A quartet of newcomers step into the box office ring this weekend. Video game adaptation Street Fighter looks to lead the pack while survival tale Whalefall, acclaimed documentary You Can See Everything, and the latest adaptation of Jane Austen’s Sense and Sensibility jockey for position in the top five. You can peruse my detailed prediction posts on them here:
Arriving 32 years after the Jean-Claude Van Damme version was a considerable bomb, Street Fighter should fare better with a decent if unspectacular mid 20s start. That should easily give it a first place finish.
Whalefall features Resident Evil lead Austin Abrams stuck in the belly of a sperm whale and I have it logging a so-so fourth place start in the high single digits.
You Can See Everything is the major question mark. It made a splash at the Telluride Film Festival and the covering of Theranos founder Elizabeth Holmes before she entered prison should generate eyeballs. The challenge is that I’ve yet to see a screen count. My higher single digits estimate could put in anywhere from 2nd to 4th depending on the Other Mommy drop.
Jessica Chastain’s horror flick opened in line with expectations (more on that below) but poor reviews and a dreadful D+ Cinemascore grade could spell a mid to high 60s percentage decline in weekend #2.
Sense and Sensibility doesn’t seem to have significant buzz and my mid single digits take should have it rounding out the top six just behind Verity‘s third frame.
Here’s how I see it shaking out:
1. Street Fighter
Predicted Gross: $24.5 million
2. Other Mommy
Predicted Gross: $9.1 million
3. You Can See Everything
Predicted Gross: $8.9 million
4. Whalefall
Predicted Gross: $8.2 million
5. Verity
Predicted Gross: $5.9 million
6. Sense and Sensibility
Predicted Gross: $5.3 million
Box Office Results (October 9-11)
Audiences were hungry for horror despite a critical drubbing as Other Mommy brought in $27.8 million, on pace with my $27.2 million prediction. As mentioned, even with genre fans craving scares, this should fade quickly.
Verity dropped to second with $12 million, just under my $13.1 million call. The thriller with Anne Hathaway and Dakota Johnson eased 63% for a two-week total of $54 million.
Resident Evil was third in its fourth frame with $8.5 million compared to my $7.8 million projection. This video game adaptation grew to $138 million.
Heart of the Beast took fourth with $7.4 million (I said $6.6 million) as the Brad Pitt survival tale hit $50 million after three weeks.
Finally, Aaron Sorkin’s The Social Reckoning tanked in fifth with $5 million. Taking in just a quarter of what 2010 predecessor The Social Network achieved out of the gate, the tech drama couldn’t match my $7.4 million number.
Fresh off his role fighting zombies in the blockbuster video game adaptation Resident Evil, Austin Abrams deals with a different dangerous creature in Whalefall starting October 16th. The survival thriller features Abrams as a scuba diver trapped in the belly of a sperm whale. Based on the novel by Daniel Kraus, Brian Duffield directs with Josh Brolin, Elisabeth Shue, John Ortiz, Jane Levy, and Emily Rudd in the supporting cast.
Buzz seems encouraging for the whale tale and this could be a word-of-mouth sleeper. In a best case scenario, it could approach the $20 million that Heart of the Beast premiered with. I suspect the combo of Brad Pitt and a German Shepherd could be far more potent. I’ll say a high single digits to possibly low digits start is where this lands as it hopes for staying power in subsequent frames.
Whalefall opening weekend prediction: $8.2 million
Horror looks to rule the charts with Jessica Chastain as the creepy Other Mommy while Aaron Sorkin’s The Social Reckoning also debuts. You can peruse my detailed prediction posts on the two newcomers here:
With an effective trailer and a likely hunger for scary material as we’re into the month of October, my mid 20s projection for Mommy easily gives it the victory.
The Social Reckoning may have to settle for anywhere between third and fifth place. A sort of sequel to 2010’s acclaimed The Social Network, this updated look at Facebook/Meta isn’t carrying the type of buzz that greeted its predecessor. I have this making only a third of what Network achieved over a decade and a half ago.
