Best Picture 2017: The Final Five

We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.

There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).

Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.

Call Me by Your Name

Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.

Does It Make the Final Five?

No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.

Darkest Hour

Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.

Does It Make the Final Five?

No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.

Dunkirk

Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.

Does It Make the Final Five?

Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.

Get Out

Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.

Does It Make the Final Five?

Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.

Lady Bird

Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.

Does It Make the Final Five?

Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.

Phantom Thread

Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).

Does It Make the Final Five?

No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.

The Post

Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.

Does It Make the Final Five?

No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.

Three Billboards Outside Ebbing, Missouri

A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.

Does It Make the Final Five?

Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.

If you weren’t keeping score, here’s my projected 2017 five:

Dunkirk

Get Out

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

I’ll have my thoughts on 2018 up soon!

Previous Posts:

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

Nope Review

***While this review doesn’t really spoil any major plot details that don’t take place within the first 10 minutes or so, you may want to wait until post viewing if you wish to go in completely clean***

In Jordan Peele’s Nope, it’s easier for the central characters to monetize a tragedy rather than deal with it. That’s one theme of many in the filmmaker’s third feature which blends more sci-fi with its horror than Get Out or Us. Another theme is that some creatures simply can’t be tamed. Peele too is in kitchen sink mode – willing to throw lots of ideas at the screen and see what sticks. This allows for some incredible sequences and the technical aspects are the most impressive of his filmography (particularly the sound work). I’d also, at least for now, rank it behind those aforementioned pictures. That’s with a caveat as both Get Out and Us grew in my estimation on rewatches.

There’s alien activities happening beyond one character being a tech support worker who actually provides meaningful tech support. OJ (Daniel Kaluuya) helps his father (Keith David) run a ranch that provides horses for Hollywood productions. The patriarch meets a sudden end when a coin falls from the sky and makes deadly impact. Six months later, OJ’s spirited little sister Emerald (Keke Palmer) is helping her brother with the now struggling family business. The siblings soon discover items of an unidentified nature are hovering in the expansive California stratosphere.

They eventually enlist aforementioned electronics clerk Angel (Brandon Perea) and well-known cinematographer and wonderfully named Antlers Holst (Michael Wincott) to capture the UFOs. Not in the sense of capturing or killing, but capturing footage for the world to see.  The motive seems less about revenge for what killed Dad and more about getting something on camera that will bring fame and fortune. Or, as Emerald describes it, the Oprah shot. YOU get the definitive proof of aliens! And YOU get the definitive proof of aliens!! 

Not far from the ranch is a Western theme park (a triumph of production design) run by former child star Jupe Park (Steven Yeun). An incident from his second sitcom Gordy’s Home in the late 1990s about a domesticated monkey gives us a creepy prologue and a later sequence that is terrifying. Does it fit with the rest of Nope? One could argue it doesn’t. Yet Jupe’s unwillingness to deal with what occurred is similar to OJ and Emerald’s own actions.

This is a gorgeous looking movie made for IMAX. Nope excels at presenting a wholly unique setting in a great wide open space. It may only be a few miles from Hollywood and it may be steeped in niche Hollywood history, but it feels much farther away. Kaluuya and Palmer both give first-rate performances as brother and sister of far different demeanors. I would describe the characters as less compelling than some from Peele’s previous works.

Whether from a simian scare or otherworldly interventions, there are thrilling moments in Nope. There’s also stretches where the electricity goes out and not just literally. Unpacking various concepts presented may be enriched on subsequent viewings. On first watch, I found myself often wowed by the behind the camera beauty of it all if not always by the plot mechanisms.

*** (out of four)

Oscar Predictions: Nope

Five years ago, Jordan Peele’s horror debut Get Out was a critical and commercial phenomenon that won the auteur an Oscar for Original Screenplay. It also nabbed nominations for Picture, Director, and Actor (Daniel Kaluuya). Two years later, Us drew a more mixed reaction (though similar box office numbers) and garnered no attention from the Academy This was despite Lupita Nyong’o getting Critics Choice and SAG nods.

On Friday, Peele’s third feature Nope unveils itself and the review embargo is up. Many critics are saying yep to seeing it with a current Rotten Tomatoes score of 81%. Yet that’s under the 98% bestowed upon Get Out and Us‘s 93%.

A consistent theme in various write-ups is that Nope has the weakest screenplay of the trilogy, but the best technical aspects. You’ll note that all of Get Out‘s nominations were above the line mentions. Nope, if anything, could see the opposite. Best Sound appears to be a real possibility with Cinematography, Production Design and Visual Effects standing more remote chances.

