Tag: Neon

May 1-3 Box Office Predictions

Two decades after the original was a blockbuster that showed staying power, The Devil Wears Prada 2 should fashion an impressive start to kick off May. We also have haunted house horror flick Hokum and Andy Serkis directed animated adaptation of Animal Farm debuting. You can peruse my detailed prediction posts on the trio of newcomers here:

The Devil Wears Prada 2 Box Office Prediction
Hokum Box Office Prediction
Animal Farm Box Office Prediction

Meryl Streep, Anne Hathaway, and others are back for Prada 2 in a sequel that seems to have audiences with a genuine eagerness to revisit the characters. The original opened to $27 million, but the follow-up is expected to triple those numbers. A best case scenario could be nine digits. I have it in the mid 80s as nostalgia and a high female turnout should push it to a runaway #1 debut.

Expectations are more tempered with other newbies. My mid single digits projection for the well-reviewed Hokum with Adam Scott should mean a fifth place showing.

As for Animal Farm from Angel Studios, meh reviews and a quiet marketing campaign could put this in low single digits. My $2.7 million forecast certainly leave it outside of the high five.

Besides the Prada premiere, the second major storyline is how Michael will perform in its sophomore frame after a sizzling beginning (more on that below). The musical biopic wasn’t a hit with many critics (38% on Rotten Tomatoes), but patrons are digging it as evidenced by the 97% audience score on the same site. Encouraging word-of-mouth might result in a drop in the 40% range. That’s similar to where Bohemian Rhapsody and Elvis eased in their second weekends. However, due to the sheer size of its performance, I will hedge and say a mid to high 40s drop could occur.

The Super Mario Galaxy Movie and Project Hail Mary should respectively move down a slot to third and fourth and add to their considerable hauls.

Here’s how I see the top five shaking out:

1. The Devil Wears Prada 2

Predicted Gross: $86.5 million

2. Michael

Predicted Gross: $51 million

3. The Super Mario Galaxy Movie

Predicted Gross: $12.6 million

4. Project Hail Mary

Predicted Gross: $8.2 million

5. Hokum

Predicted Gross: $4.2 million

Box Office Results (April 24-26)

Michael wanted to be startin’ with the greatest opening ever for its genre and it achieved that and then some. The look at Michael Jackson’s first two decades of massive fame stunned with $97.2 million compared to my $81 million prediction. That blows away the former musical biopic record of $60 million held by Straight Outta Compton. It will need $216 million to claim the largest domestic take for that genre held by Bohemian Rhapsody. That should happen.

After three weeks in the pole position, The Super Mario Galaxy Movie was second with $20.5 million. That’s in line with my $19.9 million take as the animated sequel grew to $385 million. A gross over $400 million is set to arrive by this weekend.

Project Hail Mary was third with $12.8 million as its 37% fall in weekend #6 was more Earth bound than previous meager declines. The sci-fi awards hopeful sits at $305 million.

Lee Cronin’s The Mummy held a bit better in frame #2 than I figured with $5.5 million compared to my $4.4 million call. The poorly received attempted franchise reboot has made only $23 million after two weeks.

The Drama rounded out the top five with $2.6 million (I said $2.8 million) for a four-week total of $44 million.

And that does it for now, folks! Until next time…

Hokum Box Office Prediction

After a South by Southwest premiere that yielded positive word-of-mouth, Damian McCarthy’s Hokum is out May 1st. The Irish set haunted house tale features Adam Scott, better known for his TV work in Parks and Recreation and Succession. Costars include Peter Coonan, David Wilmot, Florence Ordesh, and Austin Amelio.

The Neon distributed effort truly has critics on its side with a 97% Rotten Tomatoes rating and a 79 Metacritic. The awareness factor, however, for this scary movie appears low. A best case scenario could be an overperformance in the higher single digits, but I’m skeptical. A low bar could be an opening similar to Presence, another Neon fright fest from last year. It made $3.3 million for its start. I’ll give Hokum a bit more.

