Twenty years ago today, Bryan Singer’s X-Men arrived in theaters and it’s not hyperbole to call it one of the most influential pictures of the 21st century. The 20th Century Fox release found the comic book genre at a rather low point at the end of that said century. While Blade was a nice size hit in 1998, the years prior found at a lot to be desired with the quality of the genre. 1995 brought us Judge Dredd and 1997 saw the release of Batman and Robin, which found the Caped Crusader with Bat nipples and bad reviews.
X-Men, though it’s hard to remember now, was released at a time where the idea of superhero tales was an uncertain box office prospect. This is two years before Spider-Man broke all kinds of financial records. This is five years prior to Christopher Nolan reinvigorating the Bat franchise with his Dark Knight trilogy. And this was eight years before Robert Downey Jr. was cast as Tony Stark/Iron Man, officially kicking off the Marvel Cinematic Universe.
In the summer of 2000, X-Men was by no means a guaranteed hit. It did, however, have credibility with the behind the scenes talent and cast. Bryan Singer was known for his heralded The Usual Suspects. Acclaimed actors Patrick Stewart, Ian McKellen (fresh off an Oscar nod for Gods and Monsters), Anna Paquin, and Halle Berry were among the onscreen players. And it was another casting decision that provided its most enduring legacy. Russell Crowe, who headlined that summer’s Oscar winner Gladiator, originally turned down the part of Wolverine. Dougray Scott was then cast in the role, but had to drop out when his role as the villain in Mission: Impossible II (also out that summer) prevented him from filming. So it was the unknown Hugh Jackman who donned the claws. He would go on to make it his signature role as he played Logan/Wolverine in numerous sequels and spin-offs (including three stand-alone projects of wildly divergent qualities).
Let’s back up. Before the 2000 release, X-Men was in development for over a decade and a half. At one point, James Cameron was slated to produce with his then wife Kathryn Bigelow attached to direct. Later on, Robert Rodriguez turned the project down. A gander at the pic’s Wikipedia page is an entertaining read (Mariah Carey was in the mix for Storm at one juncture and Angela Bassett was first choice). X-Men was rushed to make its summer release date 20 years ago today after it was originally intended for Christmas 2000.
That rushed feeling does show on up on screen a little, but the overall end result speaks for itself. What occurred two decades ago is a major mark in the comic book movie renaissance that continues to this day. The franchise has certainly had its ups and downs. X2: X-Men United was the first sequel in 2003 and it is generally considered a high point. Three years later, Brett Ratner took over directorial reigns with The Last Stand and (while a huge hit) the quality took a dip. Matthew Vaughn would reestablish critical kudos in rebooting the series in 2011 with First Class (bringing Michael Fassbender, James McAvoy, and Jennifer Lawrence to the screen playing younger counterparts to key characters). Jackman’s first spin-off X-Men Origins: Wolverine faced deserved backlash while 2017’s Logan was lauded and landed an Adapted Screenplay Oscar nomination. And a cheeky and R rated offshoot called Deadpool with Ryan Reynolds would dazzle audiences and critics alike. Last summer’s Dark Phoenix didn’t do any dazzling and was another low ebb in the series. Spin-off The New Mutants has seen release date changes that began in 2018 and it’s pretty much a running joke as to whether it will ever come out.
That long road began in 2000 and has shaped the cinematic universe since. And if you had to mark a spot for the comic book landscape today as it stands now on the screen, it started that day.
Recapping the Oscar Season of 2013, a few things stick out. The big winners were 12 Years a Slave and Gravity, which cleaned up in the tech races. The big loser was American Hustle, which came away with zero victories despite 10 nominations (tying it for most nods with Gravity, which won 7 of them). Another take: it was a packed year for Best Actor with some deserving gents left out.
As I have done with previous years, let’s take a deeper dive in the 86th Academy Awards in the major races:
Steve McQueen’s 12 Years a Slave unsurprisingly came away with the Best Picture prize in a field that yielded eight other films. They were David O. Russell’s American Hustle, Paul Greengrass’s Captain Phillips, Jean-Marc Vallee’s Dallas Buyers Club, Alfonso Cuaron’s Gravity, Spike Jonze’s Her, Alexander Payne’s Nebraska, Philomena from Stephen Frears, and Martin Scorsese’s The Wolf of Wall Street.
That’s a solid grouping of pictures and there’s probably no obvious omissions from my end in 2013.. That said, many young girls may protest Frozen not making the cut though it did win Best Animated Feature. And certainly Inside Llewyn Davis from the Coen Brothers had its ardent admirers.
