Spider-Man: Brand New Day appears poised to swing the best opening of 2026 when it debuts this weekend. Marking the 38th feature in the Marvel Cinematic Universe and fourth stand-alone Spidey entry starring Tom Holland, Destin Daniel Cretton takes over directorial duties from Jon Watts. Zendaya and Jacob Batalon reprise their roles with MCU regulars Mark Ruffalo as Hulk and Jon Bernthal as The Punisher appearing. Other costars include Sadie Sink, Tramell Tillman, and Michael Mando.
Going back to 2002 when Sam Raimi’s Spidey flick with Tobey Maguire set box office records, the 21st century tales of Mr. Parker have a limited Oscar history. The ’02 version landed Sound and Visual Effects mentions. The 2004 sequel (considered by many to be the strongest of all films featuring the character) won Visual Effects and was up for Sound Editing and Sound Mixing. Then there was a Spidey drought with 2007’s Spider-Man 3, 2012’s The Amazing Spider-Man and its 2014 follow-up (with Andrew Garfield), and Holland’s Spider-Man: Homecoming from 2017 and 2019’s Spider-Man: Far From Home not receiving any recognition. Predecessor Spider-Man: No Way Home (2021) got into the Visual Effects derby, losing to Dune.
While there’s been inconsistency during awards season, there’s been plenty of consistency in the reviews for Holland’s quartet. The Rotten Tomatoes and Metacritic scores are as follows:
Spider-Man: Homecoming: 92% RT, 73 MC
Spider-Man: Far From Home: 91% RT, 69 MC
Spider-Man: No Way Home: 93%, 71 MC
Spider-Man: Brand New Day: 90% RT, 70 MC
Despite the mostly appreciative critical reaction, I expect this to generate no nominations. No Way Home benefitted from a year where there weren’t as many blockbusters with pricey special effects (COVID was limiting theatrical engagements). There are gripes about New Day‘s inconsistent VE. With Project Hail Mary and The Odyssey probably already having two spots locked up and others like Dune: Part Three on the way, my sense is that this goes home empty-handed. My Oscar Prediction posts will continue…
The 38th film in the Marvel Cinematic Universe and the fourth entry in Tom Holland’s take on the web slinger, Spider-Man: Brand New Day swings into multiplexes on July 31st. It is highly unlikely that audiences will forget to check in. Destin Daniel Cretton, who helmed Shang-Chi and the Legend of the Ten Rings for the studio, directs. Zendaya and Jacob Batalon reprise their roles from the franchise with Mark Ruffalo’s Hulk and Jon Bernthal’s Punisher in the mix. Other cast members include Sadie Sink, Tramell Tillman, and Michael Mando.
It’s been four and a half years since Spider-Man: No Way Home became 2021’s biggest grosser and sixth largest earner of all time domestically. The high profile joining of Tobey Maguire and Andrew Garfield’s Spideys with Holland’s (and the villains who populated earlier movies) proved irresistible to audiences. Home kicked off with $260 million (the second best MCU start behind Avengers: Endgame) and $814 million stateside when all was said and done. That means it was also second best ever.
This MCU adventure should easily post 2026’s top domestic opening currently held by Toy Story 5 ($159 million). In a best case scenario, it could achieve the second most impressive MCU premiere and surpass No Way Home‘s $260 million. I’ve got it managing to do so for the second largest domestic start of all time.
Spider-Man: Brand New Day opening weekend prediction: $268 million
One of the biggest pieces of the Oscar predicting puzzle came into greater focus today with the review embargo having lifted for Christopher Nolan’s The Odyssey. The fantasy based on Homer’s ancient epic debuts this weekend with grand box office hopes for Universal. It has long been anticipated to be a major awards player with Matt Damon leading a massive cast that includes (deep breath) Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.
The reported $250 million production is Nolan’s hotly awaited follow-up to 2023’s Oppenheimer. That nearly billion dollar grossing biopic was an Oscar juggernaut with 13 nominations and 7 victories including Best Picture, Director, Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). The Odyssey seeks to become Nolan’s fourth feature in contention for BP joining 2010’s Inception, 2017’s Dunkirk, and the aforementioned Oppenheimer.
Let’s dispense with the drama. With 97% on Rotten Tomatoes and an 88 Metacritic, The Odyssey‘s journey to a Best Picture nomination looks assured and it is a threat to win. Same goes for Nolan’s direction and a number of other categories including Adapted Screenplay, Casting, Cinematography, Costume Design, Film Editing, Original Score, Production Design, Sound, and Visual Effects. That’s 11 noms in the bag already. Makeup and Hairstyling and Original Song (a new tune by Travis Scott and James Blake closes the three-hour experience) are possibilities with the latter perhaps a long shot.