As for holdovers, Verity had a fantastic opening (more on that below). The C+ Cinemascore grade is a bit troubling and a 60% sophomore dip would put it in a distant second. With my soft outlook for Reckoning, I’ll say that Resident Evil narrowly edges it out for third with Heart of the Beast rounding out the top five.
Here’s how I see it playing out:
1. Other Mommy
Predicted Gross: $27.2 million
2. Verity
Predicted Gross: $13.1 million
3. Resident Evil
Predicted Gross: $7.8 million
4. The Social Reckoning
Predicted Gross: $7.6 million
5. Heart of the Beast
Predicted Gross: $6.6 million
Box Office Results (October 2-4)
A couple weeks back, I couldn’t have imagined not discussing where Digger would place in the top five in its sophomore frame, but here we are.
We will get to Tom Cruise’s box office disaster shortly though we’ll start with positive results. Verity, based on the Colleen Hoover novel, opened at the highest end of expectations with $32 million. The thriller starring Anne Hathaway (in her fifth 2026 flick) and Dakota Johnson blew past my $20.4 million prediction. As mentioned, it should see a large decline this weekend but this is a fine result for Amazon MGM.
Resident Evil stayed in second place with $12.6 million, in range with my $12 million projection. The video game based horror tale has taken in $125 million after three weeks.
Heart of the Beast was third with $10.8 million, on pace with my $11.2 million call. The Brad Pitt/German Shepherd survival tale is up to $38 million in two weeks.
Digger was fourth and marked Tom Cruise’s lowest opening since 2007’s Lions for Lambs (in which he was a supporting player). With mixed reviews and a C+ Cinemascore, audiences and critics were divided and the result was only $8 million compared to my $10.3 million forecast. Warner Bros as we know it (after Paramount’s acquisition) goes out with a whimper as this will be a significant money loser for the studio.
Primetime rounded out the top five and I incorrectly had it on the outside looking in. Also with $8 million, the two-week tally is $34 million.
Finally, last week’s #1 Avengers: Endgame Encore fell a lot further than I figured in seventh with $4.4 million. That’s an 83% decline and I was far more generous at $10 million. Don’t feel bad for the MCU, however, as its overall gross since 2019 ballooned to $894 million.
For the first time in nearly a decade, Tom Cruise headlines a picture that isn’t an action sequel via Alejandro Gonzalez Iñárritu’s satire Digger. Cruise and company will need to fend off a challenge from Verity, a psychological thriller based on Colleen Hoover’s novel starring the inescapable Anne Hathaway and Dakota Johnson. You can peruse my detailed prediction posts on the newcomers here:
Truth be told, I think Ms. Hathaway easily holds the advantage. Verity should be able to bring in a decent (especially female) crowd familiar with the source material. Mid teens could be the floor though I have this in the mid 20s for a first place showing.
I would’ve pegged Digger for a similar start a couple of weeks back. However, reviews are subpar and this is not your typical Cruise content that audiences have grown accustomed to recently. My projection has steadily declined and my barely double digits forecast could put it anywhere from second place to fifth. That would be a disastrous kickoff for the satire with a $125 million budget.
Holdovers Avengers Endgame: Encore, Resident Evil, and Heart of the Beast may all be in the same range. I have #s 2-5 separated by a mere $2 million and here’s how I have it shaking out:
1. Verity
Predicted Gross: $20.4 million
2. Resident Evil
Predicted Gross: $12 million
3. Heart of the Beast
Predicted Gross: $11.2 million
4. Digger
Predicted Gross: $10.3 million
5. Avengers Endgame: Encore
Predicted Gross: $10 million
Box Office Results (September 25-27)
Not long after Spider-Man relinquished the top spot, the MCU returned to #1 with the re-release (with some extra footage) of 2019’s Avengers: EndgameEncore. Meant to drum up anticipation for December’s Avengers: Doomsday, the epic comic book experience accomplished its mission and added $26.1 million to its coffers. That’s beyond my $22.6 million take as its domestic total ballooned to $884 million.
Resident Evil, after a terrific debut, slid to second with an understandable 62% dip to $23 million. I was on target with a $24 million prediction as the franchise reboot passed the century mark after ten days with $103 million.
