2020 Oscar Predictions: September 17th Edition

The Toronto and Venice Film Festivals have resulted in a number of Oscar Watch posts from last Thursday to now! And that means some changes are to be discussed.

The most notable film to debut was Chloe Zhao’s Nomadland, which solidified itself as a major contender in Best Picture, Director, Actress (Frances McDormand), and Adapted Screenplay. In fact, the pic remains firmly in 2nd place in Picture and Director and #1 with its screenplay based on its sterling critical reaction. McDormand, meanwhile, jumps to #1 in Actress. Time will tell if she remains atop the chart, but it seems a given that she’ll vie for her third win in the category.

News was more mixed for Francis Lee’s Ammonite. The mixed reaction to it has caused me to drop it from my nine predicted Picture nominees and from Original Screenplay. Yet Kate Winslet and Saoirse Ronan remain in my top five in the actress categories.

There were six other titles that I penned Oscar Watch posts about. None of them show up anywhere below. This includes the work of Rosamund Pike (I Care a Lot) and Naomi Watts (Penguin Bloom) and Mark Wahlberg in Good Joe Bell. It’s not impossible that they could surface later, but I’m not confident at the moment. As for Bell, perhaps the supporting work of Reid Miller could have a chance to enter my 15 names in Supporting Actor. When I expand my predictions to all categories covering feature pics in October, expect to see Wolfwalkers as it appears to be a shoo-in nominee in Best Animated Feature.

You can find all my posts from the past week here:

https://toddmthatcher.com/2020/09/11/oscar-watch-nomadland/

https://toddmthatcher.com/2020/09/12/oscar-watch-ammonite/

https://toddmthatcher.com/2020/09/12/oscar-watch-the-devil-all-the-time/

https://toddmthatcher.com/2020/09/13/oscar-watch-wolfwalkers/

https://toddmthatcher.com/2020/09/13/oscar-watch-penguin-bloom/

https://toddmthatcher.com/2020/09/13/oscar-watch-i-care-a-lot/

https://toddmthatcher.com/2020/09/13/oscar-watch-concrete-cowboy/

https://toddmthatcher.com/2020/09/15/oscar-watch-good-joe-bell/

Let’s quickly walk through the latest changes and developments:

  • With Ammonite now falling from my nine predicted Picture nominees, that makes room for Florian Zeller’s The Father to make my final cut for the first time.
  • My 5 Director nominees remains unchanged, as does Best Actor. It is worth mentioning that there’s some talk that Kingsley Ben-Adir from One Night in Miami could be campaigned for in the lead race. This follows rumors of the same happening for Chadwick Boseman in Ma Rainey’s Black Bottom. If that were to occur, it would absolutely upend my projections. For now, I’m keeping them both in supporting. Also – Clayton Davis of Variety confirmed today that Delroy Lindo will compete in the lead actor race for Da 5 Bloods. 
  • In addition to McDormand taking over the top spot in Actress over Viola Davis in Ma Rainey, I’m adding Vanessa Kirby’s work in Pieces of a Woman to my top 5. That means Jennifer Hudson in Respect drops out.
  • There’s a similar storyline in Supporting Actress with Ellen Burstyn in my five over Amanda Seyfried in Mank. Furthermore, Saoirse Ronan’s aforementioned work in Ammonite drops from #1 to #3 so we have Glenn Close (Hillbilly Elegy) in first. At #2? Olivia Colman in The Father and that could make for a juicy race as Colman upset Close in lead actress two years ago.
  • While Nomadland definitely nabbed major Oscar buzz, the supporting performance from David Strathairn may not be big enough. He drops from #2 to outside the top five and that means Lakeith Stanfield (Judas and the Black Messiah) is back in.
  • I mentioned Ammonite had dropped from Original Screenplay and that is also to the benefit of Messiah.
  • The five Adapted Screenplay estimates stay the same.
  • Finally, while there’s no confirmation and this could change back, I’m shifting Meryl Streep from supporting to lead for The Prom. She has yet to make the five.

