Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.
That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.
Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.
Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.
Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…
30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.
Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.
I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.
Toy Story 5 opening weekend prediction: $166.8 million
For my The Death of Robin Hood prediction, click here:
Songstress Billie Eilish and her sibling/producing partner Finneas O’Connell team with a rather well-known auteur for her latest concert feature when the generously titled Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) hits multiplexes on May 8th. Said director is James Cameron, taking a break from his Avatar pics in a somewhat unexpected venture (though he’s certainly familiar with 3D).
Expectations for two-time Best Song Oscar winner Eilish are obviously less than Taylor Swift’s Eras movie. The unlikely best case scenario might be the $21 million start achieved by Beyoncé’s Renaissance experience. I’m skeptical. I think it falls under double digits.
Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) opening weekend prediction: $8.3 million
Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million. That puts it outside of the of the top 5.
With Taylor Swift sashaying out of multiplexes after a dominant weekend, Tron: Ares looks to take over the charts. We also have Channing Tatum in the crime dramedy Roofman and Jennifer Lopez headlining Kiss of the Spider Woman. My detailed prediction posts on the trio can be accessed here:
With scant competition, Tron should have no trouble placing first. That said, I have the sci-fi threequel earning less out of the gate than what greeted Tron: Legacy nearly 15 years ago.
I have both Roofman and Spider Woman in the mid single digits and both could fall behind the third frame of One Battle After Another if it dips in the low to mid 40s. **I’ll also note the release of Soul on Fire starring William H. Macy. It could manage to do $3 million or so and sneak into the top 5, but I’m uncertain on the theater count. I may add it into the lineup later this week so keep an eye out.
The Conjuring: Last Rites could hold the five spot since I believe its decline will be far less than The Smashing Machine‘s sophomore outing. The latter bombed over the weekend (more on that below) and its B- Cinemascore doesn’t bode well for the road ahead.
Here’s how I see the top 5 shaking out:
1. Tron: Ares
Predicted Gross: $42.6 million
2. One Battle After Another
Predicted Gross: $6.4 million
3. Roofman
Predicted Gross: $5.8 million
4. The Conjuring: Last Rites
Predicted Gross: $3.1 million
5. The Smashing Machine
Predicted Gross: $2.6 million
Box Office Results (October 3-5)
To coincide with the release of her already record-breaking 12th album, Taylor Swift: The Official Release Party of a Showgirl played for a three-day engagement and was #1 as expected. The $34 million take was in line with many expectations, but I thought Ms. Swift might surpass them with a $48.6 million projection. Any way you cut it, it’s a fine result while not approaching the $93 million that her Eras Tour theatrical experience garnered.
In fact, pretty much everything fell below my forecasts this weekend. One Battle After Another slid to second with a troubling 50% decline to $11 million. I was more generous at $14.5 million as I thought the A Cinemascore would help out more than it did. The two-week take is $42 million.
Dwayne Johnson suffered his weakest ever wide release opening as The Smashing Machine crumbled in third with $6 million. I guesstimated more than twice that number at $13.7 million. A poor start like that should evaporate any awards buzz and look for it to fade quickly.
Gabby’s Dollhouse: The Movie nosedived 61% in fourth with $5.3 million compared to my glass half full $7.9 million prediction. Its ten-day tally is a meager $21 million.
The Conjuring: Last Rites rounded out the top five with $4.1 million and I incorrectly had it on the outside looking in. The five-week total is $167 million.
Two other new(ish) titles struggled. The re-release of Avatar: The Way of Water was seventh with $3.2 million. I went with $4.4 million. Nevertheless the few extra bucks brought its gross to $687 million as Avatar: Fire and Ash is primed for December.
Canine horror pic Good Boy was ninth with $2.3 million, falling a bit under my $2.8 million projection.
Just as she will on the music charts starting Friday, the biggest pop star in the universe seeks to dominate the box office rankings with Taylor Swift: The Official Release Party of a Showgirl. We also have Dwayne Johnson and Emily Blunt in the MMA biopic The Smashing Machine, the re-release of Avatar: The Way of Water and canine centric horror tale Good Boy out. You can peruse my detailed prediction posts on the newcomers here:
Coinciding with the release of her 12th studio album, Showgirl looks to kick up impressive earnings for its engagement lasting only this weekend. While it’s unlikely to approach the $93 million generated out of the gate by her Eras Tour doc in 2023, I believe it’ll surpass the $40 million forecasts and reach higher 40s. As a general rule, take the over when it comes to Taylor.