Three newcomers filled with the rest of the top five with Brad Pitt’s Heart of the Beast in third. With a German Shepherd as his costar, the survival drama earned $20 million, surpassing my $16.8 million call. That gross would be more notable if not for its $80M+ budget, but it’s still at the high end of its anticipated range.
Primetime starring Robert Pattinson rode a wave of favorable buzz to $19.1 million in fourth compared to my $14.5 million prediction. Lots of audience members chose to have a seat for the A24 title which has a lowly $15 million price tag.
The news was not as positive for DreamWorks Animation’s Forgotten Island. Despite fresh critical reaction, the family friendly tale was fifth with $13 million (I went higher at $17.2 million). It’ll hope for families to catch up in subsequent weekends though it’s undoubtedly a flat result.
We’ve seen this movie before when a Brad Pitt vehicle goes from crowd pleasing pic not considered to be an Oscar contender to a Best Picture nominee. In fact, we saw it last year via F1 and its fast cars and four Academy nods with a Best Sound victory.
Despite some positive critical reception, Heart of the Beast faces longer odds. Pitt headlines the survival drama with Uber as Odin, his German Shepherd with the two stranded in the Alaskan wilderness. J.K. Simmons and Anna Lambe provide support.
Out Friday, the Rotten Tomatoes rating is 91% with 69 on Metacritic. That MC score is similar to F1‘s, but this is unlikely to become a box office juggernaut like Pitt’s predecessor. That formula won it enough fans to sneak into BP and elsewhere. I don’t see that scenario happening with Beast. My Oscar Prediction posts will continue…
As September closes out, the top 5 should consist of 80% fresh product with four titles primed to gross $10 million and higher. However, current champ Resident Evil could maintain first position. We have the re-release of the MCU’s Avengers: Endgame Encore, DreamWorks Animation’s Forgotten Island, Brad Pitt and a German Shepherd in the survival tale Heart of the Beast, and Robert Pattinson headlining the biographical thriller Primetime. You can peruse my detailed prediction posts on the newbies here:
Let’s start with a caveat – this is an unpredictable frame. I believe all the newcomers have a shot at outperforming my forecasts. Avengers and Island, in particular, could exceed expectations and challenge for the top spot. My hunch is that, even with a 60% drop (fine for its genre), Resident Evil will maintain its #1 bragging rights with a mid-20s gross.
If I get the order of 2-5 right, I’ll be happy with myself. For the incoming quartet, I have all placing between $10-$20 million. With the advantage of following Spider-Man: Brand New Day and meant to drum up anticipation for December’s Avengers: Doomsday, Disney/Marvel’s Endgame return to theaters could approach the $20 million figure and I have it achieving runner-up status.
With solid reviews, Forgotten Island could be right behind in third or be second. The fact that it’s not based on known IP could be a hurdle for kiddos and parents to RSVP.
Pitt’s Beast, his first pic since last summer’s blockbuster F1, is also drawing decent critical reaction. Mid to high teens is certainly doable for a fourth place finish.
Primetime is perhaps the biggest unknown. With Pattinson as To Catch a Predator host Chris Hansen, the trailer is buzzy as was reaction at the Venice Film Festival earlier this month. This might have more audience members seated than I’m estimating but my prognosis in the low teens has it rounding out the top five. I also wouldn’t be shocked if it fell between $8-13 million or even approached $20 million.
Here’s how I have this fascinating weekend shaking out:
1. Resident Evil
Predicted Gross: $24 million
2. Avengers: Endgame Encore
Predicted Gross: $22.6 million
3. Forgotten Island
Predicted Gross: $17.2 million
4. Heart of the Beast
Predicted Gross: $16.8 million
5. Primetime
Predicted Gross: $14.5 million
Box Office Results (September 18-20)
Horror enthusiasts and gamers came out in droves for Zach Cregger’s reboot of the Resident Evil franchise. The well-reviewed eighth overall entry in the series boasted a $60.1 million premiere, managing to top my $55.8 million prediction. That more than doubles the previous best of the bunch – 2010’s Resident Evil: Afterlife at $26 million and sets a personal best for the Weapons filmmaker.
