Ghostbusters: Afterlife Review

The original Ghostbusters, lest we forget, was filled with ribald humor coming from SNL vets that were in the prime of their careers. Overloading the reboot/sequel Afterlife with gooey family drama feels, in many ways, as misplaced as the missteps that 2016’s version took or that 1989’s traditional follow-up was a fairly weak retread of the first. This franchise hasn’t succeeded in their attempts to capitalize on what made 1984’s pic special and that extends to this.

It’s not for a lack of trying as the 2021 iteration goes to extreme lengths to get our nostalgia radars working into overdrive. Jason Reitman takes over directorial duties from his father Ivan, who made the 80s blockbusters. There’s not a piece of attire or Twinkie or demonic marshmallow from 1984 that isn’t placed with the clear purpose of inspiring wild cheers. Sometimes you wanna go where everybody knows the name of every nearly four decade old artifact, vehicle or gadget. In this Afterlife, it more often feels forced than welcome.

We shift from the Big Apple to the sleepy town of Summerville, Oklahoma. Egon Spangler, Harold Ramis’s nerdy scientist from the OG ‘Busters, has relocated to a dilapidated farmhouse and cut off contact with his family and former colleagues. His demise in the prologue causes his heirs to inhabit the dusty domicile. This includes down on her luck daughter Callie (Carrie Coon) and her two kids. Since I think it’s now contactually necessary for Stranger Things players to participate in these reboots, Finn Wolfhard is her teenage son Trevor. Mckenna Grace is the real lead as 12-year-old daughter Phoebe, who resembles her granddad in looks and interests. An outcast at school, she bonds with fellow geek Podcast (Logan Kim) and her summer school teacher Mr. Grooberson (Paul Rudd).

Trevor and Phoebe are completely unaware that Egon was a Ghostbuster (we’ll just go with that I suppose). Paranormal activities start revealing his life’s work including Phoebe’s ongoing chess game with an unseen spirit. The iconic car (yay!) is stored on the property. Of course, the late Egon was in Summerville for a reason and it has to do with familiar haunters from ’84 and preventing them from returning.

This all leads to familiar heroic faces eventually turning up (though not with significant screen time). With their limited participation, the question is whether the new and much younger generation of spirit crushers is compelling enough to warrant a feature. I didn’t think so, but there are some positives. Grace’s performance is terrific (while Wolfhard and his budding romance with his bellhop coworker Celeste O’Connor adds little). Rudd’s considerable talents (he takes a liking to Callie) add a bit of fun. The sight of Bill Murray randomly turning up anywhere is good for a smile (though not much more here than reading about how he does so in real life).

However, the tone in general struck me as off. It’s hard not to be touched by its tribute to the late Harold Ramis (a man responsible for so many laughs in landmark comedies of the past). I felt the sentiment because of that and not the absence of Egon. Afterlife seems trapped in the notion that our emotional connections to these characters run deeper than they do. Like many reboots nowadays, the mere presence of something old is meant to provide the requisite entertainment value. It made me feel mostly dispirited.

** (out of four)

Ghostbusters: Afterlife Box Office Prediction

It’s in with the old and in with the new as Ghostbusters: Afterlife debuts in theaters November 19th. This was originally scheduled to haunt multiplexes in the summer of 2020 before numerous COVID delays. Jason Reitman directs and there’s some family legacy involved as dad Ivan made parts I and II in 1984 and 1989. Newcomers to the series include Carrie Coon, Finn Wolfhard, Mckenna Grace, Tracy Letts, and Paul Rudd (not to mention Stay Puft Marshmallow Minis according to the trailer). Returnees from the 80s are Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver.

If rebooting this franchise sounds familiar – that’s because it happened five years ago to middling results. The Paul Feig helmed remake led by Melissa McCarthy and Kristin Wiig took in $46 million on its opening weekend but fizzled quickly due to so-so reviews and audience reaction. It also featured the OG Busters making cameos. This new iteration serves as a direct sequel to the first two.

