Tag: The Dark Knight

July 24-26 Box Office Predictions

Blogger’s Update (07/22): Hadestown: The Musical, captures a live recording of the Tony award winning smash and has a five-day theatrical run beginning Friday. I did not do an individiual prediction post for it since I am still unaware of its theater count. That said, pre-sales look strong so I’m projecting it falls just under $10 million for fifth place. Under the right circumstances, it could be as high as second.

With epic hit The Odyssey entering a fruitful second frame and Spider-Man: Brand New Day hitting on July 31st, studios are avoiding any significant wide releases this weekend.

Christopher Nolan’s awards contender based on Homer’s Greek works exceeded expectations (more on that below). Along with critics, moviegoers are on its side with an A Cinemascore grade and 97% audience score on RT. The filmmaker’s Oscar-winning predecessor Oppenheimer declined 43% in its sophomore outing and I could see a similar result here. In fact, I think it might witness a smaller percentage drop. That would mean a gross nearing or at $75 million.

Disney should once again hold spots 2-3 with Moana and Toy Story 5 while Illuminations Entertainment’s Minions & Monsters places fourth. The grosses for the three family offerings could be close and that makes the rankings slightly tricky to call.

Here’s how I see it shaking out:

1. The Odyssey

Predicted Gross: $74.6 million

2. Moana

Predicted Gross: $10.2 million

3. Toy Story 5

Predicted Gross: $9.7 million

4. Minions & Monsters

Predicted Gross: $9 million

5. Hadestown: The Musical

Predicted Gross: $8.5 million

Box Office Results (July 17-19)

As mentioned, The Odyssey began its powerful and likely long cinematic journey to grand results with $123.5 million. That’s ahead of my $106.2 million prediction and boasts the third highest domestic Nolan debut behind The Dark Knight Rises and The Dark Knight. It is also the greatest foreign start for any feature from the auteur.

Moana fell a steep but anticipated 58% to second with $17.9 million compared to my $19.1 million projection. The underwhelming two-week results for the Mouse House are $81 million.

Toy Story 5 was third with $13.7 million, a tad more than my $12.4 million forecast. Disney is not underwhelmed in this case with $429 million in five weeks.

Minions & Monsters was right behind in fourth with $13.6 million, on target with my $13.7 million estimate. The three-week tally is $136 million.

Finally, Evil Dead Burn was fifth with $4.7 million (I said $5.5 million) with a 65% drop in weekend #2. The total is $23 million.

And that does it for now, folks! Until next time…

The Odyssey Box Office Prediction

Adapted from Homer’s ancient Greek works, The Odyssey looks to make a lot of dough when it opens July 17th. Undoubtedly one of 2026’s most anticipated releases, Christopher Nolan directs the fantasy action epic with Matt Damon headlining a packed cast. That includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Samantha Morton, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.

The first feature to be shot entirely on 70 mm IMAX cameras, showings on those giant screens are already sold out or filling up for the three-hour experience. Nolan’s stock is incredibly high right now. This is his follow-up to the 2023 Oscar juggernaut Oppenheimer which nearly grossed a billion dollars worldwide. No other director is more bankable than him.

With known source material, a spirited marketing campaign, and a plum mid-July release date that Nolan favors (it’s when Oppenheimer, The Dark Knight, and The Dark Knight Rises premiered), that should be a winning combo. Official reviews aren’t out yet, but early word-of-mouth is strong and it’s expected to be a major Oscar contender.

The Odyssey should surpass the $82.5 million that greeted Oppenheimer. I think it can get past $100 million even though I’m not buying the rosiest forecasts of $130 million or so (at least not yet).

The Odyssey opening weekend prediction: $106.2 million

Oscar Predictions – Joker: Folie à Deux

There are some genuine awards related surprises as it pertains to the Venice Film Festival debut for Joker: Folie à Deux today. It is not shocking that the Todd Phillips sequel to his billion plus 2019 grosser is garnering wildly divergent reactions. So did the original. I’m talking about some unexpected housekeeping items. For one, Lady Gaga’s performance as Harley Quinn is said to be a clear Supporting Actress play and not lead. In my updated Oscar predictions post yesterday, I slotted her for the first time (at #5) in Actress. That will obviously change. Another tidbit is that despite Deux being a musical, there doesn’t appear to be any original songs for consideration. I’ve listed a TBD tune in my quintet of forecasted contenders for several weeks. That, too, will be corrected when I updated Academy projections shortly (probably Sunday).