And with that, let’s get to it!

Best Picture

Predicted Nominees:

1. Mank (Previous Ranking: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. News of the World (PR: 5)

5. One Night in Miami (PR: 6)

6. Dune (PR: 4)

7. Da 5 Bloods (PR: 8)

8. West Side Story (PR: 9)

9. The Father (PR: 11)

Other Possibilities:

10. Ma Rainey’s Black Bottom (PR: 10)

11. Hillbilly Elegy (PR: 13)

12. Soul (PR: 12)

13. Ammonite (PR: 7)

14. Judas and the Black Messiah (PR: 14)

15. The French Dispatch (PR: 15)

16. Minari (PR: 16)

17. Stillwater (PR: 17)

18. Annette (PR: 18)

19. The United States vs. Billie Holiday (PR: 19)

20. Respect (PR: 22)

21. Next Goal Wins (PR: 20)

22. Red, White and Water (PR: 21)

23. The Midnight Sky (PR: Not Ranked)

24. Never Rarely Sometimes Always (PR: Not Ranked)

25. C’Mon C’Mon (PR: Not Ranked)

Dropped Out:

French Exit

Everybody’s Talking About Jamie

I’m Thinking of Ending Things 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Paul Greengrass, News of the World (PR: 4)

4. Denis Villeneuve, Dune (PR: 3)

5. Regina King, One Night in Miami (PR: 5)

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)

7. Florian Zeller, The Father (PR: 11)

8. Spike Lee, Da 5 Bloods, (PR: 7)

9. Steven Spielberg, West Side Story (PR: 9)

10. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 10)

11. Shaka King, Judas and the Black Messiah (PR: 13)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Francis Lee, Ammonite (PR: 8)

14. Wes Anderson, The French Dispatch (PR: 14)

15. Tom McCarthy, Stillwater (PR: 15)

Best Actress

Predicted Nominees:

1. Frances McDormand, Nomadland (PR: 2)

2. Viola Davis, Ma Rainey’s Black Bottom (PR: 1)

3. Kate Winslet, Ammonite (PR: 3)

4. Vanessa Kirby, Pieces of a Woman (PR: 8)

5. Michelle Pfeiffer, French Exit (PR: 4)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Jennifer Hudson, Respect (PR: 5)

8. Rachel Zegler, West Side Story (PR: 9)

9. Carey Mulligan, Promising Young Woman (PR: 7)

10. Andra Day, The United States vs. Billie Holiday (PR: 10)

11. Meryl Streep, The Prom (PR: Not Ranked – moved from Supporting)

12. Jessica Chastain, The Eyes of Tammy Faye (PR: 13)

13. Jennifer Lawrence, Red, White and Water (PR: 11)

14. Sophia Loren, The Life Ahead (PR: 14)

15. Marion Cotillard, Annette (PR: 12)

Dropped Out:

Elisabeth Moss, Shirley

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 1)

2. Delroy Lindo, Da 5 Bloods (PR: 2)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: 6)

7. Matt Damon, Stillwater (PR: 7)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 8)

9. Adam Driver, Annette (PR: 9)

10. Steven Yeun, Minari (PR: 11)

11. Michael Fassbender, Next Goal Wins (PR: 10)

12. Benedict Cumberbatch, The Courier (PR: Not Ranked)

13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 12)

14. Andrew Garfield, The Eyes of Tammy Faye (PR: 13)

15. Riz Ahmed, Sound of Metal (PR: 14)

Dropped Out:

Ansel Elgort, West Side Story

Best Supporting Actress

Predicted Nominees:

1. Glenn Close, Hillbilly Elegy (PR: 2)

2. Olivia Colman, The Father (PR: 3)

3. Saoirse Ronan, Ammonite (PR: 1)

4. Helena Zengel, News of the World (PR: 4)

5. Ellen Burstyn, Pieces of a Woman (PR: 15)

Other Possibilities:

