2022 Oscar Predictions: May 10th Edition

My second round of Oscar predictions in the six biggest races are before you. When I update them next, we’ll be in the midst of the Cannes Film Festival where some of these hopefuls are screening.

As for category placement changes, I’ve moved Jesse Plemons in Killers of the Flower Moon to Supporting Actor from lead. It remains to be seen which contest he’s placed in. If it is supporting, we shall see if it’s him or Robert De Niro that gets the buzz. I’m betting on the latter at press time.

Let’s get into it!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 3) (+1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Women Talking (PR: 5) (+1)

5. The Son (PR: 4) (-1)

6. Everything Everywhere All at Once (PR: 8) (+2)

7. She Said (PR: 6) (-1)

8. Bardo (PR: 7) (-1)

9. The Whale (PR: 9) (E)

10. Rustin (PR: 10) (E)

Other Possibilities: 

11. Amsterdam (PR: 11) (E)

12. Decision to Leave (PR: Not Ranked)

13. White Noise (PR: 12) (-1)

14. Poor Things (PR: 13) (-1)

15. Avatar: The Way of Water (PR: 17) (+2)

16. Empire of Light (PR: 16) (E)

17. Tar (PR: 14) (-3)

18. Till (PR: 15) (-3)

19. Armageddon Time (PR: 25) (+6)

20. Elvis (PR: 22) (+2)

21. Thirteen Lives (PR: 20) (-1)

22. The Woman King (PR: 23) (+1)

23. Three Thousand Years of Longing (PR: 24) (+1)

24. Don’t Worry Darling (PR: 18) (-6)

25. Next Goal Wins (PR: 19) (-6)

Dropped Out:

The Banshees of Inisherin

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 3) (+1)

3. Martin Scorsese, Killers of the Flower Moon (PR: 2) (-1)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (E)

7. Florian Zeller, The Son (PR: 7) (E)

8. Maria Schrader, She Said (PR: 9) (+1)

9. Park Chan-wook, Decision to Leave (PR: Not Ranked)

10. Darren Aronofsky, The Whale (PR: 8) (-2)

11. George C. Wolfe, Rustin (PR: 10) (-1)

12. James Cameron, Avatar: The Way of Water (PR: 12) (E)

13. David O. Russell, Amsterdam (PR: 14) (+1)

14. Yorgos Lanthimos, Poor Things (PR: 11) (-3)

15. Sam Mendes, Empire of Light (PR: 15) (E)

Dropped Out:

Noah Baumbach, White Noise

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Regina King, Shirley (PR: 2) (E)

3. Carey Mulligan, She Said (PR: 4) (+1)

4. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Cate Blanchett, Tar (PR: 6) (E)

7. Emma Stone, Poor Things (PR: 9) (+2)

8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)

9. Olivia Colman, Empire of Light (PR: 7) (-2)

10. Viola Davis, The Woman King (PR: 11) (+1)

11. Laura Dern, The Son (PR: 10) (-1)

12. Florence Pugh, Don’t Worry Darling (PR: 14) (+2)

13. Saoirse Ronan, See How They Run (PR: 13) (E)

14. Ana de Armas, Blonde (PR: Not Ranked)

15. Tilda Swinton, Three Thousand Years of Longing (PR: 15) (E)

Dropped Out:

Greta Gerwig, White Noise 

Best Actor

1. Hugh Jackman, The Son (PR: 2) (+1)

2. Brendan Fraser, The Whale (PR: 1) (-1)

3. Colman Domingo, Rustin (PR: 4) (+1)

4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (-1)

5. Austin Butler, Elvis (PR: 8) (+3)

Other Possibilities:

6. Christian Bale, Amsterdam (PR: 5) (-1)

7. Diego Calva, Babylon (PR: 9) (+2)

8. Gabriel LaBelle, The Fabelmans (PR: 10) (+2)

9. Adam Driver, White Noise (PR: 7) (-2)

10. Daniel Gimenez Cacho, Bardo (PR: 11) (+1)

11. Viggo Mortensen, Thirteen Lives (PR: 12) (+1)

12. Michael Fassbender, Next Goal Wins (PR: 13) (+1)

13. Colin Farrell, The Banshees of Inisherin (PR: 14) (+1)

14. Joaquin Phoenix, Disappointment Blvd. (PR: Not Ranked)

15. Idris Elba, Three Thousand Years of Longing (PR: 15) (E)

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Michelle Williams, The Fabelmans (PR: 2) (E)