Hokum opening weekend prediction: $4.2 million

For my The Devil Wears Prada 2 prediction, click here:

The Devil Wears Prada 2 Box Office Prediction

For my Animal Farm prediction, click here:

Animal Farm Box Office Prediction

Oscar Predictions: The Christophers

The prolific Steven Soderbergh’s latest is comedic thriller The Christophers and it’s out in limited fashion this weekend after originally premiering at the Toronto Film Festival last fall. Distributed by Neon, Ian McKellen and Michaela Coel (who will also be seen this month in Mother Mary) headline with Jessica Gunning and James Corden providing support.

Reviews are on the fresh side with 96% on Rotten Tomatoes and a 73 Metacritic. There have been plenty of critically appreciated efforts from the director in the 21st century including last year’s Black Bag. However, you have to go back to 2000 and Soderbergh’s one-two punch of Erin Brockovich and Traffic to find his last major Oscar players. I don’t anticipate that will change with The Christophers. My Oscar Prediction posts will continue…

Oscar Predictions: I Love Boosters

It might be Oscar weekend, but it’s also time for South by Southwest which is premiering numerous movies and TV shows. The Austin fest isn’t really a breeding ground for eventual Academy fare though 2022’s BP winner Everything Everywhere All at Once did kick off there.

SXSW is known more for showcasing odder and independent spirited movies. The Oscar bait usually saves itself for Venice, Telluride, and Toronto. Nevertheless Boots Riley’s I Love Boosters is an eagerly awaited title that served as opening selection.

This is the rapper and political activist turned filmmaker’s sophomore feature after his acclaimed 2018 debut Sorry to Bother You. The satire centers on a group of shoplifters boasts an eclectic cast including Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.

Early buzz indicates Riley has another critical hit with 100% on Rotten Tomatoes and a 75 Metacritic. Reviews also infer that it’s far out there similar to Bother. Perhaps Original Screenplay could be in play at the Oscars, but this might be more tailored to the Independent Spirit Awards or the Gothams (two ceremonies where Riley’s inaugural effort showed up). My Oscar Prediction posts will continue…

Oscar Predictions: Kokuho

Japanese drama Kokuho showed up in two shortlists for the 98th Academy Awards released today (expect a few posts covering international and documentary contenders in particular). Being that it’s Japan’s submission for International Feature Film, materializing on that list wasn’t a major surprise. Making the ten possibilities in Makeup and Hairstyling was. Lee Sang-il directs with a cast including Ryo Yoshizawa, Ryusei Yokohama, Mitsuki Takahata, Shinobu Terajima, Min Tanaka, and Ken Watanabe. It was first screened at Cannes in the summer.

The film has bragging rights. In November, it became the highest grossing live-action film in its native country. It also sports a 100% Rotten Tomatoes rating. Japan has seen a handful of their submissions make the Academy’s cut in the 21st century. They are The Twilight Samurai from 2003, Departures in 2008 (which won), Shoplifters in 2018, another victor with Drive My Car from 2021, and Perfect Days from 2023.

That’s a resume that would look darn good in a different year. International Feature Film, however, is packed with other surefire hopefuls including Sentimental Value, It Was Just an Accident, The Secret Agent, Sirât (which had a banner day on the shortlists), and No Other Choice (all Neon titles). There may not be room for Kokuho to shine. It probably stands a better shot at Makeup and Hairstyling as they’ve proven to be a branch capable of unexpected nominations. My Oscar Prediction posts will continue…

Oscar Predictions: Arco

The animated futuristic fantasy Arco is out in limited fashion domestically this weekend for an Oscar qualifying run before a nationwide expansion early next year. From filmmaker Ugo Bienvenu, the Neon title premiered at Cannes in May with a voice cast including Margot Ringard Oldra, Oscar Tresanini, Swann Arlaud, and Alma Jodorowsky. The English dub’s faces behind the mic include Romy Fay, Juliano Krue Valdi, Will Ferrell, America Ferrera, Mark Ruffalo, Andy Samberg, and Natalie Portman (who also produces).

