We’re not yet a third of the way into 2022 and it’s at least feasible that three of the five eventual Best Animated Feature nominees will have been released. DreamWorks Animation’s The Bad Guys opens this Friday and with a 92% Rotten Tomatoes score, it shouldn’t be counted out for inclusion.
It joins the already out Turning Red (Disney) and Apollo 10 1/2 (Netflix) as viable contenders for the prize. None are shoo-in nominees, but all three had their chances assisted today with the announcement that Spider-Man: Across the Spider-Verse has been pushed to 2023.
Bottom line: there’s two-thirds of the year left for other hopefuls to emerge, but The Bad Guys has a fighting shot to make the cut. My Oscar Predictions posts will continue…
Having already premiered to decent grosses overseas, DreamWorks Animation is hoping for good returns for The Bad Guys when it debuts domestically on April 22nd. From first-time director Pierre Perifel, the crime comedy features the voices of Sam Rockwell, Marc Maron, Anthony Ramos, Craig Robinson, Awkwafina, Richard Ayoade, and Zazie Beetz.
Based on a series of children’s graphic novels, Guys arrives during an April with other high-profile family offerings. Sonic the Hedgehog 2 will be in its third weekend with Fantastic Beasts: The Secrets of Dumbledore in its sophomore frame.
That should dilute the money that this brings in. Impressive reviews (94% currently on Rotten Tomatoes), however, could help this open or perhaps exceed its expected $10-15 million range. I’ll give it the slight benefit of the doubt.
The Bad Guys opening weekend prediction: $16.7 million
Benjamin Cleary’s Swan Song is told through the eyes of two characters in a near future setting. In years approaching, it seems that our contact lenses serve as cameras allowing remote bystanders to witness the interactions of others. This comes into play with a tale of clones and impending loss.
Cameron Turner (Mahershala Ali) is facing a quandary that’s slightly less believable than his disposable camcorders. Diagnosed with a terminal illness, he struggles with how to tell his wife Poppy (Ali’s Moonlight costar Naomie Harris in another fine performance). With a young child and another on the way, an alternative solution is presented. Kindly Dr. Scott (Glenn Close) can make an exact copy of him. Cameron would face his final days at a lush and remote medical facility. Poppy and the rest of the family would have no idea.
At Dr. Scott’s locale, he meets patient #2 Kate (Awkwafina). He would be third. Away from it, Cameron is introduced to her engineered doppelgänger. That interaction helps push him to the yes column. Yet when he meets the clone called Jack (also played by Ali, naturally) – doubts are cast.
Song features plenty of flashbacks showing Cameron’s existence in healthier days. This includes his meet cute with Poppy involving a candy bar. It gets more dramatic when his eventual spouse is dealt a devastating loss.
The new technology would prevent that from happening and Cleary’s screenplay mostly succeeds in navigating the sticky wicket ethical issues presented. A two-time Oscar winner given his first sole leading role, Ali is excellent. He has the assignment of playing two characters. They may be the same person, but they have different motivations at various times. That’s not an easy feat to pull off and Ali passes the test impressively with subtle grace.
Swan Song is indeed with a tearjerker that manages to earn them with much credit to its lead(s). Cleary is not overly clear about how this enterprise of Xeroxing yourself came to be. It actually works in the picture’s favor. I’m not sure those explorations could have been more revelatory from those we’ve seen in other sci-fi tales with similar themes. Instead we are presented with Cameron’s predicament in real time and with the understandable conflicts he undergoes as his decision clock winds down before our eyes.
Shang-Chi and the Legend of the Ten Rings is planted firmly in mid-tier Marvel territory and that’s to say it’s quite an enjoyable origin spectacle with humorous moments sprinkled in. The formula is adhered to, but there’s enough quality entertainment to make it worthwhile. We expect an abundance of Daddy issues in our MCU tales and we sure get it. What makes it new(ish) is the patriarchal villain is given dimensions that prevent another franchise feature where the bad guy is the weakest character (an attribute that also pertained to Black Panther).
Shaun (Simu Liu) has a fascinating backstory for a San Francisco valet. He’s rather aimless in his pursuits and seems content parking whips of the wealthy with his bestie Katy (Awkwafina, providing sturdy comic relief). He grew up overseas as Shang-Chi, the heir to his father Wenwu’s (Tony Leung) world conquering dynasty. Dad is an immortal ruler who fooled around and fell in love with Ying Li (Fala Chen). Shang-Chi is the first born with sister Xi Xialing following. After some past associates of Wenwu off Mom, our teenage title character is eventually given the choice to exact revenge or abandon his birthright. He chooses the latter but can’t escape his upbringing when Papa comes calling.
