Tag: brad pitt

99th Academy Awards Predictions: April 19th Edition

Barely a month beyond the 98th edition of the Academy Awards, we have arrived at my first ranked predictions for the 99th ceremony. We begin with six major categories – Best Picture, Director, and the four acting derbies.

I gave you my first ranked glimpses for the previous telecast around the same time last year in these same races. How did that impossibly early forecast turn out? I correctly called four of the eventual ten BP nominees with Hamnet, Marty Supreme, Sentimental Value, and Sinners. Winner One Battle After Another as well as Bugonia, F1, and Frankenstein were listed in Other Possibilities. So 80% of the BP contenders were identified with The Secret Agent and Train Dreams not being mentioned in April 2025.

In Best Director, three of the five filmmakers were predicted: Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), and Joachim Trier (Sentimental Value). Statue recipient Paul Thomas Anderson from One Battle and Chloé Zhao (Hamnet) were in Other Possibilities.

As for Best Actress, Jessie Buckley (Hamnet) swept the season and was in my predicted quintet. So was Sentimental Value‘s Renate Reinsve while Rose Byrne (If I Had Legs I’d Kick You) and Emma Stone (Bugonia) were in Other Possibilities. Only Kate Hudson (Song Sung Blue) wasn’t listed. In Best Actor, Timothée Chalamet (Marty Supreme) was in my quintet. Three others – winner Michael B. Jordan (Sinners), Leonardo DiCaprio (One Battle After Another), and Ethan Hawke (Blue Moon) were Other Possibilities with Wagner Moura (The Secret Agent) as the sole thespian not identified.

My projected Supporting Actress five rightly named Teyana Taylor (One Battle) with Elle Fanning (Sentimental Value) as a possibility. Fanning’s costar Inga Ibsdotter Lilleass, Wumni Mosaku (Sinners), and the victorious Amy Madigan (Weapons) were not found among my possibilities. In Supporting Actor, Stellan Skarsgård from Value was in my five with winner Sean Penn (One Battle) and Delroy Lindo (Sinners) as possibilities. Battle‘s Benicio del Toro and Frankenstein‘s Jacob Elordi were not to be found yet.

Let’s get some caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. As an example, I figured Paul Mescal (Hamnet) would go lead for that film last year, but he was slotted in supporting. He ended up not being nominated but likely came close. For instance in this year’s listings, I don’t know if Sam Rockwell will be lead or supporting for Wild Horse Nine but my hunch says the latter at press time. The distributor will eventually clear that up.

We will see pictures push to 2027. When I did my initial projections a year ago for 2025, Michael and The Rivals of Amziah King were thought to be releases for that calendar frame. Both are being put out in ’26. I have Michael still as a potential nominee in some competitions. Not so at this time for Rivals.

And now the most important forewarning. Some movies you find below will turn out to be non-contenders. My inaugural look at the 98th Oscars listed Luca Guadagnino’s After the Hunt at #1 in Best Picture, Director, Actress (Julia Roberts), #4 in Supporting Actress (Ayo Edebiri), and #2 in Supporting Actor (Andrew Garfield). After its Venice festival premiere, the mixed to negative reaction drastically changed its narrative. It ended up with zero nominations. My April 2025 #1’s in the supporting fields – Ariana Grande (Wicked: For Good) and Adam Sandler (Jay Kelly) – did not make final cut either.

So take this speculation as what it is – speculative. The picture and Best Picture will become clearer in time. That said, a reminder that 80% of the BP nominees were mentioned a year ago in addition to 100% of the directors and 80% of the lead acting hopefuls could be found in the initial post. On the flip side, nearly all of my acting picks for a nomination are coming from projected BP nominees and the percentage probably won’t be quite that high.

When Sinners came out last year, it was a box office juggernaut with widespread critical acclaim. Yet I wondered whether the spring release could mean it would fall by the wayside months down the line. That’s why I named it in Other Possibilities for Picture, Director, Actor, and Supporting Actor. What happened months down the line? A record-setting 16 nominations with Jordan winning Actor. I won’t make the same mistake with Project Hail Mary. It has been out for weeks and already looks like a strong contender in Picture, Director, Actor, and possibly Supporting Actress. Another note – it’s not often (or maybe ever) you see a performer mentioned four times. That’s the case at the moment with the busy Sandra Hüller who is a legit threat twice in lead Actress and supporting.

