Oscar Predictions: The Lost City

At the Golden Globes honoring the pictures of 1984, Romancing the Stone managed to win the Musical/Comedy race. In doing so, it beat out sturdy competitors like Beverly Hills Cop, Ghostbusters, and Splash. Furthermore, Kathleen Turner took home Best Actress for her performance while costar Michael Douglas wasn’t nominated.

Why am I talking about this comedic adventure from nearly 40 years ago? The Lost City (out March 25th) is being compared to it a lot in the early reviews (which currently sit at 100% on Rotten Tomatoes).

From filmmakers Adam and Aaron Nee, Sandra Bullock and Channing Tatum headline with a supporting cast including Brad Pitt (the critics are praising him), Daniel Radcliffe, Da’Vine Joy Randolph, and Bowen Yang. Here’s the deal… this isn’t really an Oscar Predictions post. I don’t think it’ll be in the running from Academy voters.

The Hollywood Foreign Press Association is a different branch and could be a different story. Depending on the level of competition from future musicals and comedies in 2022, The Lost City‘s early buzz indicates it could make a play in that feature film competition or for Bullock. That would keep those comps to Stone relevant. My Oscar (and Globe) Prediction posts will continue…

Ghostbusters: Afterlife Review

The original Ghostbusters, lest we forget, was filled with ribald humor coming from SNL vets that were in the prime of their careers. Overloading the reboot/sequel Afterlife with gooey family drama feels, in many ways, as misplaced as the missteps that 2016’s version took or that 1989’s traditional follow-up was a fairly weak retread of the first. This franchise hasn’t succeeded in their attempts to capitalize on what made 1984’s pic special and that extends to this.

It’s not for a lack of trying as the 2021 iteration goes to extreme lengths to get our nostalgia radars working into overdrive. Jason Reitman takes over directorial duties from his father Ivan, who made the 80s blockbusters. There’s not a piece of attire or Twinkie or demonic marshmallow from 1984 that isn’t placed with the clear purpose of inspiring wild cheers. Sometimes you wanna go where everybody knows the name of every nearly four decade old artifact, vehicle or gadget. In this Afterlife, it more often feels forced than welcome.

We shift from the Big Apple to the sleepy town of Summerville, Oklahoma. Egon Spangler, Harold Ramis’s nerdy scientist from the OG ‘Busters, has relocated to a dilapidated farmhouse and cut off contact with his family and former colleagues. His demise in the prologue causes his heirs to inhabit the dusty domicile. This includes down on her luck daughter Callie (Carrie Coon) and her two kids. Since I think it’s now contactually necessary for Stranger Things players to participate in these reboots, Finn Wolfhard is her teenage son Trevor. Mckenna Grace is the real lead as 12-year-old daughter Phoebe, who resembles her granddad in looks and interests. An outcast at school, she bonds with fellow geek Podcast (Logan Kim) and her summer school teacher Mr. Grooberson (Paul Rudd).

Trevor and Phoebe are completely unaware that Egon was a Ghostbuster (we’ll just go with that I suppose). Paranormal activities start revealing his life’s work including Phoebe’s ongoing chess game with an unseen spirit. The iconic car (yay!) is stored on the property. Of course, the late Egon was in Summerville for a reason and it has to do with familiar haunters from ’84 and preventing them from returning.

This all leads to familiar heroic faces eventually turning up (though not with significant screen time). With their limited participation, the question is whether the new and much younger generation of spirit crushers is compelling enough to warrant a feature. I didn’t think so, but there are some positives. Grace’s performance is terrific (while Wolfhard and his budding romance with his bellhop coworker Celeste O’Connor adds little). Rudd’s considerable talents (he takes a liking to Callie) add a bit of fun. The sight of Bill Murray randomly turning up anywhere is good for a smile (though not much more here than reading about how he does so in real life).

However, the tone in general struck me as off. It’s hard not to be touched by its tribute to the late Harold Ramis (a man responsible for so many laughs in landmark comedies of the past). I felt the sentiment because of that and not the absence of Egon. Afterlife seems trapped in the notion that our emotional connections to these characters run deeper than they do. Like many reboots nowadays, the mere presence of something old is meant to provide the requisite entertainment value. It made me feel mostly dispirited.

