September 4-7 Box Office Predictions

There are multiple new releases making their way to multiplexes over the Labor Day frame, but I only have one managing a top five showing. That would be 1960s set crime thriller By Any Means with Mark Wahlberg and Yahya Abdul-Mateen II as it attempts double digits over the holiday weekend. You can peruse my detailed prediction post on it here:

As summer turns into fall on the cinematic calendar, the MCU should be perched atop the charts for a sixth weekend in a row courtesy of Spider-Man: Brand New Day. A note that over this particular weekend, holdovers often experience minimal percentage declines or even a slight increase as moviegoers catch up on recent offerings. From Friday to Monday, I have Spidey essentially doing what it did in its fifth outing.

The Odyssey could return to second place from third while Coyote vs. Acme drops a spot after a notable premiere (more on that below). The latter’s second week drop is a head scratcher and it could be more front-loaded that I’m assuming. On the flip side, families could show up in solid numbers since it appears to have fresh word-of-mouth with an A Cinemascore.

Means may flirt with $10M+ in a best case scenario though I’ve got falling under for a fourth place start and Insidious: Out of the Further rounding out the top five.

As for other fresh product, I’m skeptical that horror offering Onslaught from Adam Wingard, survival flick sequel Fall 2: Deadpoint (out Wednesday), or Pixar’s 20th anniversary re-issue of Cars populate the top half of the top ten so no individual posts for that trio.

And with that, here’s how I have the top 5 shaking out and keep in mind that these are Friday through Monday guesstimates:

1. Spider-Man: Brand New Day

Predicted Gross: $23 million

2. The Odyssey

Predicted Gross: $14.8 million

3. Coyote vs. Acme

Predicted Gross: $13.2 million

4. By Any Means

Predicted Gross: $7.8 million

5. Insidious: Out of the Further

Predicted Gross: $7.5 million

Box Office Results (August 28-30)

As anticipated, Spider-Man: Brand New Day had no trouble swinging to a fifth victory with $22.5 million, in line with my $23.2 million call. With $891 million in its coffers, Day looks to exceed domestic record holder Star Wars: The Force Awakens ($936 million) in short order.

After Warner Bros jettisoned it as a tax write-off in 2023, Ketchup Entertainment squeezed some decent figures out of the live-action/animated hybrid Coyote vs. Acme. With $15.9 million, it was runner-up and surpassed my $13.8 million projection. Considering it was never going to see the light of day if WB had their way, it’s a better than expected result.

The Odyssey was third after four weeks in second position with $14.3 million, just under my $15.6 million call for a seven-week take of $563 million.

Insidious: Out of the Further dropped 59% in its sophomore weekend with $10.2 million compared to my $9.4 million take. The sixth feature in the horror franchise is at $43 million total.

With so-so reviews and muted WOM, Ridley Scott’s The Dog Stars starring Jacob Elordi, Josh Brolin, and Margaret Qualley failed to find an audience in fifth with $7.7 million (I said $8.3 million).

Finally, Roadside Attractions had a laudable showing with the low-budget Buddy in sixth. I didn’t do a prediction write-up for it, but the satirical horror tale made $5.5 million. The per theater average nearly equaled that of Acme.

And that does it for now, folks! Until next time…

August 28-30 Box Office Predictions

August at the box office should close out like July did with Spider-Man: Brand New Day ruling the charts. Coyote vs. Acme, the live-action/animated hybrid with a bumpy journey to theaters and Ridley Scott’s post-apocalyptic drama The Dog Stars are the fresh challengers to the throne and you can peruse my detailed prediction posts on the newcomers here:

Warner Bros axed Coyote as a tax write-off as the Looney Tunes tale (shot in 2022) finally was picked up by Ketchup Entertainment. They hope to squeeze an opening weekend in the high teens though my low teens projection could mean third place.