There was a Picture/Director split with Cuaron emerging victorious for Gravity. The filmmaker would achieve the same feat five years later when he won for Roma but Green Book took Best Picture. Other nominees were McQueen, Payne, Russell, and Scorsese.I would argue that Greengrass and Jonze could have made the final five.
In the aforementioned crowded Best Actor derby, Matthew McConaughey took gold for his work in Dallas Buyers Club. The four other contenders were Christian Bale for Hustle, Bruce Dern in Nebraska, Leonardo DiCaprio for Wall Street, and Chiwetel Ejiofor in 12 Years a Slave. Note that all nominees came from Best Picture hopefuls.
Let’s start with Tom Hanks, who I absolutely feel should have gotten in for his remarkable performance in Captain Phillips. The clip I’ve included below proves it and then some. You could say the same for Joaquin Phoenix in Her. Others worth noting: Oscar Isaac in Inside Llewyn Davis, Hugh Jackman in Prisoners, and Robert Redford for All Is Lost.
Cate Blanchett was the latest actress to be honored for her work in a Woody Allen picture as she took Best Actress for Blue Jasmine. The other nominees were Amy Adams (American Hustle), Sandra Bullock (Gravity), Judi Dench (Philomena), and the ever present Meryl Streep (August: Osage County).
I’ll mention three others left out worthy of consideration: Brie Larson in Short Term 12, Julia-Louis Dreyfus for Enough Said, and Emma Thompson in Saving Mr. Banks. For the latter, it was a bit unexpected that she was left out.
McConaughey’s Dallas Buyers costar Jared Leto won Supporting Actor over Barkhad Abdi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), and Jonah Hill (The Wolf of Wall Street). Again, all nominees stemmed from Picture contenders.
Some others that didn’t quite make it: Daniel Bruhl in Rush, Steve Coogan for Philomena, Paul Dano in Prisoners, and Will Forte in Nebraska.
Another big 12 Years victory was Lupita Nyong’o in Supporting Actress. She took the prize despite competition from Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Julia Roberts (August: Osage County), and June Squibb (Nebraska).
Despite it being a voice only performance, I would say Scarlett Johansson in Her deserved a spot and the same could be said for Margot Robbie in Wall Street.
And there you have it, folks! My look back at the Oscar landscape in 2013. I’ll have 2014 up in due time…
This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.
However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.
In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:
Best Feature
Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems
First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).
That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.
Best Director
Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)
Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.
Best Female Lead
Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)
Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).
Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.
One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.
Best Male Lead
Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)
Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…
I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.
Best Supporting Female
Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)
Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).
With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.
And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.
Best Supporting Male
Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)
This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.
There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.
And there you have it, folks! My take on the Indies and which Oscar gems they could produce…
Closing out the latest chapter of the X-Men Universe that began in 2011, DarkPhoenix rises or falls in theaters next weekend. The fourth official entry in the current franchise iteration is a direct sequel to 2016’s X–Men: Apocalypse. This one is focused more on the Jean Grey character played by Sophie Turner, but it brings back Jennifer Lawrence as Mystique, James McAvoy as Charles Xavier, and Michael Fassbender as Magneto. The familiar cast additionally includes Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, and Evan Peters with Jessica Chastain joining the fray for the first time. Simon Kinberg, responsible for penning three previous X pics, makes his directorial debut.
Phoenix comes at a time where the franchise is going through a major transition. With Disney’s recent acquisition of Fox, it is believed the X-Men characters will be cast anew and melded with the vaunted Marvel Cinematic Universe at some juncture. The series is coming off Apocalypse, which didn’t impress critics and had a $155 million overall domestic gross that ranked well under predecessor DaysofFuturePast. The next X title (spin-off TheNewMutants) is out next spring and has been delayed on numerous occasions.
Anticipation seems muted here. Phoenix has the very real possibility of having the lowest premiere ever in the franchise’s history. That distinction for a non spin-off currently belongs to the 2000 original, which started with $54 million (not adjusted for inflation). Just below that is 2013’s TheWolverine at $53 million.
The opportunity for Disney to reinvigorate the series is coming, but I’ll project this latest entry will mark an overall low in earnings.
DarkPhoenix opening weekend prediction: $45.3 million
For my TheSecretLifeofPets2 prediction, click here:
As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).
And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!
25. Channing Tatum (2012)
It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance TheVow, hit comedy 21JumpStreet, and his signature and semi-autobiographical title role in the summer sleeper MagicMike (also from Mr. Soderbergh).
24. John Travolta (1996)
Two years following his major comeback in PulpFiction and a year following his Golden Globe nominated lead in GetShorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller BrokenArrow and fantasy dramas Phenomenon and Michael.
