Oscars 2019: The Case of Parasite

We have reached the final film in my Case of posts for 2019’s nine Best Picture nominees and it’s time to consider Bong Joon-Ho’s South Korean export Parasite. If you need to catch up on my previous eight entries, you can peruse them right here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

https://toddmthatcher.com/2020/01/15/oscars-2019-the-case-of-the-irishman/

https://toddmthatcher.com/2020/01/17/oscars-2019-the-case-of-jojo-rabbit/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-joker/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-little-women/

https://toddmthatcher.com/2020/01/19/oscars-2019-the-case-of-marriage-story/

https://toddmthatcher.com/2020/01/20/oscars-2019-the-case-of-1917/

https://toddmthatcher.com/2020/01/20/oscars-2019-the-case-of-once-upon-a-time-in-hollywood/

And now to Parasite!

The Case for Parasite

The pic, which defies easy genre descriptions, certainly has critics on its side. With a 99% Rotten Tomatoes score, this is the best reviewed film of the year and its admirers are passionate and vocal. This is a slam dunk winner for the newly coined Best International Feature Film. Over the weekend, Parasite won Best Ensemble at the SAG Awards and it was the only to ever do so. For a subtitled film, it’s been a box office success stateside at $27 million and counting. The buzz has been strong for months after it won the Palme d’Or at the Cannes Film Festival. Joon-Ho is an acclaimed filmmaker (with heralded efforts like Memories of Murder, The Host and Snowpiercer) who’s at last garnering the awards season love.

The Case Against Parasite

If this were to win Best Picture, it would constitute a first. A foreign language title has never won the top prize. Last year’s Roma was the front runner, but it lost to Green Book. It is also rare for a Picture recipient to have none of its actors nominated and that’s the case here.

The Verdict

Even with the fact that it would need to make history, Parasite currently stands alongside 1917 and Once Upon a Time in Hollywood as the biggest threats to win it all. If the Directors Guild of America (DGA) honors Joon-Ho instead of Sam Mendes for 1917 this weekend, expect that chatter to get even louder.

My Case of posts will continue right up until Oscar day! While the movies themselves have all received their treatment, the nominated directors and actors will get their attention as well. Stay tuned…

Oscars 2019: The Case of 1917

My next Case of post for this year’s Best Picture nominees brings us to 1917. If you missed my other posts thus far, you can peruse them here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

https://toddmthatcher.com/2020/01/15/oscars-2019-the-case-of-the-irishman/

https://toddmthatcher.com/2020/01/17/oscars-2019-the-case-of-jojo-rabbit/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-joker/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-little-women/

https://toddmthatcher.com/2020/01/19/oscars-2019-the-case-of-marriage-story/

Let’s break it down:

The Case for 1917

It’s become significant. 1917 might be the strongest example of the nine nominees for perfect timing. The World War I epic from director Sam Mendes came to the attention of awards voters just as it was opening to better than expected box office and sterling reviews. The Rotten Tomatoes score is 89%. Mendes is a known quantity whose American Beauty won Best Picture (and Director) twenty years ago. The precursor love has been impressive with a Golden Globes victory for Best Drama and the Producers Guild of America (PGA) top prize. 13 out of the last 19 PGA winners went on to win Best Picture. The ten Academy nominations is tied for second along with The Irishman and Once Upon a Time in Hollywood. 

The Case Against 1917

If it wins Best Picture, it would be the first to do so without any acting nomination since 2008’s Slumdog Millionaire (SAG ignored it as well). Additionally, it would be the extremely rare recipient to win without an Editing nod. A case could be made that the Parasite fans are more rabid.

The Verdict

Despite missing some recognition in key races, there is no doubt that 1917 could absolutely take the biggest race. It could even be called the soft front runner.

Up next in my Case of posts… Once Upon a Time in Hollywood!