That’s because the MCU’s Spidey adventure should see a fifth weekend in 1st with a drop in the low to mid 40s. The Odyssey could rise from third to second as Insidious: Out of the Further could see a sophomore frame plummet in the 60% range.

I’m putting Further in a close race with The Dog Stars for fourth place as I don’t see the latter finding much of an audience.

Here’s how I see the top five shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $23.2 million

2. The Odyssey

Predicted Gross: $15.6 million

3. Coyote vs. Acme

Predicted Gross: $13.8 million

4. Insidious: Out of the Further

Predicted Gross: $9.4 million

5. The Dog Stars

Predicted Gross: $8.3 million

Box Office Results (August 21-23)

The sixth entry of the Insidious horror franchise was no match for Tom Holland as Brand New Day spent a fourth weekend as the champ. Spidey took in $39 million, just ahead of my $38 million prediction for $854 million total. This week it will become the second highest grossing domestic feature in history (unadjusted for inflation) behind Star Wars: The Force Awakens ($936 million).

Insidious: Out of the Further settled for second with $25.1 million, under my $29.7 million call. While its numbers are just fine considering the reported $18 million budget, it did not match the $33 million that predecessor The Red Door opened to in 2023.

The Odyssey was third with $19.7 million compared to my $17.1 million take as the epic adventure has amassed $539 million in six weeks. It has now surpassed The Dark Knight ($534 million) to become Christopher Nolan’s largest stateside earner.

PAW Patrol: The Dino Movie was fourth in weekend #2 with $9.1 million, in line with my $9.6 million forecast. The animated sequel stands at $35 million.

The End of Oak Street, another dino movie, rounded out the top five with $8.7 million (I said $8.2 million) for $37 million after two weeks.

Jason Statham’s Mutiny was sixth with $7.7 million as the star’s latest action thriller premiered close to my $7.7 million projection.

Tony, focused on a formative summer in the life of Anthony Bourdain, expanded nationwide and was seventh with $5 million compared to my $6 million prediction. The overall tally is $6.6 million.

Finally, comedy Spa Weekend fizzled in ninth with $3 million though that is ahead of my $2.3 million prognosis.

And that does it for now, folks! Until next time…

Coyote vs. Acme Box Office Prediction

Despite drawing winning critical reactions, Coyote vs. Acme may face an uphill battle at the box office when it debuts August 28th. The comedic live-action/animation hybrid was famously shelved by Warner Bros. (think Batgirl) but was rescued by Ketchup Entertainment. Shot in 2022 with an initial planned release in 2023, Dave Green directs with a cast including Will Forte, Lana Condor, Tone Bell, Luis Guzmán, Martha Kelly, P.J. Byrne, and John Cena.

In March 2025, Ketchup also tried to squeeze some money out of The Day the Earth Blew Up: A Looney Tunes Movie. It premiered to just $3.2 million with a final domestic take under $10 million. Coyote has 96% on Rotten Tomatoes and a 75 Metacritic, but I’m skeptical family audiences will show up in huge numbers in this back to school time frame. While industry followers may be familiar with its struggles to reach the big screen, a large portion of its target audience is likely oblivious.

This still could open with more than what Earth made in total.

Coyote vs. Acme opening weekend prediction: $13.8 million

For my The Dog Stars prediction, click here:

Oscar Predictions: Coyote vs. Acme

Out August 28th, the live-action/animated hybrid Coyote vs. Acme has experienced an adventurous journey to the big screen. Featuring Wile E. Coyote and numerous other Looney Tunes characters, Warner Bros famously shelved the movie for tax write-off purposes in 2023. After allowing other entities to bid on its release after negative press, Ketchup Entertainment (who also put out the recent The Day the Earth Blew Up: A Looney Tunes Movie) is putting it in multiplexes. Dave Green (Earth to Echo, Teenage Mutant Ninja Turtles: Out of the Shadows) directs with a human cast including Will Forte, Lana Condor, Tone Bell, P.J. Byrne, Luis Guzmán, and John Cena.