That’s when Shang-Chi is forced to show Katy that he’s a well trained martial arts master and superhero in waiting during a meticulously choreographed action sequence aboard a bus. He also tracks down his estranged sister (Meng’er Zhang) who now runs an underground fighting circuit. They’re reunited with Wenwu, whose wrists are adorned with the ten rings that give him his otherworldly powers. If you need some context for MCU purposes, think of them as like Infinity Stones but they… actually just think Infinity Stones and you should be fine.
Wenwu is convinced that their departed matriarch is still alive and being held captive in Ta Lo, a mystical place filled with CG beasts that’s only reachable through an ever shifting forest. His kids aren’t buying it and they put it upon themselves to stop Dad, his henchmen, and his Stones (sorry… Rings) from their nefarious land acquisition. In Ta Lo, they are subject to more training from their aunt (the welcome sight of Michelle Yeoh).
Like the karaoke ditties that Shaun and Katy drunkenly belt after a day’s work, this material has been covered better before. We are in rare MCU territory with nearly all never before seen characters (though there’s a few recognizable surprise appearances that I won’t spoil). The faces may change yet their circumstances remain the same. Part of Rings is told through flashbacks that feel familiar. They’re brief enough that they generally don’t weigh down the forward momentum.
Shang-Chi and Xi Xialing are clearly being set up for further duty in this universe and I’d say the jury is still out on how effective they’ll be as leaders of the new Marvel school. Tony Leung, a legend in Chinese cinema, makes for a compelling villain with more layers than your run-of-the-mill MCU antagonist.
By the time we reach the climax, Rings is hampered with some indecipherable and visually unappealing CG mayhem. That serves as an unfortunate drag on the proceedings, but much of what precedes it is a pleasurable intro to some new players that I’m anxious to see again.
Playing at AFI Fest ahead of its December 17th streaming premiere on Apple TV, early word is out for the futuristic drama Swan Song. Marking the feature length directorial debut for Benjamin Cleary (who won the Oscar for Live Action Short Film in 2015 for Stutterer), Mahershala Ali stars as a terminally ill man faced with decision of cloning himself. Naomie Harris, Glenn Close, and Awkwafina costar.
Based on a rather small sampling of critical reaction, the buzz seems mixed. Some reviewers are hailing it as an effective weepie while others are more soft in their praise. The bulk of write-ups are quick to point out the fine work from Ali and Harris. This isn’t their first collaboration. Five years ago, Ali knocked out all competitors to win Supporting Actor for Moonlight. Two years later, he would again be victorious in the same race for Green Book. Harris made the cut in Supporting Actress for Moonlight, but ultimately lost to Viola Davis for Fences.
With two gold statues to his name, it’s hard to fathom this is Ali’s inaugural sole lead cinematic part. Apple will probably mount an awards push for him and Harris. However, I suspect it could be too late in the game for either to have a legit chance and the varied reaction to the quality of the pic itself won’t help. My Oscar Prediction posts for the films of 2021 will continue…
A new group of Marvel cinematic heroes and villains arrives onscreen over Labor Day weekend with Shang-Chi and the Legend of the Ten Rings. The 25th MCU feature (and second of four in 2021) is out in theaters only with Disney choosing not to make it available simultaneously on their streaming service. I have already written a bit about the challenges it faces. They include releasing it during a holiday frame not known for unveiling blockbusters, as well as ongoing COVID related hindrances. You can read that post here:
Destin Daniel Cretton, who’s best known for dramas with Captain Marvel Brie Larson like The Glass Castle and Just Mercy, directs. The cast features Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, and Tony Leung. You can also expect some villains that have populated previous MCU flicks.
Early word-of-mouth should help. Rings currently sports a strong 92% Rotten Tomatoes rating. That said, there is the possibility that the non-traditional release date and other factors threaten to make this the lowest MCU premiere of the lot. It also doesn’t help that there’s really no familiar characters to draw some viewers out. The same could be said for Guardians of the Galaxy and Black Panther, but they had sizzling buzz that this needs to generate in a hurry (the solid reviews might help).
Shang-Chi will have a posted four-day gross due to the Labor Day holiday (where 2007’s Halloween holds the largest ever debut at $30 million). There’s little question that this should easily eclipse that record. In MCU terms, 2008’s The Incredible Hulk experienced the smallest start at $55 million. That’s followed by 2015’s Ant-Man with $57 million.
The extra day of reported earnings may help. I don’t see this getting anywhere near what Black Widow did ($80 million) at the start of summer. My feeling is that Rings, in its Friday to Sunday financial report, may hold the distinction of having the smallest gross in the MCU franchise. Yet the Monday could push it toward a mid to high 50s take with $60M+ certainly as a possibility.
