Jungle Cruise Box Office Prediction

Disney has certainly had luck basing movies on their theme park quantities before and they hope it continues on July 30th with the release of Jungle Cruise. The adventure pic (with a reported budget north of $200 million) pairs Dwayne “The Rock” Johnson and Emily Blunt (fresh off her hit sequel A Quiet Place Part II) in the early 20th Century set tale. Costars include Jack Whitehall, Edgar Ramirez, Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra, best known for Liam Neeson action flicks such as Unknown and Non-Stop or horror fare like The Shallows, directs.

As the studio has in 2021 with recent projects like Cruella and Black Widow, this will simultaneously premiere on Disney Plus for an extra viewing fee of $30. That strategy has been called into question in recent days considering the precipitous sophomore drop for Widow. Truth be told, the $30 doesn’t seem so high when factoring in families watching and that could negatively impact theatrical earnings.

The Pirates of the Caribbean franchise (and The Haunted Mansion to a lesser degree) has shown an appetite for these Mouse Factory ride based attractions turned films. The star power of Johnson and Blunt doesn’t hurt either and I wouldn’t be too surprised to see this swing to over $30 million. However, the streaming competition could easily prevent that and I’ll estimate high 20s as it sets sail at multiplexes and at home.

Jungle Cruise opening weekend prediction: $28.4 million

For my Stillwater prediction, click here:

Stillwater Box Office Prediction

For my The Green Knight prediction, click here:

The Green Knight Box Office Prediction

July 23-25 Box Office Predictions

Blogger’s Note (07/21): I am revising some predictions from my original Monday. Taking Old from $22.8 million down to $19.8 million; Snake Eyes from $21.2 million to $17.2 million; and Space Jam: A New Legacy from $14.8 million up to $15.8 million.

We could see a real battle for the #1 position this weekend as M. Night Shyamalan’s Old and the G.I. Joe reboot Snake Eyes both debut. I have both nabbing similar grosses and you can peruse my detailed write-ups on each right here:

Old Box Office Prediction

Snake Eyes Box Office Prediction

My estimates have the pair landing in the low to mid 20s and I’m giving Shyamalan’s latest a slight edge. Truth be told, either one of them could over or underperform so this lends some genuine suspense to the forthcoming results.

Assuming both manage to reach high teens to $20 million, that should mean Space Jam: A New Legacy will drop to 3rd following its better than expected debut (more on that below) with a dip in the 50-55% range. Black Widow, after experiencing a larger than anticipated sophomore drop, should fall to fourth position. There could be a close competition for the five spot between  Escape Room: Tournament of Champions and F9. I’ll say Vin Diesel and his merry band of racers triumphs since Escape might lose around half of the opening audience from its lackluster start.

And with that, let’s do a top 6 this time around:

1. Old

Predicted Gross: $19.8 million

2. Snake Eyes

Predicted Gross: $17.2 million

3. Space Jam: A New Legacy

Predicted Gross: $15.8 million

4. Black Widow

Predicted Gross: $12.9 million

5. F9

Predicted Gross: $5.1 million

6. Escape Room: Tournament of Champions

Predicted Gross: $4.5 million

Box Office Results (July 16-18)

In a surprise development, Lebron James and the Tune Squad dunked over Scarlett Johansson as Space Jam: A New Legacy opened ahead of projections with $31 million. That’s well above my $22.7 million estimate as the long in development sequel (which is also available on HBO Max) clearly brought in families and the nostalgic fans of the 1996 original.

Black Widow was anticipated to repeat at #1, but it fell to second with a massive 68% drop. The MCU stand-alone feature took in $25.8 million compared to my more generous $32.1 million prediction. The pic stands at $131 million as theater owners are griping about its simultaneous streaming  showings on Disney Plus.

Horror sequel Escape Room: Tournament of Champions couldn’t emerge with an impressive start with $8.8 million. That’s about $10 million below what the 2019 original achieved and under my take of $11.4 million.

F9 held up better than I figured in fourth with $7.6 million (I lowballed it at $6.2 million). The four week tally is $154 million as it has become to second COVID era flick after A Quiet Place Part II to reach $150M+.

The Boss Baby: Family Business was fifth with $4.7 million (I said $5.2 million) and it stands at $44 million.

