Tag: tom hanks

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction

The Phoenician Scheme Box Office Prediction

Wes Anderson’s latest The Phoenician Scheme, following its limited rollout in six venues this weekend, expands nationwide June 6th. Originally screened at Cannes earlier this month, Benicio del Toro and Mia Threapleton headline the the black comedy. Per usual with Mr. Anderson’s tales, the supporting cast is massive and includes Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Hope Davis, Rupert Friend, Bill Murray, Charlotte Gainsbourg, Willem Dafoe, and F. Murray Abraham.

Phoenician reviews are decent though not as effusive as those that greeted other works from the auteur. Rotten Tomatoes is at 77% with a 71 Metacritic. Anderson is certainly one of those filmmakers with a devoted following. His pictures aren’t going to make $100 million+, but they have their niche.

Predecessor Asteroid City from summer 2023 made $9 million for its expansion. I see no reason why Scheme wouldn’t gather about the same.

The Phoenician Scheme opening weekend prediction: $8.7 million

For my Ballerina prediction, click here:

Ballerina Box Office Prediction

Oscar Predictions: The Phoenician Scheme

Wes Anderson is back at Cannes with The Phoenician Scheme, his latest comedy sporting a gigantic cast opening stateside June 6th. Benicio del Toro and Mia Threapleton have the most significant roles with an ensemble also (deep breath) including Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, Bill Murray, Charlotte Gainsbourg, and Willem Dafoe.

We are more than a decade removed from The Grand Budapest Hotel which turned out to be Anderson’s most significant awards contender yet (nine Oscar nods with victories in Costume Design, Makeup & Hairstyling, Original Score, and Production Design). His two Phoenician predecessors generated minimal attention in their seasons with The French Dispatch up for Score at the Globes and Asteroid City blanked from the Academy and at the Globes.

Phoenician‘s reaction in France indicates this will follow in the footsteps of those recent titles and not Hotel. The Rotten Tomatoes rating is 79% with Metacritic at 74. Even with the typical praise for Production Design and Score, I doubt this shows up anywhere at the Oscars and that includes the new Casting category. Depending on competition, del Toro and Threapleton (daughter of Kate Winslet) could be threats for noms in the Musical/Comedy races in their respective acting derbies. My Oscar Prediction posts will continue…

97th Academy Awards: The FINAL State of the Best Actor Race

My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:

97th Academy Awards: The FINAL State of the Best Actress Race
97th Academy Awards: The FINAL State of the Best Supporting Actress Race
97th Academy Awards: The FINAL State of the Best Supporting Actor Race

Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.

However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).

Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).

There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).

That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?

Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.

Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.

Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.

Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.

For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.

OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!

November 8-10 Box Office Predictions

Critically acclaimed horror thriller Heretic and holiday family dramedy The Best Christmas Pageant Ever will both attempt to keep Venom: The Last Dance from a third weekend in first place. You can peruse my detailed prediction posts on the newbies here:

Heretic Box Office Prediction
The Best Christmas Pageant Ever Box Office Prediction

Heretic finds Hugh Grant dipping into scary territory and my low double digits estimate puts it in range with the September start of Speak No Evil. That’s likely good for second place.

I’ve got Christmas in third in the high single digits though its chances of over performing exist. I also think it might experience low declines as the holidays approach and get off to a relatively slow start.

My projections on the two openers does indeed leave Venom atop the charts for a third frame assuming it drops in the mid 40s. Holdovers The Wild Robot and Smile 2 should round out the high five and here’s how I have it playing out:

1. Venom: The Last Dance

Predicted Gross: $14.3 million

2. Heretic

Predicted Gross: $11.2 million

3. The Best Christmas Pageant Ever

Predicted Gross: $8 million

4. The Wild Robot

Predicted Gross: $5.6 million

5. Smile 2

Predicted Gross: $4.4 million

Box Office Results (November 1-3)

November started off in multiplexes with October product holding steadier than my forecasts. Venom: The Last Dance is the prime example as it declined only 49% in weekend #2 with $25.9 million. I was much lower at $17.3 million. That’s a bit of a surprise considering predecessor Let There Be Carnage plummeted in the mid 60s. Of course, it’s worth noting that Dance opened with nearly $40 million less than Carnage.

The Wild Robot was second with $7.4 million as it managed to rise 9% and blast past my $5 million call. The animated pic has amassed $121 million after six weeks.

Smile 2 was third with $6.7 million and that’s wider than my $5.6 million take. The horror sequel is up to $52 million after three frames.

Oscar hopeful Conclave eased a mere 24% in fourth with $5 million (I said $4.2 million) for $14 million in two outings.

Finally, Robert Zemeckis’s Here, which reunites his Forrest Gump leads Tom Hanks and Robin Wright, stumbled with critics and audiences. The fifth place showing netted $4.8 million. My prediction? $4.8 million!

And that does it for now, folks! Until next time…

November 1-3 Box Office Predictions

Robert Zemeckis reunites with his Forrest Gump leads Tom Hanks and Robin Wright some 30 years after that Best Picture recipient with the family drama Here this weekend. My detailed prediction post on the newcomer can be accessed here:

Here Box Office Prediction

Here is likely to be the sole newbie to place in the top five. Unlike Gump, there’s no awards buzz for this. A debut in the mid single digits could mean anywhere from second to fifth.