Some estimates have Afterlife beginning at $50 million or above. That’s certainly doable, but I’m not so sure. While it’s obviously a well-known property and the ’84 original is rightly considered a classic, both follow-ups have been letdowns. The 71% Rotten Tomatoes score is OK, but its actually below the 74% that greeted the ballyhooed 2016 pic.

I’m projecting that this makes it to $35-$40 million and doesn’t get to the number we saw just a half decade back.

Ghostbusters: Afterlife opening weekend prediction: $38.1 million

For my King Richard prediction, click here:

King Richard Box Office Prediction

The Woman in the Window Review

The deeply troubled agoraphobic Anna Fox (Amy Adams) has a habit of avoiding reality in The Woman in the Window by chugging a bottle of wine and distracting herself with classic old movies. This is her way of not dealing with the story unfolding around her. There are times where I could relate as those vintage pictures would provide a better escape than what happens here for the most part.

Directed by Joe Wright (Atonement, Darkest Hour), Window is based on a 2018 novel by A.J. Finn. It features quite a list of Oscar winners (Gary Oldman, Julianne Moore) and actors you may think have won them (Adams, Jennifer Jason Leigh). The screenwriter Tracy Letts is a Pulitzer winning playwright. With that  level of talent involved, one would think Window would rise above the histrionic Hitchcockian “homage” that it is. Mentioning Mr. Hitchcock might be too complimentary. This shares many similar plot points to 2016’s The Girl on the Train, which was also based on a book meant to be read on an airplane or the beach you rush to after the flight. You could easily call this The Girl on the Painkillers.

Dr. Fox is a child psychologist whose condition has kept her confined to her Manhattan apartment. In addition to her binge drinking/movie watching, she spends most of her day spying on neighbors. The new ones across the street are the Russell family – businessman Alistair (Oldman), wife Jane (Moore), and teen son Ethan (Fred Hechinger). Or maybe not. After the wife and boy visit her, Anna suspects some abuse is occurring in the household. The mystery deepens when Jennifer Jason Leigh shows up as Alistair’s spouse. Maybe the abundance of Anna’s medication is causing hallucinations. Our voyeur tries to enlist the NYPD, led by Brian Tyree’s Henry detective, and her basement tenant (Wyatt Russell) to assist with her amateur sleuthing. There’s also the matter of Anna’s only family. She’s separated from her husband (Anthony Mackie) and they have a young daughter. They turn up in flashback form and saying much more would enter spoiler territory.

The Woman in the Window contains plenty of twists that might have worked in paperback form. The treatment by Wright and Letts is a tonally frantic one. This is primarily a melodrama that begs to be taken seriously from time to time. Some of the performers seem in on it as Oldman, Moore, and Hechinger got the memo to overact wildly. Yet this never reaches its apparent goal of being a genuine guilty pleasure. That’s too bad because the behind the camera personnel and cast in front of it deserved better. Many of those examples are contained in Anna’s cinematic collection in her brownstone where less spellbinding developments are transpiring.

** (out of four)

Oscar Watch: The Woman in the Window

On paper, at least, Joe Wright’s The Woman in the Window has a whole lot of Oscar connections in it. The psychological thriller stars Amy Adams, recipient of six nominations who’s never won (she’s considered well overdue for a victory). Costars include Academy winners and nominees such as Gary Oldman, Jennifer Jason Leigh, and Julianne Moore in addition to Anthony Mackie, Wyatt Russell, and Brian Tyree Henry. Screenwriter Tracy Letts has a Pulitzer Prize to his name. And Wright has seen two of his efforts (Atonement, Darkest Hour) nab Best Picture nods.

Window hits Netflix today after originally being planned for a fall 2019 premiere via 20th Century Fox. It was pushed back to May 2020 due to reshoots and the COVID-19 pandemic. The pic was finally snatched up by the streamer, foregoing a theatrical release. So there’s the question of whether this is even eligible for the Oscars since it’s not hitting the big screen. Not that it matters.