6. Amanda Seyfried, Mank (PR: 5)

7. Ariana DeBose, West Side Story (PR: 6)

8. Audra McDonald, Respect (PR: 10)

9. Natasha Lyonne, The United States vs. Billie Holiday (PR: 7)

10. Abigail Breslin, Stillwater (PR: 8)

11. Jayne Houdyshell, The Humans (PR: 12)

12. Toni Collette, I’m Thinking of Ending Things (PR: 11)

13. Gaby Hoffman, C’Mon C’Mon (PR: Not Ranked)

14. Mary J. Blige, Respect (PR: 14)

15. Kristin Scott Thomas, Rebecca (PR: 13)

Dropped Out:

Meryl Streep, The Prom (moved to lead)

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)

3. Kingsley Ben-Adir, One Night in Miami (PR: 4)

4. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

5. Lakeith Stanfield, Judas and the Black Messiah (PR: 6)

Other Possibilities:

6. Leslie Odom, Jr., One Night in Miami (PR: Not Ranked)

7. David Strathairn, Nomadland (PR: 2)

8. Jeremy Strong, The Trial of the Chicago 7 (PR: 7)

9. Tom Burke, Mank (PR: 11)

10. Tom Pelphrey, Mank (PR: 10)

11. Jonathan Majors, Da 5 Bloods (PR: 13)

12. Richard Jenkins, The Humans (PR: 12)

13. Bill Murray, On the Rocks (PR: 8)

14. Mark Rylance, The Trial of the Chicago 7 (PR: 9)

15. Glynn Turman, Ma Rainey’s Black Bottom (PR: 15)

Dropped Out:

Brian Tyree Henry, Red, White and Water 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Da 5 Bloods (PR: 5)

4. Soul (PR: 4)

5. Judas and the Black Messiah (PR: 8)

Other Possibilities:

6. The French Dispatch (PR: 6)

7. Ammonite (PR: 3)

8. Stillwater (PR: 9)

9. Minari (PR: 7)

10. C’Mon C’Mon (PR: 11)

11. Never Rarely Sometimes Always (PR: 15)

12. Promising Young Woman (PR: 10)

13. On the Rocks (PR: 13)

14. Red, White and Water (PR: 12)

15. Palm Springs (PR: Not Ranked)

Dropped Out:

Annette

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. The Father (PR: 5)

3. News of the World (PR: 2)

4. One Night in Miami (PR: 3)

5. Ma Rainey’s Black Bottom (PR: 4)

Other Possibilities:

6. Dune (PR: 6)

7. Hillbilly Elegy (PR: 7)

8. I’m Thinking of Ending Things (PR: 9)

9. West Side Story (PR: 8)

10. Next Goal Wins (PR: 11)

11. The Humans (PR: 13)

12. French Exit (PR: 10)

13. The United States vs. Billie Holiday (PR: 12)

14. First Cow (PR: 15)

15. The Prom (PR: Not Ranked)

Dropped Out:

Respect 

Oscar Watch: Good Joe Bell

Reinaldo Marcus Green’s Good Joe Bell has screened at the Toronto Film Festival and the drama is eliciting markedly different reactions from critics. It comes from co-writers Larry McMurtry and Dianna Ossana, who penned the Oscar winning adapted screenplay 15 years ago for Brokeback Mountain. Mark Wahlberg stars in the title role in this true story of a man walking the country following a tragedy involving his gay son.

The Rotten Tomatoes rating is currently 75%, but that doesn’t tell the whole story. Some reaction is quite positive with Wahlberg’s performance being praised. Same goes for Reid Miller, who is said to be a breakout in the part of his child. Variety, on the other hand, deems the whole film “terrible”.

This seems to preview what could be wildly divergent opinions of the feature and that could spell trouble come awards time. Wahlberg has a limited history at the Oscars as he’s only been nominated once. That was a rather surprising nod for 2006’s The Departed. He was the only performer in the top 4 quartet of 2010’s The Fighter not to receive a nomination. Costars Christian Bale and Melissa Leo were victorious in the supporting fields.