Prior to its October 4th stateside premiere (exactly five years after part one), the follow-up has premiered in Italy just like the last one did. The first Joker started its Oscar run by taking the Golden Lion (equivalent to Best Picture) in Venice. It ended up receiving a ceremony high 11 nominations at the 92nd Academy Awards including Picture, Director, Adapted Screenplay, and several tech races. Joaquin Phoenix received the gold statue in Best Actor eleven years after Heath Ledger won Supporting Actor as the same character in The Dark Knight. The Original Score by Hildur Guõnadóttit was also victorious.

Phoenix is back as the iconic comic book villain along with Gaga, a returning Zazie Beetz, Brendan Gleeson, and Catherine Keener supporting. Even more so than what took place a half decade ago, Folie appears to be drawing even more divisive word-of-mouth. The Metacritic score is 54 based on nearly 25 reviews thus far. Some are calling it brilliant while others are saying this is a huge misfire.

The Academy is unlikely to show the same affection that they did with Joker. BP, Director, and Actor seem improbable. I’ve yet to include Deux in my top 10 picks for BP and that doesn’t appear to be changing. Down the line races like Production Design, Costume Design, Makeup & Hairstyling, and Original Score (from Hildur again) could occur. Yet the Academy might just ignore this altogether or maybe throw it a bone in one or two of the aforementioned categories.

Back to Gaga. She was nominated in Actress for 2018’s A Star is Born and was expected to be up for 2021’s House of Gucci. She didn’t make the cut for Gucci. Supporting Actress could include heavy hitters like Zoe Saldaña and Selena Gomez from Emilia Pérez, Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), and Tilda Swinton (The Room Next Door), among others whose films have yet to be unveiled. Gaga is getting good ink as Quinn, but there may not be room for her to get in the door. My Oscar Prediction posts will continue…

Oscar Predictions: The People’s Joker

Batman’s most notable nemesis certainly has an Oscar history. Heath Ledger’s performance as the Joker in Christopher Nolan’s 2008 sequel The Dark Knight won him a posthumous Supporting Actor statue. Eleven years later, Joaquin Phoenix took the lead Actor prize as the title character in the Todd Phillips treatment of the demented clown. The other famous cinematic Jokers are also Academy recipients: Jack Nicholson (three times for One Flew Over the Cuckoo’s Nest, Terms of Endearment, As Good as It Gets) and Jared Leto (Dallas Buyers Club).

No, Vera Drew is not going to follow suit. However, The People’s Joker is drawing raves from many critics. A parody of superhero pics and an exploration of transgender issues, this Joker has had a fascinating and bumpy ride to the silver screen. Unveiled at the Toronto Film Festival in 2022, the film was shelved due to trademark and character rights complications.

A year and a half later, Drew’s crowd-funded concoction is out in limited fashion domestically. She stars, directs, and cowrites with a supporting cast of unknowns and familiar faces. They include Lynn Downey, Kane Distler, David Liebe Hart, Phil Braun, Maria Bamford, Christian Calloway, Tim Heidecker, Scott Aukerman, Bob Odenkirk, and Robert Wuhl (who was reporter Alexander Knox in Tim Burton’s first Batman).

Reviews are praising the filmmaker’s use of the 21st century’s preeminent genre to document her own transformation. The Rotten Tomatoes score is 96%. This doesn’t seem like something the Academy would honor, but the Indie Spirits could be another story and perhaps even DGA could put Drew in their First-Time Director race. My Oscar Prediction posts will continue…

Oscars: The Case of Christopher Nolan for Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!

Previous Oscar Directing Nominations:

Dunkirk (2017)

The Case for Christopher Nolan:

Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.

The Case Against Christopher Nolan:

There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.

The Verdict:

If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.

My Case Of posts will continue with Carey Mulligan in Maestro…

August 25-27 Box Office Predictions

Blogger’s Update (08/23): I’ve downgraded my Turismo prediction from $24.3M to $19.3M.

