Tag: Lupita Nyong’o

Oscar Predictions: The Odyssey

One of the biggest pieces of the Oscar predicting puzzle came into greater focus today with the review embargo having lifted for Christopher Nolan’s The Odyssey. The fantasy based on Homer’s ancient epic debuts this weekend with grand box office hopes for Universal. It has long been anticipated to be a major awards player with Matt Damon leading a massive cast that includes (deep breath) Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.

The reported $250 million production is Nolan’s hotly awaited follow-up to 2023’s Oppenheimer. That nearly billion dollar grossing biopic was an Oscar juggernaut with 13 nominations and 7 victories including Best Picture, Director, Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). The Odyssey seeks to become Nolan’s fourth feature in contention for BP joining 2010’s Inception, 2017’s Dunkirk, and the aforementioned Oppenheimer.

Let’s dispense with the drama. With 97% on Rotten Tomatoes and an 88 Metacritic, The Odyssey‘s journey to a Best Picture nomination looks assured and it is a threat to win. Same goes for Nolan’s direction and a number of other categories including Adapted Screenplay, Casting, Cinematography, Costume Design, Film Editing, Original Score, Production Design, Sound, and Visual Effects. That’s 11 noms in the bag already. Makeup and Hairstyling and Original Song (a new tune by Travis Scott and James Blake closes the three-hour experience) are possibilities with the latter perhaps a long shot.

As for the actors, some of my early predictions may have to shift. For weeks, I’ve had Matt Damon on the inside in fifth or on the outside looking in at sixth. That forecast seems accurate though I’m leaning toward him making the cut in what should be a crowded field. Obviously that could change as various works from competitors like Tom Cruise (Digger), John Malkovich (Wild Horse Nine), and Pedro Pascal (Behemoth!) are screened. It would be Damon’s fourth acting nod behind Good Will Hunting, Invictus, and The Martian if he gets in.

Gunning for her third attempt at gold is Anne Hathaway behind 2008’s Rachel Getting Married and a Supporting Actress victory for 2012’s Les Miserables. The buzz indicates that her supporting work is the most assured of inclusion. I’ve her outside of the top 5 most of the time in the past couple of months. Look for that to change in my next round of predictions this weekend.

As for Supporting Actor, there was some chatter for Robert Pattinson and Tom Holland. If either get in, I’d say Pattinson is more likely than Holland. There’s also lots of love for John Leguizamo, but Universal would need to make a conscientious effort to campaign for him. Same goes for Samantha Morton in Supporting Actress. She’s getting raves. However, her performance is limited to one scene and Hathaway may get the sole push.

In a best case scenario, The Odyssey could surpass Oppenheimer‘s nomination haul and even get in the range of the record-setting 16 that Sinners received last year. I suspect my next projections will give it 13-15. My Oscar Prediction posts will continue…

The Odyssey Box Office Prediction

Adapted from Homer’s ancient Greek works, The Odyssey looks to make a lot of dough when it opens July 17th. Undoubtedly one of 2026’s most anticipated releases, Christopher Nolan directs the fantasy action epic with Matt Damon headlining a packed cast. That includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Samantha Morton, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.

The first feature to be shot entirely on 70 mm IMAX cameras, showings on those giant screens are already sold out or filling up for the three-hour experience. Nolan’s stock is incredibly high right now. This is his follow-up to the 2023 Oscar juggernaut Oppenheimer which nearly grossed a billion dollars worldwide. No other director is more bankable than him.

With known source material, a spirited marketing campaign, and a plum mid-July release date that Nolan favors (it’s when Oppenheimer, The Dark Knight, and The Dark Knight Rises premiered), that should be a winning combo. Official reviews aren’t out yet, but early word-of-mouth is strong and it’s expected to be a major Oscar contender.

The Odyssey should surpass the $82.5 million that greeted Oppenheimer. I think it can get past $100 million even though I’m not buying the rosiest forecasts of $130 million or so (at least not yet).

The Odyssey opening weekend prediction: $106.2 million

The Wild Robot Box Office Prediction

DreamWorks Animation hopes families turn up in droves for The Wild Robot when it debuts September 27th. The sci-fi pic is based on a book series by Peter Brown and directed by How to Train Your Dragon and The Croods maker Chris Sanders. Voiceover work comes courtesy of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.

