million.
Newcomers filled the 7-9 spots. Hindi-language action flick Animal exceeded my expectations in seventh with $6.4 million. I said $4 million.
Sci-fi tale The Shift from Angel Studios was eighth with $4.6 million. That’s in line with my expectations at $4.3 million.
John Woo’s Silent Night was quiet in ninth with $3 million. That’s below my expectations as I went with $5 million.
Lastly, Eli Roth’s slasher Thanksgiving was tenth with $2.6 million, a tad under my $3.3 million prediction. Total is $28 million.
It is common to see hefty drops after the Turkey Day weekend and that should apply to the leftovers. The Hunger Games: The Ballad of Songbirds and Snakes (after surprisingly staying at #1 over the holiday) should slide to second with a mid 50s decline.
After that… it’s a crapshoot. Any of the newcomers could post better figures than my calls. However, I have all four making between $5-8 million and each falling outside the top five.
That’s because Napoleon, Wish, and Trolls Band Together may all flirt with $10 million. I’ve got the trio falling under that for a close finish between 3-5.
With all the newbies, I’ll expand to a top ten outlook and here’s how I see it:
2. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $13.1 million
3. Wish
Predicted Gross: $9.3 million
4. Napoleon
Predicted Gross: $9.2 million
5. Trolls World Tour
Predicted Gross: $8.5 million
6. Godzilla Minus One
Predicted Gross: $7.6 million
7. Silent Night
Predicted Gross: $5 million
8. The Shift
Predicted Gross: $4.6 million
9. Animal
Predicted Gross: $4 million
10. Thanksgiving
Predicted Gross: $3.3 million
Box Office Results (November 24-26)
In one of the most unexpected upsets in recent memory, The Hunger Games: The Ballad of Songbirds and Snakes had a far better than anticipated sophomore hold to rather easily take the holiday weekend. The franchise prequel eased a mere 35% for $29 million from Friday to Sunday, surpassing my $20.3 million projection with flying colors. The ten-day take is now $98 million.
Ridley Scott’s bio-epic Napoleon with Joaquin Phoenix was second as it slightly rose above forecasts. It made $20.6 million from Friday to Sunday and $32.7 million when counting Wednesday and Thursday. That’s ahead of my respective $18.2 million and $28.5 million takes. With a weak B- Cinemascore grade, it may fade rather quickly.
After the massive flop that was The Marvels, the news didn’t get better for the Mouse House as the animated Wish was granted a tepid start in third. With ho-hum reviews, the Disney title fell far short of hopes with $19.6 million over the three-day and $31.6 million since Wednesday. I (along with most others) predicted a first place showing and had it at $32.2 million and $46.4 million. Ouch.
Trolls Band Together, in weekend two, was fourth with $17.8 million. I was more generous at $22.6 million and the DreamWorks Animated sequel has made $64 million after ten days.
Eli Roth’s slasher Thanksgiving capitalized on that title with a fifth place slot and $7 million (I said $6.5 million). The ten-day tally is a respectable $24 million, especially since it comes with a low budget.
The Thanksgiving box office gives us two high-profile releases mixed with the leftovers as Disney’s Wish and Ridley Scott’s Napoleon come out Wednesday. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House certainly wishes that Wish was getting better reviews and word-of-mouth. That said, the studio should have no trouble nabbing the top spot over the holiday frame. I’ve got the three-day in the low 30s and five-day in the mid 40s.
Napoleon with Joaquin Phoenix as the military leader is also generating so-so buzz. It is a viable option for adults looking a Turkey Day frame trip to the multiplex. A high teens Friday to Sunday might leave it in fourth position with a five-day approaching $30 milion.
After a premiere in the lower end of its anticipated range, The Hunger Games: The Ballad of Songbirds & Snakes may ease 50-55% in its sophomore outing. That might mean a drop to third as Trolls Band Together should see a more meager slide (20-25%) in its second weekend and stay in the runner-up spot.
Eli Roth’s slasher Thanksgiving could capitalize on its name and have a smaller than normal decline for its genre. If it eases 40% or so, it should round out the high five as The Marvels might not make the top quintet (more on its poor performance below).
Here’s how I see it shaking out:
1. Wish
Predicted Gross: $32.2 million (Friday to Sunday); $46.4 million
2. Trolls Band Together
Predicted Gross: $22.6 million
3. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $2o.3 million
4. Napoleon
Predicted Gross: $18.2 million (Friday to Sunday); $28.5 million
5. Thanksgiving
Predicted Gross: $6.5 million
Box Office Results (November 17-19)
The Hunger Games: The Ballad of Songbirds & Snakes, as expected, ruled the charts like its predecessors. Yet it came in considerably below the four entries it prequels. While parts I-IV from 2012-15 all opened to more than $100 million, Ballad managed $44.6 million (a touch under my $48.3 million projection). It’s not a disaster considering the reported $100 million budget, but it’s definitely not a shining victory.
