Nearly 20 years ago, Cristian Mungiu’s 4 Months, 3 Weeks and Days won the Palme d’Or at the Cannes Film Festival. For the 80th edition of the Academy Awards, it was a surprise when it wasn’t shortlisted in International Feature Film despite being the Romanian submission. Oscar voters have a chance to honor the filmmaker at the 99th ceremony with his latest Fjord. It received its first look at Cannes.
Renate Reinsve and Sebastian Stan star in the family drama and early word-of-mouth is strong if not overly effusive in some cases. Rotten Tomatoes is at 94% with 82 on Metacritic. Neon has picked up distribution rights and it looks to contend for IFF with a strong shot at making the cut.
Getting beyond that race is more of a question mark. Under a best case scenario, Best Picture, Director, and Original Screenplay could be in play for Mungiu. Same goes for the lead performances. Reinsve was nominated last year for Sentimental Value for the first time while Stan got his inaugural nod two years back via The Apprentice. I had Reinsve listed #1 in Best Actress in my early ranked posts with Stan third and the film ranked fifth. They could all still be projected next time around, but don’t be shocked if the numbers fall. My Oscar Prediction posts will continue…
Writer/director James Gray is no stranger to the Cannes Film Festival as his latest Paper Tiger is the sixth effort to play the French Riviera. Others include We Own the Night, The Immigrant, and predecessor Armageddon Time. 80s set crime drama Tiger stars Adam Driver, Scarlett Johansson, and Miles Teller with support from Gavin Goudey, Roman Engel, and Victor Ptak.
Most reviews are of the thumbs up variety with 85% on Rotten Tomatoes and an 84 Metacritic. Gray has yet to have his awards breakout despite acclaim for titles including The Lost City of Z and Ad Astra in addition to some of the aforementioned.
Tiger‘s viability is a question mark. It appears to be getting enough critical acclaim, but it’ll be interesting to see how much distributor Neon pushes it. Driver and Johansson (who were both nominated in 2019 for Marriage Story) could contend in Actor and (probably) Supporting Actress as opposed to lead. Johansson’s performance is being singled out as the best and worst aspect of the cast depending on what you read. She’ll hope for enough of the former to grab her third nomination. It’s entirely possible that Paper Tiger fails to register with the Academy though Cannes reaction is giving it a shot. My Oscar Prediction posts will continue…
Absurdist crime comedy I Love Boosters hopes to make off with respectable box office grosses on May 22nd. This is Boots Riley’s follow-up to 2018’s acclaimed Sorry to Bother You. The eclectic cast includes Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.
The Neon release was first screened at South by Southwest in March to fresh reviews (95% Rotten Tomatoes, 73 Metacritic). Debuting over the Memorial Day weekend, the real question is whether this manages to play between the coasts. That could be a challenge.
Budgeted for a reported $20 million, it would exceed expectations if it gets past $5 million over the Friday to Sunday portion of the holiday frame. I’m projecting that it will not.
I Love Boosters opening weekend prediction: $3.7 million (Friday to Sunday); $4.5 million (Friday to Monday)
For my The Mandalorian and Grogu prediction, click here:
Set in the world of the Parisian health care system, Ryusuke Hamaguchi’s latest is All of a Sudden with its generous 196 runtime (making Fatherland‘s 82 minutes seem like a YouTube ad). Virginie Efira and Tao Okamoto headline the talky drama with Kyozo Nagatsuka, Kodai Kurosaki, Jean-Charles Clichet, and Marie Bunel in support.
In 2021, Hamaguchi’s Drive My Car (a whole 17 minutes shorter than Sudden) premiered at Cannes to rapturous acclaim. It would end up with four major Oscar noms: Picture, Director, Adapted, and International Feature Film (which it won). 2023’s follow-up Evil Does Not Exist received positive reaction but did not register with the Academy.