Finally, there’s Keke Palmer. She’s said to be the standout in a cast that includes Kaluuya, Steven Yeun, Michael Wincott, and Brandon Perea. However, if Nyong’o couldn’t get recognized for her participation in Peele’s sophomore effort, it’s hard to imagine Palmer breaking through for this. My Oscar Prediction posts will continue…

Nope Box Office Prediction

Blogger’s Update (07/21): On the eve of its premiere, I’m revising my Nope prediction slightly from $49.2M to $53.2M

Five years after his first feature Get Out was a critical and box office phenomenon, Universal is hoping audiences say yep to Jordan Peele’s Nope on July 22nd. The plot for the sci-fi horror tale is pretty successfully being kept under wraps. Based on the footage, it appears to involve cowboys and aliens. Daniel Kaluuya (who rose to stardom in Get Out) headlines alongside Keke Palmer, Steven Yeun, Brandon Perea, and Michael Wincott.

In the spring of 2017, Peele’s debut rode a wave of buzz to a $33 million opening and eventually legged out to $176 million domestically. His 2019 follow-up Us was breathlessly awaited based on the Out appreciation. It got off to a $71 million start. However, it was not nearly as universally beloved by moviegoers. Us‘s legs were less sturdy and it actually grossed $1 million less than Out at $175 million.

The trailers and TV spots for Nope have keyed in on the Peele participation. That strategy worked for Us (especially the opening). Will it matter less this time around? Probably. Us had the advantage of following its predecessor by only two years. We’ve waited almost three and a half years for Peele’s third genre excursion.

As I write this post, we have yet to see reviews. That could cause my initial projection to rise or fall. I am rather confident that Nope won’t reach Us levels as far as the debut weekend. Estimates have this generating between $40-$60 million and that seems right. At press time, I’m thinking the $50 million mark seems doable. I’ll put it just a touch under with the possibility of revision possible.

Nope opening weekend prediction: $53.2 million

Oscars 2021: The Case of Jesse Plemons

My Case Of posts arrive at the third Supporting Actor contender and it’s Jesse Plemons in The Power of the Dog. The first two write-ups can be found here:

Oscars 2021: The Case of Ciaran Hinds

Oscars 2021: The Case of Troy Kotsur

The Case for Jesse Plemons:

Having appeared in acclaimed TV and cinematic works including Breaking Bad and Fargo on the small screen and The Master, The Irishman, and Judas and the Black Messiah on the big one, Plemons scores his first Academy nod. Dog led all nominees with 13 and that includes Kirsten Dunst (the actor’s real life love interest).

The Case Against Jesse Plemons:

It also includes his costar Kodi Smit-McPhee, who’s nominated in the same category and won the Golden Globe. Despite a BAFTA mention, Plemons didn’t make the SAG, Globe, or Critics Choice shortlists. Smit-McPhee and Troy Kotsur (CODA) are looked at as the potential victors. Woody Harrelson in 2017 lost to his costar Sam Rockwell in Three Billboards Outside Ebbing, Missouri as did Lakeith Stranfield last year to Daniel Kaluuya for the aforementioned Judas. Plemons could play that role this time around.

Previous Nominations: 

None

The Verdict:

Plemons might be back again next year with Martin Scorsese’s Killers of the Flower Moon. Don’t look for an Oscar delivery here.

My Case Of posts will continue with Ryusuke Hamaguchi’s direction of Drive My Car

2021 Oscar Predictions: December 29th Edition

My final Oscar predictions of the calendar year brings changes in three major categories:

Ryusuke Hamaguchi’s Drive My Car, in addition to spending its second week at #1 in International Feature Film, pulls into the top ten for Best Picture. That’s at the expense of The Tragedy of Macbeth. I toyed with the idea of removing Don’t Look Up (which has drawn wildly mixed reactions from audiences and critics). I’m keeping it in as its most vocal supporters could keep Adam McKay’s satire in the mix.

In Best Actress, I’ve had a nagging suspicion that the quintet of Kristen Stewart, Jessica Chastain, Nicole Kidman, Olivia Colman, and Lady Gaga may not be the final five. Why? Mainly because I don’t have any of their movies getting BP nods. Since the Academy expanded to 5-10 nominees in that big race, there hasn’t been a year where the acting nominees didn’t represent at least one Best Picture nominee. That was in 2009. If you still went with the previously mentioned five, it might be wise to consider Spencer or Being the Ricardos or The Lost Daughter making the 10 BP contenders. I’m not prepared to put any of that trio in at the moment. Therefore – I’m dropping Gaga and elevating Alana Haim (Licorice Pizza). It could also be Rachel Zegler (West Side Story).

I’m going with a somewhat surprise nominee (perhaps two) in Supporting Actor. I still have Bradley Cooper (Pizza) making the cut and now I’m putting in Jesse Plemons (The Power of the Dog). This knocks out Jamie Dornan for Belfast. Last year, we saw a shocker when Lakeith Stanfield (Judas and the Black Messiah) made the supporting five. Power‘s potency (I have it as the favorite to take BP) could sweep Plemons in along with his costar Kodi Smit-McPhee (my #1). That could be a repeat of 2020 when Daniel Kaluuya won for Judas and Stanfield was in the race.

