Summer 2011: The Top 10 Hits and More

We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:

Summer 1991: The Top 10 Hits and More

Summer 2001: The Top 10 Hits and More

As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:

Let’s get to it, yes?

10. Bridesmaids

Domestic Gross: $169 million

Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.

9. The Help

Domestic Gross: $169 million

Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.

8. Captain America: The First Avenger

Domestic Gross: $176 million

The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.

7. Rise of the Planet of the Apes

Domestic Gross: $176 million

Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.

6. Thor

Domestic Gross: $181 million

Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.

5. Cars 2

Domestic Gross: $191 million

Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.

4. Pirates of the Caribbean: On Stranger Tides

Domestic Gross: $241 million

With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.

3. The Hangover Part II

Domestic Gross: $254 million

Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.

2. Transformers: Dark of the Moon

Domestic Gross: $352 million

Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.

1. Harry Potter and the Deathly Hallows – Part 2

Domestic Gross: $381 million

After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.

Now for other noteworthy titles from the summer:

X-Men: First Class

Domestic Gross: $146 million

Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.

The Smurfs

Domestic Gross: $142 million

Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.

Super 8

Domestic Gross: $127 million

In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.

Horrible Bosses

Domestic Gross: $117 million

This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.

Crazy, Stupid, Love

Domestic Gross: $84 million

Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.

Midnight in Paris

Domestic Gross: $56 million

It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.

The Tree of Life

Domestic Gross: $13 million

Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.

And now for some titles that didn’t meet expectations commercially, critically, or both:

Green Lantern

Domestic Gross: $116 million

Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.

Cowboys & Aliens

Domestic Gross: $100 million

Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.

Mr. Popper’s Penguins

Domestic Gross: $68 million

Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.

Spy Kids 4-D: All the Time in the World

Domestic Gross: $38 million

A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.

Larry Crowne

Domestic Gross: $35 million

The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.

Conan the Barbarian

Domestic Gross: $21 million

Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.

And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!

Summer 2001: The Top 10 Hits and More

My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.

As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:

https://toddmthatcher.com/2021/06/26/summer-1991-the-top-10-hits-and-more/

Let’s get to it!

10. Dr. Dolittle 2

Domestic Gross: $112 million

Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.

9. Lara Croft: Tomb Raider

Domestic Gross: $131 million

Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.

8. The Fast and the Furious

Domestic Gross: $144 million

We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.

7. American Pie 2

Domestic Gross: $145 million

Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.

6. Planet of the Apes

Domestic Gross: $180 million

Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).

5. Jurassic Park III

Domestic Gross: $181 million

Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.

4. Pearl Harbor

Domestic Gross: $198 million

Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.

3. The Mummy Returns

Domestic Gross: $202 million

Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.

2. Rush Hour 2

Domestic Gross: $226 million

It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.

1. Shrek

Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.

And now for some other notables flicks from the summer that was:

The Princess Diaries

Domestic Gross: $108 million

Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.

The Others

Domestic Gross: $96 million

With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.

Legally Blonde

Domestic Gross: $96 million

Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.

Cats & Dogs

Domestic Gross: $93 million

Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.

A.I.: Artificial Intelligence

Domestic Gross: $78 million

Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.

Swordfish

Domestic Gross: $69 million

Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.

Moulin Rouge!

Domestic Gross: $57 million

Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.

Sexy Beast

Domestic Gross: $6 million

This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.

Ghost World

Domestic Gross: $6 million

Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.

And now for some pictures that did not meet expectations:

America’s Sweethearts

Domestic Gross: $93 million

Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.

Atlantis: The Lost Empire

Domestic Gross: $84 million

Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.

Scary Movie 2

Domestic Gross: $71 million

This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.

Evolution

Domestic Gross: $38 million

Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.

Final Fantasy: The Spirits Within

Domestic Gross: $32 million

Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.

Ghosts of Mars

Domestic Gross: $8 million

It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.

Pootie Tang

Domestic Gross: $3 million

Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.

And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…

Rampage Movie Review

A genetically deformed gorilla, wolf, and alligator walk into a major metropolitan area and destroy buildings. That was the concept of the video game in which Rampage was based upon and the movie adaptation doesn’t burden itself with over ambition in bringing it to the screen. Throw in Dwayne Johnson and lots of CG effects and what do you get? A fairly middling experience that will probably manage to thrill teenage boys whose fathers spent their quarters on the game at the arcade in the 1980s.