Word of mouth over the past several months has not been kind and the just lapsed review embargo confirms that. The Rotten Tomatoes score is a troubling 27% with many critics calling it a poor Hitchcock ripoff. Despite the many participants with a nexus to awards attention, Window appears more likely to garner Razzie mentions than anything at the big dance.

My Oscar Watch posts will continue…

Oscar Watch: French Exit

French Exit closed the New York Film Festival last night ahead of its planned February 2021 debut and that keeps it in line for awards consideration in this altered Oscar season. The eccentric comedy from Azazel Jacobs is based on the 2018 novel by Patrick deWitt, who adapts his own work (he’s also responsible for the source material for 2018’s The Sisters Brothers).

To say Exit is experiencing mixed reviews and social media reaction is an understatement. The focus of most Academy chatter is whether or not Michelle Pfeiffer will land her fourth nomination and her first in nearly 30 years. The star garnered nods for 1988’s Dangerous Liaisons for Supporting Actress and lead for 1989’s The Fabulous Baker Boys and 1992’s Love Field. 

First things first: the wildly divergent critical notices probably keep this out of contention for anything and anyone other than Pfeiffer. That leaves her costars Lucas Hedges, Tracy Letts, Danielle Macdonald, and Imogen Poots out of the conversation. Yet even some of the negative reviews point to sterling work from Pfeiffer as a down on her luck socialite widow who relocates to Paris. Variety called it the “role she’ll be remembered for” in a likely bit of hyperbole. Several other publications were far less kind, but kinder to its lead.

Best Actress currently looks more crowded than Best Actor. Already screened performances like Frances McDormand in Nomadland and Vanessa Kirby in Pieces of a Woman appear headed for the final five (with McDormand as a near shoo-in). There are major hopefuls waiting in the wings including Viola Davis (Ma Rainey’s Black Bottom), Amy Adams (Hillbilly Elegy), and Jennifer Hudson (Respect) among others.

I have had Pfeiffer listed in fifth place for some time in my weekly estimates (ahead of Adams and Hudson). Whether that changes with my update on Thursday is something I’ll need to ponder. I believe she could absolutely still make the cut, but I don’t think this weekend’s showing guarantees her a spot. Some soft reviews could be a detriment, but that didn’t prevent Renee Zellweger from taking gold last year as Judy. Bottom line: Pfeiffer may need to play the waiting game as the verdict comes down for other possible nominees. My Oscar Watch posts will continue…

Oscars 2019: The Case of Little Women

My Case of posts discussing the pros and cons of Oscar nominees in the major categories continues with Best Picture hopeful Little Women from director Greta Gerwig. If you missed my first four write-ups in the biggest race of all, you can read them here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

https://toddmthatcher.com/2020/01/15/oscars-2019-the-case-of-the-irishman/

https://toddmthatcher.com/2020/01/17/oscars-2019-the-case-of-jojo-rabbit/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-joker/

The Case for Little Women

Based on the beloved 1868 Louisa May Alcott novel, Gerwig’s version of Little Women drew raves from the critical community. The 95% Rotten Tomatoes rating stands among the highest of the nine pictures. Previous adaptations have garnered Academy attention as well. The 1994 rendering saw Winona Ryder nominated for Actress in addition to Costume Design and Score. Back in 1949, that version took home Art Direction and got a Cinematography nod. Yet this is the first adaptation since 1933’s classic to be named in Best Picture. The box office is strong at $80 million as it looks to top the century mark before the ceremony airs.

The Case Against Little Women

It has missed numerous nominations in key precursors. The pic was ignored by SAG and didn’t get named in Picture at the Golden Globes. Gerwig didn’t make the final cut in Best Director from the Academy. As discussed before, it’s rare for the Picture recipient to win without attention there. Many prognosticators even questioned whether it would make it in this race and the same can be said for Saoirse Ronan and Florence Pugh in their acting categories (though they did get in). The six nominations are certainly under the total count of the heavy hitters.

The Verdict

It is a remote possibility that Gerwig could win Adapted Screenplay since she was snubbed for Director. As far as this taking Best Picture, I wouldn’t look for the fourth time to be the charm among Alcott adaptations. This appears to be heading the route of Gerwig’s previous acclaimed effort Lady Bird which had five nominations and zero victories.