The Smashing Machine will compete for adult eyeballs with the second weekend of One Battle After Another. My low teens take would put it in third for a so-so showing.
While audiences await threequel James Cameron’s Avatar: Fire and Ash this December, I have the re-release of The Way of Water in mid single digits and rounding out the high five.
My lower single digits estimate at $2.8 million for Good Boy leaves it outside the top five.
As for holdovers, Battle came in at the lower end of its expected range (more on that below). However, awards buzz and the Cinemascore grade of A might mean a meager drop. Gabby’s Dollhouse: The Movie didn’t pack in family crowds, but lack of competition for kids (though plenty of them might see Ms. Swift) could mean a decline around 40% or less.
Here’s I have it all shaking out:
1. Taylor Swift: The Official Release Party of a Showgirl
Predicted Gross: $48.6 million
2. One Battle After Another
Predicted Gross: $14.5 million
3. The Smashing Machine
Predicted Gross: $13.7 million
4. Gabby’s Dollhouse: The Movie
Predicted Gross: $7.9 million
5. Avatar: The Way of Water re-release
Predicted Gross: $4.4 million
Box Office Results (September 26-28)
Paul Thomas Anderson’s acclaimed One Battle After Another certainly set a record for his openings. Yet the $22 million debut for Leonardo DiCaprio’s latest came in lower than my $27 million prediction. It will hope for (and should achieve) smallish dips in the coming weeks due to the aforementioned word-of-mouth.
Gabby’s Dollhouse: The Movie was second with an unimpressive $13.6 million, well under my $20.3 million call. Based on the Netflix TV show, plenty of viewers opted to stay home.
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle was third in weekend #3 with $7.1 million and ahead of my $5.8 million projection. The anime record holder has amassed $118 million stateside.
The Conjuring: Last Rites was fourth in weekend #4 at $6.7 million (I said $6.4 million) as the sequel’s tally is $161 million.
The Strangers – Chapter 2 sputtered in fifth with $5.8 million, under my $6.7 million take. This scary sequel failed to approach the double digits that its predecessor last year managed.
Speaking of underwhelming fright fest performances, Him tumbled 73% in sixth with $3.5 million. I was more generous at $5.1 million as its two-week earnings are $20 million.
Coinciding with the release of her 12th album The Life of a Showgirl, the unstoppable force that is Taylor Swift is back in theaters October 3rd courtesy of Taylor Swift: The Official Release Party of a Showgirl. Clocking in at just under an hour and a half, Showgirl will showcase the premiere of a new video in addition to lyric videos for other tracks and behind the scenes footage.
Announced just days ago, all domestic AMC Theatres will feature the project as well as participating Alamo Drafthouse, Regal and Cinemark locations. Tickets are $12 to honor her 12th album. Nearly two years ago, the pop sensation dominated the box office with her Eras Tour big screen experience. It opened to a walloping $93 million on its way to a $180 million stateside haul.
Showgirl will only be in theaters for three days. Expectations are not as high and this probably won’t play on the 3800+ venues that Eras did. Early estimates have this grossing around $40 million. This might go without saying, but I would take the over when it comes to Ms. Swift.
When the screen count is released, my estimate could fluctuate. While I agree this won’t reach Eras level, I’m going with low to mid 50s and let’s see if that ticks up (or maybe down) in the days to come.
Taylor Swift: The Official Release Party of a Showgirl opening weekend (and overall gross) prediction: $48.6 million
For my The Smashing Machine prediction, click here:
Kingsman maker Matthew Vaughn appears to be in his comfort zone with Argylle, out February 2nd. The spy action comedy comes with a reported $200 million budget and hopes to spawn a trilogy. Henry Cavill, Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O’Hara, Dua Lipa, Ariana DeBose, John Cena, and Samuel L. Jackson fill out the eclectic cast. There’s even a Taylor Swift connection (sort of). Swifties speculated that the film’s author character (played by Howard) might in fact be the superstar/Chiefs fan, but Vaughn debunked the theory. Anytime Swift is in the mix, that means your movie is getting extra attention.
