House of Gucci Review

I wouldn’t necessarily say I totally bought into Ridley Scott’s House of Gucci, but it’s a lively and garish world to play in for much of the duration. There were also moments where I just stared blankly at its bewildering tonal swings, not wanting to purchase this overblown product anymore. All the money and Oscar nominees and winners and well placed pop banger needle drops in the world can’t completely save it. Yet it’s hard to look away from.

We meet Patrizia Reggiani (Lady Gaga) in the late 1970s. A receptionist at her dad’s trucking business in Italy, she meets Maurizio (Adam Driver) at a nightspot where they awkwardly interact until she hears his last name. Gucci. Her demeanor changes and the awkward interaction turns to awkward flirtation. Maurizio is fickle when it comes to involving himself in the legendary upscale family fashion business. Patrizia is laser focused on inserting herself. Soon to be father-in-law Rodolfo (Jeremy Irons), an ailing former screen star, doesn’t think she’s up to snuff. His brother Aldo (Al Pacino) takes to her and eventually the couple jet from their native country to New York armed with a 50% interest in the corporation.

From the moment back in the club where Patrizia meets her eventual hubby, she takes his surname and schemes with it. No one appears safe from her calculations. That includes Aldo and his – I guess we’ll say eccentric – son Paolo (Jared Leto). Unrecognizable under a balding wig, a fat suit,  and a mound of makeup, Leto is alternately hilarious and dumbfounding. I struggle how to describe this performance. During the first hour, Leto seems right at home with the campy vibe. By the time the company intrigue grows more serious, Paolo’s appearances are equivalent to a highly insecure Muppet crashing a serious conversation. Pacino, surprisingly, is far more toned down (though he does get a chance to yell late in the proceedings).

Driver’s character (and in turn his performance as a whole) is more of a blank slate. There’s a bit of a Michael Corleone arc happening with Maurizio. He starts out wishing to be on the outside looking in but can’t escape all the trappings of the business and is soon consumed by it. Unlike Corleone, that shift seems sudden and without much context. And that’s where The Godfather comparisons will and should end.

Patrizia wants to be consumed it all. Gaga is terrific as the wily outsider who  outfoxes her new clan. She’ll do anything to get ahead including consorting with a crime minded psychic (Salma Hayek). After impressing with her vulnerability in A Star Is Born, she’s a force of nature as she never stops maneuvering. That’s until she’s reminded that being born with the Gucci name has more advantages than marrying into it.

Gucci‘s final act gets bogged down in boardroom shenanigans that aren’t as frothy like the early portions that have a guilty pleasure soapy appeal. This will not be remembered highly atop Ridley Scott’s filmography and he made a far better picture (The Last Duel) that was out a month prior. This is more of a curiosity and a well-tailored one (expect for when Jared Leto lumbers in to do whatever the filmmakers somehow allowed him to do).

*** (out of four)

Eternals Review

When the core group of Avengers assembled in their climactic battle for that classic shot from the 2012 film, it held power because we’d come to know them in previous MCU entries. By the time we got to 2019 as seemingly half of Hollywood was ready to take on Thanos in Avengers: Endgame, the same emotions were present. The mere fact that we were witnessing many members of Marvel’s extensive roster ready for action via high quality predecessors was impressive.

That’s a testament to what Kevin Feige and team had pulled off. For all the nitpicking about the franchise, it’s easy to forget the monumental achievement in bringing these heroes to life in 20 plus pictures and getting us back to care about them. That’s not an easy assignment and they pulled it off.

This brings us to Eternals, the 26th entry in the series. And it often feels like we are meant to feel the same sentiments that I’ve described above. There’s a problem with that. Chloe Zhao’s immersion into the MCU is tasked with introducing us to a brand new team of heroes in its 156 minutes. Most of them, quite frankly, aren’t very compelling. Comic book lovers may be familiar, but the masses aren’t. When Iron Man got the gang together nearly a decade ago, we knew the gang. Eternals, which loves it landscapes and sunsets silhouetting its protagonists, strains to properly introduce them. For a movie that feels long, it’s still short on character development and getting us to care about this team in ways we previously did. I admired plenty about this latest adventure, but it still stands as one of the MCU’s overall weakest experiences.

A prologue set in 5000 B.C. establishes the players. The Eternals are a group of immortals tasked with saving planets from Deviants, a lot of monstrous CGI creations. Their leader is Ajak (Salma Hayek), who takes her orders from the almighty Arishem. Each Eternal has their own set of powers. Sersi (Gemma Chan) can transform matter. Her love interest Ikaris (Richard Madden) can shoot freakin lasers from his eyeballs (think Cyclops). Phastos (Brian Tyree Henry) is the science nerd capable of advancing technology centuries ahead of time. And… we’re gonna be here all day if I keep this up, but a couple more. Sprite (Lia McHugh) can create illusions, but can’t hide the fact that she’ll look like a 12-year-old girl for eternity. Thena (Angelina Jolie) is capable of creating weapons from thin air. Yet she’s a weapon herself because she has a condition that causes her to turn against her counterparts and try to kill them.