Up next in my Case of posts… Marriage Story!

Little Women Box Office Prediction

It’s certainly not the first adaptation of Louisa May Alcott’s period drama novel released over 150 years ago, but the latest version of Little Women is the first for this generation. Greta Gerwig (coming off her Oscar nominated Lady Bird) directs and reunites with her star Saoirse Ronan. Other costars include Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothee Chalamet, Tracy Letts, Bob Odenkirk, Chris Cooper, and Meryl Streep.

The reported $40 million production is garnering Oscar buzz and the Rotten Tomatoes meter sits at 97%. As mentioned, this is the first adaptation of the famed novel since 1994. Winona Ryder and Susan Sarandon headlined that iteration, which took in $50 million at the time domestically.

Little Women should prove to be a strong option for the female audience over the long holiday weekend. It opens Christmas Day and if history is any guide, its Wednesday and Thursday earnings might be about equal to the traditional weekend Friday to Sunday haul.

I’ll say the March sisters begin in the low to mid teens range for the final 2019 weekend and that means mid to high 20s for the five-day rollout.

Little Women opening weekend prediction: $14.5 million (Friday to Sunday); $28.7 million (Wednesday to Sunday)

For my Spies in Disguise prediction, click here:

https://toddmthatcher.com/2019/12/17/spies-in-disguise-box-office-prediction/

For my Uncut Gems prediction, click here:

https://toddmthatcher.com/2019/12/22/uncut-gems-box-office-prediction/

Ford v Ferrari Box Office Prediction

Zooming into theaters next weekend is Ford v Ferrari, which recounts the 1966 24 Hours of Le Mans race in the mid 1960s. James Mangold, taking a break from Hugh Jackman’s Wolverine spinoffs, directs. Matt Damon and Christian Bale lead the cast that includes Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, and Noah Jupe.

Ford hit the film festival circuit a couple months back to solid reviews (88% on Rotten Tomatoes) and buzz that it could nab a Best Picture nod. It’s said to be an audience pleaser and it should have an edge over Charlie’s Angels, another high profile pic opening against it.

That said, I do believe some of the $30 million plus forecasts out there are a bit rosy. I keep thinking of Ron Howard’s 2013 Rush, which covered similar subject matter. It also had fine reviews, but sputtered with just a $10 million wide premiere. Make no mistake – this has more star power and looks destined to at least double that gross.

I’ll say mid 20s is where this lands as it hopes to keep adult audiences coming in later weekends (especially if the awards talk comes to fruition).

Ford v Ferrari opening weekend prediction: $24.4 million

For my Charlie’s Angels prediction, click here:

https://toddmthatcher.com/2019/11/06/charlies-angels-box-office-prediction/

For my The Good Liar prediction, click here:

https://toddmthatcher.com/2019/11/07/the-good-liar-box-office-prediction/

2019 Oscar Predictions: October 3rd Edition

Going into this week’s predictions, there was no question that Martin Scorsese’s The Irishman would be the headline. The gangster epic premiered last Friday at the New York Film Festival to overwhelmingly glowing reviews. That reaction has propelled it to the #1 spot in Picture, Director, and kept it there in Adapted Screenplay.

Additionally, the festival greatly increased the chances for Robert De Niro, Al Pacino, and Joe Pesci to land nominations. De Niro makes an appearance in lead for the first time, pushing out Antonio Banderas. Pacino enters Supporting Actor, displacing Willem Dafoe. And Pesci rises to the #6 slot in that category.

Yet the movement this Thursday extends beyond Irishman. Renee Zellweger’s title performance in Judy is now #1 in Actress. In Supporting Actress, Jennifer Lopez in Hustlers vaults to first position.

In Picture, A Beautiful Day in the Neighborhood makes its inaugural showing in my top ten projections. That pushes out Little Women, as we await reaction for it.