** (out of four)

Ghostbusters: Afterlife Box Office Prediction

It’s in with the old and in with the new as Ghostbusters: Afterlife debuts in theaters November 19th. This was originally scheduled to haunt multiplexes in the summer of 2020 before numerous COVID delays. Jason Reitman directs and there’s some family legacy involved as dad Ivan made parts I and II in 1984 and 1989. Newcomers to the series include Carrie Coon, Finn Wolfhard, Mckenna Grace, Tracy Letts, and Paul Rudd (not to mention Stay Puft Marshmallow Minis according to the trailer). Returnees from the 80s are Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver.

If rebooting this franchise sounds familiar – that’s because it happened five years ago to middling results. The Paul Feig helmed remake led by Melissa McCarthy and Kristin Wiig took in $46 million on its opening weekend but fizzled quickly due to so-so reviews and audience reaction. It also featured the OG Busters making cameos. This new iteration serves as a direct sequel to the first two.

Some estimates have Afterlife beginning at $50 million or above. That’s certainly doable, but I’m not so sure. While it’s obviously a well-known property and the ’84 original is rightly considered a classic, both follow-ups have been letdowns. The 71% Rotten Tomatoes score is OK, but its actually below the 74% that greeted the ballyhooed 2016 pic.

I’m projecting that this makes it to $35-$40 million and doesn’t get to the number we saw just a half decade back.

Ghostbusters: Afterlife opening weekend prediction: $38.1 million

For my King Richard prediction, click here:

King Richard Box Office Prediction

Oscar Predictions – Ghostbusters: Afterlife

The attendees of New York Comic Con were treated to a surprise this weekend with a screening of Ghostbusters: Afterlife. The fourth film in the franchise that famously began in 1984 serves as a direct continuation to the original and its 1989 follow-up. It’s all about family with Jason Reitman as director (his father Ivan made those first two). Carrie Coon, Finn Wolfhard, Mckenna Grace, Logan Kim, and Paul Rudd join the bustin’ action with series stalwarts Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver making appearances. Afterlife is finally coming to life after numerous COVID delays with a November 19th stateside release.

Early reviews indicate a long gestating sequel has extreme reverence for its past. Some critics claim it might be a bit too nostalgic, but reaction is overwhelmingly pleasing with a current Rotten Tomatoes score of 91% (based on 11 reviews).

The original classic 37 years ago managed 2 Oscar nominations. They’re what you would expect: Best Original Song for that addictive title track by Ray Parker Jr. and Visual Effects (it lost to Indiana Jones and the Temple of Doom). Also as you might expect, Ghostbusters II and the ballyhooed 2016 Paul Feig reboot with Melissa McCarthy and Kristin Wiig achieved zero awards attention. I would anticipate the same for this despite the kudos. Visual Effects is a remote possibility, but there’s a slew of contenders more likely (Dune, The Matrix Resurrections, Eternals to name just some).

My Oscar Prediction posts for the films of 2021 will continue…

Summer 2001: The Top 10 Hits and More

My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.

As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:

https://toddmthatcher.com/2021/06/26/summer-1991-the-top-10-hits-and-more/

Let’s get to it!

10. Dr. Dolittle 2

Domestic Gross: $112 million

Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.

9. Lara Croft: Tomb Raider

Domestic Gross: $131 million

Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.

8. The Fast and the Furious

Domestic Gross: $144 million

We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.

7. American Pie 2

Domestic Gross: $145 million

Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.

6. Planet of the Apes

Domestic Gross: $180 million

Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).

5. Jurassic Park III

Domestic Gross: $181 million

Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.

4. Pearl Harbor

Domestic Gross: $198 million

Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.

3. The Mummy Returns

Domestic Gross: $202 million

Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.

2. Rush Hour 2

Domestic Gross: $226 million

It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.

1. Shrek

Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.