As for the actors, some of my early predictions may have to shift. For weeks, I’ve had Matt Damon on the inside in fifth or on the outside looking in at sixth. That forecast seems accurate though I’m leaning toward him making the cut in what should be a crowded field. Obviously that could change as various works from competitors like Tom Cruise (Digger), John Malkovich (Wild Horse Nine), and Pedro Pascal (Behemoth!) are screened. It would be Damon’s fourth acting nod behind Good Will Hunting, Invictus, and The Martian if he gets in.
Gunning for her third attempt at gold is Anne Hathaway behind 2008’s Rachel Getting Married and a Supporting Actress victory for 2012’s Les Miserables. The buzz indicates that her supporting work is the most assured of inclusion. I’ve her outside of the top 5 most of the time in the past couple of months. Look for that to change in my next round of predictions this weekend.
As for Supporting Actor, there was some chatter for Robert Pattinson and Tom Holland. If either get in, I’d say Pattinson is more likely than Holland. There’s also lots of love for John Leguizamo, but Universal would need to make a conscientious effort to campaign for him. Same goes for Samantha Morton in Supporting Actress. She’s getting raves. However, her performance is limited to one scene and Hathaway may get the sole push.
In a best case scenario, The Odyssey could surpass Oppenheimer‘s nomination haul and even get in the range of the record-setting 16 that Sinners received last year. I suspect my next projections will give it 13-15. My Oscar Prediction posts will continue…
Adapted from Homer’s ancient Greek works, The Odyssey looks to make a lot of dough when it opens July 17th. Undoubtedly one of 2026’s most anticipated releases, Christopher Nolan directs the fantasy action epic with Matt Damon headlining a packed cast. That includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Samantha Morton, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.
The first feature to be shot entirely on 70 mm IMAX cameras, showings on those giant screens are already sold out or filling up for the three-hour experience. Nolan’s stock is incredibly high right now. This is his follow-up to the 2023 Oscar juggernaut Oppenheimer which nearly grossed a billion dollars worldwide. No other director is more bankable than him.
With known source material, a spirited marketing campaign, and a plum mid-July release date that Nolan favors (it’s when Oppenheimer, The Dark Knight, and The Dark Knight Rises premiered), that should be a winning combo. Official reviews aren’t out yet, but early word-of-mouth is strong and it’s expected to be a major Oscar contender.
The Odyssey should surpass the $82.5 million that greeted Oppenheimer. I think it can get past $100 million even though I’m not buying the rosiest forecasts of $130 million or so (at least not yet).
The Odyssey opening weekend prediction: $106.2 million
Ben Affleck hopes to generate big box office numbers with The Accountant 2 on April 25th. Arriving eight and a half years after its predecessor, Gavin O’Connor returns to direct the action thriller with Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, and J.K. Simmons in support.
First screened at South by Southwest last month, the sequel is drawing more complimentary reactions than the 2016 original. The Rotten Tomatoes and Metacritic ratings are 85% and 61 respectively compared to part 1’s 53% and 51.
Even with so-so reviews, The Accountant exceeded expectations with a $24 million opening and $86 million eventual domestic take. With several years to play on the basic cable circuit, anticipation for the sequel could mean a higher debut. However, there’s lots of competition so I’m projecting this post similar results.
The Accountant 2 opening weekend prediction: $24.3 million
Based on a 1981 novel by Robert Littell that was turned into a movie starring John Savage and Christopher Plummer, 20th Century Studios releases The Amateur on April 11th. The spy thriller is directed by James Hawes with Bohemian Rhapsody Oscar winner Rami Malek headlining. Costars include Rachel Brosnahan (about to appear in the eagerly anticipated Superman), Caitriona Balfe, Jon Bernthal, Michael Stuhlbarg, Holt McCallany, Julianne Nicholson, Adrian Martinez, and Laurence Fishburne.
Once fashioned as a starring vehicle for Hugh Jackman, The Amateur has less power to capitalize on and seemingly scant buzz. This may struggle to reach $10 million, but I’ll project that it just gets there.
The Amateur opening weekend prediction: $11.9 million
Last year, a late breaking Oscar campaign for Andrea Riseborough’s performance in the micro-budgeted drama To Leslie resulted in success. With various celebrities holding events touting her work, Riseborough nabbed one of the five slots in Actress (over favored competitors like Danielle Deadwyler in Till and Viola Davis in The Woman King). This resulted in both controversy and kudos for a unique way to campaign for gold hardware.