Parasite Invades SAG

The Screen Actors Guild (SAG) Awards remained on script for about 99% of its running time last night. And then it went ahead and made this year’s Best Picture race at the Oscars all the more interesting.

Before we get to that, I went four for four in my acting category predictions and did so by sticking with the front runners. Those would be Joaquin Phoenix in Joker and Renee Zellweger in Judy in the leads and Brad Pitt for Once Upon a Time in Hollywood and Laura Dern for Marriage Story with supporting. Let’s be clear: 2019 appears to be a year where there’s strong favorites in all four races. Anyone other than this quartet winning on Oscar night at this point would constitute an upset.

When it comes to the biggest race of all, it’s still open. One could argue that 1917 is a soft front runner after winning Best Picture at the Producers Guild of America (where 13 of 19 recipients this century took the Oscar) and Best Drama at the Golden Globes. The Sam Mendes World War I epic wasn’t nominated for SAG. And therefore the narrative going into yesterday evening is that the winner here could serve as the most viable Academy alternative.

I projected that movie would be Quentin Tarantino’s Once Upon a Time in Hollywood. Yet the SAG branch went with Bong Joon-Ho’s Parasite. Perhaps I should have suspected this when its cast (presenting clips) received raucous applause that eclipsed all others. However, I chose not to predict its win, in part, due to no actors getting individual nods for their work. The Parasite victory here is major as its the first foreign language feature to be named in this category. It certainly sets up an argument that the Best Picture derby at the Oscars has really come down to three: 1917, Hollywood, and Parasite.

So what’s next? The Directors Guild of America (DGA) announces their winner this Sunday. That feels important because 16 out of the past 19 directing winners there have taken the gold statue. It’s probably Joon-Ho vs. Mendes and the honoree could then see their film vault to the front of the Picture pack.

Bottom line: SAG solidified the four actors vying for their statues while further complicating the Picture derby.

The Producers Go To 1917

Last night, the Producers Guild of America bestowed their honoree for best of the year and it’s a significant harbinger of what could lie ahead at the Oscars. In the 21st century, 13 of the 19 PGA winners ended up winning Best Picture from the Academy. In fact, 2018’s “surprise” PGA recipient Green Book took the prize at the big show as well.

It was the Sam Mendes World War I epic 1917 that emerged victorious. That’s another major precursor pickup after the Golden Globes named it Best Drama a couple weeks back. 1917 earned the award over nine other nominees that includes the eight pictures it’s nominated with from the Academy and Knives Out.

Let’s be clear – a solid argument can now be made that 1917 is the front runner to win the Oscar. If the Directors Guild of America names Mendes as their choice next weekend, that will serve as another huge precursor. Yet the 1917 love won’t extend to tonight’s Screen Actors Guild Awards (my predictions for that event will be on the blog later this morning). 1917 is not nominated for Best Ensemble from SAG. If The Irishman or Once Upon a Time in Hollywood or Parasite win Ensemble, the narrative may turn to that picture as its strongest competitor.

Still, one week after 1917 rode its awards buzz to impressive box office earnings, it’s established itself as perhaps the film to beat.

2019 Oscar Nominations Reaction

Well, folks, the Oscar nominations were out bright and early this morning. Per usual, there were some genuine surprises and omissions that will have Twitter buzzing right up until the ceremony February 9th.

Readers of the blog know that I spend months trying to put the puzzle together on who and what will be nominated. My results today? Out of the 109 predictions made, 88 of them came to fruition. In the eight biggest categories, there were four that I got all nominees correct… including Best Picture. Truth be told, I’m pretty pleased with my results!

Before we break it down race by race, some general comments. As for movies that had a disappointing wakeup call, there were numerous entries that had possibilities in the major categories and beyond. Those left on the cutting room floor include Booksmart, Dolemite Is My Name, The Farewell, Uncut Gems, and Us. Another movie barely left standing was Rocketman. I had it pegged for five nominations, but it managed just a single mention in Original Song.

