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2020 Oscar Predictions: September 24th Edition

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It’s a new week for Oscar predicting and there’s been some significant developments over the past seven days!

Of particular note is the news that Steven Spielberg’s remake of West Side Story has been pushed back to December 2021. You will see it drop off all the categories where I had it as a possibility and that includes Picture (where I had it the final 9), Director, Actress, Supporting Actress, and Adapted Screenplay.

I am also jumping off the Dune train for now. Part of this is uncertainty as to whether it will be released by the February deadline. The other part is general uncertainty if it’s Oscar material. Hopefully we will find out sooner than later. I still have it listed as a possibility in Picture, Director, and Adapted Screenplay, but I’m holding judgment on having it make the final cut.

Now to the pictures that look like they will be released and we begin with The Trial of the Chicago 7. The Aaron Sorkin courtroom drama held industry screenings this week and the verdict is quite positive. It appears to be a shoo-in for a Picture nomination. I’m still listing it at #3 behind the unscreened Mank and Nomadland, but Trial is a threat to win the whole thing as I see it. Sorkin moves into the top five in directing. He replaces Dune maker Denis Villeneuve.

As for the actors in Trial, early reaction appears focused on four of them in the sprawling cast: Yahya Abdul Mateen II, Sacha Baron Cohen, Frank Langella, and Mark Rylance. I’m currently assuming everyone will be campaigned for in Supporting Actor, but that could always change. For the moment, I have Cohen and Rylance getting in (I struggled with this). In my Oscar Watch post, I even mentioned that three actors could make it. If that were to occur, we would see the first Supporting Actor competition with three performers from the same feature since The Godfather Part II in 1974. My shift to thinking it’s all a supporting play by Netflix takes Eddie Redmayne out of contention in the lead derby.

My Dune drop and the West Side delay means there are two new pics in my estimated nine Best Picture nominees. The risers are Ma Rainey’s Black Bottom and Pixar’s Soul.

In other developments:

  • Sofia Coppola’s On the Rocks, which reunites the director with her Lost in Translation star Bill Murray, opened the New York Film Festival. Reviews were mostly positive. If Supporting Actor weren’t so potentially crowded, I may have put Murray in my five (he sits in 8th). He could get in, but I also posited the theory that Apple TV might be wise to compete for him in lead actor because the Golden Globes would likely take notice in their Musical/Comedy race.
  • I wrote an Oscar Watch post for the documentary John Lewis: Good Trouble, which could absolutely be a factor in Documentary Feature. You can find my Watch write-ups for Trial, Rocks, and Trouble all linked below.
  • My Best Actress and Actor five remain the same from last week. Same with Supporting Actress.
  • In Supporting Actor, the aforementioned Rylance rises and that takes out his costar Mateen II for Trial.
  • In Original Screenplay, it’s Minari in and Judas and the Black Messiah out. The Adapted Screenplay five stays intact.

Finally, you will see big changes next Thursday with my predictions! First off – all categories covering feature films will be added from Animated Feature to Documentary Feature and International Feature to the tech races.

There will also be a dwindling of the numbers. My 25 Picture estimates will drop to 15 with all other races shrinking to ten predictions. It’s gettin’ serious, folks!

Here are the links to this week’s individualized Oscar Watch posts:

https://toddmthatcher.com/2020/09/22/oscar-watch-the-trial-of-the-chicago-7/

https://toddmthatcher.com/2020/09/22/oscar-watch-on-the-rocks/

https://toddmthatcher.com/2020/09/21/oscar-watch-john-lewis-good-trouble/

Give me a follow on Twitter @tthizz as I’m posting Oscar related polls. For example, 90% of respondents agree with me that Trial will nab a Best Picture nod. 59% believe Bill Murray will not be nominated for Supporting Actor.

And here we go with this Thursday’s estimates!

Best Picture

Predicted Nominees:

1. Mank (Previous Ranking: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. News of the World (PR: 4)

5. One Night in Miami (PR: 5)

6. The Father (PR: 9)

7. Da 5 Bloods (PR: 7)

8. Ma Rainey’s Black Bottom (PR: 10)

9. Soul (PR: 12)

Other Possibilities:

10. Dune (PR: 4)

11. Judas and the Black Messiah (PR: 14)

12. Minari (PR: 16)

13. Hillbilly Elegy (PR: 11)

14. The White Tiger (PR: Not Ranked)

15. The French Dispatch (PR: 15)

16. Ammonite (PR: 13)

17. Stillwater (PR: 17)

18. The United States vs. Billie Holiday (PR: 19)

19. Respect (PR: 20)

20. The Midnight Sky (PR: 23)

21. Annette (PR: 18)

22. Next Goal Wins (PR: 21)

23. Red, White and Water (PR: 22)

24. C’Mon C’Mon (PR: 25)

25. French Exit (PR: Not Ranked)

Dropped Out:

West Side Story

Never Rarely Sometimes Always

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Paul Greengrass, News of the World (PR: 3)

4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)

5. Regina King, One Night in Miami (PR: 5)

Other Possibilities:

6. Florian Zeller, The Father (PR: 7)

7. Spike Lee, Da 5 Bloods (PR: 8)

8. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 10)

9. Denis Villeneuve, Dune (PR: 4)

10. Shaka King, Judas and the Black Messiah (PR: 11)

11. Lee Isaac Chung, Minari (PR: Not Ranked)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Wes Anderson, The French Dispatch (PR: 14)