The Eternals spend centuries on Earth taking on the Deviants and appear to achieve their mission in 1521. The band breaks up and they’re free to roam free on our Earthly soil, which Nomadland director Zhao frames in loving travelogue mode. Importantly, Ajak orders them not to interfere with the many conflicts that will transpire over the coming centuries. That means the Eternals are not involved when Thanos wipes out half the population in Avengers: Infinity War. They’re not showing up for house calls with Doctor Strange or assisting Hulk smash anything.

In present day, the Deviants resurface and they must assemble (!) again. Some have taken on unexpected careers. Kingo (Kumail Nanjiani) is a Bollywood leading man with a trusty assistant (Harish Patel). He’s been a superstar for decades with the public believing his dad, granddad, and so on were different people. The real function for Nanjiani is to provide some comic relief in a story that needs it.. The actor and the superb Patel are up to the assignment. They might be the two characters I’d be excited to see return in future MCU tales.

On the flip side, the failed romance between Sersi and Ikaris is a yawner. And familiar faces like Hayek and Jolie aren’t given enough screen time to register. Barry Keoghan, always a compelling actor to watch, is Druig. He can manipulate minds and his superpower runs counter to his orders. Druig has the potential for a fascinating character arc yet, once again, the packed nature of the screenplay prevents it.

The look of Eternals is undoubtedly different than the MCU sheen we’re accustomed to. It has more of a real location feel as opposed to video game extravaganza. Some of the action sequences are well constructed. Others fall into the confused CGI jumble that’s hampered even some of the finest franchise flicks.

Here’s the bottom line – Eternals is by no means bad (even the middling stories in this series are quite watchable). It feels unnecessary because it never fully succeeds at making us understand why we need to be invested. Ajak’s hideaway in the present day is in South Dakota. Nothing that happens here made me think any Eternal will be carved into the Mt. Rushmore of Marvel’s cinematic universe.

**1/2 (out of four)

House of Gucci Box Office Prediction

The trailers have already inspired plenty of memes and GIFs and soon we’ll know if audiences are inspired to check out House of Gucci in theaters. From director Ridley Scott, the flashy crime drama centered on the fashion family is out November 24th over the long Thanksgiving weekend. It’s filled with Academy players like Lady Gaga (in her second major role after her Oscar nominated turn in A Star Is Born), Adam Driver, Jared Leto, Jeremy Irons, Salma Hayek, and Al Pacino.

While the review embargo is not yet up, plenty of reactions have come from screenings and they are very mixed. Despite the prevalence of award winning thespians, it appears doubtful that Gucci will be a significant Oscar contender (though Gaga and Leto could get in). The varied buzz could prevent some moviegoers from checking in and adult dramas have struggled mightily in the COVID era. Just last month, Scott’s own The Last Duel was a high priced bomb.

I do believe the curiosity factor will be higher for Gucci than Duel and it also helps that Gaga has plenty of ardent followers who should turn up. That said, a debut in the lower double digits for the traditional frame and close to $2o million for the five-day is probably where this lands.

House of Gucci opening weekend prediction: $12.3 million (Friday to Sunday); $19.8 million (Wednesday to Sunday)

For my Encanto prediction, click here:

Encanto Box Office Prediction

For my Resident Evil: Welcome to Raccoon City prediction, click here:

Resident Evil: Welcome to Raccoon City Box Office Prediction

Oscar Predictions: House of Gucci

While its official embargo isn’t up until two days before its unveiling on November 24th, MGM has lifted the curtain on social media reactions for House of Gucci. They are something to behold as critics are wildly divergent in their takes. There are some consistencies – it’s overlong (157 minutes), all over the place in tone (switching from camp to quite serious), and that the performances of Lady Gaga and Jared Leto will garner plenty of ink as well as memes.

So how will this play in the House of Oscar? There appear to be plenty of naysayers for the pic’s overall quality (the word “mess” has been bandied about). Enough negative reviews could certainly downgrade the chance of a Best Picture nod and I don’t see director Ridley Scott or the screenwriters (Becky Johnston and Roberto Bentivegna) making the cut in their races. For Sir Ridley, this is his second at bat for awards attention this year after The Last Duel. Its minuscule box office earnings seem to have sunk its chances.

Besides Makeup and Hairstyling and Costume Design (where Gucci could easily show up), the Academy’s primary focus here should be the performances. The cast is filled with Oscar winners and nominees, but don’t expect much chatter for Adam Driver, Al Pacino, Jeremy Irons, or Salma Hayek. Driver has been lingering at the bottom of my ten Best Actor hopefuls for weeks. I’d anticipate him dropping this weekend when I update my projections.