And that does it for now, folks! Until next time…

July 16-18 Box Office Predictions

The seemingly endless slew of summer sequels continues this weekend with Lebron James facing the Toon Squad in Space Jam: A New Legacy and the horror follow-up Escape Room: Tournament of Champions. You can peruse my detailed predictions on both part 2’s right here:

https://toddmthatcher.com/2021/07/07/space-jam-a-new-legacy-box-office-prediction/

https://toddmthatcher.com/2021/07/07/escape-room-tournament-of-champions-box-office-predictions/

Can either newbie manage to top Marvel’s Black Widow after its record setting opening? Quite unlikely. I look for #23 and his animated competitors to manage a low to mid 20s start (it will also be available on HBO Max streaming).

As for Tournament, the first Escape Room easily outpaced expectations with a near $20 million debut. However, I think low double digits to possibly low teens is the target here.

Black Widow brought us to new heights in the post COVID world (more on that below). A drop in the 60% would generally keep it in line with other MCU entries and that means it shouldn’t have much trouble staying atop the charts in its sophomore frame.

Holdovers F9 and The Boss Baby: Family Business should keep the top five sequel heavy as has been the case all season.

And with that, here’s how I think it all shakes out:

1. Black Widow

Predicted Gross: $32.1 million

2. Space Jam: A New Legacy

Predicted Gross: $22.7 million

3. Escape Room: Tournament of Champions

Predicted Gross: $11.4 million

4. F9

Predicted Gross: $6.2 million

5. The Boss Baby: Family Business

Predicted Gross: $5.2 million

Box Office Results (July 9-11)

As anticipated, the two-week old record for F9 achieving the highest premiere in the COVID era was rather easily eclipsed by Scarlett Johansson’s stand-alone Black Widow saga. Yet its $80.3 million haul was on the lower end of projections. I forecasted slightly more at $83.3 million. Since The Avengers (2012) and the 18 MCU blockbusters that have followed, only Ant-Man and its sequel Ant-Man and the Wasp opened lower. However, we still are not in normal times and Widow is the first franchise entry to be simultaneously be available on Disney Plus (for a $30 fee). The studio was quick to point out that the streamer pulled in an additional $60 million through the distribution method.

Widow was the only fresh product in the marketplace as F9 dropped to second after two weeks parked in first. It made $11.4 million which was right on pace with my $11.3 million prediction. The three-week total is $141 million.

The Boss Baby: Family Business was third with $8.8 million (I said $8.6 million) for a ten-day tally of $34 million.

The Forever Purge held up better than I figured in weekend #2 with $7.1 million (I went with $5.1 million). It’s at $27 million overall.

Rounding out the top five was A Quiet Place Part II with $3.1 million compared to my $2.7 million projection. The horror sequel became the first COVID era title to reach $150 million domestically (something F9 and Black Widow will accomplish in short order).

And that does it for now, folks! Until next time…

Escape Room: Tournament of Champions Box Office Predictions

Horror fans have been conjured, purged, and (umm) quiet placed already this summer with their scary sequels. Now it’s time to escape with the release of Escape Room: Tournament of Champions. The original $9 million budgeted effort took in a hefty $57 million back in January 2019 and Sony Pictures aspires to keep the gravy train rolling. The studio wished to capitalize on its momentum more quickly as this was originally slated for an April 2020 premiere before its COVID delay.

Taylor Russell and Logan Miller reprise their roles from part 1 as does director Adam Robitel. New cast members include Indya Moore, Holland Roden, Thomas Cocquerel, and Carlito Olivero. Two and a half years ago, Escape Room easily surpassed expectations with an $18.2 million domestic start. It even managed to only fall 51% in its sophomore frame and that’s quite solid for the genre.

Tournament of Champions could risk the weariness of moviegoers who’ve had plenty of fright fest follow-ups to choose from lately. I do think it will still manage low double digits.

Escape Room: Tournament of Champions opening weekend prediction: $11.4 million

For my Space Jam: A New Legacy prediction, click here:

https://toddmthatcher.com/2021/07/07/space-jam-a-new-legacy-box-office-prediction/

July 9-11 Box Office Predictions

After an unexpected year and a half long break between their comic book blockbusters, the Marvel Cinematic Universe is back in theaters with the release of Black Widow. The Scarlett Johansson stand-alone title looks to break the two-week old record of F9 by achieving the largest post COVID debut thus far. My detailed prediction post on it can be found here:

https://toddmthatcher.com/2021/06/29/black-widow-box-office-prediction/

Despite also being available (for $30) on Disney Plus, I do believe Scarlett and company will reach a low to mid 80s number out of the gate. That easily surpasses the $70 million that F9 accelerated to in late June. Unsurprisingly, Widow is the only new wide release out on Friday.