3. Zoe Kazan, She Said (PR: 3) (E)

4. Vanessa Kirby, The Son (PR: 4) (E)

5. Jessie Buckley, Women Talking (PR: 5) (E)

Other Possibilities:

6. Hong Chau, The Whale (PR: 6) (E)

7. Jean Smart, Babylon (PR: 7) (E)

8. Whoopi Goldberg, Till (PR: 8) (E)

9. Margot Robbie, Amsterdam (PR: 9) (E)

10. Stephanie Hsu, Everything Everywhere All at Once (PR: Not Ranked)

11. Rooney Mara, Women Talking (PR: Not Ranked)

12. Patricia Clarkson, She Said (PR: 12) (E)

13. Audra McDonald, Rustin (PR: 13) (E)

14. Margaret Qualley, Poor Things (PR: Not Ranked)

15. Thuso Mbedu, The Woman King (PR: 14) (-1)

Dropped Out:

Dakota Johnson, Cha Cha Real Smooth

Sadie Sink, The Whale

Frances McDormand, Women Talking 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Brad Pitt, Babylon (PR: 3) (+1)

3. Paul Dano, The Fabelmans (PR: 2) (-1)

4. Tom Hanks, Elvis (PR: 10) (+6)

5. John David Washington, Amsterdam (PR: 6) (+1)

Other Possibilities:

6. Ke Huy Quan, Everything Everywhere All at Once (PR: 4) (-2)

7. Willem Dafoe, Poor Things (PR: 7) (E)

8. Glynn Turman, Rustin (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked – moved from lead Actor)

10. Mark Ruffalo, Poor Things (PR: 9) (-1)

11. Ben Whishaw, Women Talking (PR: 13) (+2)

12. Anthony Hopkins, The Son (PR: 11) (-1)

13. Frankie Faison, Till (PR: 12) (-1)

14. Seth Rogen, The Fabelmans (PR: 8) (-6)

15. Colin Firth, Empire of Light (PR: 15) (E)

Dropped Out:

Don Cheadle, White Noise 

2022 Oscar Predictions: May 1st Edition

Welcome to the first ranked Oscar predictions of the 2022 season for the 95th Academy Awards! I’ll be doing these every few days (once a week or every two weeks) for the high-profile races of Picture, Director, and the four acting derbies. In the fall (maybe earlier), this will expand to all categories covering feature lengths films.

For BP, I will list 25 possibilities with 15 hopefuls in the others. Some quick caveats that always apply – titles of the pictures will change. Just this week, David O. Russell’s Canterbury Glass became Amsterdam and Avatar 2 is now Avatar: The Way of Water. 

Actors listed in lead will become supporting players and vice versa. Some movies will be pushed to 2023. And, of course, titles listed on the first day of May will become commercial and critical disappointments and drop off the list. Some pics and performances I’m not even considering at the moment will rise during festivals like Cannes, Toronto, Telluride, and Venice.

So let’s get to it, shall we?

Best Picture

Predicted Nominees:

1. Babylon 

2. Killers of the Flower Moon

3. The Fabelmans

4. The Son

5. Women Talking

6. She Said

7. Bardo

8. Everything Everywhere All at Once

9. The Whale

10. Rustin

Other Possibilities: 

11. Amsterdam

12. White Noise

13. Poor Things

14. Tar

15. Till

16. Empire of Light

17. Avatar: The Way of Water

18. Don’t Worry Darling

19. Next Goal Wins

20. Thirteen Lives

21. The Banshees of Inisherin

22. Elvis

23. The Woman King

24. Three Thousand Years of Longing

25. Armageddon Time

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon 

2. Martin Scorsese, Killers of the Flower Moon

3. Steven Spielberg, The Fabelmans

4. Sarah Polley, Women Talking

5. Alejandro Gonzalez Inarritu, Bardo

Other Possibilities:

6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once

7. Florian Zeller, The Son

8. Darren Aronofsky, The Whale 

9. Maria Schrader, She Said

10. George C. Wolfe, Rustin

11. Yorgos Lanthimos, Poor Things

12. James Cameron, Avatar: The Way of Water

13. Noah Baumbach, White Noise

14. David O. Russell, Amsterdam

15. Sam Mendes, Empire of Light

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon

2. Regina King, Shirley 

3. Michelle Yeoh, Everything Everywhere All at Once

4. Carey Mulligan, She Said 

5. Danielle Deadwyler, Till 

Other Possibilities: 