The month of August closes out with a trio of new titles and National Cinema Day happening on Sunday with ticket prices at $4 in thousands of theaters. The Playstation based racing drama Gran Turismo, faith-based baseball drama The Hill, and Liam Neeson’s action thriller Retribution premiere and you can access my detailed prediction posts on them here:

Gran Turismo Box Office Prediction
The Hill Box Office Prediction
Retribution Box Office Prediction

With high familiarity for the video game source material and decent enough reviews, Gran Turismo should place first with a mid 20s haul. The National Cinema Day bargain prices on Sunday could push this to grosses similar to what Blue Beetle made in its opening.

Speaking of Beetle, it may drop from first to third in its sophomore frame after a poor start (more on that below). That’s because Barbie should see a smaller decline and remain in second.

As for other holdovers, Oppenheimer and Teenage Mutant Ninja Turtles: Mutant Mayhem should each ease a spot to fourth and fifth.

That’s because I don’t envision The Hill or Retribution hitting the top five. The former could exceed my forecast if it breaks through with Christian audiences. I have it at $3.3 million. With Retribution, I see no compelling reason why it wouldn’t open on pace with recent Neeson pics and that’d mean an opening of just over $3 million. I’ll go a tad less with $2.4 million.

Here’s how I see that high five playing out:

1. Gran Turismo

Predicted Gross: $19.3 million

2. Barbie

Predicted Gross: $16.5 million

3. Blue Beetle

Predicted Gross: $13.2 million

4. Oppenheimer

Predicted Gross: $8.1 million

5. Teenage Mutant Ninja Turtles: Mutant Mayhem

Predicted Gross: $6.8 million

Box Office Results (August 18-20)

Good news and bad news for Warner Bros as Barbie became the studio’s largest domestic earner of all time over 2008’s The Dark Knight. Obviously that’s the good news.

WB saw Barbie‘s four-week reign atop the charts by the WB’s Blue Beetle. Yet that’s kinda the bad news because its $25 million beginning is the lowest in the decade plus history of the DCU. It did manage to barely top my $23.7 million take, but it’s still a subpar start.

As for Barbie, it was second with $21 million. That’s just under my $22.5 million projection as its $566 million total set for the aforementioned record.

Oppenheimer was third with $10.7 million compared to my $12.7 million estimate for a five-week tally of $285 million.

Fourth place belonged to Teenage Mutant Ninja Turtles: Mutant Mayhem with $8.5 million (I said $9.2 million) for $88 million in three weeks.

Rounding out the top five in disappointing fashion was Strays. The R rated comedy featuring Will Ferrell and Jamie Foxx voicing dirty dogs tanked with $8.2 million. I was kinder at $13.5 million.

And that does it for now, folks! Catch my podcast by searching Movies at the Speed of Speculation on your preferred streaming platform. Until next time…

Best Picture 2008: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.

We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.

David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).

Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).

The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.

Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.

I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.

For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.

Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.

All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).

Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.

So there you have it! That means my 2008 Best Picture expanded to ten is:

The Curious Case of Benjamin Button

The Dark Knight

Doubt

Frost/Nixon

Frozen River

Milk

The Reader

Revolutionary Road

Slumdog Millionaire

Wall-E

I’ll have 2007 up for your reading pleasure soon!

Oscar Predictions: Oppenheimer

When it comes to Academy love for Christopher Nolan and his filmography, the magic number appears to be 8. That’s how many nominations happened for 2008’s The Dark Knight, 2010’s Inception, and 2017’s Dunkirk. The filmmaker looks to exceed that figure with Oppenheimer. The three-hour epic biopic starring Cillian Murphy as the father of the atomic bomb opens this weekend and the review embargo lapsed today. The massive supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie (among others). Seriously when I say among others. As in, Gary Oldman plays Harry Truman and that’s far down on the Wiki list of familiar faces.

The Academy has a checkered history with Mr. Nolan. While The Dark Knight managed those eight mentions and won two, it famously missed Best Picture. Many believe the expansion to 10 features from five a year later was due to the Dark snub. Nolan himself has only been up for Best Director once with Dunkirk. His omission for Inception was a surprise. As far as actors who’ve competed in his works, that list consists of only one: Heath Ledger in The Dark Knight. He, of course, posthumously won.

Based on the critical reaction to Oppenheimer, Nolan’s record for nods may be broken and the acting list should expand. The Rotten Tomatoes meter is at 93% and while not all write-ups are raves, I believe enough are so that Best Picture and Director are likely happening. In fact, I see both of them occurring before an Adapted Screenplay spot (which could still materialize).