The rest of the top five will consist of sequel holdovers with F9 slipping to second and probably losing at least 50% of its sophomore frame audience. The drop might be slightly lower for The Boss Baby: Family Business while a 55-60% dip for The Forever Purge seems likely. A Quiet Place Part II should spend its final frame in the top five.

And with that, my take on the weekend that lies ahead:

1. Black Widow

Predicted Gross: $83.3 million

2. F9

Predicted Gross: $11.3 million

3. The Boss Baby: Family Business

Predicted Gross: $8.6 million

4. The Forever Purge

Predicted Gross: $5.1 million

5. A Quiet Place Part II

Predicted Gross: $2.7 million

Box Office Results (July 2-5)

It may not have been your typical summer fireworks at the box office, but it was still booming for Hollywood considering what we’ve recently come out of. F9 easily took the top spot for the second weekend with $29.1 million over the four-day holiday frame. That’s just below my estimate of $30.1 million as the ninth saga in the series is up to $122 million.

The Boss Baby: Family Business started in second and in line with most projections at $19.6 million (a tad under my $21.7 million take). The animated follow-up (which was also streaming on Peacock) opened at a far cry from the $50 million of the original.

The Forever Purge showed some wear and tear to this franchise with $15.7 million in third. I was close at $16.1 million. That’s just over half of what 2016’s The Purge: Election Year made in the same July 4th period.

A Quiet Place Part II was fourth with $5.3 million (I said $5.5 million) as its loud total stands at $145 million.

Hitman’s Wife’s Bodyguard rounded out the top five and I incorrectly didn’t have it spotted there. The $3.8 million earned in its third go-round brings it to $32 million.

Finally, Peter Rabbit 2: The Runaway was seventh and I wrongly had it pegged at fifth (Cruella was 6th). The bunny hopped to $2.8 million and an overall $35 million tally.

And that does it for now, folks! Until next time…

2021 Oscars: A Mid-Year Report

We have somehow reached the midpoint of 2021 and that means it is time to take stock in the Oscar contenders that have been released or screened so far. In short, we are talking about fairly slim pickings.

That is not rare. The bulk of the Best Picture nominees are typically unveiled between September-December of a given year (or in the case of 2020 – January or February of 2021 as well). For the previous Academy Awards, not one of the 8 BP contenders were distributed in the first half of the year. However, 3 of them (The Father, Sound of Metal, Promising Young Woman) premiered at the Sundance Film Festival in January 2020. Another (Sound of Metal) was screened all the way back in September 2019 during Toronto’s festival.

As a reminder, Oscar rules were altered moving forward starting with next year’s ceremony. There will be a fixed number of 10 BP nominees (thank goodness). As I see it, the 2021 Sundance Fest gave us three potential hopefuls in the big race: Sian Heder’s Coda, Rebecca Hall’s Passing, and Fran Kranz’s Mass. 

Coda and Mass, in particular, seem like real possibilities. The former, in addition to a Picture nod, could see itself as a contender for Emilia Jones in Actress and Marlee Matlin in Supporting Actress. The latter sports a quarter of performers (Jason Isaacs, Martha Plimpton, Ann Dowd, Reed Birney) that could find themselves in the mix. Passing, while more of a long shot for BP, features Tessa Thompson and Ruth Negga and they will likely be campaigning.

How about movies that didn’t go the Sundance route? The obvious one is In the Heights from Jon M. Chu. The musical garnered glowing reviews when it premiered in theaters and on HBO Max last month. However, its surprisingly lackluster box office grosses may hinder its chances. Time will tell.

There are already three released animated features that could make the final five: The Mitchells vs. the Machines, Luca, and Raya and the Last Dragon. I think the first two have strong chances while Raya is more of a question mark. Flee, which screened at Sundance, was critically hailed and it could find itself competing here and in Documentary Feature.

As for other docs, keep an eye out for Summer of Saul (which actually releases tomorrow) and Roadrunner: A Film About Anthony Bourdain.

And when we look at below the line categories, there’s Cruella. Costume Design and Makeup and Hairstyling are two derbies where it could not only be nominated, but prevail. I also wouldn’t completely count out Coming 2 America for the same categories. The Sound race is open for A Quiet Place Part II. Godzilla vs. Kong is a hopeful in Visual Effects.

Bottom line: expect nearly all of 2021’s Best Picture players to see their release dates in the next six months. At least two could come from Sundance with Heights hoping its box office fall doesn’t sink its chances.