For the films that did make it in, Joker scored the most nominations (somewhat of a surprise) with 11 followed by The Irishman, 1917, and Once Upon a Time in Hollywood with 10 apiece.

With some of my analysis here, you’ll see strong indications on what my winner forecast might be. Expect that post to be up a couple of days before the ceremony.

And with that, let’s break it down!

Best Picture

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

How I Did: 9/9 (!)

Analysis: For Oscar prognosticators, just getting the correct number of films that are nominated is an accomplishment. It can fluctuate anywhere between 5 and 10. Nine felt correct for some time and I’ve had these ones predicted for several weeks. As for a winner, I feel six of them have at least decent to strong shots. I’m nowhere near ready to crown a victor.

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

How I Did: 4/5

Analysis: It was Phillips riding the Joker wave over Greta Gerwig for Little Women. Like Picture, this race feels wide open and it could come down to Joon-Ho vs. Mendes.

Best Actor

The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

How I Did: 4/5

Analysis: With so many contenders in the running, going 4 for 5 here feels like more of an accomplishment that naming the Best Pic nominees. It was Pryce getting a slot over Taron Egerton in Rocketman. Banderas and Pryce are first time nominees. It looks like Phoenix could sweep awards season and that gives him his first win.

Best Actress

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

How I Did: 5/5 (!)

Analysis: 100% here and like Best Actor, there’s a strong front runner with Zellweger. If so, she’d pick up her second statue after being named Supporting Actress for 2003’s Cold Mountain. 

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

How I Did: 5/5 (!)

Analysis: What a list of legends we have here! There’s some interesting tidbits to share. Every nominee here has won an Oscar. Yet it’s been some time since most were nominated – Pesci since 1990 for GoodFellas, Pacino since 1992 for his double nod with Scent of a Woman and Glengarry Glen Ross, Hopkins since 1997 (Amistad), and rather shockingly, Hanks… who has his first nomination since 2000 with Cast Away. Pitt, on the other hand, is the most recent nominee for his acting (2011’s Moneyball). However, he’s the only one of the five to never win the Oscar for his performances (he does have an Oscar for producing 2013’s 12 Years a Slave). Got all that? And here’s the last word on that… Pitt seems destined to join their company in February as a winner.

Best Supporting Actress

The Nominees: Kathy Bates (Richard Jewell), Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

How I Did: 4/5

Analysis: Now we get to the first genuine shocker and that’s Jennifer Lopez not being nominated for Hustlers. Bates takes her spot. Lopez was generally seen as close to a sure thing for recognition and I’ve had her listed at #2 behind Dern for weeks. This only helps Dern for her first podium walk.

Best Adapted Screenplay

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes

How I Did: 5/5 (!)

Analysis: This has looked like the final five for a while now and this could represent the best chance for a major win for The Irishman. That said, I wouldn’t count Jojo or Joker completely out.

Best Original Screenplay

The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

How I Did: 4/5

Analysis: No love for The Farewell here with 1917 getting in. Tarantino is a soft favorite over Marriage Story and Parasite. 

Best Internation Feature Film

The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite

How I Did: 3/5

Les Mis, Pain, and Parasite were automatics. The last two spots were tricky to forecast and I had Atlantics and Those Who Remained instead. Honeyland pulled off a notable achievement by being named here and in Documentary. Bottom line: this is the easiest race of them all to project. It’s going to be Parasite. 

Best Animated Feature

The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4

How I Did: 4/5

Analysis: Next big surprise as Disney’s Frozen II was frozen out with Klaus taking the spot. Toy Story 4 is the favorite, but I don’t discount the possibility of an upset here (with Dragon and Body as potential spoilers).

Best Documentary Feature

The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland

How I Did: 3/5

Analysis: The documentary branch is always unpredictable and that proved accurate this morning. Apollo 11 and One Child Nation were the two I had in over The Cave and The Edge of Democracy. Netflix’s American Factory (the first doc from Barack and Michelle Obama’s production company) appears to be the leader of the pack.

