August 7-9 Box Office Predictions

A history making weekend just occurred at the box office with Spider-Man: Brand New Day and The Odyssey breaking records. The blockbuster duo should easily rule the charts once again but we do have newcomers jockeying for third place. The Broken Lizard comedy gang returns in Super Troopers 3 while Monica Barbaro and Callum Turner headline the rom com One Night Only. You can peruse my detailed prediction posts on them here:

We’ll get to the newbies in a minute, but let’s talk Spidey. Brand New Day, the 38th overall MCU pic and 4th franchise effort with Tom Holland in the title role, swung the best opening weekend ever domestically (more on that below). Edging out seven-year record holder Avengers: Endgame by $3 million, Day could be in contention for the highest second frame of all time. In order to do so, it would need to top the $149 million that Star Wars: The Force Awakens earned in 2015 (Endgame did $147 million in its sophomore outing). I’m projecting it’ll get there with a gross just north of $150 million.

Christopher Nolan’s epic The Odyssey should continue its fantastic run with a second place finish in the $30-35 million range.

Third place is more of a question mark and I’m predicting a photo finish between One Night and Troopers. I don’t see either of them greatly exceeding expectations. My $7-8 million take on both gives Night minor bragging rights in third.

Toy Story 5 should place fifth and here’s how I have it shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $153 million

2. The Odyssey

Predicted Gross: $31.6 million

3. One Night Only

Predicted Gross: $7.8 million

4. Super Troopers 3

Predicted Gross: $7.6 million

5. Toy Story 5

Predicted Gross: $4.9 million

Box Office Results (July 31-August 2)

Spider-Man: Brand New Day astonished prognosticators and pummeled my prediction by nearly $100 million (!) as the MCU sequel swung $360 million. That’s way beyond my $268 million take and ahead of Endgame‘s $357 million record. Audience anticipation was clearly sky high after 2021 predecessor No Way Home as this looks to dominate August at multiplexes.

The Odyssey landed another $51 million in its third weekend to bring its gargantuan total to $395 million. That added coin, coupled with Spider-Man, contributed to the best box office weekend in history (unadjusted for inflation). My projection was slightly lower at $48.5 million.

Toy Story 5 was third in its seventh go-round with $6.7 million, a tad more than my $6.1 million call. The Pixar sequel has hauled in $462 million thus far.

Minions & Monsters was fourth with $6 million compared to my $5.6 million forecast for a five-week tally of $168 million.

Disney’s Moana rounded out the top five with $5.6 million (I said $5.7 million) for $115 million after four weeks.

And that does it for now, folks! Until next time…

July 31-August 2 Box Office Predictions

Blogger’s Note (07/29): Spidey prediction was raised from $251 million to $268 million. That’s means I’m projecting it gets the #2 all-time domestic debut.

After a year away from multiplexes, the Marvel Cinematic Universe swings back into theaters with Spider-Man: Brand New Day. The fourth entry in Tom Holland’s web slinger franchise seeks and is highly likely to achieve 2026’s largest domestic debut. My detailed prediction post for it can be accessed here:

The year’s biggest stateside premiere belongs to Toy Story 5 at $159 million and Spidey should have no trouble toppling that record. A better question is where it’ll rank all-time in the U.S. and Canada. Projections are rising among some prognosticators. While the $357 million hauled in by Avengers: Endgame appears safe, some believe #2 could be in danger. That’s held by Brand predecessor Spider-Man: No Way Home at $260 million. My number puts it in fourth (and fourth MCU overall) just behind Avengers: Infinity War ($257 million) and ahead of Star Wars: The Force Awakens ($247 million).

After two impressive stints in first, Christopher Nolan’s The Odyssey will fall to second. While its sophomore weekend hold was dynamite (more on that below), I’ll project a mid-40s decline this time around due to Mr. Holland’s other adventure.

The rest of top six should be a close race between family fare Toy Story 5, Moana, and Minions & Monsters. Here’s how I have it shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $268 million

2. The Odyssey

Predicted Gross: $48.5 million

3. Toy Story 5

Predicted Gross: $6.1 million

4. Moana

Predicted Gross: $5.7 million

5. Minions & Monsters

Predicted Gross: $5.6 million

Box Office Results (July 24-26)

The Odyssey continued its fabulous box office journey with a scant 27% ease in weekend #2. Adding $90 million to its coffers, the eventual Oscar contender has amassed $289 million as it breezed past my $74.6 million prediction. After a massive start, word-of-mouth is clearly assisting Nolan’s latest.