July 2-5 Box Office Predictions

The sequel heavy summer movie season thus far will become even more so over this holiday weekend with the release of The Boss Baby: Family Business and The Forever Purge. Will either manage to topple the record setting F9 from its #1 perch? You can peruse my detailed prediction posts on both follow-ups right here:

https://toddmthatcher.com/2021/06/22/the-boss-baby-family-business-box-office-prediction/

https://toddmthatcher.com/2021/06/23/the-forever-purge-box-office-prediction/

The short answer is probably not. F9 (as discussed below) expectedly generated the biggest opening weekend since 2019’s Star Wars: The Rise of Skywalker. Previous Fast franchise entries have dropped in the 60% range in their sophomore outings. I would anticipate the same here (especially since F9‘s B+ Cinemascore grade indicates audiences didn’t like quite it as much as previous pics). The four-day holiday could soften its drop a little, but I doubt by much.

I look for Boss Baby to debut in the low 20s over the long frame and that should easily mean the runner-up spot. The Forever Purge is a little tricky. This franchise has shown a commendable durability and the fifth flick could surprise. Yet my mid teens projection gives it a third place showing.

Holdovers A Quiet Place Part II and Peter Rabbit 2: The Runaway should fill out the remainder of the top five for an all sequel chart over this Independence Day. And with that, my estimates for Friday-Monday:

1. F9

Predicted Gross: $30.1 million

2. The Boss Baby: Family Business

Predicted Gross: $21.7 million

3. The Forever Purge

Predicted Gross: $16.1 million

4. A Quiet Place Part II

Predicted Gross: $5.5 million

5. Peter Rabbit 2: The Runaway

Predicted Gross: $4.6 million

Box Office Results (June 25-27)

F9 garnered the sixth highest debut of the nine Fast flicks with $70 million, racing slightly beyond my $64.8 million estimate. That might have been a bit of a disappointment under normal circumstances, but it is music to the ears of theater owners. As mentioned, the action fest rose to starting heights that haven’t been seen since the Christmas season of 2019.

A Quiet Place Part II stayed put in second with $6.1 million (I said $6.2 million) as its impressive tally reached $136 million. It easily stands as the biggest grosser thus far during the pandemic, though F9 and the forthcoming Black Widow could certainly challenge that.

Hitman’s Bodyguard’s Wife dropped to third in its sophomore frame with $4.8 million, a bit below my $5.6 million projection for a ten-dally total of $25 million.

Peter Rabbit 2: The Runaway was fourth with $4.7 million compared to my $4.1 million prediction. The kiddie sequel has taken in $28 million over three weeks.

Cruella rounded out the top five with $3.8 million (I went with $3.3 million) as the Disney live-action tale is up to $71 million.

And that does it for now, folks! Until next time…

June 25-27 Box Office Predictions

The domestic box office should experience its largest debut in the COVID era with F9 as the only newcomer joining the fray this weekend. The ninth pic in the Fast and Furious franchise is poised to score the largest premiere since Star Wars: The Rise of Skywalker all the way back in December 2019. You can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2021/06/15/f9-box-office-prediction/

The question is: how big will it be? My mid 60s estimate puts it slightly above what spinoff Hobbs & Shaw accomplished two years ago and not in the high 90s stratosphere of immediate predecessor The Fate of the Furious from 2017.

As for the holdovers that will populate the remainder of the top five, it could be a close race for #2. If current champ Hitman’s Wife’s Bodyguard loses around half of its opening audience and A Quiet Place Part II only falls about a third, the latter could remain in the runner-up slot. Look for family features Peter Rabbit 2: The Runaway and Cruella to populate the remainder of the quintet.

And with that, my take on the weekend ahead:

1. F9

Predicted Gross: $64.8 million

2. A Quiet Place Part II

Predicted Gross: $6.2 million

3. Hitman’s Wife’s Bodyguard

Predicted Gross: $5.6 million

4. Peter Rabbit 2: The Runaway

Predicted Gross: $4.1 million

5. Cruella

Predicted Gross: $3.3 million

Box Office Results (June 18-20)

As anticipated, the trio of Ryan Reynolds/Samuel L. Jackson/Salma Hayek in Hitman’s Wife’s Bodyguard managed to top the charts and pretty much open in line with expectations. The poorly reviewed action sequel took in $11.3 million during the Friday to Sunday frame compared to my $12.6 million estimate. Its $16.7 million five-day take (it started out on Wednesday) is just under my $17.7 million projection.