You can expect these posts to hit the blog every couple of weeks until it becomes weekly. This should occur when festival season goes into overdrive in last summer/early fall.

BEST PICTURE

Predicted Nominees:

1. The Odyssey

2. Project Hail Mary

3. Wild Horse Nine

4. Digger

5. Fjord

6. No One Cares

7. All of a Sudden

8. Fatherland

9. The Social Reckoning

10. Dune: Part Three

Other Possibilities:

11. Narnia: The Magican’s Nephew

12. A Place in Hell

13. A Long Winter

14. The Entertainment System is Down

15. Being Heumann

16. Cry to Heaven

17. Josephine

18. Werwulf

19. The Adventures of Cliff Booth

20. Michael

21. Paper Tiger

22. Saturn Return

23. Sense and Sensibility

24. Jack of Spades

25. Behemoth!

BEST DIRECTOR

Predicted Nominees:

1. Christopher Nolan, The Odyssey

2. Alejandro G. Iñárritu, Digger

3. Phil Lord and Christopher Miller, Project Hail Mary

4. Martin McDonagh, Wild Horse Nine

5. Cristian Mingiu, Fjord

Other Possibilities:

6. Ryusuke Hamaguchi, All of a Sudden

7. Pawel Pawlikowski, Fatherland

8. Jesse Eisenberg, No One Cares

9. Denis Villeneuve, Dune: Part Three

10. Greta Gerwig, Narnia: The Magician’s Nephew

11. Ruben Östlund, The Entertainment System is Down

12. Tom Ford, Cry to Heaven

13. Aaron Sorkin, The Social Reckoning

14. Robert Eggers, Werwulf

15. David Fincher, The Adventures of Cliff Booth

BEST ACTRESS

Predicted Nominees:

1. Renate Reinsve, Fjord

2. Mikey Madison, The Social Reckoning

3. Julianne Moore, No One Cares

4. Sandra Hüller, Fatherland

5. Michelle Williams, A Place in Hell

Other Possibilities:

6. Virginie Efira, All of a Sudden

7. Ruth Madeley, Being Heumann

8. Mason Reeves, Josephine

9. Sophie Okenedo, Clarissa

10. Cynthia Erivo, Prima Facie

11. Sandra Hüller, Rose

12. Lily Gladstone, The Memory Police

13. Rachel Brosnahan, Saturn Return

14. Daisy Edgar-Jones, Sense and Sensibility

15. Amy Adams, At the Sea

BEST ACTOR

Predicted Nominees:

1. Tom Cruise, Digger

2. Ryan Gosling, Project Hail Mary

3. John Malkovich, Wild Horse Nine

4. Sebastian Stan, Fjord

5. Hanns Zischler, Fatherland

Other Possibilities:

6. Matt Damon, The Odyssey

7. Robert Aramayo, I Swear

8. Dominic Sessa, Tony

9. Nicholas Hoult, Cry to Heaven

10. Jafaar Jackson, Michael

11. Timothée Chalamet, Dune: Part Three

12. Pedro Pascal, Behemoth!

13. Brad Pitt, The Adventures of Cliff Booth

14. Charles Melton, Saturn Return

15. John Turturro, The Only Pickpocket Living in New York

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Parker Posey, Wild Horse Nine

2. Mariana Di Girolamo, Wild Horse Nine

3. Halle Bailey, No One Cares

4. Anne Hathaway, The Odyssey

5. Tao Okamoto, All of a Sudden

Other Possibilities:

6. Sandra Hüller, Digger

7. Daisy Edgar-Jones, A Place in Hell

8.. Sandra Hüller, Project Hail Mary

9. Caitriona Balfe, A Long Winter

10. Scarlett Johansson, Paper Tiger

11. Wunmi Mosaku, The Social Reckoning

12. Kirsten Dunst, The Entertainment System is Down

13. Gemma Chan, Josephine

14. Frances McDormand, Jack of Spades

15. Elizabeth Debicki, The Adventures of Cliff Booth

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Paul Giamatti, No One Cares

2. John Goodman, Digger

3. Sam Rockwell, Wild Horse Nine

4. Colman Domingo, Michael

5. Jeremy Strong, The Social Reckoning

Other Possibilities:

6. Steve Buscemi, Wild Horse Nine

7. Andrew Scott, A Place in Hell

8. Tom Holland, The Odyssey

9. Mark Ruffalo, Being Heumann

10. D’Pharaoh Woon-A-Tai, A Long Winter

11. Jesse Plemons, Digger

12. Channing Tatum, Josephine

13. David Oyelowo, Clarissa

14. Daniel Brühl, The Entertainment System is Down

15. Riz Ahmed, Digger

Oscar Nominations: The Case of F1

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. If you missed my post covering Bugonia, you can find it linked here:

Oscar Nominations: The Case of Bugonia

The second BP contender is Joseph Kosinski’s F1.