Critics have been consistently complimentary with 92% on Rotten Tomatoes and a 75 Metacritic. Those numbers should be enough for this to make the Best Animated Feature quintet where I’ve had it predicted for some time. A win narrative is trickier as it is probably behind cultural phenomenon KPop Demon Hunters and the forthcoming Zootopia 2 (which has encouraging WOM and the Disney marketing muscle). My Oscar Prediction posts will continue…

98th Academy Awards: The State of the Best Picture Race (October Edition)

As October draws to a close, it’s time for a deep dive into the Best Picture race with two months left in the release calendar. I’ve done the same with the directing competition and the four acting derbies. If you missed those write-ups over the past few days, you can access them here:

98th Academy Awards: The State of the Best Director Race (October Edition)
98th Academy Awards: The State of the Best Actress Race (October Edition)
98th Academy Awards: The State of the Best Actor Race (October Edition)
98th Academy Awards: The State of the Supporting Actress Race (October Edition)
98th Academy Awards: The State of the Supporting Actor Race (October Edition)

I published my first preview of the Best Picture field on April 17th. In that post, I listed my initial predictions for the 10 BP hopefuls along with 15 other possibilities . At that impossibly early stage of the game, my selections were:

After the Hunt

Avatar: Fire and Ash

Hamnet

Jay Kelly

The Life of Chuck

Marty Supreme

No Other Choice

The Rivals of Amziah King

Sentimental Value

Wicked: For Good

Other Possibilities:

Alpha

Ballad of a Small Player

Bugonia

Die, My Love

F1

Frankenstein

Highest 2 Lowest

Kiss of the Spider Woman

Materialists

Michael

One Battle After Another

Sinners

The Smashing Machine

Springsteen: Deliver Me from Nowhere

The Testament of Ann Lee

Let’s dispense with the movies that are no longe viable. The Rivals of Amziah King and Michael will be 2026 releases. The following titles did not get solid enough reviews, box office, or a combo of both to truly be threats: After the Hunt (which I initially had ranked at #1 back in the spring), The Life of Chuck, (despite winning the 2024 Audience Award at the Toronto Film Festival), Alpha, Ballad of a Small Player, Die, My Love (though Jennifer Lawrence could contend in Actress), F1 (which was a critically appreciated hit and could nab some tech nods), Highest 2 Lowest, Kiss of the Spider Woman (perhaps Jennifer Lopez can sneak in Supporting Actress), Materialists, and The Smashing Machine.

Springsteen: Deliver Me from Nowhere and The Testament of Ann Lee aren’t dead in the water, but the former is a sizable box office disappointment with some less than stellar reviews and the latter is perhaps too divisive. Their leads Jeremy Allen White and Amanda Seyfried have healthier chances in the lead acting contests.

So let’s get into the 11 of the 25 aforementioned titles that do still have a decent chance and a few others worthy of mention.

The soft frontrunner appears to be Paul Thomas Anderson’s One Battle After Another with its multiple acting contenders and some of the highest critical praise of the year. Even though it disappointed a bit at the box office, the Cinemascore grade of A indicates it would be a satisfactory audience choice for voters to select. Plus PTA is generally seen as overdue for Academy affection.

Its biggest competition could be Hamnet from Chloé Zhao, who picked up a directorial prize and a BP win for 2020’s Nomadland. History could repeat five years later for her heralded historical drama.

I’m also confident that Ryan Coogler’s Sinners, the vampiric financial smash from the spring, will be remembered on BP ballots even though horror flicks often have a hard time breaking through. This should be a welcome exception.

Joachim Trier’s family drama Sentimental Value is a festival darling that has enough goodwill to make the BP cut.

Two upcoming releases have their review embargoes intact but have screened to encouraging word-of-mouth: Josh Safdie’s Marty Supreme (where Timothée Chalamet appears to be a Best Actor favorite) and Wicked: For Good, part two to Wicked which garnered BP and other nominations last year. Both should find themselves among the ten.

That’s six pics (One Battle After Another, Hamnet, Sinners, Sentimental Value, Marty Supreme, Wicked: For Good) that I’m confident are in. Twelve others are jockeying for the four additional slots.

I’ve had Guillermo del Toro’s Frankenstein in and out of my lineup at various times. I’m becoming more convinced it could be Netflix’s best chance in BP.

An argument could easily be made that the streamer’s Jay Kelly from Noah Baumbach is their strongest horse with its Hollywood friendly storyline. Some reviews have been lukewarm, but I still am leaning toward it placing in the 10.