6. Cate Blanchett, Tar

7. Olivia Colman, Empire of Light 

8. Naomi Ackie, I Wanna Dance with Somebody 

9. Emma Stone, Poor Things 

10. Laura Dern, The Son

11. Viola Davis, The Woman King 

12. Greta Gerwig, White Noise

13. Saoirse Ronan, See How They Run 

14. Florence Pugh, Don’t Worry Darling 

15. Tilda Swinton, Three Thousand Years of Longing 

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale

2. Hugh Jackman, The Son 

3. Leonardo DiCaprio, Killers of the Flower Moon 

4. Colman Domingo, Rustin 

5. Christian Bale, Amsterdam 

Other Possibilities: 

6. Jesse Plemons, Killers of the Flower Moon 

7. Adam Driver, White Noise 

8. Austin Butler, Elvis 

9. Diego Calva, Babylon 

10. Gabriel LaBelle, The Fabelmans 

11. Daniel Gimenez Cacho, Bardo 

12. Viggo Mortensen, Thirteen Lives 

13. Michael Fassbender, Next Goal Wins

14. Colin Farrell, The Banshees of Inisherin 

15. Idris Elba, Three Thousand Years of Longing 

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon

2. Michelle Williams, The Fabelmans

3. Zoe Kazan, She Said

4. Vanessa Kirby, The Son 

5. Jessie Buckley, Women Talking 

Other Possibilities: 

6. Hong Chau, The Whale 

7. Jean Smart, Babylon 

8. Whoopi Goldberg, Till

9. Margot Robbie, Amsterdam 

10. Dakota Johnson, Cha Cha Real Smooth

11. Sadie Sink, The Whale 

12. Patricia Clarkson, She Said 

13. Audra McDonald, Rustin 

14. Thuso Mbedu, The Woman King

15. Frances McDormand, Women Talking 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon

2. Paul Dano, The Fabelmans

3. Brad Pitt, Babylon 

4. Ke Huy Quan, Everything Everywhere All at Once 

5. Glynn Turman, Rustin 

Other Possibilities: 

6. John David Washington, Amsterdam 

7. Willem Dafoe, Poor Things

8. Seth Rogen, The Fabelmans 

9. Mark Ruffalo, Poor Things 

10. Tom Hanks, Elvis

11. Anthony Hopkins, The Son

12. Frankie Faison, Till

13. Ben Whishaw, Women Talking 

14. Don Cheadle, White Noise 

15. Colin Firth, Empire of Light 

2022 Oscar Predictions: April Edition (Best Actor)

My first forecast for the major Oscar races continues with Best Actor. If you missed the posts covering the supporting categories, you can find them right here:

2022 Oscar Predictions: April Edition (Best Supporting Actor)

2022 Oscar Predictions: April Edition (Best Supporting Actress)

As I pointed out in my Supporting Actor write-up, we don’t know yet where some heavy hitters will be placed. I projected Leonardo DiCaprio (Killers of the Flower Moon) and Brad Pitt (Babylon) in supporting, but they could end up here. On the flip side, Willem Dafoe (Poor Things) is listed under Other Possibilities for Actor. We’ll see if he remains here or goes supporting.

Here’s how I have it looking in this extremely early stage. Actress is next!

TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST ACTOR

Colman Domingo, Rustin

Adam Driver, White Noise

Brendan Fraser, The Whale

Hugh Jackman, The Son

Jesse Plemons, Killers of the Flower Moon

Other Possibilities:

Christian Bale, Canterbury Glass

Austin Butler, Elvis

Daniel Gimenez Cacho, Bardo

Diego Calva, Babylon

Willem Dafoe, Poor Things

Idris Elba, Three Thousand Years of Longing

Colin Farrell, The Banshees of Inisherin 

Michael Fassbender, Next Goal Wins

Gabriel LaBelle, The Fabelmans

Viggo Mortensen, Thirteen Lives

22 for ’22: Oscars Early Look

It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.

That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?

On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.

My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.

Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!

