Tag: Steven Soderbergh

March 28-30 Box Office Predictions

A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:

A Working Man Box Office Prediction
Death of a Unicorn Box Office Prediction
The Woman in the Yard Box Office Prediction
The Chosen: Last Supper – Part 1 Box Office Prediction

Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.

That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.

Here’s how I see it playing out:

1. Snow White

Predicted Gross: $16.4 million

2. A Working Man

Predicted Gross: $13.9 million

3. Death of a Unicorn

Predicted Gross: $8.8 million

4. The Woman in the Yard

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $6.4 million

Box Office Results (March 21-23)

Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…

They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.

As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.

Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.

Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.

Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.

Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).

And that does it for now, folks! Until next time…

March 21-23 Box Office Predictions

Hollywood hopes that Disney’s live-action remake of Snow White can wake up a sleepy box office this weekend while The Alto Knights with a double dose of Robert De Niro also debuts. You can peruse my detailed prediction posts on the newcomers here:

Snow White Box Office Prediction
The Alto Knights Box Office Prediction

With Rachel Zegler in the title role and Gal Gadot as the Evil Queen, there’s no doubt Snow White will dwarf all competitors. The question is by how much. A best case scenario might be around $60 million though it could bottom out in the mid to high 30s. I’m giving it high 40s. While that’s nothing to sneeze at, it’s not that happy a result for the Mouse House considering most of their other live-action retellings far outpaced that figure.

Mr. De Niro portrays two real-life gangsters in the period piece Knights. Warner Bros hasn’t given it much of a marketing push. My lower to mid single digits forecast could put it anywhere from second to sixth.

Holdovers Novocaine (the current champ), Black Bag, Captain America: Brave New World, and Mickey 17 should all generate similar earnings. In fact, I have #2 and #6 separated by only half a million bucks. That’s with Novocaine dwindling just over 50% and Black Bag falling in the high 40s in its sophomore frame. Captain America is likely to experience the smallest decline.

Here’s how I have the top 6 playing out:

1. Snow White

Predicted Gross: $49.6 million

2. Novocaine

Predicted Gross: $4.1 million

3. Captain America: Brave New World

Predicted Gross: $4.1 million

4. Black Bag

Predicted Gross: $4 million

5. The Alto Knights

Predicted Gross: $3.7 million

6. Mickey 17

Predicted Gross: $3.6 million

Box Office Results (March 14-16)

It was a painful weekend in multiplexes as no feature topped $10 million. Novocaine with Jack Quaid had muted bragging rights in 1st with $8.8 million. Failing to match my $9.8 million prediction, look for this to fade quickly with a meh B Cinemascore.

Also sporting a B Cinemascore was Steven Soderbergh’s Black Bag with Cate Blanchett and Michael Fassbender. The spy thriller was second with $7.6 million, just over my $7.3 million projection.

Bong Joon-ho’s Mickey 17 suffered a considerable 61% drop and was third with $7.4 million. I was a tad more generous to the Robert Pattinson sci-fi satire at $8.1 million. The two-week tally is an unimpressive $33 million.

Captain America: Brave New World was fourth at $5.6 million (I said $5.7 million) for a five-week total of $185 million and $200 million domestic looking achievable.

The Day the Earth Blew Up: A Looney Tunes Movie rounded out the top five with a mere $3.1 million compared to my $3.8 million estimate for the animated offering.

And that does it for now, folks! Until next time…

March 14-16 Box Office Predictions

Jack Quaid is unconventional hero Novocaine, Cate Blanchett and Michael Fassbender carry the romantic thriller Black Bag from Steven Soderbergh, and Daffy Duck and Porky Pig headline The Day the Earth Blew Up: A Looney Tunes Movie this weekend. You can peruse my detailed prediction posts on the new trio here:

Novocaine Box Office Prediction
Black Bag Box Office Prediction
The Day the Earth Blew Up: A Looney Tunes Movie Box Office Prediction

It could be a battle for the #1 spot. I’m projecting no feature will top $10 million though I believe Novocaine has the best shot and that it manages first place with only mild bragging rights.

I foresee Mickey 17 suffering a significant drop in its sophomore frame after a so-so start (more on that below). A mid to high 50s plummet would put it in second or maybe even third.

Black Bag, generating impressive reviews, could outdo my third place number but the adult drama should face trouble bringing in a younger crowd.

Speaking of younger crowds, Looney Tunes hopes to cash in on its well-known animated stars. Yet this seems to be severely under marketed and I have it in fifth behind Captain America: Brave New World.

Here’s how I have the high five shaking out:

1. Novocaine

Predicted Gross: $9.8 million

2. Mickey 17

Predicted Gross: $8.1 million

3. Black Bag

Predicted Gross: $7.3 million

4. Captain America: Brave New World

Predicted Gross: $5.7 million

5. The Day the Earth Blew Up: A Looney Tunes Movie

Predicted Gross: $3.8 million

Box Office Results (March 7-9)

Bong Joon-ho’s Mickey 17 ended Captain America‘s three-week #1 reign with $19 million. Given the reported price tag of around $120 million, that’s not a result to brag about. However, the sci-fi satire with Robert Pattinson did surpass my $17.9 million prediction.