Robot was unveiled days ago at the Toronto Film Festival to satisfying results. The Rotten Tomatoes score is 100% and it could be a frontrunner for Best Animated Feature at the 97th Academy Awards. DreamWorks is putting this out while Transformers One is only in its sophomore outing. That could slightly limit the opening weekend crowd, but Robot will likely leg out impressively over the next several frames.

I still wouldn’t be surprised if this slightly exceeds tracking and that should mean low to mid 30s.

The Wild Robot opening weekend prediction: $33.8 million

For my Megalopolis prediction, click here:

Megalopolis Box Office Prediction

Oscar Predictions: The Wild Robot

The 74th Academy Awards was the first year where Best Animated Feature was presented and DreamWorks Animation took that initial prize with Shrek. The studio has yet to win the race again as Disney has mostly dominated it. They are hoping for their second statue at the 97th ceremony courtesy of The Wild Robot.

Having premiered at the Toronto Film Festival prior to its September 27th domestic debut, Chris Sanders (co-director of How to Train Your Dragon and The Croods) made the sci-fi fantasy based on Peter Brown’s series of novels. Voiceover work comes from Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, and Ving Rhames.

Early word-of-mouth from our neighbor to the north is welcoming. With an 83% Metacritic score and no tomatoes at press time, The Wild Robot is a serious contender not only for a nomination (which appears to be a foregone conclusion), but a victory.

In order to do that, it will still need to surpass Inside Out 2 from you know who. In my view, that is not a foregone conclusion. Yet DreamWorks probably has its best shot since that green ogre. Beyond Animated Feature, Robot‘s Original Score from Kris Bowers is being heralded. There’s also a song from Maren Morris titled “Kiss the Sky” that looks to make that quintet. Either are possible as those competitions are just starting to take shape. My Oscar Prediction posts will continue…

Oscar Predictions – A Quiet Place: Day One

Horror prequel A Quiet Place: Day One is out this weekend with a fresh creative team behind and in front of the camera. Michael Sarnoski, best known for Pig with Nicolas Cage, directs with Lupita Nyong’o, Joseph Quinn, and Alex Wolff entering the franchise. Djimon Hounsou reprises his turn from A Quiet Place Part II.

The review embargo is up and it is slightly behind its two predecessors. 2018’s original posted 96% on RT with 2021’s follow-up at 91%. Day One currently stands at 86%. There is particular praise for Nyong’o who probably came close to a Best Actress nom in this genre with 2019’s Us.

At the 91st Academy Awards, A Quiet Place was up for Sound Editing (this was right before Sound Editing and Sound Mixing were combined into Best Sound). It ultimately lost to Bohemian Rhapsody and was its sole nod. Side note: Emily Blunt took home a surprise Supporting Actress SAG prize for the pic while missing the Oscar cut.

Part II did not get a Sound mention three years later as Dune was the victor. Day‘s only shot on Oscar night is Sound and it’s a coin flip whether it gets in. You’re safe to assume it won’t take the statue even if it makes the quintet thanks to Dune: Part Two. My Oscar Prediction posts will continue…

A Quiet Place: Day One Box Office Prediction

Michael Sarnoski, director of Pig, takes over a highly profitable horror franchise from John Krasinski with A Quiet Place: Day One. Paramount is hoping the prequel continues to bring home the bacon. With Krasinski (who just released the family friendly IF) and spouse Emily Blunt (recently in The Fall Guy) out of the mix, Lupita Nyong’o, Joseph Quinn, Alex Wolff, and Djimon Hounsou (a returnee from the second entry) headline.

In the spring of 2018, A Quiet Place made loud noises at multiplexes with a $50 million beginning and $188 million overall domestic haul. The 2021 sequel (delayed a year due to the pandemic) earned $48 million out of the gate with $160 million total stateside.

Scary movies have seen underwhelming premieres for the most part in 2024. Day One should be an exception. That said, I don’t see a compelling reason why this would significantly top its predecessors. A $50 million plus debut is possible. I suspect it will fall in line with its predecessor from three years ago in the mid to high 40s range.

A Quiet Place: Day One opening weekend prediction: $46.3 million

For my Horizon: An American Saga – Chapter 1 prediction, click here:

Horizon: An American Saga – Chapter 1 Box Office Prediction

For my Kinds of Kindness prediction, click here:

Kinds of Kindness Box Office Prediction

New York Circles Tár

The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.

Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.

Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.

The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.

Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.

The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.

Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!