The two performers that should vie for the ballot are Lady Gaga and Jared Leto. Three years after her Actress nod in A Star Is Born, the pop superstar’s inclusion once again seems probable. That said, don’t expect her to top the frontrunner Kristen Stewart (Spencer) and she also might be a tad behind Jessica Chastain (The Eyes of Tammy Faye).

Leto won Supporting Actor eight years ago for Dallas Buyers Club and likely fell just short of a second nomination last year for The Little Things. The buzz for his work is that he wildly overacts in Gucci. Whether it’s tremendously entertaining or embarrassing depends on whose Tweet you lay eyes on. It’s entirely feasible that his role might be memorable enough that he gets in (especially since Supporting Actor seems wide open in 2021).

Bottom line: I’ve had House of Gucci in my top ten Picture contenders the whole way. Today I’m more skeptical it makes it. As for Gaga and Leto, their chances are stronger. My Oscar Prediction posts for the films of 2021 will continue…

2021 Oscar Predictions: The State of the Supporting Actress Race

The 2021 derby for Best Supporting Actress at the Oscars might have a bit more clarity than the currently wide open Supporting Actor race, but not much. I’m doing a deep dive on the four acting races as well as Picture and Director. If you missed the first post covering Supporting Actor, you can peruse it right here:

2021 Oscar Predictions: The State of the Supporting Actor Race

At this point when I was projecting the race in 2019 and 2020, I correctly identified three out of the five eventual nominees. Two years ago, that included the winner Laura Dern in Marriage Story as well as Florence Pugh (Little Women) and Margot Robbie for Bombshell. Scarlett Johansson was mentioned in Other Possibilities while I didn’t have Kathy Bates (Richard Jewell) listed. Last year, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were in my five. Eventual victor Yuh-jung Youn (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were in Other Possibilities.

Since 2010, there have been three instances where two actresses for the same picture made the cut here. In 2010, it was Melissa Leo (who won) and Amy Adams in The Fighter. A year later, Octavia Spencer took gold for The Help while costar Jessica Chastain also got in. In 2018, both Emma Stone and Rachel Weisz were nominated for The Favourite. 

The best chance of that happening in 2021 lies with Caitriona Balfe and Judi Dench for Belfast. The former could be considered the frontrunner at press time. I’m confident that Balfe will be in the quintet of hopefuls. My Supporting Actor forecast has both Jamie Dornan and Ciaran Hinds in for Kenneth Branagh’s period drama. It might be foolish to bet against Dench and she could absolutely get her 8th nod. I do, however, feel the competition is steeper than Supporting Actor at the moment and she could miss out.

Other double nominee possibilities lie with Jessie Buckley and Dakota Johnson in The Lost Daughter, but I could just as easily see lead Olivia Colman garnering all the attention. The as yet unscreened Nightmare Alley could see either Toni Collette or Rooney Mara competing.

Then there’s Mass. Ann Dowd looks to be a better bet than Martha Plimpton. If the acclaimed drama catches on with the Academy, there could be room for both. For now, I’m far more confident in Dowd receiving her first nod after her somewhat surprise omission for 2012’s Compliance. 

With Balfe and Dowd penciled in, Kirsten Dunst also appears headed for her inaugural inclusion at the dance for The Power of the Dog. She could even be a threat to win.

After that, it gets murky. There’s plenty of hopefuls. 50 years ago, Rita Moreno took gold as Anita for West Side Story. The forthcoming remake could see Ariana DeBose nominated for the same role in Steven Spielberg’s remake. Marlee Matlin (35 years after taking Best Actress for Children of a Lesser God) got fine reviews for CODA. If the film registers with voters, she could be swept in. King Richard is anticipated to give Will Smith a solid chance at his first Oscar crowning and Aunjanue Ellis (as the mother of Venus and Serena Williams) could share in the wealth. Salma Hayek is part of the House of Gucci ensemble. She hasn’t been visible in the trailers and that gives me pause. Online chatter will be heavy for Rebecca Ferguson in Dune, though I question whether any of its cast makes its way in. Also worthy of mention: Olga Merediz (In the Heights), Gaby Hoffman (C’Mon C’Mon), Kathryn Hunter (The Tragedy of Macbeth), Sally Hawkins (Spencer), and Jayne Houdyshell (The Humans). All are feasible but will need lot some critics prizes to elevate their chances.

Meryl Streep is gunning for her 22nd (!) nomination for Don’t Look Up. Playing the President of the United States in the political satire, it feels strange to leave her out of the top 5 for such a high profile role. Let’s see what the critics think before I more carefully consider her.

One performer who seems to catching on is Ruth Negga for Passing. Nominated for Actress five years back for Loving, I was basically down to a coin flip between her and Aunjanue Ellis for a current slot. I’m leaning toward Negga in what would probably be the film’s sole nod.