14. Ramin Bahrani, The White Tiger (PR: Not Ranked)

15. Tom McCarthy, Stillwater (PR: 15)

Dropped Out:

Steven Spielberg, West Side Story 

Francis Lee, Ammonite

Best Actress 

Predicted Nominees:

1. Frances McDormand, Nomadland (PR: 1)

2. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)

3. Vanessa Kirby, Pieces of a Woman (PR: 4)

4. Kate Winslet, Ammonite (PR: 3)

5. Michelle Pfeiffer, French Exit (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Jennifer Hudson, Respect (PR: 7)

8. Andra Day, The United States vs. Billie Holiday (PR: 10)

9. Meryl Streep, The Prom (PR: 11)

10. Sophia Loren, The Life Ahead (PR: 14)

11. Carey Mulligan, Promising Young Woman (PR: 9)

12. Jennifer Lawrence, Red, White and Water (PR: 13)

13. Jessica Chastain, The Eyes of Tammy Faye (PR: 12)

14. Rachel Brosnahan, I’m Your Woman (PR: Not Ranked)

15. Marion Cotillard, Annette (PR: 15)

Dropped Out:

Rachel Zeller, West Side Story 

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 1)

2. Delroy Lindo, Da 5 Bloods (PR: 2)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Matt Damon, Stillwater (PR: 7)

7. Joaquin Phoenix, C’Mon C’Mon (PR: 8)

8. Steven Yeun, Minari (PR: 10)

9. Benedict Cumberbatch, The Courier (PR: 12)

10. Michael Fassbender, Next Goal Wins (PR: 11)

11. Adam Driver, Annette (PR: 9)

12. Riz Ahmed, Sound of Metal (PR: 15)

13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 13)

14. Andrew Garfield, The Eyes of Tammy Faye (PR: 14)

15. Ben Affleck, The Way Back (PR: Not Ranked)

Dropped Out:

Eddie Redmayne, The Trial of the Chicago 7 

Best Supporting Actress

Predicted Nominees:

1. Glenn Close, Hillbilly Elegy (PR: 1)

2. Olivia Colman, The Father (PR: 2)

3. Saoirse Ronan, Ammonite (PR: 3)

4. Helena Zengel, News of the World (PR: 4)

5. Ellen Burstyn, Pieces of a Woman (PR: 5)

Other Possibilities:

6. Amanda Seyfried, Mank (PR: 6)

7. Audra McDonald, Respect (PR: 8)

8. Abigail Breslin, Stillwater (PR: 10)

9. Natasha Lyonne, The United States vs. Billie Holiday (PR: 9)

10. Jayne Houdyshell, The Humans (PR: 11)

11. Mary J. Blige, Respect (PR: 14)

12. Toni Collette, I’m Thinking of Ending Things (PR: 12)

13. Gaby Hoffman, C’Mon C’Mon (PR: 13)

14. Lily Collins, Mank (PR: Not Ranked)

15. Kristin Scott Thomas, Rebecca (PR: 15)

Dropped Out:

Ariana Debose, West Side Story

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. Kingsley Ben-Adir, One Night in Miami (PR: 3)

3. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 2)

4. Mark Rylance, The Trial of the Chicago 7 (PR: 14)

5. Lakeith Stanfield, Judas and the Black Messiah (PR: 5)

Other Possibilities:

6.  Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 4)

7. Leslie Odom, Jr., One Night in Miami (PR: 6)

8. Bill Murray, On the Rocks (PR: 13)

9. Tom Pelphrey, Mank (PR: 10)

10. Frank Langella, The Trial of the Chicago 7 (PR: Not Ranked)

11. David Strathairn, Nomadland (PR: 7)

12. Jonathan Majors, Da 5 Bloods (PR: 11)

13. Richard Jenkins, The Humans (PR: 12)

14. Tom Burke, Mank (PR: 9)

15. Charles Dance, Mank (PR: Not Ranked)

Dropped Out:

Jeremy Strong, The Trial of the Chicago 7

Glynn Turman, Ma Rainey’s Black Bottom 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Soul (PR: 4)

4. Da 5 Bloods (PR: 3)

5. Minari (PR: 9)

Other Possibilities:

6. Judas and the Black Messiah (PR: 5)

7. The French Dispatch (PR: 6)

8. Stillwater (PR: 8)

9. Ammonite (PR: 7)

10. C’Mon C’Mon (PR: 10)

11. On the Rocks (PR: 13)

12. Respect (PR: Not Ranked)

13. Pieces of a Woman (PR: Not Ranked)

14. Red, White and Water (PR: 14)

15. Never Rarely Sometimes Always (PR: 11)

Dropped Out:

Promising Young Woman

Palm Springs

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. One Night in Miami (PR: 4)

3. The Father (PR: 2)

4. News of the World (PR: 3)

5. Ma Rainey’s Black Bottom (PR: 5)

Other Possibilities:

6. Hillbilly Elegy (PR: 7)

7. The United States vs. Billie Holiday (PR: 13)

8. Dune (PR: 6)

9. I’m Thinking of Ending Things (PR: 8)

10. French Exit (PR: 12)

11. The White Tiger (PR: Not Ranked)

12. Next Goal Wins (PR: 10)

13. The Humans (PR: 11)

14. First Cow (PR: 14)

15. The Midnight Sky (PR: Not Ranked)

Dropped Out:

West Side Story

The Prom 

2020 Oscar Predictions: September 17th Edition

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The Toronto and Venice Film Festivals have resulted in a number of Oscar Watch posts from last Thursday to now! And that means some changes are to be discussed.