Moana was second with $10.6 million, in range with my $10.2 million estimate. The live-action version of Disney’s 2016 animated feature passed nine digits with $102 million after three weeks. There’s no doubt the studio was hoping for more at this juncture.

Hadestown: The Musical, a stage recording of the Broadway smash, kicked off with $10.2 million in third and ahead of my $8.5 million call. Initially set for a five-day engagement in theaters, demand has changed the release plan.

Toy Story 5 was fourth with $10.1 million (I said $9.7 million) for a six-week tally of $448 million. Animated competition Minions & Monsters rounded out the top five with $9.7 million compared to my $9 million take. In four weeks, it has taken in $155 million.

And that does it for now, folks! Until next time…

July 24-26 Box Office Predictions

Blogger’s Update (07/22): Hadestown: The Musical, captures a live recording of the Tony award winning smash and has a five-day theatrical run beginning Friday. I did not do an individiual prediction post for it since I am still unaware of its theater count. That said, pre-sales look strong so I’m projecting it falls just under $10 million for fifth place. Under the right circumstances, it could be as high as second.

With epic hit The Odyssey entering a fruitful second frame and Spider-Man: Brand New Day hitting on July 31st, studios are avoiding any significant wide releases this weekend.

Christopher Nolan’s awards contender based on Homer’s Greek works exceeded expectations (more on that below). Along with critics, moviegoers are on its side with an A Cinemascore grade and 97% audience score on RT. The filmmaker’s Oscar-winning predecessor Oppenheimer declined 43% in its sophomore outing and I could see a similar result here. In fact, I think it might witness a smaller percentage drop. That would mean a gross nearing or at $75 million.

Disney should once again hold spots 2-3 with Moana and Toy Story 5 while Illuminations Entertainment’s Minions & Monsters places fourth. The grosses for the three family offerings could be close and that makes the rankings slightly tricky to call.

Here’s how I see it shaking out:

1. The Odyssey

Predicted Gross: $74.6 million

2. Moana

Predicted Gross: $10.2 million

3. Toy Story 5

Predicted Gross: $9.7 million

4. Minions & Monsters

Predicted Gross: $9 million

5. Hadestown: The Musical

Predicted Gross: $8.5 million

Box Office Results (July 17-19)

As mentioned, The Odyssey began its powerful and likely long cinematic journey to grand results with $123.5 million. That’s ahead of my $106.2 million prediction and boasts the third highest domestic Nolan debut behind The Dark Knight Rises and The Dark Knight. It is also the greatest foreign start for any feature from the auteur.

Moana fell a steep but anticipated 58% to second with $17.9 million compared to my $19.1 million projection. The underwhelming two-week results for the Mouse House are $81 million.

Toy Story 5 was third with $13.7 million, a tad more than my $12.4 million forecast. Disney is not underwhelmed in this case with $429 million in five weeks.

Minions & Monsters was right behind in fourth with $13.6 million, on target with my $13.7 million estimate. The three-week tally is $136 million.

Finally, Evil Dead Burn was fifth with $4.7 million (I said $5.5 million) with a 65% drop in weekend #2. The total is $23 million.

And that does it for now, folks! Until next time…

July 17-19 Box Office Predictions

Christopher Nolan’s eagerly awaited epic The Odyssey looks to dominate the box office charts this weekend. Perched in what has become the bankable filmmaker’s typical mid-July release date, it is the only new picture out wide and you can peruse my detailed prediction post on it here:

The range for The Odyssey is all over the map for the adaptation of Homer’s tale. On the low end we are talking $80 million while the rosiest expectations have it landing around $130 million. My projection gives it nine digits out of the gate for what should be a healthy summer run.

Holdover family friendly flicks should populate spots 2-4. Disney’s Moana did not have a splashy start (more on that below) and we could see a mid 50s decline to just below $20 million. Animated efforts Minions & Monsters and Toy Story 5 should follow.

After a subpar premiere, Evil Dead Burn is likely to round out the top five with a hefty decline typical for horror fare.

Here’s how I have it shaking out:

1. The Odyssey

Predicted Gross: $106.2 million

2. Moana

Predicted Gross: $19.1 million

3. Minions & Monsters

Predicted Gross: $13.7 million

4. Toy Story 5

Predicted Gross: $12.4 million

5. Evil Dead Burn

Predicted Gross: $5.5 million

Box Office Results (July 10-12)

A lot of parents and kids sat out the live-action rendering of Disney’s Moana. With mediocre reviews and quiet buzz, the musical adventure starring Dwayne Johnson brought in $43.1 million. With a reported $250 million price tag, that’s a huge letdown for the Mouse Hunt and well under my $54.3 million prediction.