Argylle could also be helped by the dead zone that is the current box office landscape. There’s simply not much out there and this star-studded affair will be the highest profile option.
That said, I don’t think this will exceed expectations. Current forecasts have this in the high teens to low 20s and I think that sounds right. This means Argylle may need to rely on overseas grosses if it wants that trilogy.
My first two Year Of posts for the cinematic gifts we’ll remember in 2023 didn’t cover individuals. They focused on the phenomenon known as Barbenheimer and the impressive past few months for video game adaptations. You can peruse both of those entries here:
Now we arrive at one performer whose year shone brightest beyond the silver screen. Yes, we’re talking Taylor, Swifties! Whether it was on her money minting tour or upping NFL viewership due to her romance with Travis Kelce, it was all about Taylor in 2023.
That popularity extended to the multiplex. On October 13th, her concert pic Taylor Swift: The Eras Tour broke every record in the genre. Actually it did so before it release by racking up ginormous pre-sales. When it debuted, the result was a $250 million worldwide gross with nearly $180 million of that stateside. Critics turned into Swifties as well (99% on Rotten Tomatoes).
This reversed perhaps the only blip on Swift’s career trajectory. Her movie past was littered with disappointments like 2019’s Cats and 2022’s Amsterdam. With Eras, she now stands tall as the Queen of the Concert Movie… and pretty much everything else in 2023. My Year Of posts will continue…
Prior to its January 7th airing on CBS and Paramount+, nominations for the 81st Golden Globe Awards are out Monday, December 11th. After years of airing on NBC, the ceremony has found a new home after the controversies of the last few years involving the Hollywood Foreign Press Association.
That’s not the only change with the program. The categories we are used to have expanded from five to six nominees. And a new competition – Cinematic and Box Office Achievement – comes with eight contenders. We could safely coin this the “Barbenheimer” race unless Taylor Swift has something to say about that.
As always, there’s some controversy in the differentiation between Drama and Musical/Comedy placements. Netflix decided to campaign Todd Haynes’s May December in the latter even though Drama seems more appropriate. It could help it get more noms.
Here we go with my picks in each cinematic derby and I’ll give you an alternate with each.
Motion Picture (Drama)
Anatomy of a Fall
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
The Zone of Interest
Alternate: Saltburn
Motion Picture (Musical/Comedy)
American Fiction
Barbie
The Color Purple
The Holdovers
May December
Poor Things
Alternate: Air
Film Director
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Alternate: Alexander Payne, The Holdovers
Actress (Film Drama)
Annette Bening, Nyad
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Cailee Spaney, Priscilla
Alternate: Teyana Taylor, A Thousand and One
Actor (Film Drama)
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Barry Keoghan, Saltburn
Cillian Murphy, Oppenheimer
Andrew Scott, All of Us Strangers
Alternate: Zac Efron, The Iron Claw
Actress (Musical/Comedy)
Fantasia Barrino, The Color Purple
Abby Ryder Fortson, Are You There God? It’s Me, Margaret
Julia Louis-Dreyfus, You Hurt My Feelings
Natalie Portman, May December
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate: Jennifer Lawrence, No Hard Feelings
Actor (Musical/Comedy)
Gael Garcia Bernal, Cassandro
Nicolas Cage, Dream Scenario
Timothee Chalamet, Wonka
Matt Damon, Air
Paul Giamatti, The Holdovers
Jeffrey Wright, American Fiction
Alternate: Jamie Foxx, The Burial
Supporting Actress
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Jodie Foster, Nyad
Taraji P. Henson, The Color Purple
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Alternate: Rachel McAdams, Are You There God? It’s Me, Margaret
Supporting Actor
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things
Dominic Sessa, The Holdovers
Alternate: Willem Dafoe, Poor Things
Best Screenplay
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
Alternate: May December
Cinematic and Box Office Achievment
Barbie
Elemental
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Oppenheimer
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Taylor Swift: The Eras Tour
Alternate: The Little Mermaid
Motion Picture (Non-English Language)
Anatomy of a Fall
Perfect Days
Society of the Snow