Davis Okoye (Johnson) is a primatologist. He’s great with animals and doesn’t really enjoy interacting with people, as the screenplay incessantly reminds us. He’s developed a particular bond with George, an albino gorilla who lives at the sanctuary where Davis works. They’re practically a comedy team as Davis has taught him tricks like flipping the bird. The duo’s future nightclub act is disrupted when a canister of debris containing genetic mutation material lands near George and causes him to grow into a destructive beast. This nasty stuff is also consumed by the aforementioned wolf and alligator.

I could go into further plot detail on the specifics, but here’s the bottom line. Rampage is all about getting that trio of monsters en route to Chicago where they can flick tanks and helicopters into buildings with ease. Davis teams up with an engineer (Naomie Harris) and an outlaw government figure (Jeffrey Dean Morgan) to not only stop the creatures, but prevent the military from overreacting to the potential carnage. And there’s Malin Ackerman and Jake Lacy as the sister/brother duo who run the evil corporation that made the stuff that turned funny George into bad George.

Unfortunately for us, there’s about an hour of filler before Rampage reaches its Windy City destination. That time is a bit of a strain. Since it’s Dwayne Johnson playing a primatologist, it will come as no shock that he’s also ex-Special Forces. We get a bit of his background (including some anti-poaching messages) and same goes for Harris’s character who used to work at the conglomerate that wreaked this havoc.

By the time we arrive at the gorilla and wolf and alligator warfare, we’re greeted with some decent set pieces in the Transformers vein. Yet that even manages to overstay its welcome and the CG, while decent, has seen stronger offerings (it’s nothing compared to the animal work in the latest Planet of the Apes pics).

This is Johnson’s second collaboration with Brad Peyton, who directed him in San Andreas. That was another so-so spectacle that was easily digestible and forgettable. The makers of and actors in Rampage do seem to know this is silly junk food and earn some points for never taking it seriously. And there’s certainly been other video game adaptations that have been way worse. We’re talking faint praise, I suppose, but Rampage can only do so much with the simple concept of “smash building, smash car, and repeat.”

**1/2 (out of four)

War for the Planet of the Apes Movie Review

The latest iteration of the Planet of the Apes saga that began nearly a half century ago concludes on a major franchise high note. What Rupert Wyatt began in satisfying fashion with 2011’s Rise of the Planet of the Apes and Matt Reeves continued with success in 2014’s Dawn of the Planet of the Apes is elevated even more so with War for the Planet of the Apes. Mr. Reeves returns behind the camera with an epic and sorrowful tale of Caesar’s (Andy Serkis) constant battle between his species and the humans remaining to fight them.

The third installment also continues the perfection of the motion capture wizardry that brings the apes to life. It’s been enormously impressive in parts 1 and 2. It’s taken another leap forward in War. That said, we’re grown accustomed to legions of these characters being seen in our blockbusters. A compelling story must follow and it’s present.

When Dawn concluded, Caesar had dispensed of treacherous right-hand ape Koba but knew what was left of the human race’s army would hunt him. War opens two years later with Caesar, his family, and the other apes dwelling in the woods. Their nemesis here is a demented colonel (Woody Harrelson) and his devoted military men. Tragedy strikes and it pits Caesar on a revengeful mission against the Colonel, who isn’t too far removed from the character of Kurtz in Apocalypse Now. Harrelson is a great villain here with his own backstory in this dystopian world.

War introduces us to some new characters – both real and generated. There’s a mute young girl (Amiah Miller) who joins the apes on their joinrney. Series aficionados will reocognize her signifance quickly. Steve Zahn also brilliantly brings “Bad Ape” to life, a former zoo inhabitant who provides some much needed comic relief to the proceedings.

Yet this trilogy has focused mostly on Caesar and Serkis’s absolutely astonishing portrayal of him. The effects team goes even further in making him seem so very real. The writing and the actor’s commitment succeed in making his arch very emotional.

War for the Planet of the Apes is the best of the three and the other two were both quite solid. This is the end of this particular Apes chapter, but Reeves and his team leave us with the possibility of more and wanting it.

***1/2 (out of four)

Oscar Watch: Breathe

Andrew Garfield goes for his second Best Actor Oscar nod in a row with Breathe, which has screened at the Toronto Film Festival. In it, Garfield plays a man diagnosed with polio who becomes a disabilities advocate. The drama marks the directorial debut of Andy Serkis, known most for giving life to CG creations in the Lord of the Rings and Planet of the Apes franchises. Other stars include Claire Foy and Hugh Bonneville.

Early reviews haven’t been too positive, but they’ve pointed out it wears its Oscar hopes on its sleeve. It’s been compared to The Theory of Everything, which did win Eddie Redmayne a statue. With Best Actor looking like it has some open slots (for now), a strong campaign could give Garfield nod #2 after last year’s Hacksaw Ridge. Yet the troubling reviews won’t help.