Trolls Band Together opened in second with a solid $30 million, surpassing my $26.7 million take. The DreamWorks Animated threequel should hold up well during the holiday season.
Thanksgiving cut a $10.3 million gross for third place as the fake trailer turned feature came in just behind my $11.4 million forecast. Not too shabby as the budget is listed at $12.6 million.
The Marvels fell from first to fourth with a disastrous second weekend after a disastrous first. The MCU bomb (first time you’ve ever heard it) plummeted 78% to $10.1 million. I was more kind at $15.6 million. With $64 million in the bank after 10 days, it’s questionable whether Captain Marvel and her friends even reach $100 million domestically.
Five Nights at Freddy’s rounded out the top five with $3.5 million (I said $4.5 million) to brings its four-week total to $132 million.
Finally, Taika Waititi’s oft-delayed sports dramedy Next Goal Wins couldn’t find an audience. It was 8th with $2.5 million compared to my $3.8 million prediction.
And that does it for now, folks! Have a great Thanksgiving!
It has been a lengthy three weeks since my last Oscar predictions and there’s developments to discuss. One of the final major awards puzzle pieces held its first screenings this week in The Color Purple. The musical based on the play that is based on the movie that is based on the novel has drawn encouraging reactions thus far. In fact, they’re positive enough that I’m glad I’ve never dropped it from my ten BP nominees. And I suspect I’ve made the right call in keeping Danielle Brooks placed at #1 in Supporting Actress for quite some time. Same goes for Taraji P. Henson getting recognized in that category. I also think Fantasia Barrino’s lead performance is a decent (if not slam dunk pick) for the crowded Best Actress race and that Colman Domingo could materialize in Supporting Actor. He may miss the cut and get the sole nod in Actor for Rustin (though the double nominee threat is real). Barrino joins my projected quintet in Actress with Greta Lee (Past Lives) falling by the wayside.
A24 has also screened true life wrestling drama The Iron Claw before its December 22nd bow. Word-of-mouth is also strong for this one. Yet I wonder if A24 will go all in on their campaign. If so, a BP nod is not totally out of the question. It’s listed in my top 15, but at the moment I believe it’s on the outside looking in and I have it listed nowhere else as a possibility.
Napoleon falls out of BP contention due to mixed reaction as does Joaquin Phoenix in Best Actor. Ridley Scott’s epic could still show up in some tech races. Another Thanksgiving release lessened its chances this week in Disney’s Wish. The animated musical also is garnering so-so buzz. The fact that it’s a Mouse House production could mean it makes the Animated Feature cut. For now, it moves out of the high five.
While it has been a little while since my previous update, Picture, Director, and Supporting Actor have the same nominees (albeit with some movement in the rankings). In Actor, Colman Domingo as Rustin is back in over Jeffrey Wright (American Fiction). Sandra Hüller becomes my rare double contender prediction as I now have her in Supporting Actress (taking out Viola Davis in Air).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Holdovers (PR: 6) (+1)
6. The Color Purple (PR: 8) (+2)
7. Maestro (PR: 5) (-2)
8. The Zone of Interest (PR: 9) (+1)
9. Past Lives (PR: 7) (-2)
10. American Fiction (PR: 10) (E)
Other Possibilities:
11. Anatomy of a Fall (PR: 11) (E)
12. Air (PR: 12) (E)
13. Spider-Man: Across the Spider-Verse (PR: 14) (+1)
14. Saltburn (PR: 15) (+1)
15. The Iron Claw (PR: Not Ranked)
Dropped Out:
Napoleon
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 6) (E)
7. Bradley Cooper, Maestro (PR: 8) (+1)
8. Justine Triet, Anatomy of a Fall (PR: 7) (-1)
9. Blitz Bazawule, The Color Purple (PR: 10) (+1)
10. Celine Song, Past Lives (PR: 9) (-1)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Fantasia Barrino, The Color Purple (PR: 8) (+3)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 6) (E)
7. Cailee Spaeny, Priscilla (PR: 7) (E)
8. Annette Bening, Nyad (PR: 9) (+1)
9. Greta Lee, Past Lives (PR: 5) (-4)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Bradley Cooper, Maestro (PR: 1) (E)
2. Cillian Murphy, Oppenheimer (PR: 2) (E)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (E)
4. Colman Domingo, Rustin (PR: 6) (+2)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, American Fiction (PR: 5) (-1)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Barry Keoghan, Saltburn (PR: 8) (E)
9. Teo Yoo, Past Lives (PR: 10) (+1)
10. Koji Yakusho, Perfect Days (PR: Not Ranked)
Dropped Out:
Joaquin Phoenix, Napoleon
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 4) (+1)
