Best Picture 2019: The Final Five

We have reached 2019 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

In 2019, there were nine films vying for the prize. We know one thing for sure. Bong Joon-ho’s Parasite is in since it made history and became the first non-English language title to take Best Picture. It had a big night as it also won Director, Original Screenplay, and International Feature Film.

There’s 8 others to consider. Only half make cut. Let’s get into it!

Ford v Ferrari

James Mangold’s 1960s set sports drama starring Matt Damon and Christian Bale had four total nominations and won 2 of them (Sound Editing and Film Editing). It wasn’t as fortunate in Picture or Sound Mixing.

Does It Make the Final Five?

No. I say this knowing the Film Editing victor usually lands a BP nod (though not the case with 2007’s The Bourne Ultimatum and 2011’s The Girl with Dragon Tattoo). However, Ford achieved the least number of overall mentions among the 9 contenders and missed key races including Director, any acting derbies, and screenplay.

The Irishman

Martin Scorsese’s return to the Mob genre was Netflix’s highest profile Oscar player yet. It earned ten overall nods including for Scorsese, two Supporting Actor bids for Al Pacino and Joe Pesci, and Adapted Screenplay. Going 0 for 10, Robert De Niro was a somewhat surprising omission for his lead work.

Does It Make the Final Five?

Yes. Despite the lack of wins, the sheer number of inclusions indicate the legendary filmmaker and cast would vie for the top award.

Jojo Rabbit

Taika Waititi’s unique take on WWII was up for 6 races including Scarlett Johansson for Supporting Actress and Film Editing. The sole victory (a major one) was Adapted Screenplay where it beat out three other BP nominees.

Does It Make the Final Five?

No, but this was easily the hardest to leave off. The Screenplay win suggests it certainly could have. A miss in Director was a deciding factor and the fact that I couldn’t omit any of the final five I ended up going with.

Joker

Warner Bros. had unexpected bragging rights as this Scorsese inspired take on the DC Comics villain had the best haul with 11 nods. This includes Todd Phillips in Director and key precursors like Editing and Adapted Screenplay. The two wins came courtesy of Joaquin Phoenix in the title role and in Original Score.

Does It Make the Final Five?

Yes. Usually the leader of the pack does and this popped up in categories it originally wasn’t anticipated to.

Little Women

Greta Gerwig’s acclaimed version of the classic Louisa May Alcott novel was also up for Actress (Saoirse Ronan), Supporting Actress (Florence Pugh), Adapted Screenplay, Score, and Costume Design (which was its only victory).

Does It Make the Final Five?

No. Simple math here. If I didn’t put Jojo in (which won Adapted Screenplay), I can’t justify vaulting this over it.

Marriage Story

Just like Little Women, Noah Baumbach’s drama was up for six and managed one. The win was Laura Dern (who was also in Women) in Supporting Actress while it also vied for Actor (Adam Driver), Actress (double nominee Scarlett Johansson), Original Screenplay, and Original Score.

Does It Make the Final Five?

Just like Little Women – no. Like Women, not making the Director race and not winning screenplay make this a fairly easy forecast.

1917

The World War I epic from Sam Mendes boasted 10 nominations with 3 statues for Sound Mixing, Cinematography, and Visual Effects. The Editing miss was obvious since the picture famously used few cuts.

Does It Make the Final Five?

Yes. In fact, this was likely the runner-up to Parasite. It went into the evening as the favorite for BP and Director until Joon-ho’s film made its history.

Once Upon a Time in Hollywood

Quentin Tarantino’s ninth feature was slotted for 10 categories including QT for director, Leonardo DiCaprio in Actor, and Original Screenplay where its two-time winning scribe lost to Joon-ho. The two victories were Brad Pitt in Supporting Actor and Production Design.

Does It the Final Five?

Yes though I admit the Editing snub had me questioning it. An argument can be made for Jojo, but I ultimately think Quentin and company get in.

So that means your 2019 Final Five is:

The Irishman

Joker

1917

Once Upon a Time in Hollywood

Parasite

I will note that this quintet mirrors the individuals who were up for Best Director. That is typically not a 5/5 match. It happened occasionally when there were 5 BP nominees and I feel this is a time where it would’ve.

2020 will be up soon and if you missed the posts covering 2009-18, they can be accessed here:

The NBR Flies With Maverick

The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.

For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.

The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.

The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).

Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.

Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.

Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).

Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.

Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.

From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.

All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.

2022 Oscar Predictions: The State of the Best Picture Race

My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:

At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.

Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.

On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.

However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.

Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).

It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).

While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.

The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.

The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).

Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick, Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.