My Oscar Watch posts will continue…

War for the Planet of the Apes Box Office Prediction

Arriving as one of the most critically acclaimed blockbusters so far this year, War for the Planet of the Apes hits theaters next weekend. This is third franchise entry of the current reboot of a series that will celebrate its fiftieth anniversary next year. Matt Reeves, who made 2014 predecessor Dawn of the Planet of the Apes, is back directing with Andy Serkis bringing back his innovative motion capture work as Caesar. Woody Harrelson is our head human with Steve Zahn and Judy Greer among other ape characters.

20th Century Fox wasn’t shy about early screenings for critics and the result is a 95% current Rotten Tomatoes score, topping 2011’s Rise of the Planet of the Apes (81%) and Dawn (90%). That should help scare off potential franchise fatigue in a summer that has seen plenty of it (including Pirates of the Caribbean and Transformers).

Rise debuted six summers ago to $54 million and an eventual $176 million overall domestic gross. Three years later, Dawn reached higher with a $72 million premiere and $208 million total stateside. War stands a fair chance at posting the best opening yet and it almost certainly will outpace Rise. 

I’m predicting this third helping of this well-regarded franchise will end up just below what Dawn rose to out of the gate for an opening in the mid 60s.

War for the Planet of the Apes opening weekend prediction: $63.4 million

For my Wish Upon trailer, click here:

https://toddmthatcher.com/2017/07/06/wish-upon-box-office-prediction/

Oscar Watch: War for the Planet of the Apes

The third installment of the current iteration of the nearly 50-year-old franchise War of the Planet of the Apes doesn’t open for two and a half weeks. Yet 20th Century Fox felt fit to lift its review embargo quite early and for good reason.

War is receiving some of the best reviews of a series that already garnered considerable acclaim and box office success. The film stands at 95% on Rotten Tomatoes, outpacing the 81% of 2011’s Rise of the Planet of the Apes and 90% for 2014’s Dawn of the Planet of the Apes. Its solid worth of mouth should make War a potent force at multiplexes on July 14th.

Which brings us to whether or not the picture could swing into the minds of Academy voters. In one sense – it’s seemingly inevitable. Both Rise and Dawn were nominated for Best Visual Effects Oscars and it would be very surprising for War not to follow suit. When it comes to other categories – probably not. Even though this threequel is getting the most fawning notices from several critics of the trio thus far, a Picture nomination seems unlikely.

Finally, I would expect some chatter for Andy Serkis and his motion capture work as Caesar. Yet an acting nomination for him also probably isn’t the cards. Even with its considerable reaction so far, it appears Visual Effects will be War‘s sole nomination.

My Oscar Watch posts will continue…

Top 25 Highest Grossing Actresses of All Time (5-1)

Today we reach the final installment of my listing of the Top 25 Highest Grossing Actresses in box office history with the top five!

Here are the five ladies that have grossed the most stateside:

5. Julia Roberts

Career Earnings: $2.7 billion

Franchises: The Ocean’s pictures

Highest Grossing Picture: Ocean’s Eleven (2001) – $183 million

Number of $100M+ Earners: 11 (Ocean’s Eleven, Ocean’s Twelve, Pretty Woman, Runaway Bride, My Best Friend’s Wedding, Erin Brockovich, Hook, Notting Hill, Valentine’s Day, Sleeping with the Enemy, The Pelican Brief)

Lowest Grosser: Fireflies in the Garden (2011) – $70,000

Overall Rank: 30

4. Helena Bonham Carter

Career Earnings: $2.7 billion

Franchises: Harry Potter, Alice in Wonderland

Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 (2011) – $381 million

Number of $100M+ Earners: 9 (Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, Alice in Wonderland, Charlie and the Chocolate Factory, Cinderella, Planet of the Apes, Les Miserables, The King’s Speech)

Lowest Grosser: The Theory of Flight (1998) – $73,000

Overall Rank: 28

3. Cate Blanchett

Career Earnings: $2.8 billion

Franchises: Lord of the Rings, The Hobbit

Highest Grossing Picture: Lord of the Rings: The Return of the King (2003) – $377 million

Number of $100M+ Earners: 10 (Lord of the Rings: The Fellowship of the Rings, Lord of the Rings: The Return of the King, The Hobbit: An Unexpected Journey, The Hobbit: The Battle of the Five Armies, Indiana Jones and the Kingdom of the Crystal Skull, Cinderella, How to Train Your Dragon 2, The Curious Case of Benjamin Button, Robin Hood, The Aviator)