4. Emily Blunt, Oppenheimer (PR: 3) (-1)
5. Sandra Hüller, The Zone of Interest (PR: 10) (+5)
Other Possibilities:
6. Jodie Foster, Nyad (PR: 8) (+2)
7. Julianne Moore, May December (PR: 7) (E)
8. Viola Davis, Air (PR: 5) (-3)
9. Penelope Cruz, Ferrari (PR: 6) (-3)
10. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 9) (-1)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Robert De Niro, Killers of the Flower Moon (PR: 3) (E)
4. Mark Ruffalo, Poor Things (PR: 4) (E)
5. Charles Melton, May December (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, The Color Purple (PR: 8) (+2)
7. Willem Dafoe, Poor Things (PR: 6) (-1)
8. Dominic Sessa, The Holdovers (PR: 7) (-1)
9. John Magaro, Past Lives (PR: 10) (+1)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. The Holdovers (PR: 2) (E)
3. Past Lives (PR: 3) (E)
4. Anatomy of a Fall (PR: 4) (E)
5. May December (PR: 7) (+2)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. Air (PR: 5) (-2)
8. Saltburn (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Asteroid City (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. The Zone of Interest (PR: 6) (+1)
Other Possibilities:
6. All of Us Strangers (PR: 5) (-1)
7. The Color Purple (PR: 7) (E)
8. Are You There God? It’s Me, Margaret (PR: 9) (+1)
9. The Taste of Things (PR: 8) (-1)
10. Spider-Man: Across the Spider-Verse (PR: Not Ranked)
Dropped Out:
Priscilla
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. The Teachers’ Lounge (PR: 4) (E)
5. Fallen Leaves (PR: 5 (E)
Other Possibilities:
6. Society of the Snow (PR: 6) (E)
7. About Dry Grasses (PR: 7) (E)
8. The Promised Land (PR: 9) (+1)
9. The Monk and the Gun (PR: 10) (+1)
10. The Peasants (PR: 8) (-2)
Best Animated Feature Film
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
6. Spider-Man: Across the Spider-Verse (PR: 10) (+4)
7. The Zone of Interest (PR: 6) (-1)
8. The Killer (PR: 9) (+1)
9. The Boy and the Heron (PR: Not Ranked)
10. Carmen (PR: 7) (-3)
Dropped Out:
Asteroid City
Best Original Song
Predicted Nominees:
1. “What Was I Made For?” from Barbie (PR: 2) (+1)
2. “I’m Just Ken” from Barbie (PR: 4) (+2)
3. “Road to Freedom” from Rustin (PR: 5) (+2)
4. “Quiet Eyes” from Past Lives (PR: 6) (+2)
5. “Keep It Movin” from The Color Purple (PR: 1) (-4) – **previously listed at #1 as TBD song
Other Possibilities:
6. “Gonna Be You” from 80 for Brady (PR: 9) (+3)
7. “This Wish” from Wish (PR: 3) (-4)
8. “Joan Still” from Theater Camp (PR: 7) (-1)
9. “Dance the Night” from Barbie (PR: 8) (-1)
10. “Meet in the Middle” from Flora and Son (PR: Not Ranked)
Dropped Out:
“Steal the Show” from Elemental
Best Production Design
Predicted Nominees:
1. Barbie (PR: 2) (+1)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 3) (E)
4. Napoleon (PR: 7) (+3)
5. The Color Purple (PR: 4) (-1)
Other Possibilities:
6. Asteroid City (PR: 5) (-1)
7. Oppenheimer (PR: 6) (-1)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. The Color Purple (PR: 4) (+2)
3. Maestro (PR: 7) (+4)
4. The Killer (PR: 9) (+5)
5. Ferrari (PR: 3) (-2)
Other Possibilities:
6. Napoleon (PR: 2) (-4)
7. Killers of the Flower Moon (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 5) (-3)
9. The Zone of Interest (PR: 8) (-1)
10. Barbie (PR: Not Ranked)
Dropped Out:
The Creator
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. The Creator (PR: 2) (E)
3. Guardians of the Galaxy Vol. 3 (PR: 4) (+1)
4. Poor Things (PR: 3) (-1)
5. Rebel Moon – Part One: A Child of Fire (PR: 7) (+2)
Other Possibilities:
6. Dungeons & Dragons: Honor Among Thieves (PR: 6) (E)
7. Indiana Jones and the Dial of Destiny (PR: 8) (+1)
8. Napoleon (PR: 5) (-3)
9. Killers of the Flower Moon (PR: 10) (+1)
10. Wonka (PR: 9) (-1)
That adds up to these pictures generating these numbers of nominations:
12 Nominations
Poor Things
11 Nominations
Killers of the Flower Moon, Oppenheimer
9 Nominations
Barbie, The Color Purple
6 Nominations
Maestro
5 Nominations
The Holdovers, The Zone of Interest
4 Nominations
Past Lives
2 Nominations
American Fiction, Anatomy of a Fall, Elemental, Guardians of the Galaxy Vol. 3, May December, Priscilla, Rustin
1 Nomination
20 Days in Mariupol, Air, Beyond Utopia, The Boy and the Heron, The Creator, Fallen Leaves, Ferrari, Four Daughters, The Killer, Napoleon, Nimona, The Peasants, Perfect Days, Rebel Moon – Part One: A Child of Fire, Spider-Man: Across the Spider-Verse, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Teachers’ Lounge
In 2023, Disney finds itself in the rather rare position of not having a Best Animated Feature frontrunner at the Oscars. The category started in 2001 and 15 of the 22 previous winners have been released by the Mouse House. This summer’s Elemental got decent enough reviews that it probably has a spot in the eventual five nominees.