Best Cinematography

The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood

How I Did: 4/5

Analysis: I had Ford v Ferrari over Lighthouse. This looks to be a win for 1917. 

Best Costume Design

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood

How I Did: 3/5

Analysis: Surprises here with Dolemite Is My Name and Rocketman being ignored in favor of The Irishman and Joker. I even thought the two I predicted had real shots at winning. This one could be between Women and Hollywood. 

Best Film Editing

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite

How I Did: 4/5

Analysis: Now this one is interesting! I had Hollywood in and not Jojo. Why is Editing important? Of any category at the Oscars, a nomination here means a lot to the eventual Best Picture winner. The last movie to win the big prize and not be nominated for Editing is 2014’s Birdman. And that’s really an asterisk since it was filmed in one long continuous shot (though the same basically holds true for 1917). Before that, the last Best Picture winner recipient to not score a nod here? You have to go all the way back to 1980’s Ordinary People. In other words, the snub for Hollywood here could mean something. Perhaps it will be an outlier. Yet I feel it’s key for ballot guessers to know that only two BP winners haven’t been recognized here in the past 40 years…

Best Makeup and Hairstyling

The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917

How I Did: 3/5

Analysis: Hollywood and Rocketman out and Maleficent and 1917 in. Expect this to be the sole win for Bombshell.

Best Original Score

The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker 

How I Did: 5/5 (!)

Analysis: Back to perfection! Joker has gotten the precursor love, but 1917 is a threat.

Best Original Song

The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “(I’m Gonna) Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet

How I Did: 3/5

Analysis: This category is a head scratcher. I had “Spirit” from The Lion King and “Glasgow” from Wild Rose in over the Toy Story and Breakthrough tracks. This should be a contest between Elton John’s Rocketman tune and the Frozen song. However, both films were significantly snubbed in other categories as mentioned above. The one thing I do know… this branch clearly loves tracks that begin with the letter I.

Best Production Design

The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite

How I Did: 4/5

Analysis: Had Little Women over Parasite. This could definitely be a W for Hollywood.

Best Sound Editing

The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker

How I Did: 4/5

Analysis: Had Avengers: Endgame over Joker. In both sound races, this should be between Ford and 1917.

Best Sound Mixing 

The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood

How I Did: 3/5

Had Rocketman and Skywalker over Astra and Hollywood. See Sound Editing above.

Best Visual Effects

The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker

How I Did: 5/5 (!)

Analysis: I’m glad this category is last alphabetically so I can end on a high note! I lean Lion King, but that could change.

And that does it for my nominations recap! As stated, expect winner predictions shortly before February 9th!

 

2019 FINAL Oscar Nomination Predictions

And it comes down to this…

After months and months of speculation, dozens of blog posts, and constant shifting around, these are my final predictions for the 2019 Oscars. There’s been thousands of words written about the races so I’ll keep it simple here.

The nominations are out Monday. I’m picking nine pictures to get recognition (there can be anywhere from 5 to 10 and 8-9 is usually the sweet spot). For each category, I’m also naming an alternate and second alternate.

Lastly, you can be sure come Monday that I’ll have a recap up with reaction and my results. Here we go folks!