The most notable film to debut was Chloe Zhao’s Nomadland, which solidified itself as a major contender in Best Picture, Director, Actress (Frances McDormand), and Adapted Screenplay. In fact, the pic remains firmly in 2nd place in Picture and Director and #1 with its screenplay based on its sterling critical reaction. McDormand, meanwhile, jumps to #1 in Actress. Time will tell if she remains atop the chart, but it seems a given that she’ll vie for her third win in the category.

News was more mixed for Francis Lee’s Ammonite. The mixed reaction to it has caused me to drop it from my nine predicted Picture nominees and from Original Screenplay. Yet Kate Winslet and Saoirse Ronan remain in my top five in the actress categories.

There were six other titles that I penned Oscar Watch posts about. None of them show up anywhere below. This includes the work of Rosamund Pike (I Care a Lot) and Naomi Watts (Penguin Bloom) and Mark Wahlberg in Good Joe Bell. It’s not impossible that they could surface later, but I’m not confident at the moment. As for Bell, perhaps the supporting work of Reid Miller could have a chance to enter my 15 names in Supporting Actor. When I expand my predictions to all categories covering feature pics in October, expect to see Wolfwalkers as it appears to be a shoo-in nominee in Best Animated Feature.

You can find all my posts from the past week here:

https://toddmthatcher.com/2020/09/11/oscar-watch-nomadland/

https://toddmthatcher.com/2020/09/12/oscar-watch-ammonite/

https://toddmthatcher.com/2020/09/12/oscar-watch-the-devil-all-the-time/

https://toddmthatcher.com/2020/09/13/oscar-watch-wolfwalkers/

https://toddmthatcher.com/2020/09/13/oscar-watch-penguin-bloom/

https://toddmthatcher.com/2020/09/13/oscar-watch-i-care-a-lot/

https://toddmthatcher.com/2020/09/13/oscar-watch-concrete-cowboy/

https://toddmthatcher.com/2020/09/15/oscar-watch-good-joe-bell/

Let’s quickly walk through the latest changes and developments:

  • With Ammonite now falling from my nine predicted Picture nominees, that makes room for Florian Zeller’s The Father to make my final cut for the first time.
  • My 5 Director nominees remains unchanged, as does Best Actor. It is worth mentioning that there’s some talk that Kingsley Ben-Adir from One Night in Miami could be campaigned for in the lead race. This follows rumors of the same happening for Chadwick Boseman in Ma Rainey’s Black Bottom. If that were to occur, it would absolutely upend my projections. For now, I’m keeping them both in supporting. Also – Clayton Davis of Variety confirmed today that Delroy Lindo will compete in the lead actor race for Da 5 Bloods. 
  • In addition to McDormand taking over the top spot in Actress over Viola Davis in Ma Rainey, I’m adding Vanessa Kirby’s work in Pieces of a Woman to my top 5. That means Jennifer Hudson in Respect drops out.
  • There’s a similar storyline in Supporting Actress with Ellen Burstyn in my five over Amanda Seyfried in Mank. Furthermore, Saoirse Ronan’s aforementioned work in Ammonite drops from #1 to #3 so we have Glenn Close (Hillbilly Elegy) in first. At #2? Olivia Colman in The Father and that could make for a juicy race as Colman upset Close in lead actress two years ago.
  • While Nomadland definitely nabbed major Oscar buzz, the supporting performance from David Strathairn may not be big enough. He drops from #2 to outside the top five and that means Lakeith Stanfield (Judas and the Black Messiah) is back in.
  • I mentioned Ammonite had dropped from Original Screenplay and that is also to the benefit of Messiah.
  • The five Adapted Screenplay estimates stay the same.
  • Finally, while there’s no confirmation and this could change back, I’m shifting Meryl Streep from supporting to lead for The Prom. She has yet to make the five.

And with that, let’s get to it!

Best Picture

Predicted Nominees:

1. Mank (Previous Ranking: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. News of the World (PR: 5)

5. One Night in Miami (PR: 6)

6. Dune (PR: 4)

7. Da 5 Bloods (PR: 8)

8. West Side Story (PR: 9)

9. The Father (PR: 11)

Other Possibilities:

10. Ma Rainey’s Black Bottom (PR: 10)

11. Hillbilly Elegy (PR: 13)

12. Soul (PR: 12)

13. Ammonite (PR: 7)

14. Judas and the Black Messiah (PR: 14)

15. The French Dispatch (PR: 15)

16. Minari (PR: 16)

17. Stillwater (PR: 17)

18. Annette (PR: 18)

19. The United States vs. Billie Holiday (PR: 19)

20. Respect (PR: 22)

21. Next Goal Wins (PR: 20)

22. Red, White and Water (PR: 21)

23. The Midnight Sky (PR: Not Ranked)

24. Never Rarely Sometimes Always (PR: Not Ranked)

25. C’Mon C’Mon (PR: Not Ranked)

Dropped Out:

French Exit

Everybody’s Talking About Jamie

I’m Thinking of Ending Things 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Paul Greengrass, News of the World (PR: 4)

4. Denis Villeneuve, Dune (PR: 3)

5. Regina King, One Night in Miami (PR: 5)

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)

7. Florian Zeller, The Father (PR: 11)

8. Spike Lee, Da 5 Bloods, (PR: 7)

9. Steven Spielberg, West Side Story (PR: 9)

10. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 10)

11. Shaka King, Judas and the Black Messiah (PR: 13)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Francis Lee, Ammonite (PR: 8)