I’m not sure the same can be said for Wish. The musical from directors Chris Buck and Fawn Veerasunthorn and featuring the voices of West Side Story gold statue recipient Ariana DeBose and Chris Pine comes out over the Thanksgiving holiday. With its review embargo lifted, the Tomato meter is at only 62%. That is certainly below most Disney animated offerings and it brings awards viability into question.
In my view, Elemental (a bit fresher at 74%) is behind Spider-Man: Across the Spider-Verse (definitely the favorite) and The Boy and the Heron. I still think it gets in. That leaves two spots. Wish will need to compete with Teenage Mutant Ninja Turtles: Mutant Mayhem, Chicken Run: Dawn of the Nugget, Nimona, and The Peasants to make the cut. Its legendary studio will need to work their campaigning magic to have two competitors in the race.
Wish may have a slightly better shot at Original Song with DeBose singing “This Wish”. Yet it’s quite possible that Wish could be granted zero nominations. My Oscar Prediction posts will continue…
The musical fantasy would love to replicate the performance of the Frozen entries, but would certainly settle for the earnings of pre-COVID Turkey weekend offerings. In 2016, Moana opened to $56 million from Friday to Monday and $82 million when counting Wednesday and Thursday of the holiday frame. Coco in 2017 started off with $50 million over the three-day and $72 million for the five-day. In 2018, Ralph Breaks the Internet took in $56 million from Friday to Monday and $84 million over the extended holiday.
On the other hand, the Mouse House wants to avoid a Good Dinosaur level performance from 2015. It made $39 million for the three-day and $55 million with the extras.
My hunch is that Wish is granted a performance closest to Coco levels while not quite reaching those figures. I’ll project a mid to high 40s output over the regular weekend and mid to high 60s when factoring in those extra days when kiddos are out of school.
Wish opening weekend prediction: $32.2 million (Friday to Monday); $46.4 million (Wednesday to Sunday)
When the Sundance Film Festival screened the psychological drama Magazine Dreams back in January, the Best Actor competition at the Oscars appeared to pick up a likely contender at an early stage. Jonathan Majors was on a roll having appeared as antagonist Kang the Conquerer in Ant-Man and the Wasp: Quantumania with his villainous role in Creed III on deck.
Dreams, while not achieving across the board raves for the picture itself, saw its lead heavily praised. Portraying a mentally unbalanced bodybuilder, Majors immediately garnered awards buzz. Disney (via subsidiary Searchlight) acquired distribution rights with plans for a spirited campaign in the lead actor race. When I wrote my Oscar Predictions post for Dreams at that time, I felt that Majors might be a can’t miss prospect for one of the five spots.
On March 25th, Majors was arrested on various assault charges. Earlier this week, his trial was set for late November. And today, Disney/Searchlight pulled Dreams from December 8th to a dreaded TBD status.
Obviously there are issues bigger than film and this is one of them. The career of Majors will be majorly impacted by the result of the pending proceedings. Yet Oscar speculation is what I focus on with this blog. The rescheduling news probably confirms that this performance is no longer a viable prospect this year or any other. Do not be surprised if Dreams is relegated to a Hulu streaming bow sometime next year with no theatrical output at all. It’s a remarkable turnaround from where we were in January.
All My Life... I Wanted To Be A Blogster 