Based on the acclaimed stage play that won Jodie Comer a Tony Award, Prima Facie has played at the Toronto Film Festival as domestic distribution remains up in the air. Susanna White directs with Cynthia Erivo (replacing Comer) in the central role. The supporting cast includes Daniel Ings, Simon Russell Beale, Elizabeth Dulau, and Norma Dumezweni.
Critics are being complimentary of Erivo’s work. The actress/singer is a two-time lead Actress nominee for 2019’s Harriet and 2024’s Wicked. However, reviews for the pic itself are primarily negative with only 27% on Rotten Tomatoes. I wouldn’t completely discount Erivo’s chances to be in the conversation in Best Actress, but the smartest verdict for the legal drama is that it comes up empty-handed. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Actress and that’s Cynthia Erivo for Jon M. Chu’s Wicked.
Previous Acting Nominations:
Actress (Harriet, 2019) – lost to Renée Zellweger in Judy
The Case for Cynthia Erivo:
As the eventual Wicked Witch of the West, Erivo could achieve rare EGOT status (Emmy, Grammy, Oscar, Tony victories) if she wins her second acting Oscar nom behind 2019’s Harriet. She has run the table with noms at precursors including BAFTA, the Golden Globes, SAG, and Critics Choice. Of the five pics in contention, it is certainly the most popular with audiences at over $700 million worldwide.
The Case Against Cynthia Erivo:
She fell short to Demi Moore (The Substance) at the Globes and Critics Choice. It is thought that her costar Ariana Grande has a better shot to take gold in the supporting field.
The Verdict:
Several days ago, Erivo might’ve been considered fifth out of the five actresses in terms of winning chances. That last place designation now certainly belongs to Karla Sofia Gascón (Emilia Pérez), but that still means Erivo is fourth.
My Case Of posts will continue with the first hopeful in Best Actor and that’s Adrien Brody in The Brutalist…
Based on one of the 21st century’s most acclaimed theater productions from Stephen Schwartz, Wicked looks to bewitch audiences this Friday. Crazy Rich Asians director Jon M. Chu helms the reported $145 million production with Cynthia Erivo and Ariana Grande headlining. Costars include Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum.
Representing part 1 of the epic musical with its follow-up arriving next November, Wicked is expected to be a massive hit worldwide. With its box office fortunes appearing secure, lingering Oscar buzz was confirmed with today’s review embargo lift.
The Rotten Tomatoes score is 93% with Metacritic at 73. Technical noms were always a strong possibility. Costume Design (where it could win), Makeup and Hairstyling (same), Production Design, Sound, and Visual Effects are all on the table. There are no original songs so that’s off the table.
A Best Picture nod certainly seems achievable and I had it listed 8th in last weekend’s update. That still seems about right. I don’t believe it’s guaranteed a slot, but its impending popularity gives the Academy a chance to honor a crowd favorite that many viewers have actually seen. Chu’s direction and the screenplay seem far less likely to make the cut.
On the performance front, Erivo will vie for Actress with Grande contending in supporting. Best Actress is super crowded and I’m skeptical Erivo gets her second nomination behind 2019’s Harriet. Grande, meanwhile, stands a better shot even though Supporting Actress has plenty of contenders as well. My Oscar Prediction posts will continue…
On the eve of its premiere, the embargo for Whitney Houston: I Wanna Dance with Somebody finally lifted. For those not familiar, waiting until December 21st for critics to weigh in is not a good sign for awards possibilities. The biopic comes from Kasi Lemmons, who last directed Cynthia Erivo to a Best Actress nod for 2019’s Harriet. Then there’s the screenwriter Anthony McCarten. He’s a bit of an awards whisperer. His screenplays for 2014’s The Theory of Everything, 2017’s Darkest Hour, and 2018’s Bohemian Rhapsody resulted in Best Actor victories for (respectively) Eddie Redmayne, Gary Oldman, and Rami Malek.
That’s why I was a tad surprised that Somebody was MIA at film festivals and that there were no early reviews to generate buzz. Now it makes more sense. The Rotten Tomatoes score is a mere 41%. That said, some write-ups are singing the praises of Naomi Ackie as the iconic and troubled legend. I don’t think it would’ve been impossible for Ackie to make the five in Best Actress. At this juncture, only Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) have guaranteed spots in my opinion. Michelle Williams in The Fabelmans and Danielle Deadwyler for Till are probably in as well. The fifth slot could be Margot Robbie (Babylon), Viola Davis (The Woman King), Olivia Colman (Empire of Light), or a surprise.