After a less than anticipated rollout over the Fourth of July frame, Minions & Monsters dropped to second with $21.1 million. That’s in range with my $20 million call as Illumination Entertainment’s latest animated comedy declined 43%. The two-week take is $108 million as it is poised to become the lowest grossing domestic earner of the seven Despicable Me/Minions sagas.

Toy Story 5 was third with $19 million, ahead of my $16.2 million forecast. The fifth feature in the Pixar franchise sits at $404 million after four weeks.

Evil Dead Burn was not a hot commodity in fourth with just $13.7 million compared to my generous $21.9 million take. The third entry in this current iteration of Dead series came in well below the mid 20s debuts of its predecessors.

Young Washington proved to be a Fourth of July play with a considerable 64% plummet in its sophomore weekend. At $6.9 million, it failed to reach my $11 million projection. The two-week total is a laudable $33 million for the Angel Studios production.

Finally, Olivia Wilde’s acclaimed comedy The Invite expanded nationwide and was sixth with $5.7 million (I said $6.4 million). It has made $7.3 million when factoring in the limited engagements that started a couple weeks back.

And that does it for now, folks! Until next time…

Oscar Predictions: Moana (2026)

Arriving in theaters this weekend and not even a decade behind the animated original, Disney’s live-action version of Moana hopes for smooth sailing at the box office. Broadway vet Thomas Kail makes his directorial debut with Dwayne Johnson headlining and Catherine Laga’aia in the title role. Costars include Rena Owen, John Tui, Frankie Adams, and Jemaine Clement.

In 2016, the Mouse House had a commercial and critical darling with the animated pic. The Rotten Tomatoes score was 95% with Metacritic at 81. A Best Animated Feature nomination followed (losing to the studio’s own Zootopia) along with an Original Song mention for “How Far I’ll Go” (written by Lin-Manuel Miranda). Reviews were not as strong for the 2024 sequel (61% RT, 58 MC) and no Oscar attention was paid.

The downward trend continues with this live-action rendering. The Tomato meter is a lowly 36% with Metacritic at 45. Even though Miranda contributes an Original Song, it’s safe to assume this Moana will not be an awards player in any way. My Oscar Prediction posts will continue…

July 10-12 Box Office Predictions

Disney’s live-action version of Moana should top the charts, but it could face choppy waters in a marketplace with competition for kiddos and their parents. We also have Evil Dead Burn, the latest entry in that 45-year-old horror franchise and the nationwide expansion of Olivia Wilde’s acclaimed comedy The Invite. You can peruse my detailed prediction posts on the newcomers here:

The Mouse House will easily achieve #1 but not bragging rights for Moana. My mid 50s forecast would cook up a disappointing start for Dwayne Johnson’s latest and that would mark the second lowball family flick debut in as many weekends.

I am referring to Minions & Monsters. Its unimpressive rollout (more on that below) was a Fourth of July surprise. If it eases in the mid 40s, the latest animated adventure in the series may have to settle for third.

That’s because Evil Dead Burn seeks a runner-spot slot as it hopes to post a $20M+ opening like its predecessors. I’m projecting it will get there.

Toy Story 5 and Young Washington should round out the top five and I have each declining in the mid 40s range.

As for The Invite, a mid single digits result in its nationwide expansion should mean sixth place.

Here’s how I have it shaking out:

1. Moana

Predicted Gross: $54.3 million

2. Evil Dead Burn

Predicted Gross: $21.9 million

3. Minions & Monsters

Predicted Gross: $20 million

4. Toy Story 5

Predicted Gross: $16.2 million

5. Young Washington

Predicted Gross: $11 million

6. The Invite

Predicted Gross: $6.4 million

Box Office Results (July 3-5)

With Minions & Monsters, Illumination Entertainment experienced the smallest debut of the seven Despicable Me/Minions movies with a far less than anticipated $37 million from Friday to Sunday and $62 million since its Wednesday bow. To put it mildly, I was more optimistic with respective estimates of $66.4 million and $106.5 million. The studio was obviously banking on more fireworks at the multiplex as this received stronger reviews than its predecessors.

Toy Story 5 slid to second after two weeks in 1st with $30.3 million, under my $35.4 million call. The three-week tally builds to $365 million.

Young Washington from Angel Studios took advantage of the holiday with its historical subject and earned $19.3 million in third. That’s on par with my $18.5 million take.

Supergirl crash landed once again in its sophomore weekend with a 77% fall to $8.6 million. I thought it might only crater in the mid 60s and went with $13.2 million. Summer’s biggest bomb has collected a piddly $57 million domestically.