Armageddon Time

Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD

Avatar 2

The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th

Babylon

Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th

Canterbury Glass

Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th

Elvis

Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th

Empire of Light

Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD

Everything Everywhere All at Once

From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th

The Fabelmans

Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd

Killers of the Flower Moon

Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November

Poor Things

In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD

Rustin

One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD

See How They Run

The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD

She Said

Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th

The Son

Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD

TAR

It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th

Three Thousand Years of Longing

Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD

The Whale

Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD

White Noise

Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD

The Woman King

Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th

Women Talking

Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD

And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…

August 27-29 Box Office Predictions

The month of August closes with the return of a familiar name in horror… just don’t say it five times. Nearly three decades after the original buzzed into theaters, the sequel/reboot Candyman is the sole new release this weekend. You can peruse my detailed prediction post on it here:

Candyman Box Office Prediction

I’m going with a mid to high teens estimate with the caveat that this genre can over perform. I wouldn’t be shocked to see this fly a bit higher, but I’ll stick with my guns for now. That should be enough for a #1 start. If it doesn’t meet expectations, that could allow Free Guy to spend a third frame atop the charts after its remarkable hold this past weekend (more on that below).

With no new product, holdovers should all slide a spot. That means the top five should be bookended by fright fests with family fare in the middle. Here’s how I think it will look:

1. Candyman

Predicted Gross: $17.3 million

2. Free Guy

Predicted Gross: $13 million

3. PAW Patrol: The Movie

Predicted Gross: $6.1 million

4. Jungle Cruise

Predicted Gross: $4.6 million

5. Don’t Breathe 2

Predicted Gross: $2.7 million

Box Office Results (August 20-22)

PAW Patrol: The Movie managed to bring the kiddos out and slightly outdid most forecasts. The new films catering to adults were all dogs.

Yet the headline of the weekend belonged to Free Guy as it remained in first with $18.5 million. That’s considerably better than my $13.9 million prediction. The Ryan Reynolds sci-fi comedy displayed the best sophomore hold we’ve seen all summer with just a 35% drop. We have become accustomed to seeing most titles plummet 50% or far more. That brings Guy‘s take to an impressive $58 million and its inclusion in the $100 million club seems assured. I wrote more about its earnings over the weekend here:

Free Guy Makes Them Pay

Paw Patrol: The Movie easily took second position with $13.1 million. The big screen rendering of the Nickelodeon show surpassed my $10.8 million projection.

Jungle Cruise was third with $6.3 million (I said $5.9 million). With $92 million overall, it’ll hit nine digits in short order.

The rest of the top five were returnees that I didn’t have slated to be there. Don’t Breathe 2 was fourth with $5 million. The fall of just over 50% in its second weekend is quite good for a horror flick and it’s made $19 million. Respect rounded out the top five with $3.7 million for a tally of $15 million.

And now for the trio of debuts that largely went unnoticed. The Protege was seventh with $2.9 million. I went with $4.7 million. In 8th place was The Night House with $2.8 million. I was a tad more generous at $3.1 million. And most embarrassingly, Hugh Jackman’s Reminiscence was the huge dud (considering its budget) as it placed 9th at $1.9 million. I said $6.8 million. Clearly audiences weren’t buying what was being sold with all three of these offerings.

And that does it for now, folks! Until next time…

August 20-22 Box Office Predictions

Blogger’s Note (08/18): I am revising my PAW Patrol: The Movie estimate up from $7.9M to $10.8M.

The dog days of summer continues with four new offerings in the marketplace and they could all fall short of the second weekend of Free Guy with Ryan Reynolds. Speaking of dogs, we have PAW Patrol: The Movie as well as three more adult oriented offerings: Hugh Jackman’s sci-fi thriller Reminiscence, action flick The Protege with Michael Keaton, Maggie Q, and Samuel L. Jackson and horror pic The Night House. You can peruse my detailed prediction posts on them here:

Reminiscence Box Office Prediction

The Protege Box Office Prediction

PAW Patrol: The Movie Box Office Prediction

The Night House Box Office Prediction

I don’t have any of the features from the fresh quartet (not a sequel in the bunch!) topping $10 million. That means Free Guy, after a better than anticipated bow, should manage to remain #1 in its sophomore outing. I’m assuming it will dip in the low to mid 50s like Jungle Cruise did a couple of weeks back.

As for those newcomers, the one I’m most conflicted about is PAW Patrol: The Movie. It certainly has a built-in fan base of youngsters who may drag their parents to see it. Rather unexpectedly, it’s generating quite decent reviews. However, my hunch is that some families may wait for it to be on the small screen and I’m projecting third place.