Black Panther: Wakanda Forever Review

Black Panther: Wakanda Forever does a commendable job in its treatment of Chadwick Boseman’s 2020 passing. What remains in the sequel feels bloated (161 minutes) and is a significant decline from its 2018 predecessor. The MCU in 2022 has been in a relative rut (Doctor Strange in the Multiverse and Thor: Love and Thunder) and Forever extends that.

I will start by accentuating the aforementioned positive. Director and co-writer Ryan Coogler and his team were obviously faced with a sad and unenviable task of handling the title character’s real life death. King T’Challa’s absence is addressed immediately. The departure is the emotional ripple that causes genuine waves of emotion in the beginning and especially the end.

However, we are left to wonder if the filmmakers would’ve been better off recasting the role. Boseman’s presence and the idea of having a central protagonist is missed in the follow-up. The narrative of Wakanda often feels pulled into too many directions. I found myself wishing to untangle it and cut loose ends.

The plot comes into focus one year after T’Challah’s funeral. Sister Shuri (Letitia Wright) is haunted that her tech skills couldn’t save her sibling. Queen Ramonda (Angela Bassett) rules the country with an iron fist. Other nations, including the United States, are jealous of their vibranium hoarding ways. It turns out the precious metal is also present under the surface in the underwater land of Talokan. Their ruler is Namor (Tenoch Huerta) and his legion of Avatar looking subjects are grappling with how to handle their valuable commodity. Namor decides that Wakanda either needs to join him in declaring war on the rest of the world (who want that sweet vibranium) or become a nemesis of the subsurface society.

Namor, as written, is a fairly decent antagonist. Like Michael B. Jordan’s Killmonger in the original, his motives to be “the bad guy” are rather understandable. The Marvel Cinematic Universe has had plenty of forgettable villains. Namor isn’t one, but Huerta also isn’t much of a threatening presence. This is especially true when comparing Namor to Killmonger as there is no comparison.

My biggest gripe is the one item that also hindered the third act of 2018’s adventure. The action sequences are frequently handled in clumsy fashion. They are too dimly lit or the CG happenings are confusing.

There are some welcome returns with Winston Duke as the warrior M’Baku and Danai Gurira as Okoye, leader of Wakanda’s all female fighting force. Lupita Nyong’o is back as Nakia, T’Challah’s love interest. She is summoned back to her native land by Ramonda and Bassett is given a couple of potent monologues as the mourning Queen.

Then there’s Martin Freeman back on duty as CIA agent Everett Ross. This time around, he’s teamed with his boss and ex-wife Val (Julia Louis-Dreyfus) as they are at odds in their views on how to deal with Wakanda. The screenwriters should have dealt them off the page. They could have been eliminated altogether and the only difference would be a thankfully shorter runtime.

For all the working in water happening during Wakanda Forever, the real waterworks occur as Mr. Boseman is honored and those are powerful moments. Too much of the rest doesn’t work at all.

**1/2 (out of four)

Oscar Predictions – Black Panther: Wakanda Forever

Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.

The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.

The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).

All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.

Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).

As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.

Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…

Black Panther: Wakanda Forever Box Office Prediction

Blogger’s Note (11/09): I am revising my estimate down from $205.2M to $195.2M. As opposed to the narrative below, that would now give it the #9 opening of all time behind its 2018 predecessor.

On November 11th, Black Panther: Wakanda Forever looks to score the second largest opening of the young decade and add another MCU pic to the top 10 debuts of all time. The sequel to 2018’s phenomenon has Ryan Coogler returning to the director’s chair. Early reactions are very positive saying that part 2 pays touching tribute to Chadwick Boseman, who played the title character in the original and passed away in 2020. Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Dominique Thorne, Tenoch Huerta, Martin Freeman, and Angela Bassett are among the large cast.

Wakanda is not expected to approach the $260 million that Spider-Man: No Way Home made out of the gate last December. It should, however, get beyond the $191 million that Doctor Strange in the Multiverse of Madness earned in May. If it does, it would land the #2 opening of the decade and the pandemic era.

In February of 2018, Black Panther rode a wave of sizzling buzz to a $202 million start over the Friday to Sunday portion of President’s Day weekend. For the four-day frame, it topped out at $242 million before eventually grossing $700 million domestically. The three-day premiere still stands at #8 all-time while the overall haul is 6th.

I do believe that all the Wakanda stars are lining up for a Friday to Sunday take that surpasses the original by a small margin. My estimate would give the new Panther the #8 opening while moving its predecessor down to ninth. Time will tell if it eventually approaches the $700 million that the first part amassed.

Black Panther: Wakanda Forever opening weekend prediction: $195.2 million