Now for the 96th Academy Awards, we have another midnight hour title raising eyebrows in the form of Selma director Ana DuVernay’s Origin. Based on Isabel Wilkerson’s nonfiction novel, the race relations drama premiered on the festival circuit early in the fall at Venice and Toronto. Some reviews were raves, but not all. An 80% Rotten Tomatoes score resulted and Neon picked up distribution rights. Its wide release comes this Friday.
That timing could come in handy. However, Origin hasn’t been seen as a true threat for Picture, Adapted Screenplay, or Actress. Yet there’s been some noteworthy activity over the past week. Angelina Jolie hosted an FYC event with DuVernay and the film’s lead Aunjanue Ellis-Taylor (nominated for Supporting Actress in 2021 for King Richard). Today the USC Scripter nods for Adapted Screenplay had this in their top 5 along with expected heavy hitters American Fiction, Killers of the Flower Moon, Oppenheimer, and Poor Things.
Could Origin nab a screenplay mention from the Academy? That’s still a tough road. The other four titles should make the cut and Barbie is also an adapted work according to Oscar (despite that being heavily debatable). It wasn’t eligible for the USC prize due to their rules.
Where this could “come out of nowhere” as Riseborough did is in Actress. I would say Lily Gladstone in Flower Moon and Emma Stone in Poor Things are locked in. Sandra Hüller (Anatomy of a Fall) and Carey Mulligan (Maestro) aren’t shoo-ins, but their inclusion is expected. Then we have one slot up for grabs and hopefuls include Greta Lee (Past Lives), Margot Robbie (Barbie), and Annette Bening (Nyad). We shall see if this fresh round of campaigning puts Ellis-Taylor in the mix. I have my doubts. Then again I didn’t predict Riseborough a year ago and was proven wrong.
I do think Best Picture is a reach. At best, this might be 12th or 13th as far as possibilities. Or perhaps the power of Jolie isn’t to be underestimated. My final Oscar predictions are arriving on the blog imminently…
Nearly a decade after Selma was nominated for Best Picture and seven years after 13th was up for Documentary Feature, Ana DuVernay could be back in the awards conversation with Origin. Adapted from Caste: The Origins of Our Discontents, the 2020 nonfiction novel covering various racial issues, Aunjanue Ellis-Taylor (2021’s Supporting Actress nominee for King Richard) plays the book’s author Isabel Wilkerson. Costars include Jon Bernthal, Vera Farmiga, Audra McDonald, Niecy Nash-Betts, Nick Offerman, Jasmine Cephas Jones, Connie Nielsen, and Finn Wittrock.
At the Venice Film Festival, Origin received an appreciable reception. The Rotten Tomatoes score is at 85%. The Neon release (scheduled for sometime late this year) could still struggle to break into the Oscar consciousness. Some of the reviews (while generally positive) have enough reservations that this may not be much of a player at all. My Oscar Prediction posts will continue…
Lena Dunham gained notoriety through her HBO series Girls and five years after its conclusion, she’s brought her directorial effort Sharp Stick to Sundance. The comedy stars Kristine Froseth, Taylour Paige, Jennifer Jason Leigh, Jon Bernthal, Scott Speedman, Tommy Dorfman, and Dunham herself.
Stick is measured at just 45% on Rotten Tomatoes and is one of the festival titles that drew a truly mixed to negative reaction. While Girls received plenty of Emmy nominations during its run, awards chatter is highly unlikely to materialize for Dunham’s cinematic project. My Oscar Prediction posts will continue…
We have arrived at my post Golden Globe and Critics Choice Awards predictions for the Oscars! This week’s update comes with two significant #1 switches… starting with Best Picture.
For months, I’ve had Belfast positioned in the top spot. That changes today. Don’t get me wrong: the Kenneth Branagh coming-of-age drama could win Picture, Director, Supporting Actress and Actor, and Original Screenplay. However, for the first time, it’s not listed at #1 in any of those categories.
The #1 Picture slot could’ve gone to West Side Story, but I’m going with The Power of the Dog as it continues to nab critics prizes and place high atop best of lists. In Supporting Actress, I’m swapping Belfast‘s Caitriona Balfe for Ariana DeBose in West Side.
There’s other alterations in Picture and Supporting Actress. I’m putting Don’t Look Up back in the ten BP hopefuls despite its mixed reviews. That’s to the detriment of Tick Tick… Boom!