That’s behind Reminiscence which could approach double digits. Jackman’s latest is also available on HBO Max. It will be competing for eyeballs with The Protege, which I have pegged for mid single digits (if anything, I think it could go lower). In fact, it could be in a battle for fifth with Jungle Cruise in its fourth weekend.

The Night House comes at the tale end of a season packed with horror titles and I believe it’s bound to get lost in the shuffle. My meager $3.1 million estimate leaves it well outside the top five.

And with that, my take on the weekend ahead:

1. Free Guy

Predicted Gross: $13.9 million

2. PAW Patrol: The Movie

Predicted Gross: $10.8 million

3. Reminiscence

Predicted Gross: $6.8 million

4. Jungle Cruise

Predicted Gross: $5.9 million

5. The Protege

Predicted Gross: $4.7 million

Box Office Results (August 13-15)

Friday the 13th wasn’t so unlucky for Ryan Reynolds and Free Guy. The Fox (and therefore Disney) property opened on the higher end of forecasts with $28.3 million, topping my $21.3 million estimate. With an A Cinemascore grade, audiences liked what they saw and it sounds as if a sequel will happen. The near $30 million start might have been called slightly disappointing in different times. All things considered, it’s rather strong.

Horror sequel (I’ve been saying that a lot lately) Don’t Breathe 2 debuted with $10.6 million, just under my $11.2 million take. That’s miles away from the $26 million that the 2016 predecessor took in, but generally in line with most predictions. At a cost of just $15 million, it should turn a nice profit for Sony Pictures.

Jungle Cruise was third in its third weekend with $9.1 million – right on pace with my $8.9 million estimate. The Disney adventure is at $82 million with $100 million in its sights.

The Aretha Franklin biopic Respect with Jennifer Hudson also hit its anticipated mark in fourth with $8.8 million. That’s a tad ahead of my $8.5 million call. Reviews were only so-so though its lead could be on her way to a Best Actress nomination.

And, finally, the bad news for The Suicide Squad continued. Following a disastrous opening, the reboot/sequel plunged an equally disturbing 71% to fifth with $7.4 million. I was more optimistic at $10.1 million. The ten-day tally is a lowly $42 million.

And that does it for now, folks! Until next time…

The Protege Box Office Prediction

Michael Keaton, Maggie Q, and Samuel L. Jackson star in the action thriller The Protege next weekend and it will attempt to carve its place into the typically limp late summer box office. Martin Campbell, director of Casino Royale, is behind the camera.

The Lionsgate release is only available in theaters and it will face serious competition for the same audience from Hugh Jackman’s Reminiscence. In this challenged marketplace, The Protege going straight to pay streaming wouldn’t have been much of a shocker.

I’ll give the studio credit for giving it a shot, but I’m guessing Jackman will propel his effort to slightly higher earnings. I only have Reminiscence at just under $7 million and I’ll say this gets just under $5 million.

The Protege opening weekend prediction: $4.7 million

For my PAW Patrol: The Movie prediction, click here:

PAW Patrol: The Movie Box Office Prediction

For my Reminiscence prediction, click here:

Reminiscence Box Office Prediction

For my The Night House prediction, click here:

The Night House Box Office Prediction

Reminiscence Box Office Prediction

Hugh Jackman makes a return to sci-fi next weekend with Reminiscence. The film (reportedly budgeted at just under $70 million) is the rare summer feature in this genre not based on a known property. It marks the directorial debut of Lisa Joy, best known for co-creating HBO’s Westworld. Costars include Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, and Marina de Tavira.

The Home Box Office connections are strong. Since this a Warner Bros property, the pic will simultaneously have its 30 day HBO Max availability. Originally slated for April before it traded with Mortal Kombat, the film faces some challenges. This might seem minor, but the title doesn’t exactly roll off the tongue. More importantly, Reminiscence opens against the Michael Keaton/Maggie Q/Samuel L. Jackson thriller The Protege and they’ll be battling for the same audience. Both may suffer as a result.

Add in the Delta variant concerns and I really question whether this gets past $10 million. My gut says to put it under.

Reminiscence opening weekend prediction: $6.8 million

For my PAW Patrol: The Movie prediction, click here:

PAW Patrol: The Movie Box Office Prediction

For my The Protege prediction, click here:

The Protege Box Office Prediction

For my The Night House prediction, click here:

The Night House Box Office Prediction

Summer 2001: The Top 10 Hits and More

My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.