Finally, it was revealed (fairly unsurprisingly) that Clint Eastwood’s Richard Jewell will be released in December for awards consideration. I have the film, Clint, Paul Walter Hauser, Kathy Bates, and its Adapted Screenplay mentioned as possibilities.

WINNER OF THE WEEK: The Irishman 

LOSER OF THE WEEK: The Lighthouse 

Let’s get to it!

BEST PICTURE 

Predicted Nominees:

1. The Irishman (Previous Ranking: 3)

2. Once Upon a Time in Hollywood (PR: 2)

3. Marriage Story (PR: 1)

4. Jojo Rabbit (PR: 5)

5. Parasite (PR: 6)

6. Ford v Ferrari (PR: 4)

7. 1917 (PR: 7)

8. The Two Popes (PR: 8)

9. The Farewell (PR: 10)

10. A Beautiful Day in the Neighborhood (PR: 11)

Other Possibilities:

11. Joker (PR: 12)

12. Little Women (PR: 9)

13. Waves (PR: 13)

14. Just Mercy (PR: 18)

15. Pain and Glory (PR: 14)

16. A Hidden Life (PR: 15)

17. Judy (PR: 23)

18. Booksmart (PR: 21)

19. Richard Jewell (PR: Not Ranked)

20. Bombshell (PR: 16)

21. The Report (PR: 20)

22. Dark Waters (PR: 22)

23. Downton Abbey (PR: Not Ranked)

24. Rocketman (PR: 25)

25. Ad Astra (PR: 17)

Dropped Out:

The Lighthouse 

Knives Out 

BEST DIRECTOR 

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 2)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 1)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 3)

5. Sam Mendes, 1917 (PR: 5)

Other Possibilities:

6. Taika Waititi, Jojo Rabbit (PR: 6)

7. James Mangold, Ford v Ferrari (PR: 7)

8. Greta Gerwig, Little Women (PR: 8)

9. Pedro Almodovar, Pain and Glory (PR: 10)

10. Fernando Meirelles, The Two Popes (PR: 9)

11. Terrence Malick, A Hidden Life (PR: 11)

12. Lulu Wang, The Farewell (PR: 12)

13. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 14)

14. Trey Edward Shults, Waves (PR: 13)

15. Clint Eastwood, Richard Jewell (PR: Not Ranked)

Dropped Out:

Todd Phillips, Joker 

BEST ACTOR 

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Joaquin Phoenix, Joker (PR: 2)

3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 5)

4. Jonathan Pryce, The Two Popes (PR: 3)

5. Robert De Niro, The Irishman (PR: 6)

Other Possibilities:

6. Antonio Banderas, Pain and Glory (PR: 4)

7. Eddie Murphy, Dolemite Is My Name (PR: 8)

8. Taron Egerton, Rocketman (PR: 7)

9. Brad Pitt, Ad Astra (PR: 9)

10. Paul Walter Hauser, Richard Jewell (PR: Not Ranked)

11. Michael B. Jordan, Just Mercy (PR: 11)

12. Adam Sandler, Uncut Gems (PR: 10)

13. Ian McKellen, The Good Liar (PR: 13)

14. Mark Ruffalo, Dark Waters (PR: 12)

15. Matt Damon, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Robert Pattinson, The Lighthouse 

Daniel Kaluuya, Queen and Slim

BEST ACTRESS 

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 2)

2. Scarlett Johansson, Marriage Story (PR: 1)

3. Cynthia Erivo, Harriet (PR: 3)

4. Saoirse Ronan, Little Women (PR: 4)

5. Alfre Woodard, Clemency (PR: 6)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 5)

7. Charlize Theron, Bombshell (PR: 8)

8. Lupita Nyong’o, Us (PR: 7)

9. Helen Mirren, The Good Liar (PR: 9)

10. Jodie Turner-Smith, Queen and Slim (PR: 10)

11. Isabelle Huppert, Frankie (PR: Not Ranked)

12. Elisabeth Moss, Her Smell (PR: 13)

13. Julianne Moore, Gloria Bell (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 12)

15. Kristen Stewart, Seberg (PR: 14)

Dropped Out:

Lesley Manville, Ordinary Love 

Jessie Buckley, Wild Rose 

BEST SUPPORTING ACTRESS 

Predicted Nominees:

1. Jennifer Lopez, Hustlers (PR: 3)

2. Laura Dern, Marriage Story (PR: 1)

3. Annette Bening, The Report (PR: 2)

4. Margot Robbie, Once Upon a Time in Hollywood (PR: 5)

5. Shuzhen Zhou, The Farewell (PR: 4)

Other Possibilities:

6. Scarlett Johansson, Jojo Rabbit (PR: 6)

7. Meryl Streep, Little Women (PR: 7)

8. Maggie Smith, Downton Abbey (PR: 11)

9. Florence Pugh, Little Women (PR: 8)

10. Nicole Kidman, Bombshell (PR: 12)

11. Thomasin McKenzie, Jojo Rabbit (PR: Not Ranked)

12. Jennifer Hudson, Cats (PR: 9)

13. Margot Robbie, Bombshell (PR: 13)

14. Penelope Cruz, Pain and Glory (PR: Not Ranked)

15. Kathy Bates, Richard Jewell (PR: Not Ranked)

Dropped Out:

Meryl Streep, The Laundromat 

Anna Paquin, The Irishman 

Octavia Spencer, Luce 

BEST SUPPORTING ACTOR 

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 2)

3. Al Pacino, The Irishman (PR: 6)

4. Anthony Hopkins, The Two Popes (PR: 3)

5. Christian Bale, Ford v Ferrari (PR: 5)

Other Possibilities:

6. Joe Pesci, The Irishman (PR: 10)

7. Jamie Foxx, Just Mercy (PR: 7)

8. Willem Dafoe, The Lighthouse (PR: 4)

9. Taika Waititi, Jojo Rabbit (PR: 9)

10. Sterling K. Brown, Waves (PR: 8)

11. Alan Alda, Marriage Story (PR: 11)

12. John Lithgow, Bombshell (PR: 12)

13. Shia LaBeouf, Honey Boy (PR: 14)

14. Sam Rockwell, Jojo Rabbit (PR: Not Ranked)

15. Sam Rockwell, Richard Jewell (PR: Not Ranked)

Dropped Out:

Tracy Letts, Ford v Ferrari 

Chris Evans, Knives Out 

BEST ORIGINAL SCREENPLAY 

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Pain and Glory (PR: 6)

Other Possibilities:

6. Waves (PR: 5)

7. Ford v Ferrari (PR: 7)

8. Booksmart (PR: 9)

9. Bombshell (PR: 10)

10. The Report (PR: 8)

11. 1917 (PR: Not Ranked)

12. Honey Boy (PR: 15)

13. Ad Astra (PR: 13)

14. Dolemite Is My Name (PR: Not Ranked)

15. The Lighthouse (PR: 11)

Dropped Out:

Knives Out

Uncut Gems 

BEST ADAPTED SCREENPLAY 

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. The Two Popes (PR: 3)

4. A Beautiful Day in the Neighborhood (PR: 5)

5. Little Women (PR: 4)

Other Possibilities:

6. Joker (PR: 6)

7. Downton Abbey (PR: 9)

8. Just Mercy (PR: 7)

9. Judy (PR: 8)

10. Richard Jewell (PR: Not Ranked)

11. Dark Waters (PR: 10)

12. The Good Liar (PR: 11)

13. Luce (PR: 12)

14. Hustlers (PR: 13)

15. Toy Story 4 (PR: 15)

Dropped Out:

The Laundromat 

2019 Oscar Predictions: September 27th Edition

When it comes to Oscar prognosticating, it’s been a fairly quiet weekend without any festivals or particularly high profile screenings. Yet that’s bound to change tomorrow because The Irishman cometh.

Two months ahead of its Netflix debut, Martin Scorsese’s epic gangster drama with Robert De Niro, Al Pacino, and Joe Pesci will open the New York Film Festival. There are a few notable Academy hopefuls that haven’t screened like 1917, Bombshell, Little Women, and Dark Waters. Mr. Scorsese’s latest is the most eagerly awaited and we will know its potential Oscar viability in just a few hours (expect my individual post for it no later than Saturday).

