Tag: Sam Raimi

Oscar Predictions – Spider-Man: Brand New Day

Spider-Man: Brand New Day appears poised to swing the best opening of 2026 when it debuts this weekend. Marking the 38th feature in the Marvel Cinematic Universe and fourth stand-alone Spidey entry starring Tom Holland, Destin Daniel Cretton takes over directorial duties from Jon Watts. Zendaya and Jacob Batalon reprise their roles with MCU regulars Mark Ruffalo as Hulk and Jon Bernthal as The Punisher appearing. Other costars include Sadie Sink, Tramell Tillman, and Michael Mando.

Going back to 2002 when Sam Raimi’s Spidey flick with Tobey Maguire set box office records, the 21st century tales of Mr. Parker have a limited Oscar history. The ’02 version landed Sound and Visual Effects mentions. The 2004 sequel (considered by many to be the strongest of all films featuring the character) won Visual Effects and was up for Sound Editing and Sound Mixing. Then there was a Spidey drought with 2007’s Spider-Man 3, 2012’s The Amazing Spider-Man and its 2014 follow-up (with Andrew Garfield), and Holland’s Spider-Man: Homecoming from 2017 and 2019’s Spider-Man: Far From Home not receiving any recognition. Predecessor Spider-Man: No Way Home (2021) got into the Visual Effects derby, losing to Dune.

While there’s been inconsistency during awards season, there’s been plenty of consistency in the reviews for Holland’s quartet. The Rotten Tomatoes and Metacritic scores are as follows:

Spider-Man: Homecoming: 92% RT, 73 MC

Spider-Man: Far From Home: 91% RT, 69 MC

Spider-Man: No Way Home: 93%, 71 MC

Spider-Man: Brand New Day: 90% RT, 70 MC

Despite the mostly appreciative critical reaction, I expect this to generate no nominations. No Way Home benefitted from a year where there weren’t as many blockbusters with pricey special effects (COVID was limiting theatrical engagements). There are gripes about New Day‘s inconsistent VE. With Project Hail Mary and The Odyssey probably already having two spots locked up and others like Dune: Part Three on the way, my sense is that this goes home empty-handed. My Oscar Prediction posts will continue…

Evil Dead Burn Box Office Prediction

In a summer where horror pics have lit up the box office, Warner Bros hopes that Evil Dead Burn continues that trend on July 10th. The sixth overall feature in a franchise that Sam Raimi started in the early 80s, this serves as a stand-alone continuation to 2013’s Evil Dead and 2023’s Evil Dead Rise. Sébastien Vaniček takes over directorial duties. The cast includes Souheila Yacoub, Tandi Wright, Hunter Doohan, and Luciane Buchanan.

Ten years ago, Evil Dead kicked off with a front-loaded $25.7 million on its way to a domestic gross of $54 million. A decade after that, Evil Dead Rise made a slightly lower $24.5 million out of the gate. However, it had stronger legs and ended up with $67 million. That goodwill from its predecessor and the genre’s overall strength in the marketplace could push Burn to the largest debut of the three.

In a best case scenario, that could mean a premiere approaching $30 million. Yet I’ll say the recent trend of underperformance applies here and this has the lowest opening of the trio.

Evil Dead Burn opening weekend prediction: $21.9 million

For my Moana prediction, click here:

Moana (2026) Box Office Prediction

For my The Invite prediction, click here:

The Invite Box Office Prediction

February 20-22 Box Office Predictions

Faith-based sequel I Can Only Imagine 2 looks to top the charts as the weekend’s only significant wide release and stands an excellent shot at doing so. You can peruse my detailed prediction post here:

I Can Only Imagine 2 Box Office Prediction

The Lionsgate follow-up to the 2018 sleeper hit hopes to build upon the $17 million premiere that its predecessor made. I have it barely doing so though this will likely be more front-loaded than the original. That should be good enough to nab the #1 slot.

That might depend on the sophomore fall of the animated Goat which met and even slightly exceeded expectations over the long Valentine’s/President’s Day frame. I am confident its second weekend dip will be much smaller than that of current champ of Wuthering Heights (more on its performance below). Goat should stay in second with Heights falling to third.