Best Picture

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite 

ALTERNATE – The Farewell

ALTERNATE 2 – Knives Out

Best Director

Greta Gerwig, Little Women

Bong Joon-Ho, Parasite

Sam Mendes, 1917

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

ALTERNATE – Todd Phillips, Joker

ALTERNATE 2 – Noah Baumbach, Marriage Story 

Best Actress

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Saoirse Ronan, Little Women

Charlize Theron, Bombshell

Renee Zellweger, Judy

ALTERNATE – Awkwafina, The Farewell

ALTERNATE 2 – Lupita Nyong’o, Us

Best Actor

Antonio Banderas, Pain and Glory

Leonardo DiCaprio, Once Upon a Time in Hollywood

Adam Driver, Marriage Story

Taron Egerton, Rocketman

Joaquin Phoenix, Joker

ALTERNATE – Christian Bale, Ford v Ferrari

ALTERNATE 2 – Jonathan Pryce, The Two Popes

Best Supporting Actress

Laura Dern, Marriage Story

Scarlett Johansson, Jojo Rabbit

Jennifer Lopez, Hustlers

Florence Pugh, Little Women

Margot Robbie, Bombshell

ALTERNATE – Zhao Shuzhen, The Farewell

ALTERNATE 2 – Nicole Kidman, Bombshell

Best Supporting Actor

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

ALTERNATE – Song Kang-Ho, Parasite

ALTERNATE 2 – Jamie Foxx, Just Mercy

Best Adapted Screenplay

The Irishman

Jojo Rabbit

Joker

Little Women

The Two Popes

ALTERNATE – A Beautiful Day in the Neighborhood

ALTERNATE 2 – Hustlers

Best Original Screenplay

The Farewell

Knives Out

Marriage Story

Once Upon a Time in Hollywood

Parasite

ALTERNATE – 1917

ALTERNATE 2 – Uncut Gems

Best International Feature Film

Atlantics

Les Miserables

Pain and Glory

Parasite

Those Who Remained

ALTERNATE – Beanpole

ALTERNATE 2 – Honeyland

Best Animated Feature

Frozen II

How to Train Your Dragon: The Hidden World

I Lost My Body

Missing Link

Toy Story 4

ALTERNATE – Klaus

ALTERNATE 2 – Abominable

Best Documentary Feature

American Factory 

Apollo 11

For Sama

Honeyland

One Child Nation

ALTERNATE – Midnight Family

ALTERNATE 2 – Maiden

Best Cinematography

1917

Ford v Ferrari

The Irishman

Joker

Once Upon a Time in Hollywood

ALTERNATE – The Lighthouse

ALTERNATE 2 – Portrait of a Lady on Fire

Best Costume Design

Dolemite Is My Name

Jojo Rabbit

Little Women

Once Upon a Time in Hollywood

Rocketman

ALTERNATE – Downton Abbey

ALTERNATE 2 – The Irishman

Best Film Editing

Ford v Ferrari

The Irishman

Joker

Once Upon a Time in Hollywood

Parasite

ALTERNATE – 1917

ALTERNATE 2 – Marriage Story 

Best Makeup and Hairstyling

Bombshell

Joker

Judy

Once Upon a Time in Hollywood

Rocketman

ALTERNATE – Maleficent: Mistress of Evil

ALTERNATE 2 – Dolemite Is My Name

Best Production Design

1917

The Irishman

Jojo Rabbit

Little Women

Once Upon a Time in Hollywood 

ALTERNATE – Parasite

ALTERNATE 2 – Joker

Best Original Score

1917

Joker

Little Women

Marriage Story

Star Wars: The Rise of Skywalker

ALTERNATE – Ford v Ferrari

ALTERNATE 2 – Jojo Rabbit

Best Original Song

“Glasgow” from Wild Rose

“(I’m Gonna) Love Me Again” from Rocketman

“Into the Unknown” from Frozen II

“Spirit” from The Lion King

“Stand Up” from Harriet

ALTERNATE – “I’m Standing with You” from Breakthrough

ALTERNATE 2 – “A Glass of Soju” from Parasite

Best Sound Editing

1917

Avengers: Endgame

Ford v Ferrari

Once Upon a Time in Hollywood

Star Wars: The Rise of Skywalker

ALTERNATE – Joker

ALTERNATE 2 – Rocketman

Best Sound Mixing

1917

Ford v Ferrari

Joker

Rocketman

Star Wars: The Rise of Skywalker

ALTERNATE – Avengers: Endgame

ALTERNATE 2 – Once Upon a Time in Hollywood

Best Visual Effects

1917

Avengers: Endgame

The Irishman

The Lion King

Star Wars: The Rise of Skywalker

ALTERNATE – Alita: Battle Angel

ALTERNATE 2 – Gemini Man 

And that means my final tally for pictures getting the following number of nominations goes like this:

11 Nominations

Once Upon a Time in Hollywood

9 Nominations

The Irishman

8 Nominations

1917, Joker, Little Women

6 Nominations

Marriage Story

5 Nominations

Ford v Ferrari, Jojo Rabbit, Parasite, Rocketman

4 Nominations

Star Wars: The Rise of Skywalker

3 Nominations

Bombshell

2 Nominations

Avengers: Endgame, Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes

1 Nomination

A Beautiful Day in the Neighborhood, American Factory  Apollo 11, Atlantics, Dolemite Is My Name, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Those Who Remained, Toy Story 4, Wild Rose

The British Go Wild For Joker

On a packed awards precursors day that included DGA and PGA announcements, our compadres overseas put out their nominations as well. The British Academy Film Awards (or BAFTAs) went wild for Joker, which led all contenders with 11 nods. The Irishman and Once Upon a Time in Hollywood were close behind with 10 and 1917 achieved 9.

The BAFTAs are an often decent harbinger of what follows at the Oscars. In the acting races, they’re often good for 3 or 4 of the eventual contenders stateside. Let’s take a look at the top six races with a little analysis.

Best Picture

The Nominees: 1917, The Irishman, Joker, Once Upon a Time in Hollywood, Parasite 

No real surprises here. If anything, this is another sign that Marriage Story isn’t a real contender to win Best Picture at the Oscars. Yet that’s kind of been the general consensus for a little while.

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

A 5 for 5 match with Picture. Other than Phillips, the other four were pretty much automatic nominees. Phillips gets the slot over Greta Gerwig (Little Women), Noah Baumbach (Marriage Story), and today’s surprise DGA player Taika Waititi (Jojo Rabbit).

Best Actor

The Nominees: Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Taron Egerton (Rocketman), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

The ultra competitive Best Actor derby continues. Phoenix has to be considered the favorite after his Golden Globes victory and Joker leading the way with nods. It’s another good showing for Egerton after his Globes podium walk. Pryce gets in over Antonio Banderas (Pain and Glory) and Robert De Niro in The Irishman. The latter’s exclusion should be noted. De Niro didn’t get a Globe, SAG, or BAFTA nod. For those picking him to get recognition from the Academy, actors left out of all three very rarely make the cut.

Best Actress

The Nominees: Jessie Buckley (Wild Rose), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Buckley being named is a genuine surprise. She’s not really on the Oscar radar screen at all. She gets in over Cynthia Erivo in Harriet or Awkwafina for The Farewell. Those snubs, among others, got the BAFTAs trending today as no performers of color were nominated.

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Nothing much to speculate about here. This is the same Supporting Actor list as the Globes and could easily be the Academy’s five. In all cases, Pitt is the front runner.

Best Supporting Actress

The Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell), Margot Robbie (Once Upon a Time in Hollywood)

Johansson is a double nominee in lead and supporting once again. That’s not unexpected. On the other hand, the double nod of Robbie in this category very much is. She’s expected to be recognized for Bombshell, but not Hollywood. This comes at the expense of Jennifer Lopez in Hustlers, who’s generally seen as second in line behind favorite Dern.

Some other quick notes:

  • It was a bad day for The Farewell. Snubs in the acting races weren’t all that surprising. Being left off Original Screenplay is.
  • Ford v Ferrari had a poor showing with one nod for Editing (no Sound or Score… where it could contend for Oscars).

And that wraps up a busy day of Oscar precursor coverage! You can expect my final predictions on what the Academy will do on Monday by Friday or Saturday…