Disclosure Day rounded out the top five with a 30% ease and $5.7 million. I incorrectly had Steven Spielberg’s sci-fi tale on the outside looking in and it crossed the century mark at $105 million after four weeks.

Obsession finally performed like a normal summer pic by decreasing 46% in sixth with $5.2 million (I said $6.8 million). The eight-week tally is $245 million.

And that does it for now, folks! Until next time…

Moana (2026) Box Office Prediction

Out July 10th and arriving nearly a decade behind the original, Moana is Disney’s latest live-action rendering of their animated blockbusters. The musical adventure marks the directorial debut of Broadway vet Thomas Kail with Dwayne Johnson reprising his role as Maui and Catherine Laga’aia making her big screen debut in the title role. Costars include John Tui, Frankie Adams, Jemaine Clement, and Rena Owen.

In 2016, Moana kicked off with $56 million over the traditional Thanksgiving weekend and $82 million over the five-day holiday frame. The domestic haul was an eventual $248 million. Over Turkey Day in 2024, Moana 2 tremendously exceeded expectations with $139 million from Friday to Sunday, $225 million for the five-day, and $460 million overall.

The Mouse House wasted no time with this live-action version to capitalize on the franchise’s viability. An argument could be made that the eight-year wait between the first two Moana‘s helped with anticipation. That may not be the case for this version considering that two years hasn’t even lapsed. Minions & Monsters and Toy Story 5 are still offering competition for family crowds. That could spell trouble for Moana and I’m projecting only mid 50s for what would be seen as a major letdown.

Moana opening weekend prediction: $54.3 million

For my Evil Dead Burn prediction, click here:

For my The Invite prediction, click here:

July 3-5 Box Office Predictions

Animation domination looks to be in order over the holiday weekend with Minions & Monsters debuting and Toy Story 5 sliding to the runner-up slot. Angel Studios is also releasing Young Washington focused on the formative years of America’s 1st POTUS. You can peruse my detailed prediction posts on the newcomers here:

The seventh feature in Illumination Entertainment’s Despicable Me/Minions franchise, Monsters is unleashed on Wednesday. The Fourth of July falls on a Saturday where many families will opt for literal fireworks instead of causing financial ones at the multiplex. I’ll project mid 60s for Friday to Sunday while topping nine digits over the five-day rollout.

Young Washington‘s projections are all over the map with some as low as $10 million and others in the $30 million range. The timing of release is hopefully shrewd for its studio. I’m basically splitting the difference with a high teens gross and that should be good for third.

Toy Story 5 may lose around 50% of its audience (especially with the Minions competition) for second place. The sophomore frame decline for Supergirl should be far more significant after a weak opening (more on that below). I have it plummeting in the mid 60s for low teens while Obsession should round out the top five.

Here’s how I envision it shaking out:

1. Minions & Monsters

Predicted Gross: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)

2. Toy Story 5

Predicted Gross: $35.4 million

3. Young Washington

Predicted Gross: $18.5 million

4. Supergirl

Predicted Gross: $13.2 million

5. Obsession

Predicted Gross: $6.8 million

Box Office Results (June 26-28)

Toy Story 5 fell an understandable 56% in weekend #2 to $70.8 million after a franchise best start. I had it holding stronger at $80.6 million though Disney/Pixar is perfectly happy with the $298 million in its domestic coffers.

The story of the week was the collective meh that audiences and critics greeted Supergirl with. The second pic in the newly configured DC Universe after last summer’s Superman, the stand-alone effort for the Man of Steel’s cousin brought in only $37.1 million compared to my $44.5 million call. To put that in perspective, Superman from last summer started off with $125 million.

Obsession was third with $9.7 million, a touch more than my $9 million forecast. The horror sensation has amassed $233 million after seven weeks.

No previous Jackass flick has earned less than $20 million out of the gate before now. However, series finale Jackass: Best and Last ensured it probably will be the swan song. It opened in fourth with a disappointing $8.4 million, under my $11.3 million projection.

Disclosure Day was fifth with $8.2 million (I said $8.4 million) for an underwhelming three-week take of $94 million.

And that does it for now, folks! Until next time…

June 26-28 Box Office Predictions

Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:

The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.

Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.

Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.

Here’s how I see the top 5 shaking out:

1. Toy Story 5

Predicted Gross: $80.6 million

2. Supergirl

Predicted Gross: $44.5 million

3. Jackass: Best and Last

Predicted Gross: $11.3 million

4. Obsession

Predicted Gross: $9 million

5. Disclosure Day

Predicted Gross: $8.4 million

Box Office Results (June 19-21)

Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.

Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.

Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.

A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).

Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.

That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…