Crime 101 might lose about half its crowd in weekend #2 with Send Help rounding out the top five.

Here’s how I see it shaking out:

1. I Can Only Imagine 2

Predicted Gross: $17.8 million

2. Goat

Predicted Gross: $15.6 million

3. Wuthering Heights

Predicted Gross: $13.2 million

4. Crime 101

Predicted Gross: $7.1 million

5. Send Help

Predicted Gross: $4.8 million

Box Office Results (February 13-16)

As anticipated, Emerald Fennell’s loose adaptation of Wuthering Heights with Margot Robbie and Jacob Elordi managed to place first. However, I took the over on it and certainly should’ve went under. It opened below forecasts with $32.8 million from Friday to Sunday and $37.5 million when counting Monday. That’s well below my generous respective predictions of $55 million and $62.1 million. With a B Cinemascore grade, look for it to fade rather quickly. I have it declining in the 60% range this weekend.

Goat was runner-up with a $27.2 million 3-day and $35.1 million 4-day. That’s on target and a bit superior than my calls of $26.7 million and $30.4 million (it had a better Monday that I figured). The future looks bright with its A Cinemascore.

Crime 101 with Chris Hemsworth was a decent third at $14.2 million (Fri-Sun) and $16 million over the long frame. The thriller performed in range with my takes of $13.3 million and $15.2 million.

Sam Raimi’s Send Help was fourth after two weeks in 1st with $8.8 million (3-day) and $10.1 million (4-day), ahead of my $7.4 million and $8.2 million projections. The laudable three-week tally is $49 million.

Solo Mio with Kevin James had a sturdy hold in fifth with $6.3 million (3-day) and $7.2 million (4-day). I said $6.9 million and $7.5 million. The two-week total is $17 million.

Two other newcomers performed in line with and below my guesstimates. Good Luck, Have Fun, Don’t Die from Gore Verbinski was 8th with $3.6 million (3-day) and $4.1 million (4-day) and I was right there at $3.5 million and $4 million.

Finally, horror comedy Cold Storage got a chilly reception in 14th with $966k from Fri-Sun and $1.1 million factoring in Monday. I was more hopeful at $1.7 million and $2 million.

And that does it for now, folks! Until next time…

February 13-16 Box Office Predictions

In a weekend that includes Friday the 13th, Valentine’s Day, and President’s Day, Hollywood is hoping for luck, love, and a commanding amount of cash to wake up a sleepy box office. There are a handful of newcomers – romantic drama Wuthering Heights, animated sports tale Goat, action thriller Crime 101, sci-fi action comedy Good Luck, Have Fun, Don’t Die, and horror comedy Cold Storage. Three of them are likely to hold the top 3 slots while the other two are unlikely to make the top 5. You can peruse my detailed prediction posts on the quintet here:

Wuthering Heights Box Office Prediction
Goat Box Office Prediction
Crime 101 Box Office Prediction
Good Luck, Have Fun, Don’t Die Box Office Prediction
Cold Storage Box Office Prediction

Heights, Emerald Fennell’s loose adaptation of the Emily Brontë novel with Margot Robbie and Jacob Elordi, appears poised to dominate with a hefty female crowd (many of whom could bring along their significant others). My forecast is even higher than most with a three-day estimate in the mid 50s and four-day in the lower 60s.

Goat has the potential to exceed my projection with a sizable family audience. My long weekend prediction of just over $30 million would put it firmly in second. If it truly rises above expectations, it could challenge Heights if that film fails to match where I have it reaching.

Crime 101 with Chris Hemsworth should get in the teens for a third place showing based on decent word-of-mouth and the opportunity to reach a male demographic.

As for Good Luck with Sam Rockwell and Storage with Joe Keery, I have both falling short of the top five. They will compete for some of the same patrons and I’m not confident either will make a notable impact. For Luck, I’m going with $3.5 million from Friday to Sunday and $4 million when counting Monday. As for Storage, I’m calling for less with $1.7 million (Friday to Sunday) and $2 million (Friday to Monday).

