Summer 2011: The Top 10 Hits and More

We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:

Summer 1991: The Top 10 Hits and More

Summer 2001: The Top 10 Hits and More

As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:

Let’s get to it, yes?

10. Bridesmaids

Domestic Gross: $169 million

Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.

9. The Help

Domestic Gross: $169 million

Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.

8. Captain America: The First Avenger

Domestic Gross: $176 million

The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.

7. Rise of the Planet of the Apes

Domestic Gross: $176 million

Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.

6. Thor

Domestic Gross: $181 million

Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.

5. Cars 2

Domestic Gross: $191 million

Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.

4. Pirates of the Caribbean: On Stranger Tides

Domestic Gross: $241 million

With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.

3. The Hangover Part II

Domestic Gross: $254 million

Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.

2. Transformers: Dark of the Moon

Domestic Gross: $352 million

Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.

1. Harry Potter and the Deathly Hallows – Part 2

Domestic Gross: $381 million

After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.

Now for other noteworthy titles from the summer:

X-Men: First Class

Domestic Gross: $146 million

Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.

The Smurfs

Domestic Gross: $142 million

Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.

Super 8

Domestic Gross: $127 million

In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.

Horrible Bosses

Domestic Gross: $117 million

This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.

Crazy, Stupid, Love

Domestic Gross: $84 million

Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.

Midnight in Paris

Domestic Gross: $56 million

It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.

The Tree of Life

Domestic Gross: $13 million

Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.

And now for some titles that didn’t meet expectations commercially, critically, or both:

Green Lantern

Domestic Gross: $116 million

Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.

Cowboys & Aliens

Domestic Gross: $100 million

Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.

Mr. Popper’s Penguins

Domestic Gross: $68 million

Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.

Spy Kids 4-D: All the Time in the World

Domestic Gross: $38 million

A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.

Larry Crowne

Domestic Gross: $35 million

The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.

Conan the Barbarian

Domestic Gross: $21 million

Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.

And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!

Daily Streaming Guide: March 23rd Edition

Today’s Daily Streaming Guide brings us a must watch for horror fans who like a little comedy and irreverence spliced in!

2012’s The Cabin in the Woods is streaming on Hulu. What begins as a seemingly run-of-the-mill scary pic about college students being terrorized in a cabin takes all kinds of unexpected and often humorous turns. The film is cowritten by Joss Whedon and a month after its release, he struck box office gold with the first Avengers. This is directed by his colleague Drew Goddard (making his debut) with a cast includes Thor himself Chris Hemsworth, Richard Jenkins and Bradley Whitford doing sublime work, and genre legend Sigourney Weaver in a small yet pivotal role.

Cabin wasn’t a big hit at the multiplexes, but it’s deservedly achieved cult status since. I find it to be one of the wildly entertaining flicks of its kind in recent times.

That’s all for now, folks! Until next time…

Men in Black: International Movie Review

You won’t need one of those neuralyzer doohickeys to forget Men in Black: International, which extends the rust developed from part two of the franchise on. Will Smith has moved on from this series to dealing with aliens in Netflix pics and being the man in blue in Disney remakes. Tommy Lee Jones has retired as well. So the Marvel Cinematic duo of Chris Hemsworth and Tessa Thompson from Thor: Ragnarok don the sunglasses in this reboot. Their chemistry was better with the MCU team and that movie had a funnier alien in the guise of Jeff Goldblum.

Hemsworth is the hunky Agent H, top operative at the U.K. MiB branch run by Liam Neeson’s High T. Thompson is essentially a fangirl of the super secretive force who’s been aware of their existence since childhood. She recruits herself to the suit and is assigned by Emma Thompson’s Agent O (reprising her Men in Black 3 part) to travel overseas and partner with her Thor. The plot involves stopping a nasty species that goes by the Hive. One of the baddies is an arms dealer played by Rebecca Ferguson that had an inter species love affair with H. Some of the other villains are kept secret for most of the running time, though you’ll see it coming from a galactic mile away. And there’s Kumail Nanjiani voicing the CG creation Pawny. He gets in a few mildly amusing lines.

F. Gary Gray has taken over directorial duties from Barry Sonnenfeld and he doesn’t have to top a high bar of its predecessors. 1997’s original was a fun summer blockbuster melding science fiction and comedy with genuine chemistry from the two leads. I struggle to recall anything about the first sequel. #3 was a slight improvement if only for Josh Brolin’s uncanny impression of a young Tommy Lee Jones.

I doubt many have much of an affinity for this franchise beyond what came 22 years ago. And while International does indeed trot the globe from Paris to London and Morocco and New York to Italy, it mostly feels flat.