Practical Magic 2 was second with a 60% fall in frame #2 as the witchy sequel made $12.1 million, in line with my $12.4 million take. Falling on the low end of its range, the two-week total is $50 million.
Summer holdovers populated slots 3-5. Spider-Man: Brand New Day was third with $6.4 million compared to my $4.7 million call. Earlier in the week, Day surpassed 2015’s Star Wars: The Force Awakens to become the largest domestic grosser of all time at $944 million after eight weeks.
The Odyssey was fourth with $4.9 million (I said $4.6 million) as Christopher Nolan’s epic brought its tally to $609 million in ten weeks.
Finally, Coyote vs. Acme was fifth with $4.4 million, ahead of my $3.5 million projection for $54 million in four weeks.
Brad Pitt reunites with his Fury director David Ayer for the survival tale Heart of the Beast on September 25th. While J.K. Simmons and Anna Lambe costar, Pitt’s main companion is German Shepherd Uber as Odin. The story centers around a Special Forces member and his combat dog stranded in the wilderness following a plane crash.
Beast could benefit from being Pitt’s first feature since last summer’s smash F1. A best case scenario could land it close to $20 million. A disappointing result would be in the lower double digits. I’ve got this right in the middle of that range for a respectable debut as Paramount hopes strong WOM will carry it in the future weekends.
Heart of the Beast opening weekend prediction: $16.8 million
For my Avengers: Endgame Encore prediction, click here:
Barely a month beyond the 98th edition of the Academy Awards, we have arrived at my first ranked predictions for the 99th ceremony. We begin with six major categories – Best Picture, Director, and the four acting derbies.
I gave you my first ranked glimpses for the previous telecast around the same time last year in these same races. How did that impossibly early forecast turn out? I correctly called four of the eventual ten BP nominees with Hamnet, Marty Supreme, Sentimental Value, and Sinners. Winner One Battle After Another as well as Bugonia, F1, and Frankenstein were listed in Other Possibilities. So 80% of the BP contenders were identified with The Secret Agent and Train Dreams not being mentioned in April 2025.
In Best Director, three of the five filmmakers were predicted: Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), and Joachim Trier (Sentimental Value). Statue recipient Paul Thomas Anderson from One Battle and Chloé Zhao (Hamnet) were in Other Possibilities.
As for Best Actress, Jessie Buckley (Hamnet) swept the season and was in my predicted quintet. So was Sentimental Value‘s Renate Reinsve while Rose Byrne (If I Had Legs I’d Kick You) and Emma Stone (Bugonia) were in Other Possibilities. Only Kate Hudson (Song Sung Blue) wasn’t listed. In Best Actor, Timothée Chalamet (Marty Supreme) was in my quintet. Three others – winner Michael B. Jordan (Sinners), Leonardo DiCaprio (One Battle After Another), and Ethan Hawke (Blue Moon) were Other Possibilities with Wagner Moura (The Secret Agent) as the sole thespian not identified.
My projected Supporting Actress five rightly named Teyana Taylor (One Battle) with Elle Fanning (Sentimental Value) as a possibility. Fanning’s costar Inga Ibsdotter Lilleass, Wumni Mosaku (Sinners), and the victorious Amy Madigan (Weapons) were not found among my possibilities. In Supporting Actor, Stellan Skarsgård from Value was in my five with winner Sean Penn (One Battle) and Delroy Lindo (Sinners) as possibilities. Battle‘s Benicio del Toro and Frankenstein‘s Jacob Elordi were not to be found yet.
Let’s get some caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. As an example, I figured Paul Mescal (Hamnet) would go lead for that film last year, but he was slotted in supporting. He ended up not being nominated but likely came close. For instance in this year’s listings, I don’t know if Sam Rockwell will be lead or supporting for Wild Horse Nine but my hunch says the latter at press time. The distributor will eventually clear that up.
We will see pictures push to 2027. When I did my initial projections a year ago for 2025, Michael and The Rivals of Amziah King were thought to be releases for that calendar frame. Both are being put out in ’26. I have Michael still as a potential nominee in some competitions. Not so at this time for Rivals.