14. Wes Anderson, The French Dispatch (PR: 14)

15. Tom McCarthy, Stillwater (PR: 15)

Best Actress

Predicted Nominees:

1. Frances McDormand, Nomadland (PR: 2)

2. Viola Davis, Ma Rainey’s Black Bottom (PR: 1)

3. Kate Winslet, Ammonite (PR: 3)

4. Vanessa Kirby, Pieces of a Woman (PR: 8)

5. Michelle Pfeiffer, French Exit (PR: 4)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Jennifer Hudson, Respect (PR: 5)

8. Rachel Zegler, West Side Story (PR: 9)

9. Carey Mulligan, Promising Young Woman (PR: 7)

10. Andra Day, The United States vs. Billie Holiday (PR: 10)

11. Meryl Streep, The Prom (PR: Not Ranked – moved from Supporting)

12. Jessica Chastain, The Eyes of Tammy Faye (PR: 13)

13. Jennifer Lawrence, Red, White and Water (PR: 11)

14. Sophia Loren, The Life Ahead (PR: 14)

15. Marion Cotillard, Annette (PR: 12)

Dropped Out:

Elisabeth Moss, Shirley

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 1)

2. Delroy Lindo, Da 5 Bloods (PR: 2)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: 6)

7. Matt Damon, Stillwater (PR: 7)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 8)

9. Adam Driver, Annette (PR: 9)

10. Steven Yeun, Minari (PR: 11)

11. Michael Fassbender, Next Goal Wins (PR: 10)

12. Benedict Cumberbatch, The Courier (PR: Not Ranked)

13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 12)

14. Andrew Garfield, The Eyes of Tammy Faye (PR: 13)

15. Riz Ahmed, Sound of Metal (PR: 14)

Dropped Out:

Ansel Elgort, West Side Story

Best Supporting Actress

Predicted Nominees:

1. Glenn Close, Hillbilly Elegy (PR: 2)

2. Olivia Colman, The Father (PR: 3)

3. Saoirse Ronan, Ammonite (PR: 1)

4. Helena Zengel, News of the World (PR: 4)

5. Ellen Burstyn, Pieces of a Woman (PR: 15)

Other Possibilities:

6. Amanda Seyfried, Mank (PR: 5)

7. Ariana DeBose, West Side Story (PR: 6)

8. Audra McDonald, Respect (PR: 10)

9. Natasha Lyonne, The United States vs. Billie Holiday (PR: 7)

10. Abigail Breslin, Stillwater (PR: 8)

11. Jayne Houdyshell, The Humans (PR: 12)

12. Toni Collette, I’m Thinking of Ending Things (PR: 11)

13. Gaby Hoffman, C’Mon C’Mon (PR: Not Ranked)

14. Mary J. Blige, Respect (PR: 14)

15. Kristin Scott Thomas, Rebecca (PR: 13)

Dropped Out:

Meryl Streep, The Prom (moved to lead)

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)

3. Kingsley Ben-Adir, One Night in Miami (PR: 4)

4. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

5. Lakeith Stanfield, Judas and the Black Messiah (PR: 6)

Other Possibilities:

6. Leslie Odom, Jr., One Night in Miami (PR: Not Ranked)

7. David Strathairn, Nomadland (PR: 2)

8. Jeremy Strong, The Trial of the Chicago 7 (PR: 7)

9. Tom Burke, Mank (PR: 11)

10. Tom Pelphrey, Mank (PR: 10)

11. Jonathan Majors, Da 5 Bloods (PR: 13)

12. Richard Jenkins, The Humans (PR: 12)

13. Bill Murray, On the Rocks (PR: 8)

14. Mark Rylance, The Trial of the Chicago 7 (PR: 9)

15. Glynn Turman, Ma Rainey’s Black Bottom (PR: 15)

Dropped Out:

Brian Tyree Henry, Red, White and Water 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Da 5 Bloods (PR: 5)

4. Soul (PR: 4)

5. Judas and the Black Messiah (PR: 8)

Other Possibilities:

6. The French Dispatch (PR: 6)

7. Ammonite (PR: 3)

8. Stillwater (PR: 9)

9. Minari (PR: 7)

10. C’Mon C’Mon (PR: 11)

11. Never Rarely Sometimes Always (PR: 15)

12. Promising Young Woman (PR: 10)

13. On the Rocks (PR: 13)

14. Red, White and Water (PR: 12)

15. Palm Springs (PR: Not Ranked)

Dropped Out:

Annette

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. The Father (PR: 5)

3. News of the World (PR: 2)

4. One Night in Miami (PR: 3)

5. Ma Rainey’s Black Bottom (PR: 4)

Other Possibilities:

6. Dune (PR: 6)

7. Hillbilly Elegy (PR: 7)

8. I’m Thinking of Ending Things (PR: 9)

9. West Side Story (PR: 8)

10. Next Goal Wins (PR: 11)

11. The Humans (PR: 13)

12. French Exit (PR: 10)

13. The United States vs. Billie Holiday (PR: 12)

14. First Cow (PR: 15)

15. The Prom (PR: Not Ranked)

Dropped Out:

Respect 

2020 Oscar Predictions: September 10th Edition

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We have arrived at the third week for my Thursday Oscar predictions in the eight major categories and the biggest change so far can be summed up in four words: One Night in Miami.

The historical drama, which marks the debut feature film from actress Regina King, made waves when it screened this week at the Venice Film Festival. It has vaulted into the following categories for a nomination prediction: Picture, Director, Supporting Actor, and Adapted Screenplay.