The Case for F1:

If Academy voters wish to honor a nominee that many viewers have seen, F1 is a sensible road considering it made nearly $200 million domestically and $442 million worldwide. The racing drama with Brad Pitt made the top 10 cut for PGA and NBR. F1, from the director of 2022 BP nominee Top Gun: Maverick, was also nominated for Film Editing, Sound, and Visual Effects.

The Case Against F1:

The four total nominations ties three other movies for lowest mentions among the BP ten. F1 wasn’t nominated for the highest honor at the Golden Globes or Critics Choice. It is the only contender without a nomination in directing, screenplay, or any of the acting derbies. If Academy voters wish to honor something that did well at the box office, they have an even more viable option in Sinners.

The Verdict:

F1 is probably 10th out of the 10 possibilities in the largest race though it could manage to pick up gold in Sound.

My Case Of posts will continue with Frankenstein…

Oscar Predictions: The Voice of Hind Rajab

The nation of Tunisia has seen only one of their pictures nominated for Best International Feature Film at the Oscars and that was 2020’s The Man Who Sold His Skin. Kaouther Ben Hania was the director and her follow-up is The Voice of Hind Rajab, which has premiered at Venice and will soon play in Toronto. Focused on the true story of a five-year-old’s killing in the Israeli/Palestinian conflict, it has already been announced as Tunisia’s entrant for IFF.

Critical reaction thus far has resulted in a 100% score on Rotten Tomatoes and the praise in Venice has been effusive including a reported 23 minute ovation. Executive producers on the project include Brad Pitt, Joaquin Phoenix, Rooney Mara, and Alfonso Cuaròn. It is fair to assume that Voice will receive a major campaign from its as yet unannounced distributor. The international category already has plenty of viable contenders including frontrunner Sentimental Value, It Was Just an Accident, No Other Choice, and The Secret Agent to name just four. Even with that caveat, the Academy may not be able to ignore this. My Oscar Prediction posts will continue…

July 4-6 Box Office Predictions

Dinosaurs seek to rule the Independence Day weekend courtesy of the seventh feature in the 32-year-old franchise with Jurassic World Rebirth. It is the only wide release newcomer stomping into multiplexes over the holiday and you can peruse my detailed prediction post on it here:

Jurassic World Rebirth Box Office Prediction

The Jurassic series has proven itself to be critic proof in recent years and that should come into play with the new installment starring Scarlett Johansson. An opening weekend in nine figures is unlikely since it premieres on Wednesday (the last three World‘s achieved $100M+ out of the gate but debuted on traditional Friday to Sunday frames). I’m projecting a three-day in the $80 million ballpark with $130M+ when factoring in Wednesday and Thursday.

After a sizzling start, F1 with Brad Pitt will drop to second. With an A Cinemascore grade and appeal to adult moviegoers, you can expect impressive holds in the weekends to come. This may only ease around 30% and don’t be shocked if it’s even a little less for a strong runner-up position.

Holdovers will populate 3-6 with How to Train Your Dragon firmly in third and the lackluster Elio in fourth. Numbers five and six could be close between sequels 28 Years Later and M3GHAN 2.0, which short-circuited over the weekend.

Here’s how I see it playing out:

1. Jurassic World Rebirth

Predicted Gross: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)

2. F1

Predicted Gross: $39.7 million

3. How to Train Your Dragon

Predicted Gross: $12.9 million

4. Elio

Predicted Gross: $6.2 million

5. 28 Years Later

Predicted Gross: $4.5 million

6. M3GAN 2.0

Predicted Gross: $4.2 million

Box Office Results (June 27-29)

F1 or F1: The Movie, Joseph Kosinski’s follow-up to Top Gun: Maverick, revved up impressive results with $57 million, lapping my $46.2 million prediction. It also performed with top-notch earnings overseas. As mentioned, word-of-mouth should keep this in the zeitgeist over the weekends to come. A sequel is already in the planning stages.

How to Train Your Dragon, after two weeks atop the charts, was second with $19.5 million. That’s in line with my $19.1 million forecast as the live-action remake has fired up $200 million in three weeks.

