Tag: Toy Story 4

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

June 19-21 Box Office Predictions

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5

Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:

Toy Story 5 Box Office Prediction
The Death of Robin Hood Box Office Prediction

In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.

I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.

Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.

Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.

Here’s how I see the top 6 shaking out:

1. Toy Story 5

Predicted Gross: $166.8 million

2. Disclosure Day

Predicted Gross: $21.5 million

3. Obsession

Predicted Gross: $15.2 million

4. Backrooms

Predicted Gross: $6.6 million

5. Scary Movie

Predicted Gross: $6.1 million

Box Office Results (June 12-14)

In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.

Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.

Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.

Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.

Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.

And that does it for now, folks! Until next time…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction

Oscar Predictions: Hoppers

We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.

With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.

Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…

Oscar Predictions: How to Train Your Dragon

All three How to Train Your Dragon features from DreamWorks Animation have received Best Animated Feature nominations and all lost to Disney. In 2010, the original fell short to Toy Story 3. Four years later, the sequel couldn’t overcome Big Hero 6. 2019’s The Hidden World didn’t get more votes than Woody and Buzz once again with Toy Story 4.

This Friday, Dean DeBlois (who directed the Dragon trilogy) returns behind the camera with the live-action rendering of part 1 with a sequel already in the works. Cast members include Mason Thames, Nico Parker, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, Murray McArthur, and Gerard Butler.

The fantasy adventure looks to slay the box office this weekend. Could it keep the streak going of Oscar nods for the series? Reviews are mostly solid with 83% on Rotten Tomatoes and a 67 Metacritic. It is worthy of note that both numbers are lower than the three pictures preceding it. That said, Costume Design and Sound are long shot possibilities. Where DreamWorks could mount a legit campaign is in Visual Effects, but expect plenty of competition for those five spots. My Oscar Prediction posts will continue…

Oscar Predictions: Transformers One

Hasbro’s robotic franchise goes animated for the first time in nearly 40 years when Transformers One debuts next weekend. Chris Hemsworth, Scarlett Johansson, Brian Tyree Henry, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm provide voiceover work. Josh Cooley, who helmed Animated Feature winner Toy Story 4 from 2010, directs.

Critical reaction is mostly on the plus side and that’s more than can be said for some other titles in the group. The RT score is 89% with Metacritic at 62. The Tomatoes meter is on par with Bumblebee‘s 90% and far ahead of any others in the series. It also tops the 62% that 1986’s animated The Transformers: The Movie managed.

That said, I doubt this Transformers entry gets the Academy’s attention. 2007’s Transformers earned 3 nods for Sound Editing, Sound Mixing, and Visual Effects. The 2009 sequel Revenge of the Fallen nabbed a sole Sound Mixing mention. 2011’s Dark of the Moon received the same 3 noms as the ’07 original. 2017’s Transformers: The Last Knight, of course, was that year’s Best Picture. Nearly everything in this paragraph is true.

Transformers One could compete in Animated Feature, but I’ve yet to put it near my high five. If last year’s acclaimed Teenage Mutant Ninja Turtles: Mutant Mayhem couldn’t make the cut, I don’t think this does. My Oscar Prediction posts will continue…

Transformers One Box Office Prediction

The last time the Transformers franchise went fully animated on the big screen, it was in 1986 in The Transformers: The Movie. It was a flop but has since developed a cult following and it awesomely featured the voices of everyone from Eric Idle to Judd Nelson to Leonard Nimoy to Casey Kasem to Orson Welles. Since then, Paramount and Hasbro have earned billions from their live-action robot mayhem movies. The franchise goes back to animation in Transformers One on September 20th. From Toy Story 4 director Josh Cooley, this might not have Casey Kasem or Charles Foster Kane. There are voiceover contributions from Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm.

Early word-of-mouth is encouraging for the sci-fi action tale and that could help post Transformers: Rise of the Beasts. It came out last summer and ended up as the lowest grosser of the series with $157 million domestically. Expectations are not lofty for One and it could end up making less than Beasts. I’m pegging this for a mid 30s beginning.

Transformers One opening weekend prediction: $35.4 million

For my Never Let Go prediction, click here:

Never Let Go Box Office Prediction

Inside Out 2 Box Office Prediction

Disney/Pixar hope for a reversal of recent fortunes when Inside Out 2 arrives in theaters June 14th. A sequel to the 2015 megahit Animated Feature Oscar winner, Kelsey Mann takes over directorial duties from Pete Docter. Returning voices include Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan. Replacing Bill Hader from the original is Tony Hale while Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman as the now teenage Riley join the cast.

Nine summers ago, the original made $90 million in its premiere frame with an eventual domestic tally of $356 million. That stands as the fifth largest opening of all time for Pixar and the sixth heftiest overall final take.

As mentioned, the studio has dealt with its own emotional rollercoasters as of late. 2022’s Lightyear was a high profile flop with a lowly (for Pixar) $118 million total. Last summer, Elemental fared better with $154 million while that’s still a ways from their typical numbers.