As for that supporting race, there are actually four contenders vying for attention. I’m currently giving the nod to Kingsley Ben-Adir for his portrayal of Malcolm X over his costars Leslie Odom, Jr. (Sam Cooke), Eli Goree (Cassius Clay), and Aldis Hodge (Jim Brown). Yet this could be a fluid situation and don’t be surprised if those other performers make their way to the list in future postings.

Speaking of the supporting actor race, there has been some speculation that the late Chadwick Boseman may actually be campaigned for in the lead Actor competition with Ma Rainey’s Black Bottom. As for now, I’m keeping him ranked first in Supporting Actor. We’ll see what transpires in the weeks ahead. If Boseman does go lead, it could open the door for Glynn Turman to get a supporting nod for the picture.

As for the week that was, my Oscar Watch posts focused on Miami, as well as some other titles that debuted as Venice. Most noteworthy is Pieces of a Woman, which has caused some chatter for its lead Vanessa Kirby and her costar Ellen Burstyn. Kirby also costars in The World to Come, which garnered solid reviews but isn’t identified in my current rankings. Other write-ups this week included The Duke (which could catch the attention of the Golden Globes for Jim Broadbent) and the heist comedic drama Kajillionaire. You can read all those detailed posts here:

https://toddmthatcher.com/2020/09/07/oscar-watch-one-night-in-miami/

https://toddmthatcher.com/2020/09/07/oscar-watch-pieces-of-a-woman/

https://toddmthatcher.com/2020/09/07/oscar-watch-the-world-to-come/

https://toddmthatcher.com/2020/09/05/oscar-watch-the-duke/

https://toddmthatcher.com/2020/09/09/oscar-watch-kajillionaire/

With Venice still rolling along and the Toronto Film Festival set to open, this Friday will see the initial screenings of two major contenders – Chloe Zhao’s Nomadland and Francis Lee’s Ammonite. Expect Oscar Watch posts on both hopefuls this weekend.

The loser of the week is Tenet. I’ve taken it out of consideration for Picture, Director, and Original Screenplay. On the flip side, expect to see its name pop up again in October when I begin estimating all feature film races as it will surely nab some tech nods.

As for other developments since last Thursday:

  • My eight predicted Best Picture nominees from the past two weeks remains the same, but now it’s become nine with the addition of One Night in Miami.
  • Regina King’s inclusion in Best Director knocks out Aaron Sorkin for The Trial of the Chicago 7.
  • My five Best Actress predictions remains the same, Both Vanessa Kirby and Jennifer Lawrence (Red, White and Water) join the overall mix with Julianne Moore (The Glorias) and Jessie Buckley (I’m Thinking of Ending Things) falling out.
  • Anthony Hopkins (The Father) takes over the #1 spot over Delroy Lindo (Da 5 Bloods) in Best Actor. There are no changes in the top five. Riz Ahmed (Sound of Metal) makes his first appearance at #14 with Jesse Plemons (I’m Thinking of Ending Things) dropping out of the top 15.
  • Amanda Seyfried (Mank) enters the top 5 in Supporting Actress over Ariana DeBose for West Side Story. Ellen Burstyn enters the fold at #15 with Debra Winger’s work in Kajillionaire exiting the top 15.
  • As mentioned, Kingsley Ben-Adir vaults from 12th to 4th in Supporting Actor and he replaces Lakeith Stanfield in Judas and the Black Messiah. The top 15 marks the first appearances for Brian Tyree Henry (Red, White and Water) and Glynn Turman for Ma Rainey. Dropping out are Lucas Hedges in French Exit and David Alvarez in West Side Story. 
  • In Original Screenplay, Never Sometimes Rarely Always gets its first mention since Tenet travels out of the race.
  • In Adapted Screenplay, One Night in Miami gets in over Dune in the top 5. First Cow makes its inaugural appearance in 14th with The Eyes of Tammy Faye dropping.

You can read the full slate of guesstimates here:

Best Picture

Predicted Nominees:

1. Mank (PR: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. Dune (PR: 4)

5. News of the World (PR: 5)

6. One Night in Miami (PR: 13)

7. Ammonite (PR: 6)

8. Da 5 Bloods (PR: 7)

9. West Side Story (PR: 8)

Other Possibilities:

10. Ma Rainey’s Black Bottom (PR: 9)

11. The Father (PR: 16)

12. Soul (PR: 10)

13. Hillbilly Elegy (PR: 14)

14. Judas and the Black Messiah (PR: 11)

15. The French Dispatch (PR: 12)

16. Minari (PR: 15)

17. Stillwater (PR: 18)

18. Annette (PR: 17)

19. The United States vs. Billie Holiday (PR: 19)

20. Next Goal Wins (PR: 23)

21. Red, White and Water (PR: Not Ranked)

22. Respect (PR: 20)

23. French Exit (PR: 24)

24. Everybody’s Talking About Jamie (PR: Not Ranked)

25. I’m Thinking of Ending Things (PR: 25)

Dropped Out:

Tenet

The Midnight Sky 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Paul Greengrass, News of the World (PR: 5)

5. Regina King, One Night in Miami (PR: 10)

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7 (PR: 4)

7. Spike Lee, Da 5 Bloods (PR: 6)

8. Francis Lee, Ammonite (PR: 7)

9. Steven Spielberg, West Side Story (PR: 8)

10. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 11)

11. Florian Zeller, The Father (PR: 14)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Shaka King, Judas and the Black Messiah (PR: 13)