After all the press about whether or not it will ever see the light of day, is it any good? 97% on Rotten Tomatoes would indicate so. The Metacritic score of 75 is a bit more representative of some of those positive reviews not being raves.

Coyote‘s only shot at running away with an Oscar nod is Best Animated Feature. That’s a little complicated. In order to qualify for inclusion, a picture must feature animation for 75% of its running time. I’ve yet to see any confirmation whether this fits the criteria. We might be waiting for the Academy to put out their list of contenders and that likely won’t occur until November (35 flicks met the standards last year).

If Coyote is among the hopefuls, I could see it making the shortlist and then who knows from there. I wouldn’t bet on it making the final five, but there was a time when no one thought it would make it out for public consumption. My Oscar Prediction posts will continue…

April 17-19 Box Office Predictions

Lee Cronin’s The Mummy will attempt to scare up decent business as the weekend’s major new wide release, but The Super Mario Galaxy Movie looks to rule the charts for a third frame. You can peruse my detailed rap on the reboot of The Mummy franchise here:

My projection for the newcomer likely puts it in a battle for second place with the fifth weekend of Project Hail Mary. I’m looking for both to land in the mid to higher teens and I’ll give the latter a slight edge for a third weekend in the runner-up position. Warner Bros. would love for Cronin’s horror version of The Mummy to hit $20M+, but I’m skeptical.

As for Mario, it should have no trouble scoring the trifecta atop the box office mountain with earnings between $35-40 million. Its streak in the top spot should end in weekend #4 with musical biopic Michael slated to beat it.

Holdovers romances The Drama and You, Me & Tuscany should fill out the rest of the top five and here’s how I envision it shaking out:

1. The Super Mario Galaxy Movie

Predicted Gross: $38.4 million

2. Project Hail Mary

Predicted Gross: $17.9 million

3. Lee Cronin’s The Mummy

Predicted Gross: $17.2 million

4. The Drama

Predicted Gross: $6 million

5. You, Me & Tuscany

Predicted Gross: $4.5 million

Box Office Results (April 10-12)

The Super Mario Galaxy Movie didn’t hold as well as 2023 predecessor The Super Mario Bros. Movie, but its 48% decline was still commendable. The Illumination Entertainment sequel took in $68 million, falling below my generous $79.1 million prediction. In two weeks, the total has soared to $307 million.

Project Hail Mary eased only 24% in second with $24.1 million, ahead of my $20.6 million forecast. The sci-fi blockbuster stands at $256 million after four weeks.

The Drama with Zendaya and Robert Pattinson was third, with a solid 39% dip to $8.7 million. That’s on track with my $8.5 million call resulting in a two-week take of $30 million.

You, Me & Tuscany was fourth as the romantic comedy with Halle Bailey and Regé-Jean Page stalled with $7.7 million. I had it making more at $11.2 million.

Finally, Hoppers was fifth with $4.1 million (I said $3.6 million) as the Pixar effort jumped to $157 million after six weeks.

And that does it for now, folks! Until next time…

Lee Cronin’s The Mummy Box Office Prediction

Lee Cronin’s The Mummy looks to wrap up an impressive debut when it drops April 17th. While the Brendan Fraser and Tom Cruise versions of The Mummy saga concentrated more on adventure, Evil Dead Rise director Cronin is bringing the horror to this James Wan/Jason Blum coproduction. Jack Reynor headlines the cast which includes Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.

This is the second reboot of this franchise in the 21st century. The 2017 Tom Cruise one was a box office and critical failure (confession: i think it’s kinda fun). Warner Bros would love to see a repeat of the $24.5 million that greeted Evil Dead Rise over the same April time frame three years ago.

That is probably a best case scenario and I suspect it won’t reach those levels. Estimates have this is in the low to mid teens. I’ll say it manages to land on the higher end of that range.