Holdovers often see minimal declines over this particular holiday weekend and I have Send Help and Solo Mio in fourth and fifth and holding up well.

Here’s how I envision it shaking out:

1. Wuthering Heights

Predicted Gross: $55 million (3-day); $62.1 million (4-day)

2. Goat

Predicted Gross: $26.7 million (3-day); $30.4 million (4-day)

3. Crime 101

Predicted Gross: $13.3 million (3-day); $15.2 million (4-day)

4. Send Help

Predicted Gross: $7.4 million (3-day); $8.2 million (4-day)

5. Solo Mio

Predicted Gross: $6.9 million (3-day); $7.5 million (4-day)

Box Office Results (February 6-8)

Sam Raimi’s Send Help managed two weeks in a row atop the charts over a sluggish frame with $9 million, in range with my $8.6 million prediction. The critically appreciated black comedy has made $34 million in its ten days of release.

Solo Mio was second and sparked a welcome return for Kevin James after a decade long absence from headlining on the silver screen. The Angel Studios dramedy posted a better than anticipated $7 million, ahead of my $5.2 million take.

Video gamed based Iron Lung was third in its sophomore outing with $6.7 million (I said $7.1 million) for a two-week tally of $31 million.

Stray Kids: The DominATE Experience, a concert film centered on the South Korean boy band, placed fourth with $5.6 million. I did not do an estimate for it and therefore had it omitted from the top 5.

Same goes for Luc Besson’s Dracula which bit off $4.4 million for a fifth place start. I had it making $3.5 million and outside of the top half of the chart.

The Strangers – Chapter 3 flopped in seventh with $3.4 million, under my $4.5 million guesstimate. I should’ve switched projections for this one and Dracula.

Finally, I gave too much credit to Melania in its second weekend. The doc about the First Lady fell 67% to tenth place with $2.3 million. I was more generous at $4.2 million.

And that does it for now, folks! Until next time…

February 6-8 Box Office Predictions

Don’t count on a super weekend at the box office as horror sequel The Strangers – Chapter 3 and Kevin James headlined dramedy Solo Mio compete with the dog days of the season and the Super Bowl. You can peruse my detailed prediction posts on the newbies here:

The Strangers – Chapter 3 Box Office Prediction
Solo Mio Box Office Prediction

I don’t see either title toppling Send Help in its second weekend. The Sam Raimi pic had a better than expected start (more on that below) and should see a drop in the low to mid 50s.

In third position, I have Solo edging Strangers in a close race for (non) bragging rights. That said, either could over or underperform.

After another better than anticipated debut, Melania should see a smaller sophomore decline than Iron Lung. That’s with a caveat that the doc about the First Lady might be more front-loaded than my estimate.

Here’s how I see the high five shaking out:

1. Send Help

Predicted Gross: $8.6 million

2. Iron Lung

Predicted Gross: $7.1 million

3. Solo Mio

Predicted Gross: $5.2 million

4. The Strangers – Chapter 3

Predicted Gross: $4.5 million

5. Melania

Predicted Gross: $4.2 million

Box Office Predictions (January 30-February 1)

As much of the nation dug out from a winter snowstorm, more of them headed to theaters than I figured. Three of the four newcomers easily surpassed my forecasts. Send Help, capitalizing on solid reviews, was tops with $19.1 million compared to my $13.5 million prediction. The B+ Cinemascore is promising for its genre though I still think it falls around 50% this coming weekend.

Gamer based Iron Lung was right behind in second with $18.1 million, blowing past my measly $8 million projection. This is widely anticipated to make the bulk of its cash right away. It is still a terrific gross given the reported $3 million price tag.

Melania also exceeded its range with $7.1 million as the political documentary played best between the coasts in third. I went lower at $4.2 million.

Holdovers held up well with Zootopia 2 actually gaining 12% over the previous weekend with $5.9 million. I incorrectly had it outside of my top 6. The ten-week tally is $409 million.