And now the most important forewarning. Some movies you find below will turn out to be non-contenders. My inaugural look at the 98th Oscars listed Luca Guadagnino’s After the Hunt at #1 in Best Picture, Director, Actress (Julia Roberts), #4 in Supporting Actress (Ayo Edebiri), and #2 in Supporting Actor (Andrew Garfield). After its Venice festival premiere, the mixed to negative reaction drastically changed its narrative. It ended up with zero nominations. My April 2025 #1’s in the supporting fields – Ariana Grande (Wicked: For Good) and Adam Sandler (Jay Kelly) – did not make final cut either.
So take this speculation as what it is – speculative. The picture and Best Picture will become clearer in time. That said, a reminder that 80% of the BP nominees were mentioned a year ago in addition to 100% of the directors and 80% of the lead acting hopefuls could be found in the initial post. On the flip side, nearly all of my acting picks for a nomination are coming from projected BP nominees and the percentage probably won’t be quite that high.
When Sinners came out last year, it was a box office juggernaut with widespread critical acclaim. Yet I wondered whether the spring release could mean it would fall by the wayside months down the line. That’s why I named it in Other Possibilities for Picture, Director, Actor, and Supporting Actor. What happened months down the line? A record-setting 16 nominations with Jordan winning Actor. I won’t make the same mistake with Project Hail Mary. It has been out for weeks and already looks like a strong contender in Picture, Director, Actor, and possibly Supporting Actress. Another note – it’s not often (or maybe ever) you see a performer mentioned four times. That’s the case at the moment with the busy Sandra Hüller who is a legit threat twice in lead Actress and supporting.
You can expect these posts to hit the blog every couple of weeks until it becomes weekly. This should occur when festival season goes into overdrive in last summer/early fall.
BEST PICTURE
Predicted Nominees:
1. The Odyssey
2. Project Hail Mary
3. Wild Horse Nine
4. Digger
5. Fjord
6. No One Cares
7. All of a Sudden
8. Fatherland
9. The Social Reckoning
10. Dune: Part Three
Other Possibilities:
11. Narnia: The Magican’s Nephew
12. A Place in Hell
13. A Long Winter
14. The Entertainment System is Down
15. Being Heumann
16. Cry to Heaven
17. Josephine
18. Werwulf
19. The Adventures of Cliff Booth
20. Michael
21. Paper Tiger
22. Saturn Return
23. Sense and Sensibility
24. Jack of Spades
25. Behemoth!
BEST DIRECTOR
Predicted Nominees:
1. Christopher Nolan, The Odyssey
2. Alejandro G. Iñárritu, Digger
3. Phil Lord and Christopher Miller, Project Hail Mary
4. Martin McDonagh, Wild Horse Nine
5.Cristian Mingiu, Fjord
Other Possibilities:
6. Ryusuke Hamaguchi, All of a Sudden
7. Pawel Pawlikowski, Fatherland
8. Jesse Eisenberg, No One Cares
9. Denis Villeneuve, Dune: Part Three
10. Greta Gerwig, Narnia: The Magician’s Nephew
11. Ruben Östlund, The Entertainment System is Down
12. Tom Ford, Cry to Heaven
13. Aaron Sorkin, The Social Reckoning
14. Robert Eggers, Werwulf
15. David Fincher, The Adventures of Cliff Booth
BEST ACTRESS
Predicted Nominees:
1. Renate Reinsve, Fjord
2. Mikey Madison, The Social Reckoning
3. Julianne Moore, No One Cares
4. Sandra Hüller, Fatherland
5. Michelle Williams, A Place in Hell
Other Possibilities:
6. Virginie Efira, All of a Sudden
7. Ruth Madeley, Being Heumann
8. Mason Reeves, Josephine
9. Sophie Okenedo, Clarissa
10. Cynthia Erivo, Prima Facie
11. Sandra Hüller, Rose
12. Lily Gladstone, The Memory Police
13. Rachel Brosnahan, Saturn Return
14. Daisy Edgar-Jones, Sense and Sensibility
15. Amy Adams, At the Sea
BEST ACTOR
Predicted Nominees:
1. Tom Cruise, Digger
2. Ryan Gosling, Project Hail Mary
3. John Malkovich, Wild Horse Nine
4. Sebastian Stan, Fjord
5. Hanns Zischler, Fatherland
Other Possibilities:
6. Matt Damon, The Odyssey
7. Robert Aramayo, I Swear
8. Dominic Sessa, Tony
9. Nicholas Hoult, Cry to Heaven
10. Jafaar Jackson, Michael
11. Timothée Chalamet, Dune: Part Three
12. Pedro Pascal, Behemoth!
13. Brad Pitt, The Adventures of Cliff Booth
14. Charles Melton, Saturn Return
15. John Turturro, The Only Pickpocket Living in New York
BEST SUPPORTING ACTRESS
Predicted Nominees:
1. Parker Posey, Wild Horse Nine
2. Mariana Di Girolamo, Wild Horse Nine
3. Halle Bailey, No One Cares
4. Anne Hathaway, The Odyssey
5. Tao Okamoto, All of a Sudden
Other Possibilities:
6. Sandra Hüller, Digger
7. Daisy Edgar-Jones, A Place in Hell
8.. Sandra Hüller, Project Hail Mary
9. Caitriona Balfe, A Long Winter
10. Scarlett Johansson, Paper Tiger
11. Wunmi Mosaku, The Social Reckoning
12. Kirsten Dunst, The Entertainment System is Down
13. Gemma Chan, Josephine
14. Frances McDormand, Jack of Spades
15. Elizabeth Debicki, The Adventures of Cliff Booth
BEST SUPPORTING ACTOR
Predicted Nominees:
1. Paul Giamatti, No One Cares
2. John Goodman, Digger
3. Sam Rockwell, Wild Horse Nine
4. Colman Domingo, Michael
5. Jeremy Strong, The Social Reckoning
Other Possibilities:
6. Steve Buscemi, Wild Horse Nine
7. Andrew Scott, A Place in Hell
8. Tom Holland, The Odyssey
9. Mark Ruffalo, Being Heumann
10. D’Pharaoh Woon-A-Tai, A Long Winter
11. Jesse Plemons, Digger
12. Channing Tatum, Josephine
13. David Oyelowo, Clarissa
14. Daniel Brühl, The Entertainment System is Down
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. If you missed my post covering Bugonia, you can find it linked here:
If Academy voters wish to honor a nominee that many viewers have seen, F1 is a sensible road considering it made nearly $200 million domestically and $442 million worldwide. The racing drama with Brad Pitt made the top 10 cut for PGA and NBR. F1, from the director of 2022 BP nominee Top Gun: Maverick, was also nominated for Film Editing, Sound, and Visual Effects.
The Case Against F1:
The four total nominations ties three other movies for lowest mentions among the BP ten. F1 wasn’t nominated for the highest honor at the Golden Globes or Critics Choice. It is the only contender without a nomination in directing, screenplay, or any of the acting derbies. If Academy voters wish to honor something that did well at the box office, they have an even more viable option in Sinners.
The Verdict:
F1 is probably 10th out of the 10 possibilities in the largest race though it could manage to pick up gold in Sound.
The nation of Tunisia has seen only one of their pictures nominated for Best International Feature Film at the Oscars and that was 2020’s The ManWho Sold His Skin. Kaouther Ben Hania was the director and her follow-up is The Voice of Hind Rajab, which has premiered at Venice and will soon play in Toronto. Focused on the true story of a five-year-old’s killing in the Israeli/Palestinian conflict, it has already been announced as Tunisia’s entrant for IFF.
Critical reaction thus far has resulted in a 100% score on Rotten Tomatoes and the praise in Venice has been effusive including a reported 23 minute ovation. Executive producers on the project include Brad Pitt, Joaquin Phoenix, Rooney Mara, and Alfonso Cuaròn. It is fair to assume that Voice will receive a major campaign from its as yet unannounced distributor. The international category already has plenty of viable contenders including frontrunner Sentimental Value, It Was Just an Accident, No Other Choice, and The Secret Agent to name just four. Even with that caveat, the Academy may not be able to ignore this. My Oscar Prediction posts will continue…