Captain America: Brave New World fell to second with $8.3 million. I was on target at $8.4 million. The MCU adventure now stands at $176 million.

Last Breath was third with $4 million, a bit lower than my $4.6 million forecast for the survival flick. The two-week take is $14 million.

The Monkey was fourth with $3.9 million (I said $3.4 million) for $31 million after three weeks.

Paddington in Peru rounded out the top five at $3.7 million and I incorrectly had it outside the leading quintet. The sequel’s four-week gross is $36 million.

Finally, Rule Breakers from Angel Studios stumbled in ninth with a paltry $1.5 million. I was far more generous at $3.7 million.

And that does it for now, folks! Until next time…

Black Bag Box Office Prediction

Steven Soderbergh unveils his second 2025 picture in weeks when Black Bag opens on March 14th. The spy thriller is led by Cate Blanchett and Michael Fassbender with Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan in support.

The Focus Features flick is generating impressive critical support with 96% on Rotten Tomatoes. That’s some of the best recent reviews in the prolific director’s long career. Bag‘s buzz could mean this over performs. If this reaches $10 million, that would be quite an accomplishment. I don’t think it gets there, but it should certainly outpace the $3.3 million that Soderbergh’s January predecessor Presence earned out of the gate.

Black Bag opening weekend prediction: $7.3 million

For my Novocaine prediction, click here:

Novocaine Box Office Prediction

For my The Day the Earth Blew Up: A Looney Tunes Movie prediction, click here:

The Day the Earth Blew Up: A Looney Tunes Movie Box Office Prediction

Oscar Predictions: Black Bag

Arriving just weeks after his well-reviewed haunted house flick Presence, the prolific Steven Soderbergh helms the spy thriller Black Bag. Out March 14th, David Koepp handles screenplay duties (he also scripted Presence) with eight-time nominee and two-time Academy winner Cate Blanchett and two-time nominee Michael Fassbender starring. The supporting cast includes Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan.

Critics are digging what they’re finding in Bag. The Rotten Tomatoes score is 95% with Metacritic at 86. Blanchett, Fassbender, and Brosnan (in what’s said to be a small but memorable role) are getting kudos as are the screenplay and cinematography.

That said, Bag probably isn’t an awards play for Focus Features despite the impressive reviews thus far. My Oscar Prediction posts will continue…

January 31-February 2 Box Office Predictions

DreamWorks Animation looks for Dog Man to lap all competitors this weekend as the critically hailed horror pic Companion also opens. Detailed prediction posts on the newcomers can be found here:

Dog Man Box Office Prediction
Companion Box Office Prediction

A spinoff of 2017’s Captain Underpants: The First Epic Movie, I have Dog performing right in range with its predecessor in the mid 20s. That should easily give it top dog status.

As for Companion, I’m thinking it’ll be runner-up. This latest scary movie starring Sophie Thatcher may perform similarly in the low double digits like her previous genre title Heretic did last November.

Flight Risk landed in 1st place this past frame in line with my expectations (more on that below). With a troubling C Cinemascore grade and poor reviews, I have it plummeting over 50% in its sophomore outing. That could mean a fall from 1st to 5th with holdovers Mufasa: The Lion King and One of Them Days having significantly smaller declines.

Here’s how I envision the top 5 shaking out:

1. Dog Man

Predicted Gross: $25.4 million

2. Companion

Predicted Gross: $10.6 million

3. Mufasa: The Lion King

Predicted Gross: $6.5 million

4. One of Them Days

Predicted Gross: $6 million

5. Flight Risk

Predicted Gross: $5.7 million

Box Office Results (January 24-26)

Mel Gibson’s action thriller Flight Risk with a balding Mark Wahlberg led all pics with $11.5 million, in line with my $11.3 million call. It’s a fairly ho-hum start during these January doldrums and, as mentioned, I look for it to lose altitude quickly.

Mufasa: The Lion King was second with $8.5 million, on target with my $8.7 million prediction. The Disney property bumped its tally to $220 million after six weeks.

One of Them Days with Keke Palmer and SZA rode a wave of complimentary buzz to a 32% dip in weekend #2. It took in $8 million to rise above my $6.8 million projection. The ten-day take is $25 million.

Sonic the Hedgehog 3 was fourth with $5.3 million (I said $5.1 million) for a six-week showing of $225 million.

While I correctly called the 1-4 order, I whiffed on the rest of my top 6. Moana 2 was fifth with $4.1 million for $449 million after nine weeks.

Steven Soderbergh’s experimental haunted house tale Presence debuted in sixth with $3.3 million. I did not do a predictions post for it. Profitability should happen given its reported $2 million price tag.

Wolf Man flamed out in its second weekend in seventh with a 70% drop and $3.2 million. I was more generous at $4.6 million and it has grossed a mere $17 million.

Finally, Brave the Dark, the latest drama from Angel Studios, was 12th with a lowly $2.8 million. Once again, I was kinder with a $5.1 million estimate.