Lee Cronin’s The Mummy opening weekend prediction: $17.2 million

37th PGA Awards Winner Predictions

The 37th Producers Guild of America (PGA) Awards take place this Saturday and their best of prize has become a rather reliable bellwether for the Academy’s Best Picture. The two have matched 7 out of the last 8 years with 2019 being the exception when PGA chose 1917 and Oscar went with Parasite.

PGA also honors documentaries and animated features. Let’s walk through each race with a winner and runner-up selection.

Daryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners, Train Dreams, Weapons

PGA and the Academy have a 9 for 10 match this year. Weapons makes the cut on this list with The Secret Agent replacing it at the Oscars. This is expected to come down to Warner Bros offerings One Battle and Sinners. While I am predicting the latter to get Best Ensemble at Sunday’s Actor Awards, I still see Battle as the Oscar frontrunner and therefore am picking it here. That said, if Sinners gets this, the momentum will have shifted.

WINNER: One Battle After Another

Runner-Up: Sinners

Outstanding Producer of Documentary Theatrical Motion Pictures

The Alabama Solution, Cover-Up, Mr. Nobody Against Putin, My Mom Jayne, Ocean with David Attenborough, The Perfect Neighbor, The Tale of Silyan

At BAFTA over the weekend, Nobody rose above favored The Perfect Neighbor. In this doc derby, PGA has often shown a lean toward the most high profile project and that would be Neighbor. I’ll go with it with the caveat that this category can be unpredictable.

WINNER: The Perfect Neighbor

Runner-Up: The Alabama Solution

Outstanding Producer of Animated Theatrical Motion Pictures

The Bad Guys 2, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Zootopia 2

I find myself tempted to go with Zootopia 2 in an upset, but I can’t bet against juggernaut KPop.

WINNER: KPop Demon Hunters

Runner-Up: Zootopia 2

Oscar Nominations: The Case of Sinners

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the ninth candidate in BP and that’s Sinners from Ryan Coogler. If you missed my posts covering the previous nominees, you can find them here:

The Case for Sinners:

The 16 (yes, sixteen) nominations for the vampire saga set a record. Even if the Academy had not added the new Casting race, it still would’ve set the all-time high as the previous best was 14 in a three-way tie between All About Eve, Titanic, and La La Land. Besides Picture, it is up for Coogler’s direction and original screenplay, Actor (Michael B. Jordan), Supporting Actress (Wunmi Mosaku), Supporting Actor (Delroy Lindo), Casting, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Original Song, Production Design, Sound, and Visual Effects. Sinners has seen BP nods at all important precursors including the Globes, PGA, BAFTA, Critics Choice, and best ensemble at SAG Actor. At $280 million in domestic earnings, it is easily the largest grosser of the 10 nominees.

The Case Against Sinners:

The movie with the most nominations has only taken BP three out of the past 10 shows (2017’s The Shape of Water, 2022’s Everything Everywhere All at Once, and Oppenheimer in 2023). Sinners has yet to have a signature victory as Hamnet took Best Drama at the Globes and One Battle After Another was victorious at Critics Choice. The Academy has shown reluctance to honor horror flicks.

The Verdict:

The 16 nominations changed the dynamic from One Battle being seen as the fairly sturdy frontrunner to what’s now considered a legitimate showdown between Warner Bros properties. If Sinners takes this weekend’s DGA for its maker Coogler, look for this to become the favorite. If it doesn’t achieve that prize, it could still be honored with ensemble as SAG Actor and its momentum could result in Oscar glory. With all that said, Battle is still a strong competitor that may not be denied.