And now for some other notables flicks from the summer that was:

The Princess Diaries

Domestic Gross: $108 million

Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.

The Others

Domestic Gross: $96 million

With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.

Legally Blonde

Domestic Gross: $96 million

Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.

Cats & Dogs

Domestic Gross: $93 million

Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.

A.I.: Artificial Intelligence

Domestic Gross: $78 million

Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.

Swordfish

Domestic Gross: $69 million

Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.

Moulin Rouge!

Domestic Gross: $57 million

Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.

Sexy Beast

Domestic Gross: $6 million

This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.

Ghost World

Domestic Gross: $6 million

Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.

And now for some pictures that did not meet expectations:

America’s Sweethearts

Domestic Gross: $93 million

Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.

Atlantis: The Lost Empire

Domestic Gross: $84 million

Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.

Scary Movie 2

Domestic Gross: $71 million

This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.

Evolution

Domestic Gross: $38 million

Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.

Final Fantasy: The Spirits Within

Domestic Gross: $32 million

Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.

Ghosts of Mars

Domestic Gross: $8 million

It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.

Pootie Tang

Domestic Gross: $3 million

Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.

And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…

Top 25 SNL Alumni Performances: Numbers 5-1

The list of my personal top 25 cinematic performances from the many alumni at Saturday Night Live reaches the top 5 today! If you missed my previous entries covering numbers 25-6, you can find them all at the following links:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

https://toddmthatcher.com/2020/06/22/top-25-snl-alumni-movie-performances-numbers-20-16/

https://toddmthatcher.com/2020/06/24/top-25-snl-alumni-performances-numbers-15-11/

https://toddmthatcher.com/2020/06/25/top-25-snl-alumni-performances-numbers-10-6/

Let’s get to my overall favorites, shall we?

5. Chevy Chase, National Lampoon’s Vacation (1983)

Chase’s finest and funniest work belongs to his doofus dad role as Clark Griswold in this classic that spawned three sequels, including the cherished Christmas Vacation. This is one of the pictures that can be rewatched endlessly and much of that is due to Chase’s signature performance.

4. Mike Myers, Austin Powers: International Man of Mystery (1997)

Myers successfully translated his SNL character Wayne Campbell to the silver screen in 1992’s blockbuster Wayne’s World alongside his costar Dana Carvey (who nearly made the list for his work in that film). Yet the most hilarious work from Myers comes here as both the title character and (especially) nemesis Dr. Evil. Two sequels would give Myers an opportunity to play even more deliriously over the top parts.

3. Will Ferrell, Anchorman: The Legend of Ron Burgundy (2004)

After the back to back hits of Old School and Elf, Ferrell developed his most iconic character with his arrogant and clueless news anchor. Anchorman has deservedly became an all-time comedy classic.

2. Eddie Murphy, Coming to America (1988)

Let’s face it – this list could have been dominated by Eddie. I had Trading Places and The Nutty Professor in the top 25, but could have included 48 Hrs., Beverly Hills Cop, Bowfinger, Shrek, Dreamgirls, or Dolemite Is My Name as well. However, my personal favorite is this 1988 humorous fairy tale when Murphy was at the peak of his power. This is the first pic that gave him the opportunity to portray multiple characters and he certainly makes the most of it.

1. Bill Murray, Groundhog Day (1993)

Just as with Murphy, many movies from Murray could have made the cut. You already saw Ghostbusters and Lost in Translation on here and other contenders included Caddyshack, Scrooged, What About Bob?, Kingpin, Rushmore, and Zombieland. Overall, I go with Groundhog Day as his finest hour and #1 on the whole list. Simply put, I find Groundhog Day to be perfection and the quintessential vehicle for its versatile star.

And there you have it, folks! It’s been fun putting together the list and I hope you enjoyed reading it…

Top 25 SNL Alumni Movie Performances: Numbers 20-16

My list of the top 25 personal favorite big screen performances by Saturday Night Live alumni brings us to the second post encompassing numbers 20-16. If you missed part one of the series, you can find it right here:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

Today’s list brings us three performers that we will see again in future editions as we move up the chart as well as a versatile and twice Oscar nominated actress and a star that we lost just as his film career was blossoming.