Elio, after a worst ever Pixar premiere, didn’t hold up well in third with $10.4 million. I was more generous at $13 million as its sophomore plunge was a steep 50% (especially for its studio). This is undoubtedly one of the summer’s most significant flops.

Same goes for M3GAN 2.0. The sequel eschewed horror for a campier sci-fi tone and audiences rejected it. The fourth place showing was a DOA $10.2 million compared to the original’s $30 million. There’s no spinning that result for Blumhouse.

Finally, zombie threequel 28 Years Later plummeted 67% in its second outing with $9.7 million compared to my $12.6 million take. The ten-day tally is $50 million.

And that does it for now, folks! Until next time…

June 27-29 Box Office Predictions

Racing drama F1: The Movie starring Brad Pitt looks to finish first this weekend while campy horror sequel M3GAN 2.0 aims for a strong second. You can peruse my detailed prediction posts on the newbies here:

F1 Box Office Prediction
M3GAN 2.0 Box Office Prediction

The range for F1 could be wide and it wouldn’t surprise me if it topped $50 million. The low bar appears to be in the mid 30s. With mostly solid reviews and fans of the sport likely to turn up (that could be more significant overseas), I’m going with a mid 40s premiere.

I’m definitely going on the lower end of the spectrum for M3GAN 2.0, the follow-up to 2023’s surprise hit. As I wrote in my post, I’m not convinced audiences are clamoring for the title character’s return. My low 20s projection puts it in the runner-up spot though not by much.

Current two-week champ How to Train Your Dragon could lose close to half its sophomore frame crowd for high teens in third. The four and five spot could be close between Elio and 28 Years Later in their second outings. The former had a historically weak debut (more on that below) while 28 Years also kicked off at the bottom portion of its anticipated spread. I suspect Elio will have a much better hold than Danny Boyle’s zombie threequel.

Here’s how I envision the top 5 playing out:

1. F1: The Movie

Predicted Gross: $46.2 million

2. M3GAN 2.0

Predicted Gross: $21.7 million

3. How to Train Your Dragon

Predicted Gross: $19.1 million

4. Elio

Predicted Gross: $13 million

5. 28 Years Later

Predicted Gross: $12.6 million

Box Office Results (June 20-22)

How to Train Your Dragon managed to stay atop the charts, but it did have a heftier decline that I figured. The live-action remake of the DreamWorks animated original brought in $36.5 million compared to my $41.6 prediction for $160 million in its initial ten days.

28 Years Later was second with $30 million, not matching my $33.7 million call. While that’s easily the strongest debut of the trilogy (it’s been eighteen years since its predecessor), some prognosticators had this pegged at $35-$40 million. With a so-so B Cinemascore, the dip this weekend could be pronounced.

Pixar experienced its smallest debut ever courtesy of Elio at $20.8 million. I was slightly more generous with $24.5 million. Despite mostly solid reviews, the original story struggled to find its family audience as remakes and sequels dominate the season. It will hope for smallish declines in the weekends to come (something that occurred with 2023’s Elemental after its uninspired beginning).

Lilo & Stitch was fourth with $9.7 million, eclipsing my $8.1 million take. This live-action remake of an animated property now sits at $386 million after five weeks with $400M+ firmly in its sights.

Mission: Impossible – The Final Reckoning rounded out the top five with $6.4 million (I said $6.5 million) as the franchise finale(?) has made $178 million in five weeks.

Finally, Materialists was sixth in weekend #2 with $5.8 million, a bit under my $6.6 million forecast. The ten-day tally is $23 million.

And that does it for now, folks! Until next time…

F1 Box Office Prediction

F1 (or F1: The Movie) hopes to be #1 when it debuts June 27th. The racing drama comes from Top Gun: Maverick maker Joseph Kosinski with Brad Pitt in the lead. Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem provide support.

There are some reports that the budget is around $300 million so profitability is a question mark. Its title sport is more popular overseas so Warner Bros is certainly banking on impressive foreign grosses. Reviews are mostly complimentary with 87% on Rotten Tomatoes and Metacritic at 70.

I believe the star power and solid word-of-mouth should be enough to power F1 to the top spot. $50 million plus would be a welcome sight for its studio considering the price tag. I’ll project it doesn’t quite get there.