Sudden has gone the Cannes route and critics are once again effusive in their praise. The Rotten Tomatoes score is 100%. This could pick up the same four nominations that greeted Car and I’m assuming Japan will pick it as their hopeful in IFF. Reviews indicate this is mostly a two-hander between Efira and Okamoto. Neon, who hold North American distribution rights, will have a decision to make. Efira will likely be in the mix for lead actress. Will Okamoto be campaigned in supporting or alongside her costar? You have to go back to 1991 (Geena Davis and Susan Sarandon in Thelma & Louise) to find the last time two women competed in that category from the same film. That leads to me to think the latter will go supporting and both could get in if Sudden is a BP contender. My Oscar Prediction posts will continue…
Two decades after the original was a blockbuster that showed staying power, The Devil Wears Prada 2 should fashion an impressive start to kick off May. We also have haunted house horror flick Hokum and Andy Serkis directed animated adaptation of Animal Farm debuting. You can peruse my detailed prediction posts on the trio of newcomers here:
Meryl Streep, Anne Hathaway, and others are back for Prada 2 in a sequel that seems to have audiences with a genuine eagerness to revisit the characters. The original opened to $27 million, but the follow-up is expected to triple those numbers. A best case scenario could be nine digits. I have it in the mid 80s as nostalgia and a high female turnout should push it to a runaway #1 debut.
Expectations are more tempered with other newbies. My mid single digits projection for the well-reviewed Hokum with Adam Scott should mean a fifth place showing.
As for Animal Farm from Angel Studios, meh reviews and a quiet marketing campaign could put this in low single digits. My $2.7 million forecast certainly leave it outside of the high five.
Besides the Prada premiere, the second major storyline is how Michael will perform in its sophomore frame after a sizzling beginning (more on that below). The musical biopic wasn’t a hit with many critics (38% on Rotten Tomatoes), but patrons are digging it as evidenced by the 97% audience score on the same site. Encouraging word-of-mouth might result in a drop in the 40% range. That’s similar to where Bohemian Rhapsody and Elvis eased in their second weekends. However, due to the sheer size of its performance, I will hedge and say a mid to high 40s drop could occur.
The Super Mario Galaxy Movie and Project Hail Mary should respectively move down a slot to third and fourth and add to their considerable hauls.
Here’s how I see the top five shaking out:
1. The Devil Wears Prada 2
Predicted Gross: $86.5 million
2. Michael
Predicted Gross: $51 million
3. The Super Mario Galaxy Movie
Predicted Gross: $12.6 million
4. Project Hail Mary
Predicted Gross: $8.2 million
5. Hokum
Predicted Gross: $4.2 million
Box Office Results (April 24-26)
Michael wanted to be startin’ with the greatest opening ever for its genre and it achieved that and then some. The look at Michael Jackson’s first two decades of massive fame stunned with $97.2 million compared to my $81 million prediction. That blows away the former musical biopic record of $60 million held by Straight Outta Compton. It will need $216 million to claim the largest domestic take for that genre held by Bohemian Rhapsody. That should happen.
After three weeks in the pole position, The Super Mario Galaxy Movie was second with $20.5 million. That’s in line with my $19.9 million take as the animated sequel grew to $385 million. A gross over $400 million is set to arrive by this weekend.
Project Hail Mary was third with $12.8 million as its 37% fall in weekend #6 was more Earth bound than previous meager declines. The sci-fi awards hopeful sits at $305 million.
Lee Cronin’s The Mummy held a bit better in frame #2 than I figured with $5.5 million compared to my $4.4 million call. The poorly received attempted franchise reboot has made only $23 million after two weeks.
The Drama rounded out the top five with $2.6 million (I said $2.8 million) for a four-week total of $44 million.
After a South by Southwest premiere that yielded positive word-of-mouth, Damian McCarthy’s Hokum is out May 1st. The Irish set haunted house tale features Adam Scott, better known for his TV work in Parks and Recreation and Succession. Costars include Peter Coonan, David Wilmot, Florence Ordesh, and Austin Amelio.
The Neon distributed effort truly has critics on its side with a 97% Rotten Tomatoes rating and a 79 Metacritic. The awareness factor, however, for this scary movie appears low. A best case scenario could be an overperformance in the higher single digits, but I’m skeptical. A low bar could be an opening similar to Presence, another Neon fright fest from last year. It made $3.3 million for its start. I’ll give Hokum a bit more.