My Case Of posts will wrap up the BP hopefuls with Train Dreams

Oscar Nominations: The Case of One Battle After Another

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the sixth contender – Paul Thomas Anderson’s One Battle After Another. If you missed my posts covering the previous five nominees, you can find them here:

The Case for One Battle After Another:

Since Paul Thomas Anderson’s multi-genre mixup premiered in September, it vaulted to the top of the BP rankings. It impressed with 12 additional nominations – PTA in Director and Adapted Screenplay, Actor (Leonardo DiCaprio), Supporting Actress (Teyana Taylor), Supporting Actor (Benicio del Toro and Sean Penn), Casting, Cinematography, Film Editing, Original Score, Production Design, and Sound. The precursor love has been strong already with a Best Film (Musical or Comedy) trophy at the Globes and BP victory at Critics Choice. It’s also in contention for SAG Actor Ensemble and highest honors at BAFTA. This is PTA’s fourth title up for BP (the others being There Will Be Blood, Phantom Thread, and Licorice Pizza) and there could be a feeling that he’s overdue for recognition after 30 years of critically acclaimed projects.

The Case Against One Battle After Another:

Sinners. The fellow Warner Bros release raised eyebrows with a record-breaking 16 nods. That could be hard for the Academy to discount when voting for BP. There was a notable Oscar miss for Teyana Taylor missing the quintet in lead Actress.

The Verdict:

The day before nominations morning, I would have confidently called Battle for the win. The Sinners showing makes it more of a toss-up.

My Case Of posts will continue with The Secret Agent

31st Critics Choice Awards Reaction

The 31st Critics Choice Awards aired tonight and it’s the first major awards show of the season with the Golden Globes up in one week. Obviously CCA could offer the first clues as to what will follow with the Oscars as the grand finale.

In what was seen as a Warner Bros showdown between One Battle After Another and Sinners for Best Picture, it was Battle that prevailed as I predicted. Yet it was Sinners and (unexpectedly) Frankenstein that tied for the most victories at four apiece.

I went 17/23 in my predictions which I’ll take in a night that gave us a couple of legit surprises. Besides BP, Battle took Director (Paul Thomas Anderson) and Adapted Screenplay (also PTA) for three trophies. It solidifies the pic as the frontrunner at the Oscars.

Sinners emerged victorious in Original Screenplay, Young Actor/Actress (Miles Caton), Score, and Casting and Ensemble (where I had Battle projected).

The lead acting categories went as planned with Jessie Buckley (Hamnet) in Actress and Timothée Chalamet as Marty Supreme in Actor. You can expect to see both make more podium walks in the coming weeks.

I correctly called Amy Madigan as Supporting Actress for the already iconic Aunt Gladys in Weapons. It will be interesting to see if she racks up more wins as the season goes along.

The acting derby that was a genuine shocker was Supporting Actor where Jacob Elordi took the prize for Frankenstein. I had Benicio Del Toro (Battle). Truth be told, I would’ve slotted Elordi fifth or sixth as far as win possibility and have had him in and out of my quintet at the Oscars. We’ll see if this is a one-off, but this definitely increases his visibility in forthcoming ceremonies. I did correctly project Guillermo del Toro’s monster tale in Costume Design, Hair & Makeup, and Production Design.

Here’s where else I got it right – The Naked Gun as Best Comedy, KPop Demon Hunters for Animated Feature and Song (“Golden”), Mission: Impossible – The Final Reckoning for Stunt Design, and Avatar: Fire and Ash in Visual Effects.

Where I went wrong – F1 picked up two CCA’s in Editing and Sound. I respectively went with Battle and Sinners. Train Dreams is the Cinematography victor over Battle.

Finally, The Secret Agent is the 2nd biggest surprise (after Elordi) as Best Foreign Language Film where I had It Was Just an Accident predicted and No Other Choice as runner-up.

The Golden Globes are a week away. I will have winner predictions up on the blog on Wednesday!

All in all, these movies generated these numbers of victories:

4 Wins

Frankenstein, Sinners

3 Wins

One Battle After Another

2 Wins

F1, KPop Demon Hunters

1 Win

Avatar: Fire and Ash, Hamnet, Marty Supreme, Mission: Impossible – The Final Reckoning, The Naked Gun, The Secret Agent, Train Dreams, Weapons