Bottom line: right now I have Balfe, Dunst, and Dowd as (fairly) safe bets with the other two spots up for grabs. Here’s where it shakes out as October closes:

Best Supporting Actress

Predicted Nominees:

1. Caitriona Balfe, Belfast (Previous Ranking: 1)

2. Kirsten Dunst, The Power of the Dog (PR: 2)

3. Ann Dowd, Mass (PR: 3)

4. Ariana DeBose, West Side Story (PR: 5)

5. Ruth Negga, Passing (PR: 6)

Other Possibilities:

6. Aunjanue Ellis, King Richard (PR: 4)

7. Judi Dench, Belfast (PR: 7)

8. Marlee Matlin, CODA (PR: 9)

9. Meryl Streep, Don’t Look Up (PR: Not Ranked)

10. Jayne Houdyshell, The Humans (PR: 10)

Dropped Out:

Rooney Mara, Nightmare Alley

Next up: Best Actor!

Eternals Box Office Prediction

The Marvel Cinematic Universe has been unleashing product at a furious pace following COVID delays and that continues November 5th with Eternals. Arriving four months after Black Widow, two months following Shang-Chi and the Legend of the Ten Rings and a month a half before Spider-Man: No Way Home, this is the 26th MCU superhero tale in the massive series. Chloe Zhao, fresh off a Best Picture and Director win for Nomadland, directs with a cast featuring Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Kit Harington, Salma Hayek, and Angelina Jolie.

Originally scheduled for November 2020 before the pandemic altered Disney’s plans, this is the long anticipated adaptation of Jack Kirby’s comics that debuted over half a century ago. Surprisingly, initial buzz is mixed in a way Marvel rarely sees. The Rotten Tomatoes meter currently sits at 63%. That’s the lowest score of any MCU offering to date (just below Thor: The Dark World‘s 66%).

If there’s any franchise that’s teflon, it would be this one. Reviews shouldn’t matter too much, but the word-of-mouth could keep Eternals from reaching COVID era records. Venom: Let There Be Carnage has the best three day start of the period with $90 million. In July, Black Widow took in $80 million out of the gate. Over Labor Day weekend, Shang-Chi surpassed projections with $75 million from Friday to Sunday and $94 million when adding the Monday haul.

Had Eternals achieved the glowing chatter of Shang-Chi, I might be discussing an opening weekend of over $100 million. Now I’m skeptical. I believe it’s more likely that Eternals could debut on pace with what its MCU predecessor did during the first three days. That’s just fine, but it’s an adjustment down from what I would’ve figured even a week or so ago.

Eternals opening weekend prediction: $77.8 million

For my Spencer prediction, click here:

Spencer Box Office Prediction

Oscar Predictions: Eternals

Chloe Zhao was the big winner at the previous Academy Awards when Nomadland took Best Picture and she became the second female filmmaker to take the trophy for her direction. Her follow-up is a high profile one in Marvel’s Eternals, which opens November 5th and had its review embargo lifted today.

With an eclectic cast including Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Kit Harington, Salma Hayek, and Angelina Jolie, MCU entry #26 is undoubtedly one of 2021’s most anticipated blockbusters. However, critical reaction is certainly mixed. The 74% Rotten Tomatoes score is on the lower side for this series. Just this year, Black Widow stands at 79% while Shang-Chi and the Legend of the Ten Rings got to 92%.

Any thought of Zhao’s having two Best Picture winners or nominees in a row (or being mentioned again in Director) has fallen by the wayside. The one race where I did feel hope for Eternals sprung was in Visual Effects. That could still happen, but I’m not near as confident. Competition will be fairly strong. Dune is easily the frontrunner and will likely win. Other notable contenders include The Matrix Resurrections, Don’t Look Up, Godzilla vs. Kong, Nightmare Alley, Jungle Cruise, Finch, and Free Guy. And then there’s the other MCU rivals like Shang-Chi and the upcoming Spider-Man: No Way Home. 

There could still be room for Eternals in VE, but I’m thinking it may on the outside looking in. Even some of the reviews aren’t gushing about the visuals. Bottom line: Eternals took itself out of the running for the big races and could be iffy in the one tech competition where I thought it stood an excellent shot. My Oscar Prediction posts for the films of 2021 will continue…

2021 Oscar Predictions: August 26th Edition

My weekly Oscar predictions as we close out August have a bit of a Christmas Eve feel to them. Better yet, Film Festival Eve as Venice kicks off next week where cinematic presents will be laid out for consideration. The first 2021 Oscar predictions of September will come with reviews out for major contenders, most notably Jane Campion’s The Power of the Dog which currently stands at #1 in Picture and Director.