F1 opening weekend prediction: $46.2 million

For my M3GAN 2.0 prediction, click here:

M3GAN 2.0 Box Office Prediction

Oscar Predictions: F1

F1 (also styled as F1: The Movie) blasts into IMAX screens and other venues on June 27th, marking Joseph Kosinski’s theatrical follow-up to Top Gun: Maverick. The exploration of the Formula One World Championship is headlined by Brad Pitt with costars including Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem.

Critics are mostly championing this an effective summer blockbuster with 84% on Rotten Tomatoes and a 67 Metacritic. There are some gripes about the screenplay and even quibbles with how the racing sequences are choreographed.

While Maverick was nominated in six categories at the 95th Academy Awards including Best Picture, F1‘s possibilities are more limited. Sound seems the most feasible with Cinematography, Editing, and Hans Zimmer’s Score having shots. BP is likely out of reach and same goes for the cast despite praise for Pitt and the relatively unknown (though not for long) Idris. My Oscar Prediction posts will continue…

Wolfs Review

Despite their effortless chemistry, George Clooney and Brad Pitt have yet to find their winning vehicle. I know many of you are now saying what about Ocean’s Eleven?!? Or Thirteen?… though probably not that Jan Brady of a franchise entry Twelve. I found the whole trio a little disappointing actually. The finest Clooney/Pitt collaboration is easily Burn After Reading from the Coen Brothers. However, the duo share mere seconds onscreen together. They are violently hilarious ones.

Wolfs is not funny or action packed enough. It encounters chop simply attempting to coast on the charms of its headliners. They play roles that might only exist in the movies – fixers. Well at least there’s a lot more of them on the silver screen like hitmen. Clooney is known only as Margaret’s Man in the credits. Margaret (Amy Ryan) is running for district attorney when she picks up a much younger man known as Kid (Austin Abrams) at a hotel. Their planned one night stand folds when Kid collapses and is presumed dead. VIPs like Margaret get a special phone number to clean up these messes and Clooney is dispatched to fix it.

So is Pitt and he’s known as Pam’s Man. Pam (voiced by Frances McDormand) runs the hotel and Pitt is their in-house problem solver. Two men whose survival hinges on working solo is disrupted when they both report for duty. Margaret goes back to campaigning as Ryan’s participation is a glorified cameo. Kid, it turns out, is not DOA as the trio must deal with bricks of heroin, Albanian gangsters, safari themed hotel rooms and back problems.

Written and directed by Jon Watts (whose become best known for the three Tom Holland Spider-Man flicks), Wolfs is not afraid to point out that its hunky leads are getting up in years. We’ve certainly seen the aging criminal story before and this struggles to find any new angles.

There’s limited pleasures. The Kid flirts with being a delightfully bizarre character here and there. I did appreciate how you’re not sure for awhile whether he’s smarter than he lets on or truly as dumb as Clooney and Pitt suspect. Or for that matter, if he’s mortal. No one makes faces of befuddled bemusement better than Pitt.

The leading men, though, still haven’t made their Butch Cassidy and the Sundance Kid or The Sting no matter how hard Ocean’s and Wolfs try. Finally, there’s the matter of cinematic “fixers”. My favorite is Harvey Keitel in Pulp Fiction. He basically showed up to tell Samuel L. Jackson and John Travolta to clean up the car after the latter had accidentally blown Marvin’s head off. There was no real fixing needed and Quentin Tarantino seemed in on the joke. Clooney and Pitt’s rapport doesn’t need a fix, but Wolfs is ripe for plenty of improvement.

** (out of four)

Oscar Predictions: Wolfs

George Clooney and Brad Pitt bring their considerable star power to Wolfs which premiered out of competition in Venice. The action comedy receives a limited theatrical release on September 20th before it streams on Apple TV the following weekend. Jon Watts, after helming the last three Spider-Man titles for the MCU, directs with Amy Ryan, Austin Abrams, and Poorna Jagannathan among the supporting players.

Several critics are essentially giving this a pass for coasting well enough on the charisma of its leads. Other reviews are less charitable and it currently sports a 73% Rotten Tomatoes score. Clooney is a four-time acting nominee with a Supporting Actor victory for 2005’s Syriana. As for Pitt? Well, he’s a four-time acting nominee with a Supporting Actor victory for 2019’s Once Upon a Time in Hollywood. They have other nominations for their directing (Clooney) and producing work (both).

It would seem Wolfs was not made for the Academy’s consideration. Apple should get plenty of viewers to bite. My Oscar Predictions will continue…

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…