Let’s get to it!

20. Chris Farley, Tommy Boy (1995)

The boundless energy of Mr. Farley was certainly best encapsulated in his first major starring role alongside fellow cast member David Spade. His follow-up comedies Black Sheep, Beverly Hills Ninja, and Almost Heroes didn’t nearly match the quality of what we witnessed here. Farley’s 1997 death will always leave us wondering how his cinematic trajectory would have gone.

19. Joan Cusack, School of Rock (2003)

Cusack only was on SNL for one highly forgettable season (1985-86). However, her career has been a triumph of mostly supporting roles since. She earned Oscar nods for both Working Girl and In & Out, but my personal favorite is the uptight principal trying to reign in Jack Black’s substitute teacher here.

18. Bill Murray, Ghostbusters (1984)

Murray’s first appearance on the list is from this quintessential 80s landmark feature that shows him at his smarmy and often charming best. Ghostbusters solidified his leading man status and was a preview of more amazing work to come.

17. Will Ferrell, Elf (2003)

Ferrell has perfected portraying both the lovable doofus and the arrogant doofus. His performance as Buddy the Elf is the former and probably the best example in this already beloved Christmas classic.

16. Eddie Murphy, Trading Places (1983)

It it hard to name a more amazing one-two-three start to a movie career than Murphy’s with 48 Hrs., Trading Places, and Beverly Hills Cop. I could have chosen any of them , but Places has always been my slight favorite in the trio. Spoiler alert: Eddie is not done on this list.

And there you have it! I’ll be back with numbers 15-11 in short order…

Zombieland: Double Tap Box Office Prediction

The quartet of Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin return after a decade to fight the undead in Zombieland: Double Tap next weekend. The comedic sequel find Ruben Fleischer back directing and Bill Murray back playing himself. Newcomers in part 2 include Rosario Dawson, Zoey Deutch, Luke Wilson, Thomas Middleditch, and Murray’s Ghostbusters costar Dan Aykroyd.

In October 2009, Zombieland helped usher in a resurgence for the living dead. With solid reviews, the pic took in $24.7 million for its start and closed at $75 million. The band is back together after all these years and the original’s reputation has stayed intact in the interim.

In 2019, we have seen numerous examples of sequels falling short of what came before. Double Tap could be immune from that, but I don’t see it outgrossing part 1 by any substantial margin. My hunch is that this comes in barely under the debut posted in 2009 as enough moviegoers will want to catch up with this gang.

Zombieland: Double Tap opening weekend prediction: $23.7 million

For my Maleficent: Mistress of Evil prediction, click here:

https://toddmthatcher.com/2019/10/08/maleficent-mistress-of-evil-box-office-prediction/

Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between XMen hits.

14. Hugh Jackman (2017)

Berry’s XMen cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

A Simple Favor Box Office Prediction

Director Paul Feig is best known for his comedies featuring Melissa McCarthy like Bridesmaids, The Heat, Spy, and Ghostbusters. He changes things up next weekend with the release of thriller A Simple Favor. It’s based on the debut novel from Darcey Bell released last year. The cast is headlined by Anna Kendrick, Blake Lively, and Henry Golding (fresh off his breakthrough role in the summer blockbuster Crazy Rich Asians).

Favor could have the benefit of appealing to a female audience in the midst of more male-driven fare such as The Predator and White Boy Rick, which both open the same day. The current forecast is in the $12-$15 million area. I feel that Kendrick, Lively, and the intended demographic could cause this to debut on the high-end of that range and perhaps exceed it.

A Simple Favor opening weekend prediction: $17.9 million

For my The Predator prediction, click here:

https://toddmthatcher.com/2018/09/05/the-predator-box-office-prediction/

For my White Boy Rick prediction, click here:

https://toddmthatcher.com/2018/09/06/white-boy-rick-box-office-prediction/

For my Unbroken: Path to Redemption prediction, click here:

https://toddmthatcher.com/2018/09/06/unbroken-path-to-redemption-box-office-prediction/