That’s not all. When I post next Thursday, there should be buzz for Pedro Almodovar’s Parallel Mothers and Paul Schrader’s The Card Counter. Maggie Gyllenhaal’s The Lost Daughter, Edgar Wright’s Last Night in Soho, Paolo Sorrentino’s The Hand of God, Ridley Scott’s The Last Duel, and Denis Villeneuve’s Dune will follow shortly after that.

Same goes for Pablo Larrain’s Spencer. That could make Best Actress a little clearer due to Kristen Stewart’s work as Princess Diana. Miss Stewart makes her first appearance in my five hopefuls in that race. This is partly due to taking Kirsten Dunst from lead to supporting. It remains to be seen where Dunst ends up. That move and her inclusion in Supporting Actress knocks out Toni Collette in Nightmare Alley.

There are other changes:

    • In Best Picture, I continue to tinker with the 10 spot. This week, I have vaulted Paolo Sorrentino’s The Hand of God up 12 spots to get in the mix. Falling out is Stephen Karam’s The Humans. The switch-up also puts God in Original Screenplay over A Hero.
    • We have changes at #1 in both Actor and Supporting Actor. Benedict Cumberbatch in The Power of the Dog tops lead and that slides Denzel Washington (The Tragedy of Macbeth) to 2nd. Bradley Cooper returns to first position in supporting for Soggy Bottom over Dog’s Jesse Plemons.

You can peruse all the activity below as Venice looms!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 1)

2. House of Gucci (PR: 2)

3. The Tragedy of Macbeth (PR: 3)

4. Nightmare Alley (PR: 4)

5. Soggy Bottom (PR: 5)

6. Don’t Look Up (PR: 7)

7. Dune (PR: 6)

8. West Side Story (PR: 9)

9. CODA (PR: 8)

10. The Hand of God (PR: 22)

Other Possibilities:

11. The Humans (PR: 10)

12. The French Dispatch (PR: 13)

13. Mass (PR: 11)

14. Belfast (PR: 14)

15. A Hero (PR: 12)

16. Flee (PR: 15)

17. Spencer (PR: 17)

18. Last Night in Soho (PR: 19)

19. Tick, Tick… Boom! (PR: 16)

20. The Last Duel (PR: 25)

21. King Richard (PR: 18)

22. Parallel Mothers (PR: 21)

23. Passing (PR: 20)

24. Being the Ricardos (PR: 23)

25. C’Mon C’Mon (PR: Not Ranked)

Dropped Out:

Cyrano 

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1)

2. Guillermo del Toro, Nightmare Alley (PR: 2)

3. Joel Coen, The Tragedy of Macbeth (PR: 3)

4. Ridley Scott, House of Gucci (PR: 4)

5. Denis Villeneuve, Dune (PR: 5)

Other Possibilities:

6. Paul Thomas Anderson, Soggy Bottom (PR: 6)

7. Adam McKay, Don’t Look Up (PR: 7)

8. Paolo Sorrentino, The Hand of God (PR: Not Ranked)

9. Steven Spielberg, West Side Story (PR: 9)

10. Asghar Farhadi, A Hero (PR: 8)

11. Wes Anderson, The French Dispatch (PR: 13)

12. Kenneth Branagh, Belfast (PR: 11)

13. Sian Heder, CODA (PR: 12)

14. Jonas Poher Rasmussen, Flee (PR: 10)

15. Pablo Larrain, Spencer (PR: Not Ranked)

Dropped Out:

Stephen Karam, The Humans

Fran Kranz, Mass

Best Actress

Predicted Nominees:

1. Lady Gaga, House of Gucci (PR: 1)

2. Frances McDormand, The Tragedy of Macbeth (PR: 2)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)

4. Kristen Stewart, Spencer (PR: 6)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Penelope Cruz, Parallel Mothers (PR: 7)

7. Jodie Comer, The Last Duel (PR: 12)

8. Nicole Kidman, Being the Ricardos (PR: 9)

9. Cate Blanchett, Nightmare Alley (PR: 11)

10. Emilia Jones, CODA (PR: 8)

11. Renate Reinsve, The Worst Person in the World (PR: 10)

12. Jennifer Lawrence, Don’t Look Up (PR: 13)

13. Rachel Zegler, West Side Story (PR: 14)

14. Olivia Colman, The Lost Daughter (PR: 15)

15. Halle Berry, Bruised (PR: Not Ranked)

Dropped Out:

Kirsten Dunst, The Power of the Dog (moved to Supporting Actress)

Best Actor

Predicted Nominees:

1. Benedict Cumberbatch, The Power of the Dog (PR: 2)

2. Denzel Washington, The Tragedy of Macbeth (PR: 1)

3. Will Smith, King Richard (PR: 3)

4. Adam Driver, House of Gucci (PR: 4)

5. Leonardo DiCaprio, Don’t Look Up (PR: 5)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 11)

7. Bradley Cooper, Nightmare Alley (PR: 6)

8. Andrew Garfield, Tick, Tick… Boom! (PR: 7)

9. Clifton Collins, Jr., Jockey (PR: 10)

10. Amir Jadidi, A Hero (PR: 8)

11. Nicolas Cage, Pig (PR: 12)

12. Steven Yeun, The Humans (PR: 9)

13. Adam Driver, Annette (PR: 14)

14. Peter Dinklage, Cyrano (PR: 13)

15. Javier Bardem, Being the Ricardos (PR: Not Ranked)

Dropped Out:

Cooper Hoffman, Soggy Bottom

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass (PR: 1)

2. Kirsten Dunst, The Power of the Dog (PR: Not Ranked – moved from lead Actress)

3. Marlee Matlin, CODA (PR: 4)

4. Ariana DeBose, West Side Story (PR: 3)

5. Jayne Houdyshell, The Humans (PR: 2)

Other Possibilities:

6. Toni Collette, Nightmare Alley (PR: 5)

7. Rooney Mara, Nightmare Alley (PR: 6)

8. Martha Plimpton, Mass (PR: 9)

9. Meryl Streep, Don’t Look Up (PR: 7)

10. Ruth Negga, Passing (PR: 8)

11. Judi Dench, Belfast (PR: 12)

12. Olga Merediz, In the Heights (PR: 11)

13. Nina Arianda, Being the Ricardos (PR: 14)

14. Rebecca Ferguson, Dune (PR: Not Ranked)

15. Aunjanue Ellis, King Richard (PR: 13)

Dropped Out:

Thomasin McKenzie, The Power of the Dog

Salma Hayek, House of Gucci

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Soggy Bottom (PR: 3)

2. Jesse Plemons, The Power of the Dog (PR: 1)

3. Richard Jenkins, The Humans (PR: 2)

4. Jared Leto, House of Gucci (PR: 4)

5. Corey Hawkins, The Tragedy of Macbeth (PR: 5)

Other Possibilities:

6. Jason Isaacs, Mass (PR: 7)

7. Mark Rylance, Don’t Look Up (PR: 6)

8. Willem Dafoe, Nightmare Alley (PR: 8)

9. Jonah Hill, Don’t Look Up (PR: Not Ranked)

10. Troy Kotsur, CODA (PR: 9)

11. Simon Helberg, Annette (PR: 13)

12. Idris Elba, The Harder They Fall (PR: 10)

13. Reed Birney, Mass (PR: 12)

14. J.K. Simmons, Being the Ricardos (PR: Not Ranked)

15. Adam Driver, The Last Duel (PR: 15)

Dropped Out:

Bradley Whitford, Tick, Tick… Boom!

David Alvarez, West Side Story

Best Original Screenplay

Predicted Nominees:

1. Soggy Bottom (PR: 1)

2. Don’t Look Up (PR: 2)

3. The French Dispatch (PR: 4)

4. Mass (PR: 3)

5. The Hand of God (PR: 13)

Other Possibilities:

6. Parallel Mothers (PR: 6)

7. Belfast (PR: 7)

8. A Hero (PR: 5)

9. C’Mon C’Mon (PR: 9)

10. Being the Ricardos (PR: 8)

11. Spencer (PR: 12)

12. Last Night in Soho (PR: 10)

13. The Worst Person in the World (PR: 11)

14. Blue Bayou (PR: 14)

15. King Richard (PR: 15)

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1)

2. The Tragedy of Macbeth (PR: 3)

3. House of Gucci (PR: 2)

4. Nightmare Alley (PR: 5)

5. The Humans (PR: 4)

Other Possibilities:

6. CODA (PR: 6)

7. Dune (PR: 7)

8. The Last Duel (PR: 10)

9. Passing (PR: 9)

10. Tick, Tick… Boom! (PR: 8)

11. West Side Story (PR: 12)

12. The Lost Daughter (PR: 13)

13. Cyrano (PR: 11)

14. The Eyes of Tammy Faye (PR: 15)

15. Dear Evan Hansen (PR: Not Ranked)

Dropped Out:

In the Heights

2021 Oscar Predictions: August 19th Edition

We are a mere two weeks away from the Venice Film Festival and that will be followed up in short order by Telluride and Toronto. It is then that a number of titles mentioned below will receive their first critical reactions. That will translate into whether their Oscar buzz is real or fleeting.