This sequel should brighten their emotions. Part 1 is well-regarded and family audiences should be primed for a second helping. Estimates have this making around what the predecessor accomplished out of the gate. It might manage slightly more. Each Toy Story, for instance, improved with the first weekend figures. Incredibles 2 and Finding Dory dwarfed the starts of their precursors.

I’ll go glass half full and say this just manages to outdo the original while not reaching nine digits in its first three days.

Inside Out 2 opening weekend prediction: $92.4 million

Elemental Box Office Prediction

Disney/Pixar hopes the elements are there for a hit when Elemental debuts on June 16th. The 27th feature from the studio comes from director Peter Sohn, who made a rare Pixar disappointment in 2015’s The Good Dinosaur. Voiceover artists include Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O’Hara, Joe Pera, and Matt Yang King.

Four years ago, Toy Story 4 took in over $400 million domestically. It’s been a rather unimpressive run for the Mouse Factory’s nearly 30-year-old production company since. Onward debuted to $39 million and that figure was likely low since it opened in March of 2020 just as COVID shutdowns were beginning. Soul, Luca, and Turning Red went the Disney Plus route due to the pandemic. Last summer’s Lightyear was a high profile flop with a $50 million premiere and $118 million eventual stateside gross (well under expectations).

I don’t see Elemental reversing the downturn. Some youngsters will be preoccupied with The Flash or maybe they’ll go see Spider-Man: Across the Spider-Verse again. Reviews won’t get audiences to rush out either as the Rotten Tomatoes is 63% (low for Pixar).

Add all that up and I think this will be lucky to get past $35 million.

Elemental opening weekend prediction: $30.6 million

For my The Flash prediction, click here:

The Flash Box Office Prediction

For my The Blackening prediction, click here:

The Blackening Box Office Prediction

June 24-26 Box Office Predictions

Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.

In what should be an intriguing and potentially unpredictable weekend to close out the June box office, Baz Luhrmann’s musical biopic Elvis and critically lauded horror pic The Black Phone debut. You can peruse my detailed prediction posts on both of them here:

Elvis Box Office Prediction

The Black Phone Box Office Prediction

There’s plenty of possibilities for how the top 5 will look. While there’s no doubt about which quintet will populate the list, the order is up for grabs. I believe Elvis will open closer to the $51 million of Bohemian Rhapsody than the $25 million of Rocketman. That should be enough to earn it the title of Box Office King.

However, if it does premiere in the mid to late 20s range, the chances of a #1 start are considerably lower. We could legitimately see Top Gun: Maverick rise from 3rd to 1st. With a projected dip in the low to mid 20s, it should at least rise to 2nd place. That’s assuming current two-week champ Jurassic World: Dominion loses more than half its audience in its third go-round and Lightyear also sees a sophomore fall of around 55%. I’m assuming both.

And there’s the wild card that is The Black Phone. Horror titles often outdo expectations and with its aforementioned solid reviews, that could apply here. I’m sticking with a debut of just under $20 million and that would likely mean a fifth place reception.

Here’s how I envision perhaps the most fascinating box office weekend so far in the pandemic era looking:

1. Elvis

Predicted Gross: $35.6 million

2. Top Gun: Maverick

Predicted Gross: $34.8 million

3. Jurassic World: Dominion

Predicted Gross: $28.3 million

4. Lightyear

Predicted Gross: $23.2 million

5. The Black Phone

Predicted Gross: $18.6 million

Box Office Results (June 17-19)

In a major upset, Jurassic World: Dominion remained #1 for the second frame with $59.1 million. That’s stronger than my $54.8 million estimate as the threequel is up to $250 million in its first ten days. That’s $15 million under where predecessor was at four summers ago.

Jurassic‘s reign was unexpected because Disney/Pixar’s Toy Story spinoff Lightyear was widely anticipated to rule the charts. Instead it grossed $50.5 million for second place. That’s, ahem, $35 million under my projection of $85.5 million and less than half of what Toy Story 3 and Toy Story 4 made out of the gate. There’s plenty of think pieces out there for why Lightyear was a disappointment. It includes theories about politics, Disney Plus being the same day distributor for recent Pixar material, and the absence of Tim Allen as the voice of the title character. Any way you slice it, it’s a shocker.

Top Gun: Maverick continued its amazing run in third with $44.6 million – dropping a scant 14%. I was lower at $36 million. The biggest hit of the year (and of Tom Cruise’s career by far) is flying at $466 million as its domestic haul will reach $500 million shortly. As mentioned, if Elvis doesn’t reach my projection, it could see a return to the top spot. I wrote more about Maverick‘s unreal performance yesterday on the blog and it’s here:

Top Gun: Maverick – Lightyears Ahead of Expectations

Doctor Strange in the Multiverse of Madness was fourth with $4.4 million compared to my $3.4 million take. The tally is $405 million.

The Bob’s Burgers Movie rounded out the top five with $1.1 million. I incorrectly had it outside the high five. It’s made $29 million.

I figured The Bad Guys would be fifth, but it was sixth with $1 million (I said $1.5 million)/ The overall take is $94 million.

And that does it for now, folks! Until next time…