I doubt that Wahlberg will make the final five in Best Actor a few months from now, but he might creep into the top 15 in my weekly Thursday nominations. The distributor’s best hope could be Miller if they mount a strong campaign in Supporting Actor. It’s just as possible that Bell is ignored completely in the races to come. My Oscar Watch posts will continue…

Summer 2010: The Top 10 Hits and More

Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

https://toddmthatcher.com/2020/07/25/summer-2000-the-top-10-hits-and-more/

This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:

Salt

Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.

MacGruber

Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

Summer 2000: The Top 10 Hits and More

As I do every summer on the blog, I am looking back at the cinematic seasons of 30, 20, and 10 years ago and recounting the top ten hits, other notable pics, and some misfires. A week ago, I covered the summer of 1990 (when we all were “ghosted”). If you missed it, you can peruse it here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

Today brings us to the dawn of the new century. What struck me is that there weren’t a whole lot of outright flops, but the ones that were are rather significant bombs. Let’s take a trip down memory lane of 2000 and were we not entertained?!?!

10. The Patriot

Domestic Gross: $113 million

Mel Gibson and Heath Ledger teamed up with disaster flick specialist Roland Emmerich for this Revolutionary War era drama that managed to just achieve blockbuster status and barely top its reported $110 million budget stateside.

9. Big Momma’s House

Domestic Gross: $117 million

Negative reviews couldn’t prevent this Martin Lawrence comedy from nearly quadrupling its $30 million budget and spawning two eventual sequels. 30% also happens to be its Rotten Tomatoes score.

8. Nutty Professor II: The Klumps

Domestic Gross: $123 million

Eddie Murphy’s sequel to his 1996 hit certainly didn’t get the reviews of its predecessor, but it fell only $5 million short of the domestic gross of part 1 and introduced superstar Janet Jackson as his new love interest. Part 2 also greatly expanded Eddie’s work as other members of the Klump brood. As you can see from numbers 8 and 9, it was a big summer for comedians in fat suits.

7. Dinosaur

Domestic Gross: $137 million

The prehistoric Disney animated adventure is not one of their most talked about titles in recent decades, but it was still a profitable venture that grossed nearly $350 million worldwide.

6. What Lies Beneath

Domestic Gross: $155 million

Despite mixed reviews, Robert Zemeckis’s Hitchcockian thriller starring Harrison Ford and Michelle Pfeiffer landed big with audiences. Its filming schedule is a memorable one. Zemeckis was shooting Cast Away with Tom Hanks and there was a long break in filming so its star could shed weight and grow his long beard. It was enough time for the director to fit in Beneath. 

5. Scary Movie

Domestic Gross: $157 million

The summer’s biggest comedy was a Scream spoof from filmmaker Keenan Ivory Wayans. Shot for less than $20 million, it spawned four sequels and became its own franchise.

4. X-Men

Domestic Gross: $157 million

I recently wrote about the 20th anniversary of X-Men here:

https://toddmthatcher.com/2020/07/14/x-men-at-20-a-look-back/

That post talks about its significant impact on the comic book genre that has dominated the 21st century.

3. The Perfect Storm

Domestic Gross: $182 million

Wolfgang Peterson’s fact based disaster drama with George Clooney and Mark Wahlberg was not much of a hit with critics, but crowds were swept up in the waves.

2. Gladiator

Domestic Gross: $187 million

Ridley Scott’s historical action drama kicked off summer 2000 and made a global superstar out of Russell Crowe and provided a juicy supporting part for Joaquin Phoenix. The film became an Oscar darling – winning Best Picture and Crowe taking Best Actor. This is the rare summer popcorn pic that achieved awards glory.