14. Wes Anderson, The French Dispatch (PR: 9)

15. Tom McCarthy, Stillwater (PR: Not Ranked)

Dropped Out:

Christopher Nolan, Tenet

Best Actress

Predicted Nominees:

1. Viola Davis, Ma Rainey’s Black Bottom (PR: 1)

2. Frances McDormand, Nomadland (PR: 2)

3. Kate Winslet, Ammonite (PR: 3)

4. Michelle Pfeiffer, French Exit (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Carey Mulligan, Promising Young Woman (PR: 7)

8. Vanessa Kirby, Pieces of a Woman (PR: Not Ranked)

9. Rachel Zegler, West Side Story (PR: 8)

10. Andra Day, The United States vs. Billie Holiday (PR: 9)

11. Jennifer Lawrence, Red, White and Water (PR: Not Ranked)

12. Marion Cotillard, Annette (PR: 11)

13. Jessica Chastain, The Eyes of Tammy Faye (PR: 10)

14. Sophia Loren, The Life Ahead (PR: 15)

15. Elisabeth Moss, Shirley (PR: 14)

Dropped Out:

Julianne Moore, The Glorias

Jessie Buckley, I’m Thinking of Ending Things

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 2)

2. Delroy Lindo, Da 5 Bloods (PR: 1)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: 6)

7. Matt Damon, Stillwater (PR: 8)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

9. Adam Driver, Annette (PR: 9)

10. Michael Fassbender, Next Goal Wins (PR: 11)

11. Steven Yeun, Minari (PR: 10)

12. Trevante Rhodes, The United States vs. Billie Holiday (PR: 13)

13. Andrew Garfield, The Eyes of Tammy Faye (PR: 12)

14. Riz Ahmed, Sound of Metal (PR: Not Ranked)

15. Ansel Elgort, West Side Story (PR: 14)

Dropped Out:

Jesse Plemons, I’m Thinking of Ending Things

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite (PR: 1)

2. Glenn Close, Hillbilly Elegy (PR: 2)

3. Olivia Colman, The Father (PR: 3)

4. Helena Zengel, News of the World (PR: 4)

5. Amanda Seyfried, Mank (PR: 6)

Other Possibilities:

6. Ariana DeBose, West Side Story (PR: 5)

7. Natasha Lyonne, The United States vs. Billie Holiday (PR: 10)

8. Abigail Breslin, Stillwater (PR: 9)

9. Meryl Streep, The Prom (PR: 7)

10. Audra McDonald, Respect (PR: 11)

11. Toni Collette, I’m Thinking of Ending Things (PR: 8)

12. Jayne Houdyshell, The Humans (PR: 12)

13. Kristin Scott Thomas, Rebecca (PR: 15)

14. Mary J. Blige, Respect (PR: 14)

15. Ellen Burstyn, Pieces of a Woman (PR: Not Ranked)

Dropped Out:

Debra Winger, Kajillionaire 

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. David Strathairn, Nomadland (PR: 2)

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

4. Kingsley Ben-Adir, One Night in Miami (PR: 12)

5. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 4)

Other Possibilities:

6. Lakeith Stanfield, Judas and the Black Messiah (PR: 5)

7. Jeremy Strong, The Trial of the Chicago 7 (PR: 10)

8. Bill Murray, On the Rocks (PR: 7)

9. Mark Rylance, The Trial of the Chicago 7 (PR: 9)

10. Tom Pelphrey, Mank (PR: 6)

11. Tom Burke, Mank (PR: 8)

12. Richard Jenkins, The Humans (PR: 11)

13. Jonathan Majors, Da 5 Bloods (PR: 14)

14. Brian Tyree Henry, Red, White and Water (PR: Not Ranked)

15. Glynn Turman, Ma Rainey’s Black Bottom (PR: Not Ranked)

Dropped Out:

Lucas Hedges, French Exit

David Alvarez, West Side Story 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Ammonite (PR: 3)

4. Soul (PR: 5)

5. Da 5 Bloods (PR: 4)

Other Possibilities:

6. The French Dispatch (PR: 6)

7. Minari (PR: 7)

8. Judas and the Black Messiah (PR: 8)

9. Stillwater (PR: 9)

10. Promising Young Woman (PR: 10)

11. C’Mon C’Mon (PR: 12)

12. Red, White and Water (PR: 14)

13. On the Rocks (PR: 13)

14. Annette (PR: 11)

15. Never Rarely Sometimes Always (PR: Not Ranked)

Dropped Out:

Tenet

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. News of the World (PR: 2)

3. One Night in Miami (PR: 9)

4. Ma Rainey’s Black Bottom (PR: 5)

5. The Father (PR: 4)

Other Possibilities:

6. Dune (PR: 3)

7. Hillbilly Elegy (PR: 6)

8. West Side Story (PR: 8)

9. I’m Thinking of Ending Things (PR: 7)

10. French Exit (PR: 11)

11. Next Goal Wins (PR: 12)

12. The United States vs. Billie Holiday (PR: 10)

13. The Humans (PR: 13)

14. First Cow (PR: Not Ranked)

15. Respect (PR: 15)

Dropped Out:

The Eyes of Tammy Faye 

And that does it for now, folks! I’ll be back at it next Thursday…

Summer 2010: The Top 10 Hits and More

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Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

https://toddmthatcher.com/2020/07/25/summer-2000-the-top-10-hits-and-more/

This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:

Salt

Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.