The Taste of Things
The Teachers’ Lounge
The Zone of Interest
Alternate: The Promised Land
Motion Picture (Animated)
The Boy and the Heron
Chicken Run: Dawn of the Nugget
Elemental
Nimona
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Alternate: Wish
Original Score
The Boy and the Heron
Killers of the Flower Moon
Nyad
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: Elemental
Original Song
“Dance the Night” from Barbie
“I’m Just Ken” from Barbie
“What Was I Made For?” from Barbie
“Keep It Movin” from The Color Purple
“The Fire Inside” from Flamin’ Hot
“A World of Your Own” from Wonka
Alternate: “Peaches” from The Super Mario Bros. Movie
That equates to these movies generating these numbers of nominations:
9 Nominations
Barbie
8 Nominations
Oppenheimer
7 Nominations
Killers of the Flower Moon
6 Nominations
Poor Things
5 Nominations
The Color Purple, The Holdovers
4 Nominations
Maestro, May December
3 Nominations
American Fiction, Nyad, Past Lives, Spider-Man: Across the Spider-Verse
2 Nominations
The Boy and the Heron, Elemental, The Super Mario Bros. Movie, Wonka, The Zone of Interest
1 Nomination
Air, All of Us Strangers, Are You There God? It’s Me, Margaret, Cassandro, Chicken Run: Dawn of the Nugget, Dream Scenario, Flamin’ Hot, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Nimona, Perfect Days, Priscilla, Rustin, Saltburn, Society of the Snow, The Taste of Things, Taylor Swift: The Eras Tour, The Teachers’ Lounge, You Hurt My Feelings
Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million. I’m also lowering my Renaissance prediction from $8.9M to $7.6M and raising my Hunger Games estimates from $7.8M to $8.6M. This dramatically alters my previous top five.
Before some high profile holiday releases are unwrapped, it should be a quiet weekend at the box office as Hayao Miyazaki’s The Boy and the Heron is the only significant newcomer. You can peruse my detailed prediction post on it here:
We may not see any picture top $10 million in this sleepy frame. Beyoncé may manage to rule the charts for a second time even though I have Renaissance having a sophomore slide in the high 50s. A gross approaching $9 million should keep it ahead of The Hunger Games: The Ballad of Songbirds and Snakes (which should fall in the mid 40s).
After an impressive debut, Godzilla Minus One should stay in third with Trolls Band Together remaining in fourth. I have Heron rounding out the top five, just ahead of Disney’s dud Wish.
Here’s how I see it playing out:
1. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $8.6 million
2. The Boy and the Heron
Predicted Gross: $8 million
3. Renaissance: A Film by Beyoncé
Predicted Gross: $7.6 million
4. Godzilla Minus One
Predicted Gross: $4.9 million
5. Trolls Band Together
Predicted Gross: $4.7 million
Box Office Results (December 1-3)
Audiences might not have been crazy in love with Renaissance: A Film by Beyoncé to the level of Taylor Swift’s tour feature, but it opened in line with its anticipated range. Premiering in first, the acclaimed concert pic started with $21.8 million. That’s on pace with my $20.7 million take.
The Hunger Games: A Ballad of Songbirds and Snakes slid to second with $14.1 million in its third outing, just ahead of my $13.1 million call. The franchise prequel is up to $120 million.
In a weekend with many debuts, Godzilla Minus One achieved the largest one at $11.4 million. The Japanese was third with $11.4 million, well ahead of my $7.6 million projection. This is especially impressive since it’s making most of its green overseas.
Trolls Band Together was fourth with $7.8 million (I said $8.5 million) as the three-week total is $75 million.
Disney’s Wish tumbled a steep 61% for fifth in its sophomore frame with $7.7 million. I was more generous at $9.3 million. The two-week tally is a troubling $42 million.
The second weekend plummet was even higher for Napoleon in sixth. It was down 65% to $7.2 million compared to my $9.2 million forecast. The overall gross is $45 million.
Newcomers filled the 7-9 spots. Hindi-language action flick Animal exceeded my expectations in seventh with $6.4 million. I said $4 million.
Sci-fi tale The Shift from Angel Studios was eighth with $4.6 million. That’s in line with my expectations at $4.3 million.
John Woo’s Silent Night was quiet in ninth with $3 million. That’s below my expectations as I went with $5 million.
Lastly, Eli Roth’s slasher Thanksgiving was tenth with $2.6 million, a tad under my $3.3 million prediction. Total is $28 million.
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