Shang-Chi and the Legend of the Ten Rings opening weekend prediction: $58.9 million
Ahead of its Labor Day weekend bow in theaters only, Disney has lifted its review embargo for the 25th Marvel Cinematic Universe pic. Shang-Chi and the Legend of the Ten Rings is garnering positive reaction to the tune of a current 91% Rotten Tomatoes score.
Many reviews point out that it closely follows the MCU formula, but there’s enough to make it highly recommendable. Despite the many kudos, I don’t see anything that indicates a play for Best Picture (where Black Panther still is the studio’s sole nominee in that race).
Instead Shang-Chi‘s possibilities at awards attention should come down to where most MCU titles are viable. That’s in Best Visual Effects. Early buzz suggests it may be strong enough in that space to qualify. However, it will face numerous competitors with three coming from its own multi-billion dollar franchise.
I do think it has a better shot at making the final five than the already out Black Widow. Yet Eternals and Spider-Man: No Way Home loom. It’s worth noting that neither Spider-Man entry from the MCU (Homecoming or Far From Home) made the cut. Eternals could be the biggest in-house competitor. Then we have plenty of other hopefuls. Some have premiered and they include Godzilla vs. Kong, Jungle Cruise, The Green Knight, The Suicide Squad, and Free Guy. Some await like Dune and The Matrix 4.
Bottom line: there’s much to be determined, but Shang-Chi could certainly be the MCU’s nominee in VE. I doubt it will be the fourth picture with Rings in the name to win (as Peter Jackson’s trilogy did). After all, 10 of Marvel’s flicks have nabbed a nod for their visuals. None have won. My Oscar Watch posts will continue…
As we await the five nominated pictures in the 2020 Animated Feature race at the Oscars, a legitimate hopeful has already emerged for 2021. This Friday, Disney’s traditionally drawn Raya and the Last Dragon debuts in theaters and on Disney Plus. The action fantasy features a mostly Asian American voice cast including Kelly Marie Tran, Awkwafina, Daniel Dae Kim, Gemma Chan, Sandra Oh, and Benedict Wong. Directing duties are handled by Don Hall (whose Big Hero 6 landed an Academy nod in 2014) and Carlos Lopez Estrada.
Reviews are up and they’re very solid at 96% on Rotten Tomatoes. Unsurprisingly, Disney has been quite the player since the inception of the animated category back in 2001. As is often the case for the studio, the Mouse Factory may well compete against itself with Pixar’s Luca slated for release this summer. That will probably occur this year with Soul and Onward as likely nominees.
Bottom line: the critical reaction for Raya (even this early in the calendar) establishes it as a sturdy contender for recognition already. My Oscar Watch posts will continue…
A totally different kind of COVID test arrives in theaters March 5 with the release of Disney’s Raya and the Last Dragon. It’s the latest traditionally animated feature from the Mouse Factory and it hits multiplexes and Disney+ on the same day. The fantasy adventure is co-directed by Don Hall (who made Big Hero 6 for the studio) and Carlos Lopez Estrada (maker of the decidedly non Disney pic Blindspotting). The predominately Asian-American voice cast includes Kelly Marie Tran, Awkwafina, Gemma Chan, Daniel Dae Kim, Sandra Oh, Benedict Wong, and Alan Tudyk.
Raya marks the highest profile release of 2021 thus far on the big screen. The question is whether family audiences will mostly opt to shell out thirty bucks to watch it on the tube. All things considered – that’s probably less money than a night out for a clan of four to view it. And the Disney+ model is already familiar to subscribers with recent products such as Mulan and Soul.
In these uncertain pandemic days, it is difficult to find any real comps for opening weekend estimates. The Croods: A New Age debuted over Thanksgiving weekend and took in a better than anticipated $14 million over the five-day frame with nearly $10 million of it from the traditional Friday to Sunday portion. Yet that’s not exactly a reliable comp as Croods was a sequel to a well known property out during a holiday period. Still… this is Disney…
As I’ve said repeatedly with any box office guesstimates for nearly a year, we are in unpredictable territory. However, I’ll say Raya makes between $11-$14million and I’ll go a bit on the higher end of that range.
Raya and the Last Dragon opening weekend prediction: $13.2 million
After months and months of speculation, dozens of blog posts, and constant shifting around, these are my final predictions for the 2019 Oscars. There’s been thousands of words written about the races so I’ll keep it simple here.
The nominations are out Monday. I’m picking nine pictures to get recognition (there can be anywhere from 5 to 10 and 8-9 is usually the sweet spot). For each category, I’m also naming an alternate and second alternate.