MacGruber

Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

X-Men at 20: A Look Back

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Twenty years ago today, Bryan Singer’s X-Men arrived in theaters and it’s not hyperbole to call it one of the most influential pictures of the 21st century. The 20th Century Fox release found the comic book genre at a rather low point at the end of that said century. While Blade was a nice size hit in 1998, the years prior found at a lot to be desired with the quality of the genre. 1995 brought us Judge Dredd and 1997 saw the release of Batman and Robin, which found the Caped Crusader with Bat nipples and bad reviews.

X-Men, though it’s hard to remember now, was released at a time where the idea of superhero tales was an uncertain box office prospect. This is two years before Spider-Man broke all kinds of financial records. This is five years prior to Christopher Nolan reinvigorating the Bat franchise with his Dark Knight trilogy. And this was eight years before Robert Downey Jr. was cast as Tony Stark/Iron Man, officially kicking off the Marvel Cinematic Universe.

In the summer of 2000, X-Men was by no means a guaranteed hit. It did, however, have credibility with the behind the scenes talent and cast. Bryan Singer was known for his heralded The Usual Suspects. Acclaimed actors Patrick Stewart, Ian McKellen (fresh off an Oscar nod for Gods and Monsters), Anna Paquin, and Halle Berry were among the onscreen players. And it was another casting decision that provided its most enduring legacy. Russell Crowe, who headlined that summer’s Oscar winner Gladiator, originally turned down the part of Wolverine. Dougray Scott was then cast in the role, but had to drop out when his role as the villain in Mission: Impossible II (also out that summer) prevented him from filming. So it was the unknown Hugh Jackman who donned the claws. He would go on to make it his signature role as he played Logan/Wolverine in numerous sequels and spin-offs (including three stand-alone projects of wildly divergent qualities).

Let’s back up. Before the 2000 release, X-Men was in development for over a decade and a half. At one point, James Cameron was slated to produce with his then wife Kathryn Bigelow attached to direct. Later on, Robert Rodriguez turned the project down. A gander at the pic’s Wikipedia page is an entertaining read (Mariah Carey was in the mix for Storm at one juncture and Angela Bassett was first choice). X-Men was rushed to make its summer release date 20 years ago today after it was originally intended for Christmas 2000.

That rushed feeling does show on up on screen a little, but the overall end result speaks for itself. What occurred two decades ago is a major mark in the comic book movie renaissance that continues to this day. The franchise has certainly had its ups and downs. X2: X-Men United was the first sequel in 2003 and it is generally considered a high point. Three years later, Brett Ratner took over directorial reigns with The Last Stand and (while a huge hit) the quality took a dip. Matthew Vaughn would reestablish critical kudos in rebooting the series in 2011 with First Class (bringing Michael Fassbender, James McAvoy, and Jennifer Lawrence to the screen playing younger counterparts to key characters). Jackman’s first spin-off X-Men Origins: Wolverine faced deserved backlash while 2017’s Logan was lauded and landed an Adapted Screenplay Oscar nomination. And a cheeky and R rated offshoot called Deadpool with Ryan Reynolds would dazzle audiences and critics alike. Last summer’s Dark Phoenix didn’t do any dazzling and was another low ebb in the series. Spin-off The New Mutants has seen release date changes that began in 2018 and it’s pretty much a running joke as to whether it will ever come out.

That long road began in 2000 and has shaped the cinematic universe since. And if you had to mark a spot for the comic book landscape today as it stands now on the screen, it started that day.

Oscar History: 2013

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Recapping the Oscar Season of 2013, a few things stick out. The big winners were 12 Years a Slave and Gravity, which cleaned up in the tech races. The big loser was American Hustle, which came away with zero victories despite 10 nominations (tying it for most nods with Gravity, which won 7 of them). Another take: it was a packed year for Best Actor with some deserving gents left out.

As I have done with previous years, let’s take a deeper dive in the 86th Academy Awards in the major races:

Steve McQueen’s 12 Years a Slave unsurprisingly came away with the Best Picture prize in a field that yielded eight other films. They were David O. Russell’s American Hustle, Paul Greengrass’s Captain Phillips, Jean-Marc Vallee’s Dallas Buyers Club, Alfonso Cuaron’s Gravity, Spike Jonze’s Her, Alexander Payne’s Nebraska, Philomena from Stephen Frears, and Martin Scorsese’s The Wolf of Wall Street. 

That’s a solid grouping of pictures and there’s probably no obvious omissions from my end in 2013.. That said, many young girls may protest Frozen not making the cut though it did win Best Animated Feature. And certainly Inside Llewyn Davis from the Coen Brothers had its ardent admirers.

There was a Picture/Director split with Cuaron emerging victorious for Gravity. The filmmaker would achieve the same feat five years later when he won for Roma but Green Book took Best Picture. Other nominees were McQueen, Payne, Russell, and Scorsese.I would argue that Greengrass and Jonze could have made the final five.

In the aforementioned crowded Best Actor derby, Matthew McConaughey took gold for his work in Dallas Buyers Club. The four other contenders were Christian Bale for Hustle, Bruce Dern in Nebraska, Leonardo DiCaprio for Wall Street, and Chiwetel Ejiofor in 12 Years a Slave. Note that all nominees came from Best Picture hopefuls.

Let’s start with Tom Hanks, who I absolutely feel should have gotten in for his remarkable performance in Captain Phillips. The clip I’ve included below proves it and then some. You could say the same for Joaquin Phoenix in Her. Others worth noting: Oscar Isaac in Inside Llewyn Davis, Hugh Jackman in Prisoners, and Robert Redford for All Is Lost. 