1. Mission: Impossible 2

Domestic Gross: $215 million

This sequel cruised to the top spot of earners for the season. Now that there’s been six editions in the franchise, this John Woo directed experience is generally (and rightfully) considered the weakest of the bunch. Yet that didn’t prevent huge grosses.

And now for some other notable features:

Chicken Run

Domestic Gross: $106 million

This still stands as the highest grossing stop-motion animated feature of all time and it doubled its budget domestically. A sequel is in development, but it was recently announced that lead voice Mel Gibson will not be part of the proceedings.

Gone in 60 Seconds

Domestic Gross: $101 million

Despite poor reviews, Nicolas Cage and Angelina Jolie’s remake of the 1970s heist pic still zoomed (barely) past $100 million and was a solid performer overseas.

Me, Myself & Irene

Domestic Gross: $90 million

The Farrelly Brothers reunited with their Dumb and Dumber star Jim Carrey for this comedy that earned mixed reaction. This was nowhere near the hit that the brothers had two years earlier with their runaway success There’s Something About Mary, but it still made money.

Space Cowboys

Domestic Gross: $90 million

Clint Eastwood guided this “old guys in space” tale alongside Tommy Lee Jones to a very respectable gross and decent critical reaction.

Hollow Man

Domestic Gross: $73 million

Paul Verhoeven’s take on the H.G. Wells novel starred Kevin Bacon and earned a Visual Effects Oscar nomination (losing to Gladiator). While it didn’t make its budget back stateside, it ended up doubling its price tag when factoring in foreign markets. A direct to video sequel followed.

Shaft

Domestic Gross: $70 million

Samuel L. Jackson took over the iconic private dick role from Richard Roundtree (who costarred here) in this sequel from the late John Singleton. Christian Bale memorably plays a villain here. Another sequel followed in 2019 and it was an outright flop.

Bring It On

Domestic Gross: $68 million

Made for only $11 million, this teen cheerleading comedy was an unexpected hit that gave Kirsten Dunst and Gabrielle Union a boost in their careers. Five direct to video sequels followed as well as a stage musical.

The Cell

Domestic Gross: $61 million

Despite so-so reviews, this twisty supernatural thriller with Jennifer Lopez easily topped its $33 million budget. It has continued to have ardent admirers including the late Roger Ebert, who awarded it four stars.

Coyote Ugly

Domestic Gross: $60 million

This tale about saloon life with Piper Perabo and John Goodman managed to take in over $100 million worldwide against a $45 million budget and has become a cult favorite since.

The Original Kings of Comedy

Domestic Gross: $38 million

A stand-up comedy pic grossing this much in theaters is notable. Spike Lee directed Bernie Mac, Steve Harvey, D.L. Hughley, and Cedric the Entertainer and audiences turned out.

As I mentioned, the total bombs aren’t plentiful here. However, they’re notable:

The Adventures of Rocky and Bullwinkle

Domestic Gross: $26 million

A pet project of Robert De Niro, this loose take on the 1960s animated series grossed a third of its budget domestically and was quickly forgotten.

Titan A.E.

Domestic Gross: $22 million

20th Century Fox had a big failure here at the start of the 21st century with this animated sci-fi tale with Matt Damon as a leading voice. The price tag was reportedly around $90 million and it made just $36 million worldwide.

Battlefield Earth

Domestic Gross: $21 million

Based on a work from Scientology founder L. Ron Hubbard, audiences and critics savaged this sci-fi tale with John Travolta. It won a then record 7 Golden Raspberry Awards and was mocked relentlessly for its poor quality.

And that does it, folks! I’ll have 2010 recounted on the blog in the coming days…

Daily Streaming Guide: March 19th Edition

My Daily Streaming Guide for titles worthy of including in your binge watching escapades continues with some lighter and laugh inducing material:

Amazon Prime

Our taste for cinematic whodunits increased this fall with the release of the blockbuster Knives Out. For those who haven’t seen Clue, not only is it my favorite flick based on a board game – it’s one of my favorite murder mysteries (packed with great one-liners). Featuring an array of hilariously broad performances led by Tim Curry, the pic has deservedly turned into a cult classic. I watched it endlessly as a kid and find it just as entertaining today.