Lastly, you can be sure come Monday that I’ll have a recap up with reaction and my results. Here we go folks!
Best Picture
1917
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time in Hollywood
Parasite
ALTERNATE – The Farewell
ALTERNATE 2 – Knives Out
Best Director
Greta Gerwig, Little Women
Bong Joon-Ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
ALTERNATE – Todd Phillips, Joker
ALTERNATE 2 – Noah Baumbach, Marriage Story
Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
ALTERNATE – Awkwafina, The Farewell
ALTERNATE 2 – Lupita Nyong’o, Us
Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Taron Egerton, Rocketman
Joaquin Phoenix, Joker
ALTERNATE – Christian Bale, Ford v Ferrari
ALTERNATE 2 – Jonathan Pryce, The Two Popes
Best Supporting Actress
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
ALTERNATE – Zhao Shuzhen, The Farewell
ALTERNATE 2 – Nicole Kidman, Bombshell
Best Supporting Actor
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
ALTERNATE – Song Kang-Ho, Parasite
ALTERNATE 2 – Jamie Foxx, Just Mercy
Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes
ALTERNATE – A Beautiful Day in the Neighborhood
ALTERNATE 2 – Hustlers
Best Original Screenplay
The Farewell
Knives Out
Marriage Story
Once Upon a Time in Hollywood
Parasite
ALTERNATE – 1917
ALTERNATE 2 – Uncut Gems
Best International Feature Film
Atlantics
Les Miserables
Pain and Glory
Parasite
Those Who Remained
ALTERNATE – Beanpole
ALTERNATE 2 – Honeyland
Best Animated Feature
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4
ALTERNATE – Klaus
ALTERNATE 2 – Abominable
Best Documentary Feature
American Factory
Apollo 11
For Sama
Honeyland
One Child Nation
ALTERNATE – Midnight Family
ALTERNATE 2 – Maiden
Best Cinematography
1917
Ford v Ferrari
The Irishman
Joker
Once Upon a Time in Hollywood
ALTERNATE – The Lighthouse
ALTERNATE 2 – Portrait of a Lady on Fire
Best Costume Design
Dolemite Is My Name
Jojo Rabbit
Little Women
Once Upon a Time in Hollywood
Rocketman
ALTERNATE – Downton Abbey
ALTERNATE 2 – The Irishman
Best Film Editing
Ford v Ferrari
The Irishman
Joker
Once Upon a Time in Hollywood
Parasite
ALTERNATE – 1917
ALTERNATE 2 – Marriage Story
Best Makeup and Hairstyling
Bombshell
Joker
Judy
Once Upon a Time in Hollywood
Rocketman
ALTERNATE – Maleficent: Mistress of Evil
ALTERNATE 2 – Dolemite Is My Name
Best Production Design
1917
The Irishman
Jojo Rabbit
Little Women
Once Upon a Time in Hollywood
ALTERNATE – Parasite
ALTERNATE 2 – Joker
Best Original Score
1917
Joker
Little Women
Marriage Story
Star Wars: The Rise of Skywalker
ALTERNATE – Ford v Ferrari
ALTERNATE 2 – Jojo Rabbit
Best Original Song
“Glasgow” from Wild Rose
“(I’m Gonna) Love Me Again” from Rocketman
“Into the Unknown” from Frozen II
“Spirit” from The Lion King
“Stand Up” from Harriet
ALTERNATE – “I’m Standing with You” from Breakthrough
ALTERNATE 2 – “A Glass of Soju” from Parasite
Best Sound Editing
1917
Avengers: Endgame
Ford v Ferrari
Once Upon a Time in Hollywood
Star Wars: The Rise of Skywalker
ALTERNATE – Joker
ALTERNATE 2 – Rocketman
Best Sound Mixing
1917
Ford v Ferrari
Joker
Rocketman
Star Wars: The Rise of Skywalker
ALTERNATE – Avengers: Endgame
ALTERNATE 2 – Once Upon a Time in Hollywood
Best Visual Effects
1917
Avengers: Endgame
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
ALTERNATE – Alita: Battle Angel
ALTERNATE 2 – Gemini Man
And that means my final tally for pictures getting the following number of nominations goes like this:
11 Nominations
Once Upon a Time in Hollywood
9 Nominations
The Irishman
8 Nominations
1917, Joker, Little Women
6 Nominations
Marriage Story
5 Nominations
Ford v Ferrari, Jojo Rabbit, Parasite, Rocketman
4 Nominations
Star Wars: The Rise of Skywalker
3 Nominations
Bombshell
2 Nominations
Avengers: Endgame, Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, American Factory Apollo 11, Atlantics, Dolemite Is My Name, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Those Who Remained, Toy Story 4, Wild Rose
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