I’m also elevating Ruth Negga (Passing) in supporting over Rita Moreno (West Side Story).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 2) (+1)
2. Belfast (PR: 1) (-1)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 5) (+1)
5. Licorice Pizza (PR: 4) (-1)
6. King Richard (PR: 6) (E)
7. CODA (PR: 8) (+1)
8. Don’t Look Up (PR: 12) (+4)
9. Nightmare Alley (PR: 10) (+1)
10. The Tragedy of Macbeth (PR: 7) (-3)
Other Possibilities:
11. Tick Tick… Boom! (PR: 9) (-2)
12. Being the Ricardos (PR: 13) (+1)
13. The Lost Daughter (PR: Not Ranked)
14. A Hero (PR: 14) (E)
15. C’Mon C’Mon (PR: 11) (-4)
Dropped Out:
House of Gucci
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 3) (+1)
3. Kenneth Branagh, Belfast (PR: 2) (-1)
4. Steven Spielberg, West Side Story (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro, Nightmare Alley (PR: 6) (E)
7. Adam McKay, Don’t Look Up (PR: Not Ranked)
8. Asghar Farhadi, A Hero (PR: 7) (-1)
9. Joel Coen, The Tragedy of Macbeth (PR: 8) (-1)
10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Reinaldo Marcus Green, King Richard
Julia Ducournau, Titane
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Nicole Kidman, Being the Ricardos (PR: 4) (+1)
4. Olivia Colman, The Lost Daughter (PR: 3) (-1)
5. Lady Gaga, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Rachel Zegler, West Side Story (PR: 6) (E)
7. Alana Haim, Licorice Pizza (PR: 9) (+2)
8. Jennifer Hudson, Respect (PR: 7) (-1)
9. Emilia Jones, CODA (PR: 10) (+1)
10. Penelope Cruz, Parallel Mothers (PR: 8) (-2)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Peter Dinklage, Cyrano (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (E)
7. Nicolas Cage, Pig (PR: 7) (E)
8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)
9. Javier Bardem, Being the Ricardos (PR: Not Ranked)
10. Bradley Cooper, Nightmare Alley (PR: 9) (-1)
Dropped Out:
Clifton Collins Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 2) (+1)
2. Caitriona Balfe, Belfast (PR: 1) (-1)
3. Kirsten Dunst, The Power of the Dog (PR: 4) (+1)
4. Aunjanue Ellis, King Richard (PR: 3) (-1)
5. Ruth Negga, Passing (PR: 8) (+3)
Other Possibilities:
6. Ann Dowd, Mass (PR: 6) (E)
7. Rita Moreno, West Side Story (PR: 5) (-2)
8. Marlee Matlin, CODA (PR: 7) (-1)
9. Judi Dench, Belfast (PR: 9) (E)
10. Cate Blanchett, Nightmare Alley (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Ciaran Hinds, Belfast (PR: 2) (E)
3. Troy Kotsur, CODA (PR: 4) (+1)
4. Jamie Dornan, Belfast (PR: 3) (-1)
5. Bradley Cooper, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 6) (E)
7. Mike Faist, West Side Story (PR: 7) (E)
8. Ben Affleck, The Tender Bar (PR: Not Ranked)
9. Jason Isaacs, Mass (PR: 9) (E)
10. J.K. Simmons, Being the Ricardos (PR: Not Ranked)
Dropped Out:
Richard Jenkins, The Humans
Jon Bernthal, King Richard
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Don’t Look Up (PR: 7) (+3)
5. Being the Ricardos (PR: 6) (+1)
Other Possibilities:
6. C’Mon C’Mon (PR: 4) (-2)
7. Mass (PR: 8) (+1)
8. A Hero (PR: 5) (-3)
9. Parallel Mothers (PR: Not Ranked)
10. The French Dispatch (PR: 10) (E)
Dropped Out:
The Worst Person in the World
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. The Lost Daughter (PR: 3) (E)
4. CODA (PR: 4) (E)
5. Dune (PR: 5) (E)
Other Possibilities:
6. Drive My Car (PR: 10) (+4)
7. Tick Tick… Boom! (PR: Not Ranked)
8. Nightmare Alley (PR: 6) (-2)
9. The Tragedy of Macbeth (PR: 7) (-2)
10. Passing (PR: 9) (-1)
Dropped Out:
The Humans
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Luca (PR: 4) (+1)
4. The Mitchells vs. the Machines (PR: 3) (-1)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 7) (+1)
7. The Summit of the Gods (PR: 6) (-1)
8. Vivo (PR: 8) (E)
9. Ron’s Gone Wrong (PR: 9) (E)
10. Where Is Anne Frank (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. Drive My Car (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. Compartment No. 6 (PR: 8) (+2)
7. Titane (PR: 6) (-1)
8. I’m Your Man (PR: 7) (-1)
9. Memoria (PR: Not Ranked)