You can read all the movement below and my predictions will continue into the new year!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 1) (E)

2. Belfast (PR: 2) (E)

3. West Side Story (PR: 4) (+1)

4. Licorice Pizza (PR: 5) (+1)

5. Dune (PR: 3) (-2)

6. King Richard (PR: 6) (E)

7. CODA (PR: 7) (E)

8. Tick, Tick… Boom! (PR: 8) (E)

9. Don’t Look Up (PR: 10) (+1)

10. Drive My Car (PR: 12) (+2)

Other Possibilities:

11. The Tragedy of Macbeth (PR: 9) (-2)

12. Being the Ricardos (PR: 13) (+1)

13. Nightmare Alley (PR: 11) (-2)

14. The Lost Daughter (PR: 14) (E)

15. Spider-Man: No Way Home (PR: Not Ranked)

Dropped Out:

A Hero

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Denis Villeneuve, Dune (PR: 2) (E)

3. Steven Spielberg, West Side Story (PR: 4) (+1)

4. Kenneth Branagh, Belfast (PR: 3) (-1)

5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. Ryusuke Hamaguchi, Drive My Car (PR: 8) (+2)

7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)

8. Guillermo del Toro, Nightmare Alley (PR: 6) (-2)

9. Asghar Farhadi, A Hero (PR: 9) (E)

10. Adam McKay, Don’t Look Up (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)

3. Nicole Kidman, Being the Ricardos (PR: 3) (E)

4. Olivia Colman, The Lost Daughter (PR: 5) (+1)

5. Alana Haim, Licorice Pizza (PR: 8) (+3)

Other Possibilities:

6. Lady Gaga, House of Gucci (PR: 5) (-1)

7. Rachel Zegler, West Side Story (PR: 7) (E)

8. Penelope Cruz, Parallel Mothers (PR: 9) (+1)

9. Jennifer Hudson, Respect (PR: 6) (-3)

10. Emilia Jones, CODA (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)

4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)

5. Peter Dinklage, Cyrano (PR: 5) (E)

Other Possibilities:

6. Leonardo DiCaprio, Don’t Look Up (PR: 8) (+2)

7. Nicolas Cage, Pig (PR: 6) (-1)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 7) (-1)

9. Clifton Collins, Jr., Jockey (PR: Not Ranked)

10. Javier Bardem, Being the Ricardos (PR: 10) (E)

Dropped Out:

Bradley Cooper, Nightmare Alley

Best Supporting Actress

Predicted Nominees:

1. Ariana DeBose, West Side Story (PR: 1) (E)

2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)

3. Caitriona Balfe, Belfast (PR: 3) (E)

4. Aunjanue Ellis, King Richard (PR: 4) (E)

5. Ruth Negga, Passing (PR: 5) (E)

Other Possibilities:

6. Marlee Matlin, CODA (PR: 7) (+1)

7. Rita Moreno, West Side Story (PR: 8) (+1)

8. Ann Dowd, Mass (PR: 6) (-2)

9. Meryl Streep, Don’t Look Up (PR: 10) (+1)

10. Cate Blanchett, Nightmare Alley (PR: 9) (-1)

Best Supporting Actor

Predicted Nominees:

1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)

2. Ciaran Hinds, Belfast (PR: 2) (E)

3. Troy Kotsur, CODA (PR: 3) (E)

4. Bradley Cooper, Licorice Pizza (PR: 5) (+1)

5. Jesse Plemons, The Power of the Dog (PR: 9) (+4)

Other Possibilities:

6. Jamie Dornan, Belfast (PR: 4) (-2)

7. Jared Leto, House of Gucci (PR: 6) (-1)

8. Mike Faist, West Side Story (PR: 8) (E)

9. Ben Affleck, The Tender Bar (PR: 7) (-2)

10. J.K. Simmons, Being the Ricardos (PR: Not Ranked)

Dropped Out:

Jason Isaacs, Mass

Best Original Screenplay

Predicted Nominees:

1. Licorice Pizza (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. King Richard (PR: 3) (E)

4. Don’t Look Up (PR: 4) (E)

5. Being the Ricardos (PR: 5) (E)

Other Possibilities:

6. Mass (PR: 8) (+2)

7. C’Mon C’Mon (PR: 7) (E)

8. A Hero (PR: 6) (-2)

9. Parallel Mothers (PR: 10) (+1)

10. The French Dispatch (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. CODA (PR: 3) (E)

4. The Lost Daughter (PR: 4) (E)

5. Drive My Car (PR: 5) (E)

Other Possibilities:

6. Dune (PR: 6) (E)

7. Tick, Tick… Boom! (PR: 8) (+1)

8. Passing (PR: 9) (+1)

9. The Tragedy of Macbeth (PR: 7) (-2)

10. The Last Duel (PR: Not Ranked)

Dropped Out:

Nightmare Alley

Best Animated Feature

Predicted Nominees:

1. Encanto (PR: 1) (E)

2. Flee (PR: 2) (E)

3. The Mitchells vs. the Machines (PR: 4) (+1)

4. Luca (PR: 3) (-1)

5. Raya and the Last Dragon (PR: 6) (+1)

Other Possibilities:

6. Belle (PR: 5) (-1)

7. The Summit of the Gods (PR: 7) (E)

8. Vivo (PR: 8) (E)

9. Ron’s Gone Wrong (PR: 9) (E)

10. Sing 2 (PR: Not Ranked)

Dropped Out:

Where Is Anne Frank

Best International Feature Film

Predicted Nominees:

1. Drive My Car (PR: 1) (E)

2. A Hero (PR: 2) (E)

3. The Worst Person in the World (PR: 3) (E)

4. Flee (PR: 4) (E)

5. The Hand of God (PR: 5) (E)

Other Possibilities:

6. I’m Your Man (PR: 7) (+1)

7. Compartment No. 6 (PR: 6) (-1)

8. Prayers for the Stolen (PR: 9) (+1)

9. Great Freedom (PR: 8) (-1)

10. Lamb (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. Flee (PR: 1) (E)

2. The Rescue (PR: 2) (E)

3. Summer of Soul (PR: 3) (E)

4. Procession (PR: 4) (E)

5. Attica (PR: 5) (E)

Other Possibilities:

6. The First Wave (PR: 6) (E)

7. Ascension (PR: 9) (+2)

8. Faya Dayi (PR: 8) (E)

9. President (PR: 7) (-2)

10. In the Same Breath (PR: Not Ranked)

Dropped Out:

The Velvet Underground

Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. West Side Story (PR: 4) (+1)

4. The Tragedy of Macbeth (PR: 3) (-1)

5. Belfast (PR: 5) (E)

Other Possibilities:

6. Nightmare Alley (PR: 6) (E)

7. Licorice Pizza (PR: 7) (E)

8. The French Dispatch (PR: 9) (+1)

9. C’Mon C’Mon (PR: 10) (+1)

10. Spencer (PR: 8) (-2)

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 1) (E)

2. Dune (PR: 2) (E)

3. West Side Story (PR: 3) (E)

4. House of Gucci (PR: 4) (E)

5. Spencer (PR: 6) (+1)

Other Possibilities:

6. Nightmare Alley (PR: 5) (-1)

7. Cyrano (PR: Not Ranked)

8. Last Night in Soho (PR: 9) (+1)

9. Licorice Pizza (PR: 7) (-2)

10. The Tragedy of Macbeth (PR: 10) (E)

Dropped Out:

The French Dispatch

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. Don’t Look Up (PR: 6) (+2)

5. Licorice Pizza (PR: 4) (-1)

Other Possibilities:

6. The Power of the Dog (PR: 5) (-1)

7. King Richard (PR: 7) (E)

8. Tick, Tick… Boom! (PR: 8) (E)

9. Being the Ricardos (PR: 9) (E)

10. Last Night in Soho (PR: Not Ranked)

Dropped Out:

Nightmare Alley

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune (PR: 1) (E)

2. House of Gucci (PR: 2) (E)

3. The Eyes of Tammy Faye (PR: 3) (E)

4. Cruella (PR: 4) (E)

5. Coming 2 America (PR: 6) (+1)

Other Possibilities:

6. Nightmare Alley (PR: 5) (-1)

7. The Suicide Squad (PR: 8) (+1)

8. Cyrano (PR: 7) (-1)

9. West Side Story (PR: 9) (E)

10. No Time to Die (PR: 10) (E)

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Don’t Look Up (PR: 4) (+1)

4. The French Dispatch (PR: 6) (+2)

5. Spencer (PR: 3) (-2)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 5) (-1)

7. Parallel Mothers (PR: 7) (E)

8. King Richard (PR: 8) (E)

9. Encanto (PR: 9) (E)

10. The Green Knight (PR: Not Ranked)

Dropped Out:

The Harder They Fall

Best Original Song

Predicted Nominees:

1. “Be Alive” from King Richard (PR: 1) (E)

2. “No Time to Die” from No Time to Die (PR: 2) (E)

3. “Dos Oruguitas” from Encanto (PR: 3) (E)

4. “Down to Joy” from Belfast (PR: 4) (E)

5. “Just Look Up” from Don’t Look Up (PR: 5) (E)

Other Possibilities:

6. “Beyond the Shore” from CODA (PR: 6) (E)

7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)

8. “So May We Start” from Annette (PR: 9) (+1)

9. “Here I Am” from Respect (PR: 8) (-1)

10. “Somehow You Do” from Four Good Days (PR: 10) (E)

Best Production Design

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 3) (+1)