As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:

https://toddmthatcher.com/2021/06/26/summer-1991-the-top-10-hits-and-more/

Let’s get to it!

10. Dr. Dolittle 2

Domestic Gross: $112 million

Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.

9. Lara Croft: Tomb Raider

Domestic Gross: $131 million

Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.

8. The Fast and the Furious

Domestic Gross: $144 million

We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.

7. American Pie 2

Domestic Gross: $145 million

Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.

6. Planet of the Apes

Domestic Gross: $180 million

Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).

5. Jurassic Park III

Domestic Gross: $181 million

Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.

4. Pearl Harbor

Domestic Gross: $198 million

Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.

3. The Mummy Returns

Domestic Gross: $202 million

Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.

2. Rush Hour 2

Domestic Gross: $226 million

It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.

1. Shrek

Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.

And now for some other notables flicks from the summer that was:

The Princess Diaries

Domestic Gross: $108 million

Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.

The Others

Domestic Gross: $96 million

With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.

Legally Blonde

Domestic Gross: $96 million

Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.

Cats & Dogs

Domestic Gross: $93 million

Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.

A.I.: Artificial Intelligence

Domestic Gross: $78 million

Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.

Swordfish

Domestic Gross: $69 million

Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.

Moulin Rouge!

Domestic Gross: $57 million

Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.

Sexy Beast

Domestic Gross: $6 million

This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.

Ghost World

Domestic Gross: $6 million

Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.

And now for some pictures that did not meet expectations:

America’s Sweethearts

Domestic Gross: $93 million

Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.

Atlantis: The Lost Empire

Domestic Gross: $84 million

Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.

Scary Movie 2

Domestic Gross: $71 million

This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.

Evolution

Domestic Gross: $38 million

Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.

Final Fantasy: The Spirits Within

Domestic Gross: $32 million

Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.

Ghosts of Mars

Domestic Gross: $8 million

It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.

Pootie Tang

Domestic Gross: $3 million

Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.

And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…

Summer 2000: The Top 10 Hits and More

As I do every summer on the blog, I am looking back at the cinematic seasons of 30, 20, and 10 years ago and recounting the top ten hits, other notable pics, and some misfires. A week ago, I covered the summer of 1990 (when we all were “ghosted”). If you missed it, you can peruse it here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

Today brings us to the dawn of the new century. What struck me is that there weren’t a whole lot of outright flops, but the ones that were are rather significant bombs. Let’s take a trip down memory lane of 2000 and were we not entertained?!?!

10. The Patriot

Domestic Gross: $113 million

Mel Gibson and Heath Ledger teamed up with disaster flick specialist Roland Emmerich for this Revolutionary War era drama that managed to just achieve blockbuster status and barely top its reported $110 million budget stateside.

9. Big Momma’s House

Domestic Gross: $117 million

Negative reviews couldn’t prevent this Martin Lawrence comedy from nearly quadrupling its $30 million budget and spawning two eventual sequels. 30% also happens to be its Rotten Tomatoes score.

8. Nutty Professor II: The Klumps

Domestic Gross: $123 million

Eddie Murphy’s sequel to his 1996 hit certainly didn’t get the reviews of its predecessor, but it fell only $5 million short of the domestic gross of part 1 and introduced superstar Janet Jackson as his new love interest. Part 2 also greatly expanded Eddie’s work as other members of the Klump brood. As you can see from numbers 8 and 9, it was a big summer for comedians in fat suits.

7. Dinosaur

Domestic Gross: $137 million

The prehistoric Disney animated adventure is not one of their most talked about titles in recent decades, but it was still a profitable venture that grossed nearly $350 million worldwide.

6. What Lies Beneath

Domestic Gross: $155 million

Despite mixed reviews, Robert Zemeckis’s Hitchcockian thriller starring Harrison Ford and Michelle Pfeiffer landed big with audiences. Its filming schedule is a memorable one. Zemeckis was shooting Cast Away with Tom Hanks and there was a long break in filming so its star could shed weight and grow his long beard. It was enough time for the director to fit in Beneath. 

5. Scary Movie

Domestic Gross: $157 million

The summer’s biggest comedy was a Scream spoof from filmmaker Keenan Ivory Wayans. Shot for less than $20 million, it spawned four sequels and became its own franchise.