Cate Blanchett was the latest actress to be honored for her work in a Woody Allen picture as she took Best Actress for Blue Jasmine. The other nominees were Amy Adams (American Hustle), Sandra Bullock (Gravity), Judi Dench (Philomena), and the ever present Meryl Streep (August: Osage County).

I’ll mention three others left out worthy of consideration: Brie Larson in Short Term 12, Julia-Louis Dreyfus for Enough Said, and Emma Thompson in Saving Mr. Banks. For the latter, it was a bit unexpected that she was left out.

McConaughey’s Dallas Buyers costar Jared Leto won Supporting Actor over Barkhad Abdi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), and Jonah Hill (The Wolf of Wall Street). Again, all nominees stemmed from Picture contenders.

Some others that didn’t quite make it: Daniel Bruhl in Rush, Steve Coogan for Philomena, Paul Dano in Prisoners, and Will Forte in Nebraska.

Another big 12 Years victory was Lupita Nyong’o in Supporting Actress. She took the prize despite competition from Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Julia Roberts (August: Osage County), and June Squibb (Nebraska).

Despite it being a voice only performance, I would say Scarlett Johansson in Her deserved a spot and the same could be said for Margot Robbie in Wall Street.

And there you have it, folks! My look back at the Oscar landscape in 2013. I’ll have 2014 up in due time…

Will The Indie Spirits Nominees Showcase Oscar Gems?

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This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.

However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.

In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:

Best Feature

Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems

First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).

That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.

Best Director

Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)

Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.

Best Female Lead

Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)

Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).

Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.

One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.

Best Male Lead

Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)

Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…

I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.

Best Supporting Female

Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)

Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).

With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.

And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.

Best Supporting Male

Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)

This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.

There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.

And there you have it, folks! My take on the Indies and which Oscar gems they could produce…

Dark Phoenix Box Office Prediction

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Closing out the latest chapter of the X-Men Universe that began in 2011, Dark Phoenix rises or falls in theaters next weekend. The fourth official entry in the current franchise iteration is a direct sequel to 2016’s X–Men: Apocalypse. This one is focused more on the Jean Grey character played by Sophie Turner, but it brings back Jennifer Lawrence as Mystique, James McAvoy as Charles Xavier, and Michael Fassbender as Magneto. The familiar cast additionally includes Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, and Evan Peters with Jessica Chastain joining the fray for the first time. Simon Kinberg, responsible for penning three previous X pics, makes his directorial debut.

Phoenix comes at a time where the franchise is going through a major transition. With Disney’s recent acquisition of Fox, it is believed the X-Men characters will be cast anew and melded with the vaunted Marvel Cinematic Universe at some juncture. The series is coming off Apocalypse, which didn’t impress critics and had a $155 million overall domestic gross that ranked well under predecessor Days of Future Past. The next X title (spin-off The New Mutants) is out next spring and has been delayed on numerous occasions.

Anticipation seems muted here. Phoenix has the very real possibility of having the lowest premiere ever in the franchise’s history. That distinction for a non spin-off currently belongs to the 2000 original, which started with $54 million (not adjusted for inflation). Just below that is 2013’s The Wolverine at $53 million.

The opportunity for Disney to reinvigorate the series is coming, but I’ll project this latest entry will mark an overall low in earnings.

Dark Phoenix opening weekend prediction: $45.3 million

For my The Secret Life of Pets 2 prediction, click here:

https://toddmthatcher.com/2019/05/29/the-secret-life-of-pets-2-box-office-prediction/

Best Year’s Ever

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As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between X–Men hits.

14. Hugh Jackman (2017)

Berry’s X–Men cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

Best Actress: A Look Back

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Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.

For starters, here’s the list of winners from 1990 to now:

1990 – Kathy Bates, Misery

1991 – Jodie Foster, The Silence of the Lambs

1992 – Emma Thompson, Howards End

1993 – Holly Hunter, The Piano

1994 – Jessica Lange, Blue Sky

1995 – Susan Sarandon, Dead Man Walking

1996 – Frances McDormand, Fargo

1997 – Helen Hunt, As Good As It Gets

1998 – Gwyneth Paltrow, Shakespeare in Love

1999 – Hilary Swank, Boys Don’t Cry

2000 – Julia Roberts, Erin Brockovich

2001 – Halle Berry, Monster’s Ball

2002 – Nicole Kidman, The Hours

2003 – Charlize Theron, Monster

2004 – Hilary Swank, Million Dollar Baby

2005 – Reese Witherspoon, Walk the Line

2006 – Helen Mirren, The Queen

2007 – Marion Cotillard, La Vie en Rose

2008 – Kate Winslet, The Reader

2009 – Sandra Bullock, The Blind Side

2010 – Natalie Portman, Black Swan

2011 – Meryl Streep, The Iron Lady

2012 – Jennifer Lawrence, Silver Linings Playbook

2013 – Cate Blanchett, Blue Jasmine

2014 – Julianne Moore, Still Alice

2015 – Brie Larson, Room

2016 – Emma Stone, La La Land

2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri

When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:

3. Holly Hunter, The Piano

Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day. 

2. Julia Roberts, Erin Brockovich

One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.

1. Charlize Theron, Monster

Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.

And now the “upsets”…

3. Kate Winslet, The Reader

While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.

2. Marion Cotillard, La Vie en Rose

This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.

1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby

This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia. 

We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client. 

Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).

Best Actor is next, folks! Stay tuned…