To close the Netflix loop, Train Dreams has its ardent admirers and I wouldn’t totally discount it. Kathryn Bigelow’s A House of Dynamite seems to be fizzling a tad due to some ambivalent audience reaction, but a rebound is not out of the question.

Avatar: Fire and Ash looks to follow in the footsteps of its two predecessors. Having it in or near the selected 10 seems like a smart move but screenings will soon tell the tale.

Jafar Panahi’s It Was Just an Accident from Neon took the Palme d’Or at Cannes and I’m increasingly confident it’ll be an international contender in its own race and BP (like Neon’s Sentimental Value).

The Secret Agent (Neon) and No Other Choice (Neon) could accomplish the same dual noms though it’s rare for more than two international submissions to get into the big dance. And not every Neon distributed foreign title can make the list… can they?

Bugonia from Yorgos Lanthimos may be a touch too oddball for BP though I’d be careful to dismiss the latest from The Favourite and Poor Things maker.

Richard Linklater’s has had an impressive year with Blue Moon and Nouvelle Vague though I’m guessing neither are real threats.

Finally, Song Sung Blue (out Christmas) is said to be a crowdpleaser and Kate Hudson is a possibility in Best Actress. A Musical/Comedy BP spot at the Globes seems more feasible than Academy love.

Keep an eye on the blog with updated rankings on BP and all other feature film races hitting shortly!

Oscar Predictions – Orwell: 2 + 2 = 5

Raoul Peck, whose acclaimed 2016 feature I Am Not Your Negro was nominated for Best Documentary Feature, could find himself in contention nine years later with Orwell: 2 + 2 = 5. Focused on the life of George Orwell while paralleling current events, Damian Lewis narrates as the 1984 writer.

The Neon distributed effort is out today with 85% on Rotten Tomatoes and a 74 Metacritic. The reaction is not as rapturous as Peck’s predecessor. However, with the right push (something Neon is capable of), don’t be surprised if this makes the shortlist of docs later this year. It it does, it has a shot to make the quintet though winning is highly improbable. My Oscar Prediction posts will continue…

Oscar Predictions: No Other Choice

No Other Choice is the newest feature from acclaimed South Korean filmmaker Park Chan-wook and it has premiered in Venice. With domestic distribution by Neon, the satirical thriller is expected to hit domestic screens later this year. It is based on a 1997 novel by Donald Westlake. The cast is led by Lee Byung-hun with supporting turns from Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom Hye-ran, and Cha Seung-won.

Chan-wook has made critical darlings including Oldboy, The Handmaiden, and Decision to Leave. Yet none of his efforts have been recognized by the Academy in the International Feature Film derby. 2022’s Leave was widely expected to do so and its snub was one of the biggest shockers on that nomination morning.

Choice certainly has the reviews to change that with 100% on Rotten Tomatoes and 86 on Metacritic. In a best case scenario, it could branch out from IFF and into Best Picture with Chan-wook in the directing quintet, Byung-hun in Actor, and an Adapted Screenplay mention. I think the most likely scenario is inclusion in IFF and the screenplay race. There’s also the possibility that the Academy ignores it like they did with Leave. However, one could argue that pic’s snub could help his latest. One thing to keep an eye is Neon’s bandwidth in their campaigns. In the international competition, they will also be juggling Sentimental Value (the frontrunner at this juncture), Palme d’Or winner It Was Just an Acciddent, and the heralded The Secret Agent and Sirât (both Cannes favorites). I wouldn’t put it past Neon to successfully shine lights on all of them though it could be a stretch. My Oscar Prediction posts will continue…

Oscar Predictions: Splitsville

Michael Angelo Covino cowrites, directs, and costars in the rom com Splitsville, out this weekend in limited form and widely on September 5th from distributor Neon. It premiered at Cannes back in May. Dakota Johnson headlines along with her filmmaker, Adria Arjona, Kyle Marvin, Nicholas Braun, David Castaneda, O-T Fagbenie, and Charlie Gillespie.

Johnson’s second genre exercise this season (Materialists being the other), Splitsville is drawing mostly positive critical reaction. Rotten Tomatoes is 86% with Metacritic at 75. I do think Golden Globe attention in Best Musical/Comedy is at least a possibility, but the Academy is unlikely to consider it. My Oscar Prediction posts will continue…