Avatar: Fire and Ash rounded out the top five with $5.6 million (I said $4.9 million). After seven weeks, it has amassed $386 million.

Jason Statham action thriller Shelter was not found by many fans in sixth with $5.5 million compared to my $6.9 million take.

Finally, sci-fi courtroom saga Mercy fell 58% and from 1st to 7th with $4.5 million, in line with my $4.7 million guesstimate. The two-week total is $19 million.

And that does it for now, folks! Until next time…

January 30-February 1 Box Office Predictions

Three new features could fill the top 3 slots to close out January and begin February. We have Sam Raimi’s horror thriller Send Help, video game based sci-fi pic Iron Lung, and Jason Statham’s latest action effort Shelter all seeking viewers. You can peruse my detailed prediction posts on the trio here:

Send Help Box Office Prediction
Iron Lung Box Office Prediction
Shelter Box Office Prediction

All of them have the potential to exceed my expectations, but I’m giving Send Help (with mostly impressive reviews) the edge with a gross in the low teens.

As for Lung and Shelter, I have them in a close race for the #2 position and both falling under $10 million. I’ll note that Lung‘s gamer fans and Statham’s previous grosses could suggest I’m underestimating.

Some might say for the same for Melania. Brett Ratner’s documentary about the First Lady is a question mark. I didn’t do an individual post for it. I’ll say $4.2 million and that would leave it outside the top 5.

After an unimpressive start, I look for Mercy to lose over half its audience with Avatar: Fire and Ash perhaps placing and Mercy in fifth. Here’s how I see it all shaking out:

1. Send Help

Predicted Gross: $13.5 million

2. Iron Lung

Predicted Gross: $8 million

3. Shelter

Predicted Gross: $6.9 million

4. Avatar: Fire and Ash

Predicted Gross: $4.9 million

5. Mercy

Predicted Gross: $4.7 million

6. Melania

Predicted Gross: $4.2 million

Box Office Results (January 23-25)

Bad weather, Seahawks, Rams, Patriots, and Broncos contributed to a dismal weekend as Mercy with Chris Pratt and Rebecca Ferguson did manage to become 2026’s first feature to hit #1. The poorly reviewed AI courtroom saga made $10.8 million compared to my $9.3 million prediction. Expect it to fade quickly.

Avatar: Fire and Ash, after five weeks in first, dropped to second with $6.4 million. I’ll note now that all holdovers experienced larger drops than I assumed. I had the James Cameron threequel at $9.8 million. The total is $377 million

Zootopia 2 was third with $5.3 million, under my $6.8 million call. The Disney sequel stands at $401 million after nine weeks.

The Housemaid was fourth with $3.9 million (I said $6.2 million) for a six-week tally of $115 million.

28 Years Later: The Bone Temple plummeted a massive 73% in its sophomore outing with $3.4 million. I was more generous at $5.5 million. At only $20 million in two weeks, it’s a dud despite impressive critical reaction.

Finally, Return to Silent Hill (another video game based offering) debuted in seventh with $3.2 million. It actually managed to exceed my $2.2 million projection.

And that does it for now, folks! Until next time…

Iron Lung Box Office Prediction

Based on a popular 2022 video game, sci-fi horror offering Iron Lung makes its way to theaters on January 30th. YouTuber Mark Fischbach (known best as Markiplier) makes his directorial debut and stars. The supporting cast includes Caroline Rose Kaplan, Seán McLoughlin, David Szymanski, and Troy Baker.

In a recent interview, the Lung maker confirmed that his film contains the most fake blood of any genre tale in history. The question is whether it will make real money? That’s a tricky one. Under a best case scenario, it could surpass the anticipated high single digits forecast and challenge Sam Raimi’s Send Help for the #1 spot.

I suspect Help could divert some attention away and that this will generally kick off in line with expectations.

Iron Lung opening weekend prediction: $8 million

For my Send Help prediction, click here:

Send Help Box Office Prediction

For my Shelter prediction, click here:

Shelter Box Office Prediction

Send Help Box Office Prediction

Sam Raimi is back in horror mode when Send Help debuts January 30th. Rachel McAdams is stranded on an island with her sexist boss Dylan O’Brien in the 20th Century Studios release. Dennis Haysbert, Xavier Samuel, and Chris Pang costar.