23. Clint Eastwood (1971)
The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller PlayMistyforMe. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and MillionDollarBaby. In December, Eastwood starred as DirtyHarry which spawned his lucky cop franchise.
22. Sigourney Weaver (1988)
Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for GorillasintheMist and Supporting Actress for WorkingGirl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.
21. Joe Pesci (1990)
Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic HomeAlone.
20. Kevin Spacey (1995)
Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in TheUsualSuspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in Outbreak and headlined the critically approved indie comedy SwimmingwithSharks.
19. Nicolas Cage (1997)
LeavingLasVegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: ConAir and Face/Off.
18. Will Ferrell (2003)
Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s OldSchool as Frank the Tank and in the winter as Buddy in Elf.
17. Morgan Freeman (1989)
The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner DrivingMissDaisy, a dedicated and stern principal in LeanonMe, and a Civil War officer in Glory.
16. Steven Soderbergh (2000)
The prolific filmmaker made two Best Picture nominees with ErinBrockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.
15. Halle Berry (2001)
Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’sBall. This was all sandwiched between X–Men hits.
14. Hugh Jackman (2017)
Berry’s X–Men cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical TheGreatestShowman was an unexpected smash.
13. Leonardo DiCaprio (2002)
Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s GangsofNewYork and Steven Spielberg’s CatchMeIfYouCan left little doubt. He’s been one of Hollywood’s most dependable stars since.
12. Francis Ford Coppola (1974)
In 1972, Coppola made perhaps the greatest American film of all time with TheGodfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller TheConversation.
11. Michael Douglas (1987)
His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s WallStreet won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller FatalAttraction, which was the year’s second largest grosser.
10. Julia Roberts (1999)
She started the decade with a smash star making turn in PrettyWoman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: NottingHill with Hugh Grant and RunawayBride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for ErinBrockovich.
9. Tom Cruise (1996)
1986 wasn’t too shabby either with TopGun and TheColorofMoney. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s JerryMaguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.
8. Sandra Bullock (2013)
Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy TheHeat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.
7. Sylvester Stallone (1985)
Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind BacktotheFuture. They were for his two signature characters with Rambo: FirstBloodPartII and RockyIV.
6. Robert Downey Jr. (2008)
A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in IronMan, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s TropicThunder, which earned Downey a rare Oscar nod for a comedic performance.
5. Tom Hanks (1993)
There’s more than one year to consider for Hanks… 1995 (Apollo13, ToyStory) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic SleeplessinSeattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for ForrestGump.
4. Mel Brooks (1974)
The director managed to make two of the most beloved comedies of all time in one year… BlazingSaddles and YoungFrankenstein. The two features combined contain some of the funniest scenes ever filmed.
3. Jennifer Lawrence (2012)
Already an Oscar nominee two years prior for Winter’sBone, Lawrence’s road to superstardom was paved in 2012. In March came TheHungerGames, the year’s third top earner that spawned three sequels. In December came SilverLiningsPlaybook, where she won Best Actress.
2. Jim Carrey (1994)
In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as AceVentura: PetDetective, TheMask, and DumbandDumber all hit screens.
1. Steven Spielberg (1993)
In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale JurassicPark in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’sList won seven Academy Awards (including Picture and for Spielberg’s direction).
I hope your New Year is your best yet, readers! Have a happy one…
Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:
As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.
For starters, here’s the list of winners from 1990 to now:
1990 – Kathy Bates, Misery
1991 – Jodie Foster, The Silence of the Lambs
1992 – Emma Thompson, Howards End
1993 – Holly Hunter, The Piano
1994 – Jessica Lange, Blue Sky
1995 – Susan Sarandon, Dead Man Walking
1996 – Frances McDormand, Fargo
1997 – Helen Hunt, As Good As It Gets
1998 – Gwyneth Paltrow, Shakespeare in Love
1999 – Hilary Swank, Boys Don’t Cry
2000 – Julia Roberts, Erin Brockovich
2001 – Halle Berry, Monster’s Ball
2002 – Nicole Kidman, The Hours
2003 – Charlize Theron, Monster
2004 – Hilary Swank, Million Dollar Baby
2005 – Reese Witherspoon, Walk the Line
2006 – Helen Mirren, The Queen
2007 – Marion Cotillard, La Vie en Rose
2008 – Kate Winslet, The Reader
2009 – Sandra Bullock, The Blind Side
2010 – Natalie Portman, Black Swan
2011 – Meryl Streep, The Iron Lady
2012 – Jennifer Lawrence, Silver Linings Playbook
2013 – Cate Blanchett, Blue Jasmine
2014 – Julianne Moore, Still Alice
2015 – Brie Larson, Room
2016 – Emma Stone, La La Land
2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri
When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:
3. Holly Hunter, The Piano
Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day.