Netflix

Over a decade before Robin Williams donned a dress and spectacles in Mrs. Doubtfire, Dustin Hoffman did the same in 1982’s massive hit Tootsie. Nominated for 10 Academy Awards, a new generation might not be familiar with it. If you haven’t seen it, it’s definitely worth a look.

Hulu

For something more recent, Mark Wahlberg and Rose Byrne headline the dramedy Instant Family. It casts the pair as foster parents entering unknown and often funny and dramatically resonant territory. Certainly a worthwhile experience that the whole family can enjoy.

I’ll be back at it tomorrow! Until then…

Playing with Fire Box Office Prediction

John Cena follows the career path of fellow grappler Dwayne Johnson with the release of Playing with Fire next weekend. The family comedy casts him as a firefighter caring for rambunctious kids along with his coworkers. Andy Fickman directs and the cast includes Keegan-Michael Key, John Leguizamo, Brianna Hildebrand, Dennis Haysbert, and Judy Greer.

The Paramount release is essentially taking the studio’s Instant Family slot from last year. That pic scored a fairly decent $14.7 million for its start and legged out to a $67 million domestic gross. Cena hasn’t proven himself to be a player in this genre, however, and I’d say Mark Wahlberg’s star power is a bit brighter.

The best hope for Fire is that it develops small dips in subsequent weekends if word of mouth is solid, but I believe it’ll be fortunate to reach double digits in its premiere.

Playing with Fire opening weekend prediction: $7.9 million

For my Doctor Sleep prediction, click here:

https://toddmthatcher.com/2019/10/29/doctor-sleep-box-office-prediction/

For my Last Christmas prediction, click here:

https://toddmthatcher.com/2019/10/30/last-christmas-box-office-prediction/

For my Midway prediction, click here:

https://toddmthatcher.com/2019/10/31/midway-box-office-prediction/

Instant Family Movie Review

There’s an air of authenticity to Instant Family as its director Sean Anders and his wife are foster parents in the real world. Is it also a big Hollywood comedy with famous movie stars that works overtime to tug those heartstrings? It is, but the mission is mostly accomplished by credits roll.

Pete (Mark Wahlberg) and Ellie Wagner (Rose Byrne) spend their days flipping houses and enjoying their child free upper middle class existence. A trip down the Internet wormhole gets Ellie intrigued in adopting a toddler. Pete gets on board in short order and we witness the steps needed to do so. This include a weeks long course led by two social workers played by Octavia Spencer and Tig Notaro. Both are rock solid casting choices. An interesting picture could certainly be made about the saints of that profession.

Pete and Ellie get more than they bargained for when teenage girl Lizzy (Isabela Moner) catches their attention. She has two younger siblings in tow and soon it’s a quintet filling a freshly refurbished abode. And there’s plenty of drama (with much humor mixed in) that cause the Wagners to question their new life direction. This isn’t simply a new project.

This is far from a hard-hitting expose on the foster care system. Yet the screenplay from Anders and John Morris doesn’t shy away from the issues that fill it, including addiction, abandonment, and self-worth. It walks a fine line between being effective or risking becoming too mushy for its own good. By the third act, the sentimentality is still strong with this one. However, I’d be deceptive if I said it hadn’t won me over. Much of that has to do with Moner’s touching performance as the untrusting youth and fierce protector of her siblings.

Anders knows this subject and even while there’s a polished Tinseltown shine covering it, his heart comes through. I left Family appreciative of the time spent with them.

*** (out of four)

Instant Family Box Office Prediction

Mark Wahlberg and Rose Byrne are a couple who bring in a trio of foster kids in next weekend’s comedy Instant Family. The pic reunites Wahlberg with director Sean Anders, who made both of the successful Daddy’s Home features. Costars include Isabela Moner, Octavia Spencer, and Tig Notaro.