It is probably too late for Ackie to be a factor. The Critics Choice and Globes skipped her and the Academy is unlikely to make her queen of the night. My Oscar Prediction posts will continue…
Blogger’s Update (12/20): I am revising my prediction from $14.5 million to $11.5 million
Sony Pictures is hoping audiences wanna run to Whitney Houston: I Wanna Dance with Somebody when its drops December 23rd. The biopic of the legendary late singer stars Naomi Ackie as the title character with Stanley Tucci, Ashton Sanders, Tamara Tunie, Nafessa Williams, and Clarke Peters among the supporting cast. Kasi Lemmons (who last made the 2019 biopic Harriet) directs. Anthony McCarten wrote the screenplay. He’s no stranger to the genre having scripted The Theory of Everything, Darkest Hour and Bohemian Rhapsody.
Just last week, the film’s name was expanded to add “Whitney Houston” in front of one of her signature tunes. Perhaps Sony was nervous that awareness wasn’t high enough for the project. The marketing campaign doesn’t seem quite as robust as it could be. Its review embargo has yet to lift and Somebody skipped the autumn festival circuit. McCarten’s aforementioned works resulted in Oscar wins for stars Eddie Redmayne (Theory), Gary Oldman (Darkest Hour), and Rami Malek (Rhapsody). Ackie has yet to show up anywhere in the Academy’s precursors.
Even with the somewhat muted buzz, I still believe African-American and especially female viewers should turn out. This might result in a low teens beginning for the three-day gross.
Whitney Houston: I Wanna Dance with Somebody opening weekend prediction: $11.5 million (REVISED)
For my Puss in Boots: The Last Wish prediction, click here:
We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
Danielle Deadwyler is likely headed for a Best Actress nomination in Chinonye Chukwu’s Till, which opens wide in approximately 2000 theaters on October 28th. She plays Mamie Till, mother of Emmett who was brutally murdered in 1955. The biographical drama features Jalyn Hall as her son as well as Frankie Faison, Haley Bennett, and Whoopi Goldberg.
After its premiere at the New York Film Festival, Till received critical acclaim and it sports a 99% Rotten Tomatoes rating. Yet since its October 14th limited release, returns have been underwhelming. This past weekend, it earned approximately $600,000 on 104 screens. That’s a per screen average of just over $3600 and it doesn’t bode well for the expansion.
Three years ago, Harriet surpassed forecasts with its debut at the same time of year. With nearly $12 million for its start, that kind of number would be amazing for Till. Given the early evidence, it may only make a third of that.
The Oscar race for Best Actress takes center stage in my latest rundown of where the major competitions stand in early November. If you missed my posts covering lead actor and the supporting categories, they can accessed right here:
As I have with the others, let’s start with my track record during the same time period from 2019 and 2020. Two years ago, I somehow had all five nominated actresses forecasted correctly with two months to go: winner Renee Zellweger as Judy in addition to Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For 2020, it was three: gold recipient Frances McDormand for Nomadland and Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Both Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were listed in Other Possibilities.
In 2021, we already have a strong frontrunner and that’s Kristin Stewart in Spencer. Playing the high profile role of Princess Diana, Ms. Stewart is practically guaranteed to nab her first nod after plenty of critically appreciated post Twilight turns. She’s a serious threat to win and Stewart has been atop my chart ever since the picture screened back in September at the Venice Film Festival.
Her biggest competition could come from an as yet unseen performance – Lady Gaga in House of Gucci. Judging from the trailers alone, her part seems like the kind of bait that would cause Academy voters to bite. If so, the pop superstar would receive her second nomination three years after her breakout cinematic role with A Star Is Born.
After that, there’s a lengthy list of hopefuls for the three remaining slots. When The Eyes of Tammy Faye premiered on the festival circuit, it was a given that Jessica Chastain would make the cut. I still think she will, but the pic’s barely existent box office numbers are reason for some uncertainty.
Screenings were also kind to Olivia Colman in The Lost Daughter and that momentum could result in her third inclusion in the last four years after a 2018 Actress victory for The Favourite and a supporting nod for last year’s The Father.
Colman isn’t the only actress from a Netflix offering eyeing the prize. There’s Tessa Thompson in Passing, Jennifer Lawrence in Don’t Look Up, Sandra Bullock for The Unforgivable, and Halle Berry with Bruised. All could factor in. Other than Thompson (her costar Ruth Negga stands a greater chance in supporting), the three others have yet to be unveiled. The streamer may have to pick and choose whose campaigns they go all in with.
There’s other possibilities in the unseen column where the buzz will shortly materialize: Cate Blanchett for Nightmare Alley, Alana Haim in Licorice Pizza, Nicole Kidman as Lucille Ball with Being the Ricardos, and Rachel Zegler (West Side Story). At press time, I only have Kidman in the top ten but that could change as soon as reviews start posting.
As for pictures that have been available for awhile, I feel Marlee Matlin and Troy Kotsur’s supporting parts in CODA are more likely to be recognized than lead Emilia Jones. Renate Reinsve will have her share of supporters for The Worst Person in the World, but its best chance lies with an International Feature Film nomination. Bad financial returns could negatively impact Jodie Comer for The Last Duel, though I will note that a number of prognosticators have her in.