10. The Good Boss (PR: 9) (-1)
Dropped Out:
Prayers for the Stolen
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 3) (E)
4. Procession (PR: 5) (+1)
5. The First Wave (PR: 7) (+2)
Other Possibilities:
6. Attica (PR: 4) (-2)
7. President (PR: 8) (+1)
8. The Velvet Underground (PR: Not Ranked)
9. The Lost Leonardo (PR: 6) (-3)
10. Becoming Cousteau (PR: 10) (E)
Dropped Out:
Ascension
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. The Tragedy of Macbeth (PR: 3) (E)
4. The Power of the Dog (PR: 6) (+2)
5. Belfast (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 4) (-2)
7. Spencer (PR: 8) (+1)
8. The French Dispatch (PR: 7) (-1)
9. Licorice Pizza (PR: 9) (E)
10. C’Mon C’Mon (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. West Side Story (PR: 4) (+2)
3. Dune (PR: 3) (E)
4. House of Gucci (PR: 2) (-2)
5. Nightmare Alley (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Licorice Pizza (PR: 9) (+2)
8. Cyrano (PR: 7) (-1)
9. The French Dispatch (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Belfast (PR: 2) (-1)
4. The Power of the Dog (PR: 6) (+2)
5. Don’t Look Up (PR: 7) (+2)
Other Possibilities:
6. King Richard (PR: 5) (-1)
7. Licorice Pizza (PR: 4) (-3)
8. Tick Tick… Boom! (PR: 9) (+1)
9. Being the Ricardos (PR: 10) (+1)
10. Nightmare Alley (PR: 8) (-2)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 2) (+1)
2. House of Gucci (PR: 1) (-1)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. Being the Ricardos (PR: 8) (+1)
8. West Side Story (PR: 7) (-1)
9. Cyrano (PR: 10) (+1)
10. The Last Duel (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Don’t Look Up (PR: 7) (+3)
5. The Tragedy of Macbeth (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. The French Dispatch (PR: 6) (-1)
8. Cyrano (PR: 8) (E)
9. Being the Ricardos (PR: 10) (+1)
10. King Richard (PR: 9) (-1)
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 5) (+2)
4. “Down to Joy” from Belfast (PR: 3) (-1)
5. “Just Look Up” from Don’t Look Up (PR: 6) (+1)
Other Possibilities:
6. “Here I Am” from Respect (PR: 10) (+4)
7. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)
8. “So May We Start” from Annette (PR: 7) (-1)
9. “Believe” from The Rescue (PR: 9) (E)
10. “Beyond the Shore” from CODA (PR: 8) (-2)
Dropped Out:
“Every Letter” from Cyrano
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Nightmare Alley (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. Being the Ricardos (PR: 9) (+4)
Other Possibilities:
6. Belfast (PR: 8) (+2)
7. The Tragedy of Macbeth (PR: 5) (-2)
8. Cyrano (PR: 7) (-1)
9. Spencer (PR: 6) (-3)
10. The Power of the Dog (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 6) (+2)
5. Tick Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. The Matrix Resurrections (PR: Not Ranked)
7. Nightmare Alley (PR: 4) (-3)
8. The Tragedy of Macbeth (PR: 7) (-1)
9. A Quiet Place Part II (PR: 8) (-1)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Don’t Look Up
King Richard
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Spider-Man: No Way Home (PR: 5) (+2)
4. Don’t Look Up (PR: 7) (+3)
5. Godzilla vs. Kong (PR: 4) (-1)
Other Possibilities:
6. Shang-Chi and the Legend of the Ten Rings (PR: 6) (E)
7. Finch (PR: 8) (+1)
8. Free Guy (PR: 9) (+1)
9. Eternals (PR: 3) (-6)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
The Suicide Squad
My current estimates mean these movies nabbing these numbers in terms of nominations:
11 Nominations
Dune
10 Nominations
Belfast
9 Nominations
The Power of the Dog, West Side Story
6 Nominations
Don’t Look Up
5 Nominations
King Richard
4 Nominations
Licorice Pizza, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Nightmare Alley, Spencer
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The Lost Daughter, No Time to Die, Tick Tick… Boom!
1 Nomination
Belle, Cyrano, Drive My Car, The First Wave, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, The Rescue, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World
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