Family was originally scheduled to hit screens in February 2019 before Paramount pushed up the date. It will try to bring in family audiences on a weekend where Fantastic Beasts: The Crimes of Grindelwald opens directly against it and The Grinch will be in its sophomore frame. That could certainly limit the potential for a robust debut, but the studio will hope that word of mouth carries it to a leggy run over the holidays.

I’ll predict a high teens teens premiere is what we’ll see as the currently unknown buzz will determine the rest of its fate.

Instant Family opening weekend prediction: $19.4 million

For my Fantastic Beasts: The Crimes of Grindelwald prediction, click here:

https://toddmthatcher.com/2018/11/06/fantastic-beasts-the-crimes-of-grindelwald-box-office-prediction/

For my Widows prediction, click here:

https://toddmthatcher.com/2018/11/07/widows-box-office-prediction/

Crazy Rich Asians Box Office Prediction

Blogger’s Note II (08/14/18): My estimate is rising once again and I’m going with $22.5 million for the three-day and $33.4 million for the five-day.

Blogger’s Note (08/10/18): I am ramping up my estimate for this based on buzz from $14.2M to $19.4M for the traditional weekend and high 20s for the five-day.

In what could turn out to be some smart counter programming, romantic comedy Crazy Rich Asians opens next Wednesday. The Warner Bros release is, rather shockingly, the first stateside studio effort in a quarter century (1993’s The Joy Luck Club) to feature a predominately Asian-American cast. It’s based on a 2013 bestseller by Kevin Kwan. The cast includes Henry Golding, Constance Wu, Gemma Chan, Lisa Lu, Nico Santos, Ken Jeong, and Michelle Yeoh. Jon M. Chu, who made Justin Bieber: Never Say Never and G.I. Joe: Retaliation, directs.

The film seems to be garnering some positive buzz and it could bring out a female audience, as well as a community clearly underrepresented at multiplexes. Even with that breakout potential, the Wednesday opening probably means it’ll debut behind Mile 22 with Mark Wahlberg.

I will estimate a traditional weekend opening in the low teens and that could mean a gross close to $20 million for the five-day total.

Crazy Rich Asians opening weekend prediction: $22.5 million (Friday to Sunday), $33.4 million (Wednesday to Sunday)

For my Mile 22 prediction, click here:

https://toddmthatcher.com/2018/08/07/mile-22-box-office-prediction/

For my Alpha prediction, click here:

https://toddmthatcher.com/2018/08/07/alpha-box-office-prediction/

Mile 22 Box Office Prediction

Mark Wahlberg is back in action mode and reuniting with director Peter Berg next weekend in Mile 22. The action thriller finds the star as the head of an elite CIA unit and the supporting cast includes John Malkovich, Lauren Cohan, Iko Uwais, Ronda Rousey, and Lee Chae Rin.

This is the fourth Wahlberg/Berg collaboration and it’s the first not based on real life events after Lone Survivor, Deepwater Horizon, and Patriots Day. Distributor STXfilms is hoping this will be the start of a new franchise with a TV series and sequel reportedly in development.

That, of course, could all depend on how this performs. The budget is only $35 million, which is quite low for a summer action release. Looking at other similar material from Wahlberg, Mile 22 would love to achieve the $24 million earned by something like 2012’s Contraband. Yet it could debut with something closer to the $14 million made by 2007’s Shooter. The $27 million made out of the gate five summers ago by 2 Guns is a reach in my opinion… that had the Denzel factor.

I’ll say a mid to high teens gross is the most likely scenario, meaning Mile won’t achieve the marker contained in its title.

Mile 22 opening weekend prediction: $16.7 million

For my Crazy Rich Asians prediction, click here:

https://toddmthatcher.com/2018/08/07/crazy-rich-asians-box-office-prediction/

For my Alpha prediction, click here:

https://toddmthatcher.com/2018/08/07/alpha-box-office-prediction/