As for this week, there are some changes in the rankings and projections as follows:

    • We have ourselves a new #1 in Best Picture and Director and that is Jane Campion’s The Power of the Dog, supplanting Ridley Scott’s House of Gucci. The film is a mainstay on the upcoming festival circuit and it could well be Netflix’s prime contender.
    • The 10 spot in Best Picture has a change. I’ve soured a bit on Asghar Farhadi’s A Hero. While I strongly feel it will contend in Best International Feature Film, I’m changing it out for Stephen Karam’s The Humans – the cinematic version of his acclaimed play. It jumps 11 spots to get into the BP derby. The Humans also is now forecasted for Adapted Screenplay to the detriment of CODA.
    • Amir Jadidi’s performance in A Hero is removed from the top five in Best Actor with Leonardo DiCaprio (Don’t Look Up) taking the slot.
    • After viewing CODA, I believe Troy Kotsur (playing Marlee Matlin’s randy husband) could find a way into Supporting Actor. I don’t have him in the five, but Kotsur makes his first appearance in the race at #9.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 2)

2. House of Gucci (PR: 1)

3. The Tragedy of Macbeth (PR: 3)

4. Nightmare Alley (PR: 4)

5. Soggy Bottom (PR: 5)

6. Dune (PR: 6)

7. Don’t Look Up (PR: 7)

8. CODA (PR: 8)

9. West Side Story (PR: 9)

10. The Humans (PR: 21)

Other Possibilities:

11. Mass (PR: 11)

12. A Hero (PR: 10)

13. The French Dispatch (PR: 12)

14. Belfast (PR: 13)

15. Flee (PR: 19)

16. Tick Tick… Boom! (PR: 16)

17. Spencer (PR: 15)

18. King Richard (PR: 14)

19. Last Night in Soho (PR: 22)

20. Passing (PR: 20)

21. Parallel Mothers (PR: 17)

22. The Hand of God (PR: Not Ranked)

23. Being the Ricardos (PR: 24)

24. Cyrano (PR: 18)

25. The Last Duel (PR: Not Ranked)

Dropped Out:

Blue Bayou

In the Heights

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 2)

2. Guillermo del Toro, Nightmare Alley (PR: 3)

3. Joel Coen, The Tragedy of Macbeth (PR: 4)

4. Ridley Scott, House of Gucci (PR: 1)

5. Denis Villeneuve, Dune (PR: 5)

Other Possibilities:

6. Paul Thomas Anderson, Soggy Bottom (PR: 6)

7. Adam McKay, Don’t Look Up (PR: 7)

8. Asghar Farhadi, A Hero (PR: 8)

9. Steven Spielberg, West Side Story (PR: 9)

10. Jonas Poher Rasmussen, Flee (PR: Not Ranked)

11. Kenneth Branagh, Belfast (PR: 10)

12. Sian Heder, CODA (PR: 11)

13. Wes Anderson, The French Dispatch (PR: 12)

14. Stephen Karam, The Humans (PR: Not Ranked)

15. Fran Kranz, Mass (PR: 13)

Dropped Out:

Pedro Almodovar, Parallel Mothers

Pablo Larrain, Spencer

Best Actress

Predicted Nominees:

1. Lady Gaga, House of Gucci (PR: 1)

2. Frances McDormand, The Tragedy of Macbeth (PR: 2)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)

4. Kirsten Dunst, The Power of the Dog (PR: 3)

5. Jennifer Hudson, Respect (PR: 4)

Other Possibilities:

6. Kristen Stewart, Spencer (PR: 6)

7. Penelope Cruz, Parallel Mothers (PR: 7)

8. Emilia Jones, CODA (PR: 8)

9. Nicole Kidman, Being the Ricardos (PR: 9)

10. Renate Reinsve, The Worst Person in the World (PR: 12)

11. Cate Blanchett, Nightmare Alley (PR: 10)

12. Jodie Comer, The Last Duel (PR: 11)

13. Jennifer Lawrence, Don’t Look Up (PR: 14)

14. Rachel Zegler, West Side Story (PR: 13)

15. Olivia Colman, The Lost Daughter (PR: Not Ranked)

Dropped Out:

Halle Berry, Bruised

Best Actor

Predicted Nominees:

1. Denzel Washington, The Tragedy of Macbeth (PR: 1)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2)

3. Will Smith, King Richard (PR: 3)

4. Adam Driver, House of Gucci (PR: 4)

5. Leonardo DiCaprio, Don’t Look Up (PR: 8)

Other Possibilities:

6. Bradley Cooper, Nightmare Alley (PR: 7)

7. Andrew Garfield, Tick, Tick… Boom! (PR: 6)

8. Amir Jadidi, A Hero (PR: 5)

9. Steven Yeun, The Humans (PR: 12)

10. Clifton Collins, Jr., Jockey (PR: 11)

11. Joaquin Phoenix, C’Mon C’Mon (PR: 9)

12. Nicolas Cage, Pig (PR: 14)

13. Peter Dinklage, Cyrano (PR: 10)

14. Adam Driver, Annette (PR: 13)

15. Cooper Hoffman, Soggy Bottom (PR: 15)

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass (PR: 1)