Lowest Grosser: Little Fish (2006) – $8,000

Overall Rank: 27

2. Cameron Diaz

Career Earnings: $3 billion

Franchises: Charlie’s Angels, Shrek

Highest Grossing Picture: Shrek 2 (2004) – $441 million

Number of $100M+ Earners: 11 (Shrek, Shrek 2, Shrek the Third, Shrek Forever After, There’s Something About Mary, My Best Friend’s Wedding, Charlie’s Angels, Charlie’s Angels: Full Throttle, The Mask, Vanilla Sky, Bad Teacher)

Lowest Grosser: Head Above Water (1997) – $32,000

Overall Rank: 19

  1. Scarlett Johansson

Career Earnings: $3.3 billion

Franchises: Marvel Cinematic Universe

Highest Grossing Picture: The Avengers (2012) – $623 million

Number of $100M+ Earners: 7 (The Avengers, Avengers: Age of Ultron, Iron Man 2, Captain America: The Winter Soldier, Captain America: Civil War, The Jungle Book, Lucy)

Lowest Grosser: A Love Song for Bobby Long (2004) – $164,000

Overall Rank: 9

And there you have it, my friends! Your 25 highest grossing females in the history of the movies…

Dawn of the Planet of the Apes Box Office Prediction

This Friday brings us Dawn of the Planet of the Apes, the eighth picture in a franchise over 45 years old and the direct sequel to 2011’s Rise of the Planet of the Apes. There have been a number of changes in the past three years with Clovefield director Matt Reeves behind the camera in place of Rise‘s Rupert Wyatt. We also have a new cast of human actors that includes Gary Oldman, Jason Clarke, and Keri Russell. Andy Serkis does return with his acclaimed motion capture performance of ape leader Caesar.

Three  summers back, Rise was a pleasant surprise to both critics and audiences. It got off to a strong $54 million opening weekend in August 2011 on its way to a $176 million domestic take. This time around, expectations are even higher. And it also seems that critics are even more enthusiastic about Dawn. It currently holds a terrific 94% on Rotten Tomatoes. Nearly all tent pole summer 2014 entries from The Amazing Spider-Man 2 to Godzilla to X-Men: Days of Future Past to How to Train Your Dragon 2 to Transformers: Age of Extinction have either just met expectations or grossed under them. Dawn is in a unique position of following a well-received original franchise entry and having critics gushing about it. This could mean big things for it and I believe it has a fair chance of possibly becoming the season’s largest hit, which I wrote about last week here:

https://toddmthatcher.com/2014/06/29/will-the-apes-rule-summer-2014/

As for its opening weekend gross, it should have no problem whatsoever surpassing the $54 million that its predecessor grossed out of the gate. While I don’t see it earning a low to mid 90s haul like Spider-Man 2, Godzilla, Captain America: The Winter Soldier, or X-Men did, it’s within the realm of possibility. I think a better bet is that it grosses in the mid to high 70s and may develop strong legs in subsequent weekends.

Dawn of the Planet of the Apes opening weekend prediction: $77.2 million

This Day in Movie History: December 23

It was 22 years ago Today in Movie History when the film that finally earned Al Pacino a Best Actor Oscar debuted in theaters. Scent of a Woman cast Pacino as a retired blind Army Colonel and the role earned him Academy gold after seven previous nominations and losses.

Speaking of Best Actor wins, Jack Nicholson picked up his second Best Actor trophy for the comedy/drama As Good As It Gets, which opened 16 years ago today. James L. Brooks’s picture also earned Helen Hunt a Best Actress award and a Supporting Actor nod for Greg Kinnear.

25 years ago today marked the opening of Garry Marshall’s Beaches, the tearjerker with Bette Midler and Barbara Hershey. And that film gave us one of the most gloriously cheesy monster hit ballads in memory – “Wind Beneath My Wings”.

As for celebrity birthdays, today would have marked the 42nd birthday of Corey Haim, who died in 2010. One half of the “Coreys” duo that included Corey Feldman, Haim costarred in such features as Lucas, The Lost Boys, and License to Drive.

Today is the 34th birthday of Estella Warren, best known to moviegoers as the female lead in Tim Burton’s 2001 Planet of the Apes “reimagining”. Since then, most of her work has been on TV with appearances on “Law&Order” and “Ghost Whisperer”.

As for the daily Six Degress of Separation between birthday performers:

Corey Haim was in The Lost Boys with Jason Patric

Jason Patric was in Narc with Ray Liotta

Ray Liotta was in Date Night with Mark Wahlberg

Mark Wahlberg was in Planet of the Apes with Estella Warren

And that’s today – December 23 – in Movie History!