A Quiet Place Part II dropped to second with $9 million, outpacing my $7.9 million prediction as the horror sequel now stands at $124 million.

Third place belonged to Peter Rabbit 2: The Runaway with $6 million (I said $6.6 million). The ten-day tally is $20 million.

The sequels keep on coming with The Conjuring: The Devil Made Me Do It in fourth at $5 million, falling under my guesstimate of $6.1 million. Total is $53 million.

Cruella rounded out the top five with $4.8 million and I incorrectly had it on the outside looking in. The Disney live-action remake is up to $64 million.

Finally, In the Heights suffered a hefty decline in its sophomore outing. Despite critical acclaim, the musical plummeted 63% for sixth place and $4.2 million. I was far more generous at $7.7 million. The lackluster tally is just $19 million.

And that does it for now, folks! Until next time…

Is In the Heights Out of Oscar Contention?

Ten days ago, Jon M. Chu’s In the Heights went into its premiere weekend as the first bonafide Best Picture contender of 2021. Sporting a Rotten Tomatoes rating of 96%, the musical (adapted from a play co-created by Lin-Manuel Miranda) was projected to gross around $20 million in its opening frame. And then reality happened.

The pic was a major box office disappointment and earned just $11.5 million out of the gate (landing at #2 behind the third weekend of A Quiet Place Part II). Even then not all hope was lost. With solid word-of-mouth and awards buzz, perhaps Heights would hold well in subsequent weekends.

And then reality happened again. Heights appears to have dropped to sixth place in its sophomore outing with a drop of over 60%. What a difference a week and a half can make. There’s really no positive spin for its box office performance. It’s simply very underwhelming. Furthermore, the bulk of publicity received for Heights in recent days was either for its disappointing numbers or controversy emerging from its casting choices (something for which Miranda issued an apology for).

At this juncture, it’s a legitimate question whether Heights is still a viable contender at the Oscars. Much of that could depend on if Warner Bros makes a robust effort to campaign for it. I would say its inclusion in the big categories is now iffy at best. This applies to Best Picture, Adapted Screenplay, Anthony Ramos in Actor (which was probably always a long shot), and Olga Merediz in Supporting Actress. Down the line categories such as Sound and Original Song are more questionable as well.

The studio could shift its focus to fall contenders including Denis Villeneuve’s Dune, Sopranos prequel The Many Saints of Newark, and King Richard with Will Smith. Bottom line: Heights isn’t finished in the Oscar derby, but it is hard to say that it’s not wounded.

F9 Box Office Prediction

F9 is widely expected to drive traffic into theaters in a way we have not witnessed since late 2019 – before anyone knew what COVID-19 was. The ninth official entry in The Fast and the Furious franchise appears poised to have the largest domestic opening since Star Wars: The Rise of Skywalker a year and a half ago. It opens June 25th after a series of pandemic related delays. Justin Lin returns in the director’s chair for his fifth Fast flick and first since Fast & Furious 6. Long time and newer series regulars returning include Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Jordana Brewster, Nathalie Emmanuel, Helen Mirren (reprising her role from spinoff Hobbs & Shaw), Kurt Russell, and Charlize Theron. Newcomers to the mix are John Cena, Michael Rooker, and Cardi B.

Sporting a budget of at least $200 million, F9 has already made a fortune overseas at $270 million and counting. In 2015, Furious 7 nabbed the largest opening of all the pics (by far) at $147 million ($353 million overall). Tragically, part of that can be attributed to audience curiosity as it dealt with the final appearance of Paul Walker following his passing. 2017’s follow-up The Fate of the Furious debuted to $98 million and an eventual $225 million domestic haul (good for third overall in the ennead). Hobbs & Shaw, meanwhile, made $60 million for its start in 2019 with a $173 million final tally.

With capacity issues mostly having fallen by the wayside, F9 will be a test as to just how high first weekends can go in this market. A Quiet Place Part II set the initial benchmark at $57 million over the four-day Memorial Weekend frame. This is anticipated to zoom beyond that. Furious 7 set a mark that any sequel is unlikely to come close to. A debut in the neighborhood of Fast Five ($86 million) is certainly achievable. Yet I still think some multiplex resistance could stall that possibility. I’ll project $60-$70 million is the more likely range. My estimate puts this a few million under the $70 million made by Fast & Furious in 2009.

F9 opening weekend prediction: $64.8 million