It’s no surprise that this should play in tech races. From Cinematography to Film Editing and Original Score and Production Design. Those might be givens as is Sound. Costume Design, Makeup and Hairstyling, and certainly Visual Effects are all feasible too.

If you’re keeping score, we’re already potentially above 8. Then there’s the performances. Murphy (obviously in lead) was assumed to be a surefire contender (his first at bat) and that’s bearing out. The bigger question was which supporting players would emerge. The answer it seems is Blunt and Downey Jr. For Blunt, it somehow would mark her first nomination. For Downey Jr., it would be the third – 31 years after Chaplin in lead and 15 years following Tropic Thunder in Supporting.

Bottom line: Oppenheimer appears positioned to be Nolan’s personal best showing at the big dance. It should be right up there with Killers of the Flower Moon and perhaps Dune: Part Two as far as numerical possibilities. My Oscar Prediction posts will continue…

Oppenheimer Box Office Prediction

Blogger’s Update (07/19): I’ve increased my prediction from $52.3M to $65.3M

As one of the few directors whose name can open a movie, Christopher Nolan’s epic biopic Oppenheimer reaches theaters on July 21st. Cillian Murphy headlines the three-hour historical epic as the title character, known as the father of the atomic bomb. The large supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie.

Shot for a reported $100 million, the Oscar hopeful is targeting a second place showing by outpacing the second frame of Mission: Impossible – Dead Reckoning Part One. First place appears unreachable due to Barbie. The social media world has had a ball with memes and GIFs celebrating the premieres of these two huge projects on the same date. The term “Barbenheimer” has even been coined with thousands of moviegoers having already planned long days at the multiplex to view both.

Thanks in large part to his Dark Knight trilogy, Nolan serves as the biggest main draw for his own projects. He boasts a directorial bankability that few of his colleagues share (Tarantino is another example). Non-Batman projects have seen impressive starts. In 2010, Inception (hot on the heels of The Dark Knight) premiered with $62 million. Interstellar started with $47 million in 2014. Over Labor Day weekend in 2020, Tenet braved unfavorable COVID conditions and managed a $20 million beginning.

Oppenheimer faces its challenges. There’s obviously the competition from an iconic doll and Ethan Hunt. The subject matter may not be enticing to younger viewers who typically drive the summer box office. Still early indications including some sold out IMAX venues at considerably higher prices have me thinking it could top $50 million.

Oppenheimer opening weekend prediction: $65.3 million

For my Barbie prediction, click here:

Barbie Box Office Prediction

Oscars: The Case of Angela Bassett in Black Panther: Wakanda Forever

As the grieving mother of an iconic Marvel superhero, Angela Bassett is first up in my Case Of posts for the Supporting Actress quintet.

The Case for Angela Bassett:

Nearly thirty years after receiving a Best Actress nomination as Tina Turner in What’s Love Got to Do with It, Bassett becomes the first performer to land a mention for an MCU pic (in its 30th feature). Her work in Black Panther: Wakanda Forever has already given her Golden Globe and Critics Choice statues. BAFTA and SAG could follow suit as she hasn’t missed any of the significant precursors. She’s also a highly respected thespian and voters may feel it’s time to honor her.

The Case Against Angela Bassett:

This would be the only performance from a comic book tale to win where the actor isn’t playing the Joker. In other words, despite the prevalence of the genre in the 21st century, this is a rare occurrence. While she’s run the table thus far, a SAG or BAFTA victory for another contestant (say Kerry Condon in The Banshees of Inisherin) would interrupt the sweep chatter.

Previous Nominations:

What’s Love Got to Do with It (Actress, 1993)

The Verdict:

In the supporting fields, I’m not not quite as confident in Bassett’s coronation as I am with Ke Huy Quan in Supporting Actor. That said, she is definitely in the best position for the crown.

My Case Of posts will continue with the first Supporting Actor write-up and that’s Brendan Gleeson in The Banshees of Inisherin!

For post covering the other Supporting Actress hopefuls, click here:

Oscars: The Case of Hong Chau in The Whale
Oscars: The Case of Kerry Condon in The Banshees of Inisherin
Oscars: The Case of Jamie Lee Curtis in Everything Everywhere All at Once
Oscars: The Case of Stephanie Hsu in Everything Everywhere All at Once