So as we await that verdict, there were some developments in the past week:

  • I have moved Christian Bale from lead actor to supporting and that means he’s in for the first time, replacing Jamie Foxx.
  • Awkwafina gets the Best Actress #5 spot over Alfre Woodard.
  • The Two Popes has shifted to Adapted Screenplay and that takes Joker out.
  • The misfortune for Joker continues as I’ve moved it out of my top ten Picture projections in favor of The Farewell. 
  • With Popes removed from Original Screenplay, Waves takes its slot.

WINNER OF THE WEEK: The Farewell 

LOSER OF THE WEEK: Joker 

Let’s get to it!

BEST PICTURE

Predicted Nominees:

1. Marriage Story (Previous Ranking: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Irishman (PR: 3)

4. Ford v Ferrari (PR: 4)

5. Jojo Rabbit (PR: 7)

6. Parasite (PR: 5)

7. 1917 (PR: 6)

8. The Two Popes (PR: 8)

9. Little Women (PR: 10)

10. The Farewell (PR: 13)

Other Possibilities:

11. A Beautiful Day in the Neighborhood (PR: 11)

12. Joker (PR: 9)

13. Waves (PR: 12)

14. Pain and Glory (PR: 18)

15. A Hidden Life (PR: 15)

16. Bombshell (PR: 16)

17. Ad Astra (PR: 23)

18. Just Mercy (PR: 14)

19. The Lighthouse (PR: 17)

20. The Report (PR: 21)

21. Booksmart (PR: 19)

22. Dark Waters (PR: 20)

23. Judy (Not Ranked)

24. Rocketman (PR: 24)

25. Knives Out (PR: 22)

Dropped Out:

The Good Liar 

BEST DIRECTOR

Predicted Nominees:

1. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 1)

2. Martin Scorsese, The Irishman (PR: 3)

3. Bong Joon-Ho, Parasite (PR: 4)

4. Noah Baumbach, Marriage Story (PR: 2)

5. Sam Mendes, 1917 (PR: 5)

Other Possibilities:

6. Taika Waititi, Jojo Rabbit (PR: 7)

7. James Mangold, Ford v Ferrari (PR: 6)

8. Greta Gerwig, Little Women (PR: 8)

9. Fernando Meirelles, The Two Popes (PR: 9)

10. Pedro Almodovar, Pain and Glory (PR: 10)

11. Terrence Malick, A Hidden Life (PR: 12)

12. Lulu Wang, The Farewell (PR: 14)

13. Trey Edward Shults, Waves (PR: 15)

14. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 11)

15. James Gray, Ad Astra (PR: Not Ranked)

Dropped Out:

Todd Phillips, Joker 

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 2)

3. Cynthia Erivo, Harriet (PR: 4)

4. Saoirse Ronan, Little Women (PR: 3)

5. Awkwafina, The Farewell (PR: 6)

Other Possibilities:

6. Alfre Woodard, Clemency (PR: 6)

7. Lupita Nyong’o, Us (PR: 8)

8. Charlize Theron, Bombshell (PR: 7)

9. Helen Mirren, The Good Liar (PR: 10)

10. Jodie Turner-Smith, Queen and Slim (PR: 11)

11. Lesley Manville, Ordinary Love (PR: 9)

12. Felicity Jones, The Aeronauts (PR: 12)

13. Elisabeth Moss, Her Smell (PR: 13)

14. Kristen Stewart, Seberg (PR: 14)

15. Jessie Buckley, Wild Rose (PR: Not Ranked)

Dropped Out:

Elle Fanning, Teen Spirit 

BEST ACTOR 

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Joaquin Phoenix, Joker (PR: 2)

3. Jonathan Pryce, The Two Popes (PR: 3)

4. Antonio Banderas, Pain and Glory (PR: 5)

5. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 4)

Other Possibilities:

6. Robert De Niro, The Irishman (PR: 6)

7. Taron Egerton, Rocketman (PR: 9)

8. Eddie Murphy, Dolemite Is My Name (PR: 8)

9. Brad Pitt, Ad Astra (PR: 13)

10. Adam Sandler, Uncut Gems (PR: 10)

11. Michael B. Jordan, Just Mercy (PR: 12)

12. Mark Ruffalo, Dark Waters (PR: 14)

13. Ian McKellen, The Good Liar (PR: 11)

14. Robert Pattinson, The Lighthouse (PR: 15)

15. Daniel Kaluuya, Queen and Slim (PR: Not Ranked)

Dropped Out:

Christian Bale, Ford v Ferrari (moved to Supporting)

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 2)

3. Anthony Hopkins, The Two Popes (PR: 3)

4. Willem Dafoe, The Lighthouse (PR: 4)

5. Christian Bale, Ford v Ferrari (PR: Not Ranked – moved from lead)

Other Possibilities:

6. Al Pacino, The Irishman (PR: 6)

7. Jamie Foxx, Just Mercy (PR: 5)

8. Sterling K. Brown, Waves (PR: 7)

9. Taika Waititi, Jojo Rabbit (PR: 8)

10. Joe Pesci, The Irishman (PR: 9)

11. Alan Alda, Marriage Story (PR: 10)

12. John Lithgow, Bombshell (PR: 11)

13. Tracy Letts, Ford v Ferrari (PR: 13)

14. Shia LaBeouf, Honey Boy (PR: 12)

15. Chris Evans, Knives Out (PR: 14)

Dropped Out:

Jamie Bell, Rocketman 

BEST SUPPORTING ACTRESS 

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Annette Bening, The Report (PR: 2)

3. Jennifer Lopez, Hustlers (PR: 3)

4. Shuzhen Zhou, The Farewell (PR: 4)

5. Margot Robbie, Once Upon a Time in Hollywood (PR: 5)

Other Possibilities:

6. Scarlett Johansson, Jojo Rabbit (PR: 7)

7. Meryl Streep, Little Women (PR: 6)

8. Florence Pugh, Little Women (PR: 8)

9. Jennifer Hudson, Cats (PR: 12)

10. Meryl Streep, The Laundromat (PR: 11)

11. Maggie Smith, Downton Abbey (PR: Not Ranked)

12. Nicole Kidman, Bombshell (PR: 9)

13. Margot Robbie, Bombshell (PR: Not Ranked)

14. Anna Paquin, The Irishman (PR: 13)

15. Octavia Spencer, Luce (PR: Not Ranked)

Dropped Out:

Penelope Cruz, Pain and Glory 

Anne Hathaway, Dark Waters 

Ana de Armas, Knives Out 

BEST ADAPTED SCREENPLAY 

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. The Two Popes (PR: Not Ranked – moved from Original)

4. Little Women (PR: 3)

5. A Beautiful Day in the Neighborhood (PR: 4)

Other Possibilities:

6. Joker (PR: 5)

7. Just Mercy (PR: 6)

8. Judy (PR: 10)

9. Downton Abbey (PR: 8)

10. Dark Waters (PR: 7)

11. The Good Liar (PR: 11)

12. Luce (PR: 12)

13. Hustlers (PR: 13)

14. The Laundromat (PR: 9)

15. Toy Story 4 (PR: 14)

Dropped Out:

Motherless Brooklyn 

BEST ORIGINAL SCREENPLAY 

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Parasite (PR: 3)

4. The Farewell (PR: 5)

5. Waves (PR: 6)

Other Possibilities:

6. Pain and Glory (PR: 8)

7. Ford v Ferrari (PR: 9)

8. The Report (PR: 10)

9. Booksmart (PR: 7)

10. Bombshell (PR: 12)

11. The Lighthouse (PR: 13)

12. Knives Out (PR: 11)

13. Ad Astra (PR: Not Ranked)

14. Uncut Gems (PR: Not Ranked)

15. Honey Boy (PR: 15)

Dropped Out:

The Two Popes (moved to Adapted)

1917