3. Nightmare Alley (PR: 2) (-1)

4. The French Dispatch (PR: 4) (E)

5. Belfast (PR: 6) (+1)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 5) (-1)

7. Cyrano (PR: 10) (+3)

8. The Power of the Dog (PR: 8) (E)

9. Spencer (PR: 7) (-2)

10. Cruella (PR: Not Ranked)

Dropped Out:

Being the Ricardos

Best Sound

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. No Time to Die (PR: 4) (E)

5. Tick, Tick… Boom! (PR: 5) (E)

Other Possibilities:

6. Spider-Man: No Way Home (PR: 6) (E)

7. A Quiet Place Part II (PR: 9) (+2)

8. The Matrix Resurrections (PR: 7) (-1)

9. The Power of the Dog (PR: 8) (-1)

10. Last Night in Soho (PR: 10) (E)

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Spider-Man: No Way Home (PR: 3) (+1)

3. The Matrix Resurrections (PR: 2) (-1)

4. Godzilla vs. Kong (PR: 4) (E)

5. Shang-Chi and the Legend of the Ten Rings (PR: 5) (E)

Other Possibilities:

6. Free Guy (PR: 6) (E)

7. Ghostbusters: Afterlife (PR: 9) (+2)

8. Eternals (PR: 8) (E)

9. No Time to Die (PR: 7) (-2)

10. Black Widow (PR: 10) (E)

And this all equates to these numbers of nominations for said movies:

10 Nominations

Belfast, Dune

9 Nominations

The Power of the Dog, West Side Story

6 Nominations

Licorice Pizza

5 Nominations

Don’t Look Up, King Richard

3 Nominations

CODA, Drive My Car, Flee, Spencer, Tick, Tick… Boom!

2 Nominations

Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, House of Gucci, The Lost Daughter, No Time to Die, The Tragedy of Macbeth

1 Nomination

Attica, Coming 2 America, Cyrano, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Nightmare Alley, Passing, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World

2021 Oscar Predictions: The State of the Supporting Actor Race

Starting on the blog today, I’m taking a deeper dive into the four acting derbies at the Oscars as well as Picture and Director. It begins with Supporting Actor.

If I could use a couple words to describe this particular race – “very open” immediately comes to mind. With just two months left in the calendar year, I would go as far to say that not I’m not 100% certain on any performer discussed below making the final five. That’s rare.

Before I delve into the many hopefuls, let’s take a look at where my projections were at in 2019 and 2020 during the same time frame. Two years ago, I had already correctly pegged four of the five eventual nominees: winner Brad Pitt (Once Upon a Time Hollywood), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other contender was Joe Pesci (also for The Irishman) and I had him listed at #6 in Other Possibilities. In hindsight, Supporting Actor was well on its way to being established with two months remaining in 2019.

Not so much for 2020. Last year was more difficult than perhaps any before it in figuring out who’d make the cut (much of that uncertainty was due to COVID and the constantly shifting release schedule). On November 1, 2020 – my forecasted five contenders yielded just two of the eventual nominees: Sacha Baron Cohen in The Trial of the Chicago 7 and Leslie Odom, Jr. for One Night in Miami. I still had the winner (Daniel Kaluuya in Judas and the Black Messiah) listed for the lead Actor competition. Both Lakeith Stanfield (Judas) and Paul Raci (Sound of Metal) were not yet mentioned in Other Possibilities.

With that context, we arrive in 2021. And I would say this year looks more like the previous one as opposed to 2019. There has been one constant since I began projecting the race back in the summer: Bradley Cooper for Licorice Pizza (known as Soggy Bottom just a couple of months ago). I’ve had him listed at #1 the whole way and it’s a prediction based mostly on gut since no one has seen the picture (that’ll change shortly). Cooper is a four-time acting nominee (Silver Linings Playbook, American Hustle, American Sniper, A Star is Born). He’s yet to take the gold. Pizza looks like it should be a juicy role for him. On the other hand, we do not yet known just how big (or small) his role is. When reviews come out, he could solidify himself as the frontrunner or drop out altogether. There’s also the possibility that one of the other supporting players (Sean Penn or Benny Safdie) could rise. For now, I’m still hangin’ with Mr. Cooper until the word-of-mouth tells me otherwise.

Shifting gears – here’s a fun fact. In three out of the last four years, we’ve seen two actors from the same movie recognized here. In 2017, it was Sam Rockwell (who won) and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. For 2019 – you had Pacino and Pesci in The Irishman. Last year, it was the victorious Kaluuya and Stanfield for Judas.

Could that happen again? Absolutely and the best chance for that right now appears to be Belfast. A strong contender to win Best Picture, we could also see Jamie Dornan and Ciaran Hinds punch their tickets here. I wouldn’t be at all surprised to see it happen. Dornan seems likelier to make it in, but Hinds is getting plenty of laudatory chatter as well.