Tom Hardy’s third and reportedly final go-round in The Last Dance had a subpar start (more on that below). With a troubling B- Cinemascore, a 60 percent plus percentage drop appears inevitable. That should mean mid or high teens for an unremarkable repeat performance in 1st place.

Holdovers Smile 2, The Wild Robot, and Conclave should fill out the rest of the high five and here’s how I have it playing out:

1. Venom: The Last Dance

Predicted Gross: $17.3 million

2. Smile 2

Predicted Gross: $5.6 million

3. The Wild Robot

Predicted Gross: $5 million

4. Here

Predicted Gross: $4.8 million

5. Conclave

Predicted Gross: $4.2 million

Box Office Results (October 25-27)

As mentioned, viewers were not grooving to Venom: The Last Dance. The comic book based sequel set in Sony’s Spider-Man Universe took in $51 million. That’s under my $62.3 million take and well below 2018’s Venom ($80 million) and 2021 follow-up Let There Be Carnage at $90 million. Crowds have clearly soured on the franchise.

The news wasn’t great for Smile 2 either. The horror sequel was second with $9.5 million and that represents a 59% plummet. Its 2022 predecessor only experienced an 18% decline in weekend #2. While I didn’t think that would occur, I had this pegged at $15.6 million during its follow-up frame.

The Wild Robot was third with $6.8 million compared to my $7.5 million call. The animated hit has taken in $111 million in five weeks.

Oscar hopeful Conclave with Ralph Fiennes was fourth with a better than anticipated $6.6 million. Edward Berger’s papal succession drama blew past my $4.8 million projection.

The Andrew Garfield/Florence Pugh romance We Live in Time added nearly 2000 screens and was fifth with $4.8 million. I incorrectly had it outside the top five as its total reached $11 million.

Finally, Terrifier 3 was sixth with $4.7 million (I said $5.4 million) for a robust $44 million in three weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: Here

30 years ago, Forrest Gump was nominated for a whopping 13 Oscars and won six including Picture, Director (Robert Zemeckis), Actor (Tom Hanks), and Adapted Screenplay. A Forrest reunion is occurring on November 1st when Here opens. Zemeckis is behind the camera for the family drama that stars Hanks and his Gump costar Robin Wright. It is written by that film’s screenwriter Eric Roth.

Debuting at the AFI Fest this weekend, the gimmicky pic is based on a 2014 graphic novel from Richard McGuire. Set over many decades in a fixed camera location spot (primarily a living room), the supporting cast includes Paul Bettany, Kelly Reilly, Michelle Dockery, and Gwilym Lee.

Awards lightning was not anticipated to strike twice with Here and early reaction has solidified that notion. The Metacritic score is just 46. Any hope for above-the-line noms have dissipated. Where Here could contend is Visual Effects where the de-aging work sees Hanks and Wright as teens. Some of the first reviews say these effects can be distracting and still have a ways to go to be convincing. Yet I wouldn’t discount the possibility of a VE nod considering 2019’s The Irishman made the cut and the work here is generally seen as an improvement. There’s also some praise for Alan Silverstri’s score, but that race may be a little crowded for Here‘s inclusion. My Oscar Prediction posts will continue…

Here Box Office Prediction

Reuniting the director, screenwriter, and two leads from Forrest Gump some three decades after the Best Picture winner’s release, Here is present in multiplexes on November 1st. The high concept family drama utilizes a stationery home camera shot spanning decades of time. Robert Zemeckis directs and Eric Roth penned the script. Tom Hanks and Robin Wright headline a cast that includes Paul Bettany, Kelly Reilly, Michelle Dockery, and Gwilym Lee.

The collection of talent mentioned above might have generated big bucks if it arrived in the decade following Mr. Gump’s global treks. I suspect this may struggle to find the older audience it seeks. There has yet to be any awards buzz and that could have helped.

While Hanks recently had an adult themed hit via A Man Called Otto, it had the benefit of being based on a well-known novel. Here‘s best hope is that viewers who do see it will tell their friends about it and that it plays into Thanksgiving. That could be a stretch as I’m forecasting this will only reach a troubling mid single digits.

Here opening weekend prediction: $4.8 million

Oscar Predictions: Nightbitch

Like other prognosticators, the trailer for Marielle Heller’s Nightbitch tempered my expectations for its Oscar chances. Based on a 2021 novel by Rachel Yoder, it stars six-time nominee Amy Adams as a stay-at-home who starts believing she’s a dog. The Fox Searchlight production costars Scott McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, and Jessica Harper. It has premiered at the Toronto Film Festival and rolls out domestically December 6th.

The trailer was underwhelming. I have had Adams listed at #1 in my Actress possibilities for several weeks. After all, there’s an overdue factor at play too. Director Heller has seen her actors get nominated with Melissa McCarthy and Richard E. Grant in Can You Ever Forgive Me? and Tom Hanks for A Beautiful Day in the Neighborhood. Yet the preview alone had me questioning whether or not to drop her from my projected quintet.

Buzz coming out of Toronto indicates displacing Adams from the #1 slot is definitely the right decision. Nightbitch is garnering mixed notices (69 on Metacritic). Some have said it is stronger than that trailer. Praise for Adams, though, is across the board. I suspect she could still make the final five in Actress and that would stand as its only nom (Picture, Director, Adapted Screenplay seem unlikely).

Competition could be a hindrance for a seventh podium try. At best, Adams might be fourth or fifth in contention. She could also be sixth or seventh at press time. We’ll see how it shakes out in my next update. My Oscar Prediction posts will continue…