4. X-Men

Domestic Gross: $157 million

I recently wrote about the 20th anniversary of X-Men here:

https://toddmthatcher.com/2020/07/14/x-men-at-20-a-look-back/

That post talks about its significant impact on the comic book genre that has dominated the 21st century.

3. The Perfect Storm

Domestic Gross: $182 million

Wolfgang Peterson’s fact based disaster drama with George Clooney and Mark Wahlberg was not much of a hit with critics, but crowds were swept up in the waves.

2. Gladiator

Domestic Gross: $187 million

Ridley Scott’s historical action drama kicked off summer 2000 and made a global superstar out of Russell Crowe and provided a juicy supporting part for Joaquin Phoenix. The film became an Oscar darling – winning Best Picture and Crowe taking Best Actor. This is the rare summer popcorn pic that achieved awards glory.

1. Mission: Impossible 2

Domestic Gross: $215 million

This sequel cruised to the top spot of earners for the season. Now that there’s been six editions in the franchise, this John Woo directed experience is generally (and rightfully) considered the weakest of the bunch. Yet that didn’t prevent huge grosses.

And now for some other notable features:

Chicken Run

Domestic Gross: $106 million

This still stands as the highest grossing stop-motion animated feature of all time and it doubled its budget domestically. A sequel is in development, but it was recently announced that lead voice Mel Gibson will not be part of the proceedings.

Gone in 60 Seconds

Domestic Gross: $101 million

Despite poor reviews, Nicolas Cage and Angelina Jolie’s remake of the 1970s heist pic still zoomed (barely) past $100 million and was a solid performer overseas.

Me, Myself & Irene

Domestic Gross: $90 million

The Farrelly Brothers reunited with their Dumb and Dumber star Jim Carrey for this comedy that earned mixed reaction. This was nowhere near the hit that the brothers had two years earlier with their runaway success There’s Something About Mary, but it still made money.

Space Cowboys

Domestic Gross: $90 million

Clint Eastwood guided this “old guys in space” tale alongside Tommy Lee Jones to a very respectable gross and decent critical reaction.

Hollow Man

Domestic Gross: $73 million

Paul Verhoeven’s take on the H.G. Wells novel starred Kevin Bacon and earned a Visual Effects Oscar nomination (losing to Gladiator). While it didn’t make its budget back stateside, it ended up doubling its price tag when factoring in foreign markets. A direct to video sequel followed.

Shaft

Domestic Gross: $70 million

Samuel L. Jackson took over the iconic private dick role from Richard Roundtree (who costarred here) in this sequel from the late John Singleton. Christian Bale memorably plays a villain here. Another sequel followed in 2019 and it was an outright flop.

Bring It On

Domestic Gross: $68 million

Made for only $11 million, this teen cheerleading comedy was an unexpected hit that gave Kirsten Dunst and Gabrielle Union a boost in their careers. Five direct to video sequels followed as well as a stage musical.

The Cell

Domestic Gross: $61 million

Despite so-so reviews, this twisty supernatural thriller with Jennifer Lopez easily topped its $33 million budget. It has continued to have ardent admirers including the late Roger Ebert, who awarded it four stars.

Coyote Ugly

Domestic Gross: $60 million

This tale about saloon life with Piper Perabo and John Goodman managed to take in over $100 million worldwide against a $45 million budget and has become a cult favorite since.

The Original Kings of Comedy

Domestic Gross: $38 million

A stand-up comedy pic grossing this much in theaters is notable. Spike Lee directed Bernie Mac, Steve Harvey, D.L. Hughley, and Cedric the Entertainer and audiences turned out.

As I mentioned, the total bombs aren’t plentiful here. However, they’re notable:

The Adventures of Rocky and Bullwinkle

Domestic Gross: $26 million

A pet project of Robert De Niro, this loose take on the 1960s animated series grossed a third of its budget domestically and was quickly forgotten.

Titan A.E.

Domestic Gross: $22 million

20th Century Fox had a big failure here at the start of the 21st century with this animated sci-fi tale with Matt Damon as a leading voice. The price tag was reportedly around $90 million and it made just $36 million worldwide.

Battlefield Earth

Domestic Gross: $21 million

Based on a work from Scientology founder L. Ron Hubbard, audiences and critics savaged this sci-fi tale with John Travolta. It won a then record 7 Golden Raspberry Awards and was mocked relentlessly for its poor quality.

And that does it, folks! I’ll have 2010 recounted on the blog in the coming days…