There are other scenarios to make it four out of five years and some lie with pictures still not screened. Don’t Look Up has Jonah Hill, Rob Morgan, and Mark Rylance. Willem Dafoe and David Strathairn are viable for Nightmare Alley. And then there’s Jared Leto and Al Pacino in House of Gucci. The latest trailer features the latter more than the former. That disrupts the consensus that Leto has a better shot. I’m still going with Leto above Pacino, but when Gucci screens that dynamic may shift.

The double nominee situations don’t end there. Yet they both have actors that I believe have a significantly better chance than the other. For Mass, Jason Isaacs has been in my five while Reed Birney hasn’t made the top ten in some time. After The Power of the Dog was unveiled on the festival circuit, the narrative unexpectedly shifted to Kodi Smit-McPhee having a clearer path than Jesse Plemons. The Tragedy of Macbeth buzz solidified Corey Hawkins over Brendan Gleeson (though I’m skeptical either get in).

Now is a good time to point out that it’s been ten years since a Supporting Actor winner didn’t come from a Best Picture nominee (Christopher Plummer in Beginners). That’s why I find it a stretch that Ben Affleck (The Tender Bar), Idris Elba (The Harder They Fall), or Troy Kotsur (CODA) will be making trips to the podium. They could still get in, but their paths are tougher and they will all need heavy critics awards love to make the dance. There’s been some mentions for Jeffrey Wright in The French Dispatch, but (somewhat surprisingly) no Wes Anderson directed performance has been Academy nominated and I don’t see this being the first.

One actor where an exception could occur is Richard Jenkins in The Humans. I doubt it will land a Pic nod, but Jenkins is drawing raves for his work. Twice nominated before for The Visitor and The Shape of Water, I could see the veteran becoming a threat to win if Cooper falls.

Others worthy of mention include Jon Bernthal in King Richard. The attention could be so focused on Will Smith (who appears to be in the driver’s seat to take Actor) that his supporting cast fails to get in (that logic also applies to Supporting Actress hopeful Aunjanue Ellis). It’s also totally feasible that Richard is so popular with the Academy that it sweeps them all in. Andrew Garfield picked up solid notices for The Eyes of Tammy Faye. He might stand a better shot in lead for the upcoming and yet to be screened Tick, Tick… Boom! Timothy Spall for Spencer is doable, but Kristen Stewart is just as likely to be the sole nominee (and maybe the winner in Actress). The work of David Alvarez (West Side Story) and Javier Bardem (Being the Ricardos) has yet to be seen and is worth keeping an eye on.

So how does that all shake out? Truth be told, the five predicted performers listed below could look quite different a couple months from now. Here’s my best guesstimate for the moment:

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (Previous Ranking: 1)

2. Richard Jenkins, The Humans (PR: 3)

3. Jamie Dornan, Belfast (PR: 2)

4. Jared Leto, House of Gucci (PR: 5)

5. Ciaran Hinds, Belfast (PR: 8)

Other Possibilities:

6. Jason Isaacs, Mass (PR: 4)

7. Jon Bernthal, King Richard (PR: 6)

8. Kodi Smit-McPhee, The Power of the Dog (PR: 7)

9. Al Pacino, House of Gucci (PR: Not Ranked)

10. Troy Kotsur, CODA (PR: 10)

Dropped Out:

Ben Affleck, The Tender Bar

I’ll have my analysis on the current state of Supporting Actress up next!

2021 Oscar Predictions: July 29th Edition

I can’t help myself. I keep doing my Oscar predictions earlier and earlier each year. Today marks the first edition of my ranked forecasts in the 8 biggest races: Picture, Director, the four acting competitions, and the two screenplay contests.

It probably stands to reason that the sooner you do projections – the more inaccurate they might be. Oh but it’s so very fun to speculate! I do like to put my initial rankings up before the Toronto, Venice, and Telluride Film Festivals make the picture more clear and we are only about a month from that. Those events will bring us early buzz on The Power of the Dog, Dune, Spencer, The Last Duel, The Humans, Parallel Mothers, Belfast, Dear Evan Hansen, The Eyes of Tammy Faye, Last Night in Soho, and more.

This post comes about three weeks ahead of when I did this in 2020. That year, to say the least, was hard to figure out. In fact, many of the pictures and performers I had in my 2020 inaugural rankings were moved back to 2021 due to COVID delays. Think Dune, The French Dispatch, West Side Story, Respect, C’Mon C’Mon, Annette, and The Eyes of Tammy Faye.

So how did my first ranked predictions from 2020 pan out? My Best Picture guesstimates yielded three of the eventual nominees: winner Nomadland, Mank, and The Trial of the Chicago 7. Nomadland started out of the gate at #2 (behind Mank). Three other contenders were listed under Other Possibilities – The Father, Judas and the Black Messiah, and Minari. Promising Young Woman and Sound of Metal were not mentioned.

2 of the 5 director nominees were correctly identified: winner Chloe Zhao (Nomadland) and David Fincher (Mank). None of the other hopefuls (Lee Isaac Chung for Minari, Emerald Fennell for Promising Young Woman, or Another Round‘s Thomas Vinterberg) were even in Other Possibilities.