Hokum opening weekend prediction: $4.2 million
For my The Devil Wears Prada 2 prediction, click here:
The prolific Steven Soderbergh’s latest is comedic thriller The Christophers and it’s out in limited fashion this weekend after originally premiering at the Toronto Film Festival last fall. Distributed by Neon, Ian McKellen and Michaela Coel (who will also be seen this month in Mother Mary) headline with Jessica Gunning and James Corden providing support.
Reviews are on the fresh side with 96% on Rotten Tomatoes and a 73 Metacritic. There have been plenty of critically appreciated efforts from the director in the 21st century including last year’s Black Bag. However, you have to go back to 2000 and Soderbergh’s one-two punch of Erin Brockovich and Traffic to find his last major Oscar players. I don’t anticipate that will change with The Christophers. My Oscar Prediction posts will continue…
It might be Oscar weekend, but it’s also time for South by Southwest which is premiering numerous movies and TV shows. The Austin fest isn’t really a breeding ground for eventual Academy fare though 2022’s BP winner Everything Everywhere All at Once did kick off there.
SXSW is known more for showcasing odder and independent spirited movies. The Oscar bait usually saves itself for Venice, Telluride, and Toronto. Nevertheless Boots Riley’s I Love Boosters is an eagerly awaited title that served as opening selection.
This is the rapper and political activist turned filmmaker’s sophomore feature after his acclaimed 2018 debut Sorry to Bother You. The satire centers on a group of shoplifters boasts an eclectic cast including Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.
Early buzz indicates Riley has another critical hit with 100% on Rotten Tomatoes and a 75 Metacritic. Reviews also infer that it’s far out there similar to Bother. Perhaps Original Screenplay could be in play at the Oscars, but this might be more tailored to the Independent Spirit Awards or the Gothams (two ceremonies where Riley’s inaugural effort showed up). My Oscar Prediction posts will continue…
Japanese drama Kokuho showed up in two shortlists for the 98th Academy Awards released today (expect a few posts covering international and documentary contenders in particular). Being that it’s Japan’s submission for International Feature Film, materializing on that list wasn’t a major surprise. Making the ten possibilities in Makeup and Hairstyling was. Lee Sang-il directs with a cast including Ryo Yoshizawa, Ryusei Yokohama, Mitsuki Takahata, Shinobu Terajima, Min Tanaka, and Ken Watanabe. It was first screened at Cannes in the summer.
The film has bragging rights. In November, it became the highest grossing live-action film in its native country. It also sports a 100% Rotten Tomatoes rating. Japan has seen a handful of their submissions make the Academy’s cut in the 21st century. They are The Twilight Samurai from 2003, Departures in 2008 (which won), Shoplifters in 2018, another victor with Drive My Car from 2021, and Perfect Days from 2023.
That’s a resume that would look darn good in a different year. International Feature Film, however, is packed with other surefire hopefuls including Sentimental Value, It Was Just an Accident, The Secret Agent, Sirât (which had a banner day on the shortlists), and No Other Choice (all Neon titles). There may not be room for Kokuho to shine. It probably stands a better shot at Makeup and Hairstyling as they’ve proven to be a branch capable of unexpected nominations. My Oscar Prediction posts will continue…
The animated futuristic fantasy Arco is out in limited fashion domestically this weekend for an Oscar qualifying run before a nationwide expansion early next year. From filmmaker Ugo Bienvenu, the Neon title premiered at Cannes in May with a voice cast including Margot Ringard Oldra, Oscar Tresanini, Swann Arlaud, and Alma Jodorowsky. The English dub’s faces behind the mic include Romy Fay, Juliano Krue Valdi, Will Ferrell, America Ferrera, Mark Ruffalo, Andy Samberg, and Natalie Portman (who also produces).
Critics have been consistently complimentary with 92% on Rotten Tomatoes and a 75 Metacritic. Those numbers should be enough for this to make the Best Animated Feature quintet where I’ve had it predicted for some time. A win narrative is trickier as it is probably behind cultural phenomenon KPop Demon Hunters and the forthcoming Zootopia 2 (which has encouraging WOM and the Disney marketing muscle). My Oscar Prediction posts will continue…
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