** (out of four)

Men in Black: International Box Office Prediction

The Men in Black are back onscreen for the first time in seven years, but they look a lot different this time around. Subtitled International, this is a sequel/reboot of the franchise that ruled the summer 22 years ago. Will Smith and Tommy Lee Jones are nowhere to be found. Instead it’s Marvel Cinematic Universe and Thor: Ragnarok stars Chris Hemsworth and Tessa Thompson in the lead roles with F. Gary Gray taking over directorial duties from Barry Sonnenfeld. The supporting cast includes Rebecca Ferguson, Kumail Nanjiani, Rafe Spall, Liam Neeson, and Emma Thompson (reprising her role from 2012’s MIB3).

Despite its two stars being part of this season’s behemoth Avengers: Endgame, audiences might be skeptical to revisit a two decade old series that they identified with Smith (currently headlining the hit Aladdin). Comparing the opening grosses of the MIB trilogy that preceded it is tricky. All three opened over holiday weekends with the first two over July 4th and the third over Memorial Day weekend. Their traditional Friday to Sunday grosses were consistent in the low to mid 50s. When factoring in the extra holiday additions, parts one and two got into the 80s with #3 nearing $70 million. It’s worth mentioning that each entry earned less domestically overall than the previous one.

Men in Black: International, holiday or no holiday, looks bound for the lowest premiere yet in the franchise. I’ll say low 30s.

Men in Black: International opening weekend prediction: $30.7 million

For my Shaft prediction, click here:

https://toddmthatcher.com/2019/06/06/shaft-box-office-prediction/

For my Late Night prediction, click here:

https://toddmthatcher.com/2019/06/09/__trashed/

For my The Dead Don’t Die prediction, click here:

https://toddmthatcher.com/2019/06/09/the-dead-dont-die-box-office-prediction/

Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

Oscar Watch – Avengers: Endgame

Last year, Marvel’s Black Panther became the first comic book pic to score a Best Picture nomination. While it didn’t win, it took home three gold trophies from its seven nods. This weekend, box office records are highly likely to break with the release of Avengers: Endgame. The 22nd MCU title had its review embargo lift hours ago… try to your best to avoid spoilers.

The verdict? A 98% Rotten Tomatoes score thus far. Some critics are going as far as saying it’s the best overall entry in the massive franchise. Others write ups, while positive, don’t go that far. One thing seems certain as Endgame is classified as an epic experience.

Could lightning strike two years in a row for Marvel with Academy voters? Here’s the advantage: this fourth Avengers saga is seen as the culmination of not just its three predecessors, but also the many other pictures MCU blockbusters over the past 11 years. That lifts its chances for recognition as Oscar could see this as an “atta boy” for the whole series.

That said, I’m doubtful. The first three Avengers flicks garnered a grand total of two nominations. The 2012 original and last year’s Infinity War both received Visual Effects nods. Neither won. The middle child (2015’s Age of Ultron) got no love. Last year, Disney was undoubtedly more focused on getting Black Panther recognition and they succeeded. In 2019, they could put together a more robust campaign for Endgame.

A third calling in Visual Effects is probably inevitable, but anything else from the Academy is questionable and maybe even doubtful. Yet I wouldn’t totally count out some Disney marketing campaign magic. My Oscar Watch posts will continue…

Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $285 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $289.6 million

Bad Times at the El Royale Box Office Prediction

Director Drew Goddard follows up his cult hit The Cabin in the Woods next weekend with the thriller Bad Times at the El Royale. Set at a novelty hotel in the late 1960s that occupies space in California and Nevada, the cast includes Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Nick Offerman, Cailee Spaeny, and Chris Hemsworth.

Early reviews for Royale have been mostly positive and it currently occupies a 77% rating on Rotten Tomatoes. Box office estimates I’ve seen have a wide range from low double digits to high ones.

While this is a project that cinephiles are excited for, I question whether this can break out with a mainstream audience. For starters, there’s competition in the form of the second weekend of Venom and A Star Is Born and the debut of First Man. Trailers and TV spots are a little murky as to what this is actually about. While there’s plenty of famous faces in the cast, I’m not sure any of them will help much in filling seats (even Thor himself).

Taking all that into account, I believe El Royale will premiere on the low-end of expectations and may even struggle to reach double digits.

Bad Times at the El Royale opening weekend prediction: $8 million

For my First Man prediction, click here:

https://toddmthatcher.com/2018/10/02/first-man-box-office-prediction/

For my Goosebumps 2: Haunted Halloween prediction, click here:

https://toddmthatcher.com/2018/10/03/goosebumps-2-haunted-halloween/

Avengers: Infinity War Movie Review

A decade into its multi-billion dollar cinematic universe, Avengers: Infinity War invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses  one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s Iron Man, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!

All of this runs the risk of Infinity War coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: Age of Ultron or 2016’s Captain America: Civil War (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and Civil War, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads Infinity War to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.

What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in Civil War two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).

As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.

Delving too far into what happens in Infinity War would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.

The conclusion of Infinity War leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.

***1/2 (out of four)

Oscar Watch – Avengers: Infinity War

This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary. 

Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.

Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.

Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.