And that does it for now, folks! Until next time…

Oscar Predictions: Gladiator II

At the dawn of the 21st century, Ridley Scott’s epic Gladiator scored a colossal 12 Oscar nominations and won a handful including Best Picture, Actor (Russell Crowe), Costume Design, Sound, and Visual Effects. Other nods included Scott’s direction (he lost to Steven Soderbergh for Traffic), Supporting Actor (Joaquin Phoenix), and Original Screenplay.

Nearly a quarter century later, Gladiator II is in multiplexes November 22nd. Its battle for Academy recognition could be more challenging. Scott returns behind the camera with Paul Mescal leading a cast that includes Pedro Pascal, Joseph Quinn, Fred Hechinger, Connie Nielsen (reprising her role from part 1), and Denzel Washington.

As can sometimes be the case, initial screening reactions from the long-in-development sequel might have been a tad hyperbolic. The review embargo lifted today paints a clearer picture. The Rotten Tomatoes score is 78% with Metacritic at 67. Somewhat surprisingly, that’s in line with its predecessor’s numbers. Yet most critics say this doesn’t measure up to the original.

A Best Picture nom is not out of the question, but I’m currently projecting it won’t make the cut. Its strongest shot in BP will come if voters feel the need to throw at least a couple massive blockbusters in the mix. Dune: Part Two and Wicked (which opens the same day) could fit the bill. Mr. Scott’s direction and the screenplay are long shots. As for the down the line competitions, it could land mentions in Costume Design, Production Design, Sound, and Visual Effects. Original Score is possible but unlikely and I’d say the same for Cinematography. When it comes to wins in those tech derbies, it’ll have to contend with Dune which is in a better position for victories.

While Crowe and nemesis Joaquin Phoenix were both up for their performances at the 73rd ceremony, only Denzel Washington seems to be viable at the 97th. He’s being singled out for his work and could be headed toward nomination #10 in Supporting Actor. If he makes the final quintet, a win is probably not in the cards as I’d certainly put him behind Guy Pearce (The Brutalist) and Kieran Culkin (A Real Pain) at press time. My Oscar Prediction posts will continue…


Oscar Predictions: Presence

Steven Soderbergh’s latest is Presence and early reviews from Sundance compliment it as an unconventionally engrossing ghost story. Lucy Liu, Julia Fox, and Chris Sullivan star in the brief (85 minutes) genre exercise written by David Koepp (who scripted the director’s recent Kimi).

Mr. Soderbergh helped usher in the indie revolution in 1989 with Sex, Lies, and Videotape. Since then, he’s helmed an eclectic mix of awards contenders, blockbusters, and experimental efforts. This appears to fall in the latter grouping. It’s actually been some time since Soderbergh was majorly in the Oscar mix with the one two punch of Erin Brockovich and Traffic in 2000.

Despite a 100% RT score, Presence shouldn’t have one among Academy voters. My Oscar Prediction posts will continue…

2022 DGA Winner Prediction

How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.

The DGA Award is revealed tomorrow night and here’s your nominees:

Daniels, Everything Everywhere All at Once

Todd Field, Tár

Joseph Kosinski, Top Gun: Maverick

Martin McDonagh, The Banshees of Inisherin

Steven Spielberg, The Fabelmans

There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.

Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.

A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…

Predicted DGA Winner(s):

The Daniels, Everything Everywhere All at Once

I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!

Magic Mike’s Last Dance Box Office Prediction

**Blogger’s Update (02/03): There are reports that the film is only releasing on around 1500 screens. Therefore I am revising my estimate down significantly from $17.7M to $10.7M. If the theater count changes, I will update accordingly.

A decade after they turned a meagerly budgeted $7 million dramedy into a $100M+ hit, Magic Mike’s Last Dance is the third iteration (or gyration) of Steven Soderbergh and Channing Tatum’s franchise. The former returns to direct after sitting out 2015’s sequel Magic Mike XXL after helming the 2012 original. The latter is back in the role that turned him into a superstar. His costars from the first two are MIA, but Salma Hayek Pinault, Ayub Khan Din, and Caitlin Gerard join the fun.

After being absent onscreen for several years, Tatum returned to multiplexes in 2022 with his directorial debut Dog ($61 million domestic gross) and The Lost City alongside Sandra Bullock ($105 million stateside). Last Dance was originally slated for an HBO Max premiere before Warner Bros opted for the theatrical output.

It’s worth noting that Magic Mike XXL couldn’t match part 1. The 2012 model made $113 million. XXL generated half of that with $66 million. The diminishing returns could continue unless female moviegoers are feeling especially nostalgic. That’s possible, but I’m skeptical. Some of that demographic may opt for the Titanic re-release instead. Low teens is probably the floor and I don’t believe this surpasses $20 million out of the gate.

Magic Mike’s Last Dance opening weekend prediction: $10.7 million

For my Titanic 25th Anniversary prediction, click here:

Titanic 25th Anniversary Box Office Prediction