In Best Actress, I initially identified 2 – winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were Other Possibilities while Vanessa Kirby in Pieces of a Woman didn’t score a listing.

As for Actor, winner Anthony Hopkins (The Father) and Gary Oldman (Mank) made my first cut. I incorrectly had Daniel Kaluuya (Judas and the Black Messiah) projected here instead of Supporting Actor (which he won). **This is a good time to remind you all that some of the acting contenders thought to be in lead right now will switch to supporting and vice versa. As further evidence, I had Chadwick Boseman (Ma Rainey) predicted in supporting, but he contended here. I did not yet have Riz Ahmed (Sound of Metal) or Steven Yeun (Minari) on my radar.

Two Supporting Actress players were correctly called: Glenn Close (Hillbilly Elegy) and Olivia Colman (The Father) with Amanda Seyfried (Mank) in Other Possibilities. No mention for the winner Youn Yun-jung in Minari or Maria Bakalova for Borat Subsequent Moviefilm.

Per above, Daniel Kaluuya’s work in Judas was slotted in lead, but he emerged victorious here. My Supporting Actor picks did get 2 of 5: Lakeith Stanfield in Judas and Sacha Baron Cohen for Chicago 7. The two others (Leslie Odom Jr. in One Night in Miami and Paul Raci in Sound of Metal) went unnoticed at the early stage.

Just one nominee in Original Screenplay got the initial mention – Chicago 7. I did have 3 others (winner Promising Young Woman, Judas, Minari) down for Other Possibilities while Sound of Metal wasn’t mentioned. And in Adapted Screenplay, I only rightly projected Nomadland. Winner The Father, One Night in Miami, and The White Tiger were other possibilities with no mention for Borat.

Whew. OK. I’m not going through all for 2019. However, I will say my results were better two years ago with my first picks (evidence of the uncertainty of last year). The quick rundown: I got 6 of the 9 nominees in Best Picture and identified the remaining three in other possibilities. In Director, it was 4 out of 5. For Actress – 4 for 5 with the other nominee listed sixth. Actor – 3 for 5 with the two others as possibilities. The weak spot was Supporting Actress – just 1 out of 5 with 2 others as possibilities. 2 for 5 in Supporting Actor with 2 others as possibilities. 3 for 5 initially in both screenplay races.

And now we come to 2021. Will I look back next year and be happy with the accuracy or shake my head? Hopefully a mix (that’s probably the best case scenario). In about two months, I will start predictions for all categories covering feature films and whittle BP from 25 to 15 hopefuls with all others going from a projected 15 to 10.

There already was some news from when I penned my early and unranked predictions last week. David O. Russell’s Canterbury Glass, with an all star cast led by Christian Bale and Margot Robbie, has reportedly moved to 2022. It was mentioned in numerous categories (Picture, Director, Actor, Actress, Supporting Actor – John David Washington) and it now waits its turn until next year. Same story for Taika Waititi’s Next Goal Wins and Blonde from Andrew Dominik.

Let’s get to it!

Best Picture

Predicted Nominees:

1. House of Gucci

2. The Power of the Dog

3. The Tragedy of Macbeth

4. Nightmare Alley

5. Dune

6. Soggy Bottom

7. Mass

8. West Side Story

9. Belfast

10. Don’t Look Up

Other Possibilities:

11. A Hero

12. CODA

13. Flee

14. The French Dispatch

15. Spencer

16. Tick Tick… Boom!

17. Cyrano

18. The Humans

19. Blue Bayou

20. King Richard

21. The Last Duel

22. Dear Evan Hansen

23. In the Heights

24. Last Night in Soho

25. Annette

Best Director

Predicted Nominees:

1. Ridley Scott, House of Gucci

2. Denis Villeneuve, Dune

3. Jane Campion, The Power of the Dog

4. Guillermo del Toro, Nightmare Alley

5. Joel Coen, The Tragedy of Macbeth

Other Possibilities:

6. Paul Thomas Anderson, Soggy Bottom

7. Asghar Farhadi, A Hero

8. Kenneth Branagh, Belfast

9. Steven Spielberg, West Side Story

10. Adam McKay, Don’t Look Up

11. Fran Kranz, Mass

12. Sian Heder, CODA

13. Jonas Poher Rasmussen, Flee

14. Wes Anderson, The French Dispatch

15. Pablo Larrain, Spencer

Best Actress

1. Lady Gaga, House of Gucci

2. Frances McDormand, The Tragedy of Macbeth

3. Kirsten Dunst, The Power of the Dog

4. Jennifer Hudson, Respect 

5. Jessica Chastain, The Eyes of Tammy Faye

Other Possibilities:

6. Penelope Cruz, Parallel Mothers

7. Kristen Stewart, Spencer

8. Emilia Jones, CODA

9. Rachel Zegler, West Side Story

10. Cate Blanchett, Nightmare Alley

11. Renate Reinsve, The Worst Person in the World

12. Nicole Kidman, Being the Ricardos

13. Jodie Comer, The Last Duel

14. Jennifer Lawrence, Don’t Look Up

15. Olivia Colman, The Lost Daughter

Best Actor

Predicted Nominees:

1. Denzel Washington, The Tragedy of Macbeth

2. Benedict Cumberbatch, The Power of the Dog

3. Will Smith, King Richard

4. Adam Driver, House of Gucci

5. Amir Jadidi, A Hero

Other Possibilities:

6. Andrew Garfield, Tick Tick… Boom!

7. Clifton Collins, Jr., Jockey

8. Peter Dinklage, Cyrano

9. Bradley Cooper, Nightmare Alley

10. Leonardo DiCaprio, Don’t Look Up

11. Joaquin Phoenix, C’Mon C’Mon

12. Cooper Hoffman, Soggy Bottom

13. Adam Driver, Annette

14. Javier Bardem, Being the Ricardos

15. Nicolas Cage, Pig

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass

2. Ariana DeBose, West Side Story

3. Martha Plimpton, Mass

4. Jayne Houdyshell, The Humans

5. Marlee Matlin, CODA

Other Possibilities:

6. Ruth Negga, Passing

7. Olga Merediz, In the Heights

8. Regina King, The Harder They Fall

9. Thomasin McKenzie, The Power of the Dog

10. Toni Collette, Nightmare Alley

11. Judi Dench, Belfast

12. Anya Taylor-Joy, Last Night in Soho

13. Meryl Streep, Don’t Look Up

14. Audra McDonald, Respect

15. Sally Hawkins, Spencer

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Soggy Bottom

2. Jesse Plemons, The Power of the Dog

3. Jason Isaacs, Mass

4. Richard Jenkins, The Humans

5. Idris Elba, The Harder They Fall

Other Possibilities:

6. Corey Hawkins, The Tragedy of Macbeth

7. Richard E. Grant, Everybody’s Talking About Jamie

8. Jared Leto, House of Gucci

9. Reed Birney, Mass

10. Ben Mendelsohn, Cyrano

11. Jamie Dornan, Belfast

12. Adam Driver, The Last Duel

13. Al Pacino, House of Gucci

14. Brendan Gleeson, The Tragedy of Macbeth

15. David Alvarez, West Side Story

Best Original Screenplay

Predicted Nominees:

1. Mass

2. Soggy Bottom

3. Don’t Look Up

4. The French Dispatch

5. Blue Bayou

Other Possibilities:

6. Belfast

7. Spencer

8. C’Mon C’Mon

9. Last Night in Soho

10. Being the Ricardos

11. Annette

12. The Harder They Fall

13. After Yang

14. Nine Days

15. Red Rocket

Best Adapted Screenplay

Predicted Nominees:

1. House of Gucci

2. The Power of the Dog

3. The Tragedy of Macbeth

4. Nightmare Alley

5. Dune

Other Possibilities:

6. CODA

7. The Humans

8. West Side Story

9. Cyrano

10. Tick Tick… Boom!

11. Dear Evan Hansen

12. The Last Duel

13. The Lost Daughter

14. King Richard

15. A Journal for Jordan

Back at it next week, ladies and gents!

Early 2021 Oscar Predictions: Best Actor

My initial 2021 Oscar predictions arrives at Best Actor. If you missed my posts regarding the supporting players, you can find them here:

Early 2021 Oscar Predictions: Best Supporting Actor

Early 2021 Oscar Predictions: Best Supporting Actress

For the 2020 ceremony, my earliest projections in Best Actor yielded two correct picks: winner Anthony Hopkins (The Father) and Gary Oldman (Mank). Steven Yeun (Minari) was listed in other possibilities. I had Daniel Kaluuya (Judas and the Black Messiah) in the top five for Actor, but he ended up going supporting and won in that race. On the flip side, I had Chadwick Boseman (Ma Rainey’s Black Bottom) originally projected in supporting and he went lead. The only player in the quintet not mentioned at first was Riz Ahmed (Sound of Metal).

Let’s get to it with the first take where all five of my initial nominees are either past nominees (Cumberbatch, Driver, Smith) or winners (Bale, Washington).

EARLY OSCAR PREDICTIONS: BEST ACTOR

Christian Bale, Canterbury Glass

Benedict Cumberbatch, The Power of the Dog

Adam Driver, House of Gucci

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Other Possibilities:

Clifton Collins Jr., Jockey

Bradley Cooper, Nightmare Alley

Matt Damon, Stillwater

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Adam Driver, Annette

Andrew Garfield, Tick, Tick… Boom!

Cooper Hoffman, Soggy Bottom

Amir Jadidi, A Hero

Joaquin Phoenix, C’Mon C’Mon

Best Actress is up next!