For most of the 21st century, Raimi has been in blockbuster mode via the Spider-Man franchise and Doctor Strange in the Multiverse of Madness. The Evil Dead maker returns to the genre that initially brought him acclaim for the first time since Drag Me to Hell. It could possibly achieve the $15 million opening that Hell kicked off with in 2009. That might be a best case scenario.

I suspect it may come in a bit lower between $12-14 million and in these slow multiplex January days, that should be enough to place it #1.

Send Help opening weekend prediction: $13.5 million

For my Iron Lung prediction, click here:

Iron Lung Box Office Prediction

For my Shelter prediction, click here:

Shelter Box Office Prediction

Evil Dead Rise Review

There’s one shining moment in Evil Dead Rise due to a bloodily gushing elevator and plenty of moments that are indistinguishable from other gory possession tales. That’s somewhat of a letdown for this franchise that is known for its demonically goofy trilogy that began the careers of Sam Raimi and Bruce Campbell over four decades ago. While some of its boo moments stand out, Rise falls short of its immediate predecessor which “re-imagined” the series a decade ago with Fede Alvarez directing.

The 2013 Dead iteration left a lot of the previous movies humor on the cutting room floor and Rise keeps that up. Lee Cronin takes over the directorial reigns and the mayhem moves from a cabin in the woods to an about to be condemned Los Angeles apartment complex. Ellie (Alyssa Sutherland) is a newly single mom to teenagers Danny (Morgan Davies), Bridget (Gabrielle Echols), and youngest child Kassie (Nell Fisher). They’re among the last denizens of their building slated for demolition. Beth (Lily Sullivan) is Ellie’s sister who is a guitar technician (according to her) or a groupie (according to her more responsible sibling). She drops in to visit to share some news (she’s preggers), but an earthquake shakes up and delays the announcement.

This act of nature also leads to the discovery of a Book of the Dead tome locked away in a vault. As with previous volumes, the reading material causes wicked forces to possess those near it. Ellie is the first to fall prey to its devilish influence.

Besides the Shining elevator material that would not be advisable for those with hemophobia, there’s also the grisliest use of a wood chipper since Fargo. The picture’s connection to its own franchise is mostly in name only and the fact that they all feature chainsaws. Its makeup effects and choreographing of red splatter is first-rate. You could say the work of the technicians behind Evil Dead Rise is just fine. I suspect, due to its lack of originality, it’ll have less groupies than the others.

**1/2 (out of four)

Evil Dead Rise Box Office Prediction

Evil Dead Rise books passage into multiplexes ten years after Sam Raimi’s franchise was rebooted the first time around to lively box office results. Like its 2013 predecessor (which this is not a sequel to), it premiered to praise at South by Southwest in March. Lee Cronin directs a cast including Lily Sullivan, Alyssa Sutherland, and Morgan Davies.

The original Evil Dead from 1981, its 1987 sequel, and 1993’s Army of Darkness from Raimi and star Bruce Campbell are horror comedy classics with deeply devoted followings. When Fede Álvarez’s reboot arrived a decade ago, it received some criticism for lacking the humor of the original trilogy. Nevertheless it debuted to $25 million and that turned out to be a front loaded start as it ended with $54 million domestically.

Rise‘s reviews are far stronger with a Rotten Tomateos score of 94% (compared to 63% for 2013’s effort). While audiences have certainly seen their share of the genre as of late with Scream VI, Renfield, and The Pope’s Exorcist, the brand name and solid buzz might mean $20 million plus is doable. That said, the market is feeing oversaturated and low to mid teens could be the result.

Evil Dead Rise opening weekend prediction: $16.7 million

For my Guy Ritchie’s The Covenant prediction, click here:

Guy Ritchie’s The Covenant Box Office Prediction

For my Beau Is Afraid prediction, click here:

Beau Is Afraid Box Office Prediction