2. Julia Roberts, Erin Brockovich
One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.
1. Charlize Theron, Monster
Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.
And now the “upsets”…
3. Kate Winslet, The Reader
While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.
2. Marion Cotillard, La Vie en Rose
This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.
1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby
This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia.
We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client.
Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).
It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:
The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty.
Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.
The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.
Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).
In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.
The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).
The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.
Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).
Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).
Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).
Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…
In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).
Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.
And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!
Jennifer Lawrence teams up with her HungerGames director Francis Lawrence once again with RedSparrow. This spy thriller could rightfully be called TheSomberGames. To put it in Red Bull terms, there are times when Sparrow could use some wings.
While Lawrence gives a solid performance, the film never quite strikes a satisfying balance between wanting to be a little trashy and wanting to take itself as stone faced seriously as every character who inhabits it.
Here we have Jenny from the Red Block – with the star playing Dominika. She’s a well-known Russian ballerina whose career is cut short in a freak injury. Unable to care for her ill mother (Joely Richardson) or make ends meet, her high-ranking government official uncle (Matthias Schoenaerts) offers her an ultimatum. Dominika is to become an employee of the Foreign Intelligence Service and extract information from suspects by any means possible.
This brings her to an intensive training course called State School 4 or as she later coins it – Whore School. It’s an apt description as most of the methods taught by its headmaster (Charlotte Rampling) involve seduction. Her training soon puts her in close contact with CIA agent Nash (Joel Edgerton) as he knows the true identity of a Russian mole.
Based on a 2013 novel by Jason Matthews, RedSparrow follows the spy flick playbook of frequent double crosses and surprising character reveals. Unlike some recent entries in the well-worn genre, it’s bursts of violence are hardcore and it’s filled with sex. Dominika is tasked with always staying a step ahead of her mostly male coworkers and marks. That almost always involves their uncontrolled libido.
Director Lawrence and Jennifer Lawrence deserve some credit for making this pretty interesting for the first hour or so. The pic is not short on style and watching Dominika first adapt to her new reality has some entertaining and unexpected pleasures at first.
After a while, however, RedSparrow struggles as it devolves into more familiar torture scenes and unsurprising “surprises”. Unlike AtomicBlonde with Charlize Theron (a much better genre experience), there’s hardly any sense of fun here. The Lawrence’s seem convinced that the dour happenings are enough to sustain a 140 running time. Not quite.
Eight years ago, director Debra Granik had a breakout success with Winter’sBone. The drama set in the Ozarks was a critical darling that earned four Oscar nominations: Picture, Adapted Screenplay, Supporting Actor for John Hawkes, and Actress for an unknown at the time by the name of Jennifer Lawrence.
There’s been a lengthy break between projects for Granik and her latest just hit theaters in limited fashion over the weekend. LeaveNoTrace tells the tale of a veteran (Ben Foster) with PTSD raising a teenage daughter (Thomasin McKenzie). It premiered earlier this year at the Sundance Film Festival to similar acclaim that Bone received. With over 90 reviews on record, the Rotten Tomatoes score is 100%.
Could the Academy take notice of Trace? It could be a long shot, but I wouldn’t discount the possibility. Critics have particularly praised McKenzie here and if Bleecker Street mounts a campaign for Actress or (more likely) Supporting Actress, she could be another relative unknown whose work is acknowledged under Granik’s direction.
Blogger’s Note (02/28): I am revising my Red Sparrow down from $19.5 million to $17.5 million
Red Sparrow, out next Friday, reunites Jennifer Lawrence with her director for the last three Hunger Games installments Francis Lawrence. The spy thriller casts the star as a Russian spy with a supporting cast that includes Joel Edgerton, Matthew Schoenaerts, Charlotte Rampling, Jeremy Irons, and Mary-Louise Parker.
The 20th Century Fox release was originally scheduled for November of last year before the March push back. Reviews have been a bit mixed as it stands at 63% on Rotten Tomatoes at press time.
Lawrence has certainly had her share of massive hits. She’s also had some under performers as of late, including Passengers and mother! Competition is a factor here. Black Panther should still be ruling the charts and Death Wish with Bruce Willis opens directly against it and will try to capture the attention of actions fans.
I could see Red Sparrow performing similarly to another recent female led spy flick, last summer’s Atomic Blonde with Charlize Theron. It opened to $18.2 million. I’ll put this just a touch higher due to Lawrence’s drawing power, but still under $20 million.
Red Sparrow opening weekend prediction: $17.5 million