For the fifth spot, I currently see three performances with roughly equal chances. Frances McDormand took the prize last year and that might make the Academy think twice about putting her up again for The Tragedy of Macbeth. Penelope Cruz is just on the outside looking in for Parallel Mothers. That leaves me with Jennifer Hudson as Aretha Franklin in Respect. Even though the film received mixed reviews and so-so box office, praise for the Supporting Actress winner in 2006’s Dreamgirls was universal. Voters may have to think all the way back to summer to include her but I do believe it’s feasible.
And with that, here’s my standings:
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (Previous Ranking: 1)
2. Lady Gaga, House of Gucci (PR: 3)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2)
4. Olivia Colman, The Lost Daughter (PR: 4)
5. Jennifer Hudson, Respect (PR: 5)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 7)
7. Frances McDormand, The Tragedy of Macbeth (PR: 6)
8. Jodie Comer, The Last Duel (PR: 8)
9. Nicole Kidman, Being the Ricardos (PR: 10)
10. Tessa Thompson, Passing (PR: Not Ranked)
Dropped Out:
Rachel Zegler, West Side Story
Now that the acting derbies are wrapped, I’ll have Best Director up next!
In addition to her successful music career, Janelle Monae has transitioned nicely into the cinematic universe over the past few years. In fact, her three highest profile supporting performances – Moonlight, Hidden Figures, Harriet – have all garnered Oscar attention and nominations for her costars.
So it stood to at least wonder if her first major starring role could accomplish the same. The horror pic Antebellum was slated to hit theaters in April. Like so many other features in these COVID times, that plan was scuttled and it’s now set to debut on streaming services on September 18th. From directors Gerard Bush and Christopher Renz, it casts Monae as both a modern day author and a slave in the era of the Underground Railroad. The supporting players include Eric Lange, Jena Malone, Jack Huston, and Gabourey Sidibe.
There’s been a recent trend of actresses being lauded for their work in this genre. Both Lupita Nyong’o (Us) and Toni Collette (Hereditary) likely just missed inclusion in the final five for Best Actress in 2017 and 2018, respectively. The review embargo for Antebellum expired today and it certainly doesn’t appear as if Monae will join that club. The Rotten Tomatoes score is a meager 36% and several critics are calling this is a misfire.
Bottom line: while Monae’s involvement in projects has captured the attention of awards voters, she’ll need to wait for her turn as the focus. This one isn’t it. My Oscar Watch posts will continue…
My big announcement today is the selection of my first candidates for Best Actress in the 2020 Oscar field! If you happened to miss my predictions for the supporting categories and Best Actor, you can find them right here:
Unlike Best Actor, none of my initial top 5 picks here have seen their pictures screened. As discussed in previous posts, 2020 is a mighty speculative year for these early August estimates. The potential contenders are certainly some heavy hitters and it was, frankly, hard to whittle the list to this quintet. 4 of my 5 choices here are past winners. Both Viola Davis and Jennifer Hudson are Supporting Actress victors for 2016’s Fences and 2006’s Dreamgirls respectively. Frances McDormand is a two-time lead Actress winner for 1996’s Fargo and 2017’s Three Billboards Outside, Missouri. Kate Winslet took this prize in 2008 for The Reader. The only non-winner is Michelle Pfeiffer and she’s been nominated three times. If she makes it here, it would mark her first nod in 28 years since 1992’s Love Field.
This is in addition to acclaimed actresses such as Amy Adams, Jessica Chastain, and Julianne Moore as possibilities and up and comers like Jessie Buckley, Liu Yifei, and Rachel Zegler. On the opposite end of the spectrum, there’s the silver screen return of cinematic legend Sophia Loren. She last won an Oscar for Two Women some 60 years ago. Elisabeth Moss has two already released pics for which she’s received solid reviews. Of the two, Shirley seems more viable than the horror hit The Invisible Man.
In 2019, my original late summer projections yielded a whopping 4 of the 5 eventual nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). In my ten other possibilities, I also identified eventual trophy recipient Renee Zellweger as Judy.
Lots of intrigue in this race and here’s the first take:
EARLY OSCAR PREDICTIONS: BEST ACTRESS
Viola Davis, Ma Rainey’s Black Bottom
Jennifer Hudson, Respect
Frances McDormand, Nomadland
Michelle Pfeiffer, French Exit
Kate Winslet, Ammonite
Other Possibilities:
Amy Adams, Hillbilly Elegy
Jessie Buckley, I’m Thinking of Ending Things
Jessica Chastain, The Eyes of Tammy Faye
Rashida Jones, On the Rocks
Sophia Loren, The Life Ahead
Julianne Moore, The Glorias
Elisabeth Moss, Shirley
Carey Mulligan, Promising Young Woman
Liu Yifei, Mulan
Rachel Zegler, West Side Story
That completes the acting portions of the early predictions and Best Director is up next! Until then…