2. Jayne Houdyshell, The Humans (PR: 4)

3. Ariana DeBose, West Side Story (PR: 2)

4. Marlee Matlin, CODA (PR: 3)

5. Toni Collette, Nightmare Alley (PR: 5)

Other Possibilities:

6. Rooney Mara, Nightmare Alley (PR: 12)

7. Meryl Streep, Don’t Look Up (PR: 7)

8. Ruth Negga, Passing (PR: 8)

9. Martha Plimpton, Mass (PR: 6)

10. Thomasin McKenzie, The Power of the Dog (PR: 9)

11. Olga Merediz, In the Heights (PR: 11)

12. Judi Dench, Belfast (PR: 13)

13. Aunjanue Ellis, King Richard (PR: 10)

14. Nina Arianda, Being the Ricardos (PR: 14)

15. Salma Hayek, House of Gucci (PR: Not Ranked)

Dropped Out:

Anya Taylor-Joy, Last Night in Soho

Best Supporting Actor

Predicted Nominees:

1. Jesse Plemons, The Power of the Dog (PR: 1)

2. Richard Jenkins, The Humans (PR: 3)

3. Bradley Cooper, Soggy Bottom (PR: 2)

4. Jared Leto, House of Gucci (PR: 4)

5. Corey Hawkins, The Tragedy of Macbeth (PR: 5)

Other Possibilities:

6. Mark Rylance, Don’t Look Up (PR: 9)

7. Jason Isaacs, Mass (PR: 6)

8. Willem Dafoe, Nightmare Alley (PR: 10)

9. Troy Kotsur, CODA (PR: Not Ranked)

10. Idris Elba, The Harder They Fall (PR: 11)

11. Bradley Whitford, Tick Tick… Boom! (PR: 12)

12. Reed Birney, Mass (PR: 8)

13. Simon Helberg, Annette (PR: 15)

14. David Alvarez, West Side Story (PR: Not Ranked)

15. Adam Driver, The Last Duel (PR: 14)

Dropped Out:

Richard E. Grant, Everybody’s Talking About Jamie

Ben Mendelsohn, Cyrano

Best Original Screenplay

Predicted Nominees:

1. Soggy Bottom (PR: 1)

2. Don’t Look Up (PR: 2)

3. Mass (PR: 3)

4. The French Dispatch (PR: 4)

5. A Hero (PR: 5)

Other Possibilities:

6. Parallel Mothers (PR: 6)

7. Belfast (PR: 12)

8. Being the Ricardos (PR: 9)

9. C’Mon C’Mon (PR: 7)

10. Last Night in Soho (PR: 8)

11. The Worst Person in the World (PR: 10)

12. Spencer (PR: 11)

13. The Hand of God (PR: Not Ranked)

14. Blue Bayou (PR: 14)

15. King Richard (PR: 13)

Dropped Out:

Annette

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1)

2. House of Gucci (PR: 2)

3. The Tragedy of Macbeth (PR: 3)

4. The Humans (PR: 6)

5. Nightmare Alley (PR: 4)

Other Possibilities:

6. CODA (PR: 5)

7. Dune (PR: 7)

8. Tick Tick… Boom! (PR: 10)

9. Passing (PR: 8)

10. The Last Duel (PR: 12)

11. Cyrano (PR: 9)

12. West Side Story (PR: 11)

13. The Lost Daughter (PR: 13)

14. In the Heights (PR: Not Ranked)

15. The Eyes of Tammy Faye (PR: 15)

Dropped Out:

Dear Evan Hansen 

Back at it next week!

Early 2021 Oscar Predictions: Best Supporting Actress

My earliest 2021 Oscar predictions continues with Best Supporting Actress! If you missed my first post covering the supporting gentlemen, you can find it here:

Early 2021 Oscar Predictions: Best Supporting Actor

In that post, you can find all the caveats about how early we are in the season and so forth. We will have the Venice and Toronto in weeks and that will certainly shape the race.

One season ago, amidst all the pandemic uncertainty, I correctly called 2 of the 5 eventual nominees here (Glenn Close in Hillbilly Elegy and Olivia Colman for The Father). Amanda Seyfried (Mank) was listed in the possibilities section. Eventual winner Youn Yuh-Jung (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were not mentioned.

Next week I’ll begin the official rankings, but here’s where I have the competition at this early moment:

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story

Ann Dowd, Mass

Kirsten Dunst, The Power of the Dog

Ruth Negga, Passing

Other Possibilities:

Toni Collette, Nightmare Alley

Sally Hawkins, Spencer

Salma Hayek, House of Gucci

Jayne Houdyshell, The Humans

Marlee Matlin, CODA

Audra McDonald, Respect

Olga Merediz, In the Heights

Martha Plimpton, Mass

Meryl Streep, Don’t Look Up

Anya Tayl0r-Joy, Last Night in Soho

Best Actor is up next!