Best Picture

Predicted Nominees:

1 . The Fabelmans (Previous Ranking: 1) (Even)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tár (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Triangle of Sadness (PR: 9) (E)

10. She Said (PR: 12) (+2)

Other Possibilities:

11. All Quiet on the Western Front (PR: 11) (E)

12. Decision to Leave (PR: 10) (-2)

13. Avatar: The Way of Water (PR: 14) (+1)

14. Elvis (PR: 13) (-1)

15. Glass Onion: A Knives Out Mystery (PR: 15) (E)

Stay tuned for estimates on all the races coming up soon!

2022 Oscar Predictions: The State of the Best Director Race

Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:

As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.

I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.

The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.

However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.

I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.

As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.

If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.

Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.

This race can and will evolve over the next couple of months. Here’s the state of the race right now:

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Todd Field, Tár (PR: 5) (E)

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)

7. Park Chan-wook, Decision to Leave (PR: 6) (-1)

8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)

Best Picture is up next, folks! Stay tuned…

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

2022 Oscar Predictions: October 16th Edition

On the bright side for Netflix, I have Guillermo del Toro’s Pinocchio at #1 in Animated Feature where it’s been perched all along. That would mean the streamer could nab its first victory ever in that race.

Now the bad news as my current Best Picture nominees leaves Netflix on the cutting room floor. In 2018, Roma was the first hopeful in the big dance. It was expected to win, but lost to Green Book. 2019 brought double nominees with The Irishman and Marriage Story. Same in 2020 with Mank and The Trial of the Chicago 7. And there were two contenders again last year in Don’t Look Up and The Power of the Dog (a frontrunner until CODA fever emerged).

I had All Quiet on the Western Front in the mix 11 days ago. Yet I’ve had a nagging feeling that another blockbuster not named Top Gun: Maverick will get in. So for the first time, Elvis is in the top ten. That moneymaker spot could also be filled with Glass Onion: A Knives Out Mystery (from Netflix), Avatar: The Way of Water, or Black Panther: Wakanda Forever. Think could also be called the “Second Sequel” slot, I suppose.

Don’t be surprised if Netflix eventually gets back in. Quiet, the aforementioned Onion, Bardo, and Pinocchio are all viable (maybe even White Noise). For now, my BP hopefuls would mean a disappointing nomination morning for the streamer.

She Said received mostly positive notices when it was unveiled Thursday at the New York Film Festival. It could absolutely be a BP contender, but I’m got it just on the outside and feel more comfortable forecasting it as a lone screenplay nominee (I don’t love the current 76% RT meter for it). You’ll note I don’t have any of the cast in my top tens. Perhaps the eventual announcement of category placements could change that.

In other developments:

    • I’ve decided to move Babylon‘s Margot Robbie back in Best Actress instead of supporting (can we please get that placement announcement??). It means she’s back in and Olivia Colman (Empire of Light) is out.
    • Bill Nighy’s work in Living returns to Actor five with Diego Calva (Babylon) sliding into sixth position.
    • With Robbie returning to lead, Dolly De Leon (Triangle of Sadness) is elevated to fifth in Supporting Actress.
    • My Supporting Actor dual nominee projections of Brendan Gleeson and Barry Keoghan for The Banshees of Inisherin shifts to Paul Dano and Judd Hirsch for The Fabelmans. That means Hirsch rises while Keoghan falls.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Rank: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 4) (+1)

4. Women Talking (PR: 3) (-1)

5. The Banshees of Inisherin (PR: 5) (E)

6. Tar (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Elvis (PR: 13) (+4)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities: 

11. All Quiet on the Western Front (PR: 10) (-1)

12. She Said (PR: Not Ranked)

13. Avatar: The Way of Water (PR: 12) (-1)

14. Decision to Leave (PR: 11) (-3)

15. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

Dropped Out:

Till

The Woman King 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Sarah Polley, Women Talking (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Todd Field, Tar (PR: 5) (E)

Other Possibilities:

6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)

7. Edward Berger, All Quiet on the Western Front (PR: 6) (-1)

8. Park Chan-wook, Decision to Leave (PR: 7) (-1)

9. James Cameron, Avatar: The Way of Water (PR: 9) (E)

10. Ruben Ostlund, Triangle of Sadness (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (+1)

3. Danielle Deadwyler, Till (PR: 2) (-1)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 5) (-1)

7. Viola Davis, The Woman King (PR: 6) (-1)

8. Ana de Armas, Blonde (PR: 8) (E)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)

10. Jennifer Lawrence, Causeway (PR: 9) (-1)

Dropped Out:

Carey Mulligan, She Said

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 1) (E)

2. Austin Butler, Elvis (PR: 2) (E)

3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)

4. Hugh Jackman, The Son (PR: 4) (E)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 5) (-1)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Song Kang-ho, Broker (PR: 9) (+1)

9. Adam Driver, White Noise (PR: 8) (-1)

10. Jeremy Pope, The Inspection (PR: Not Ranked)

Dropped Out:

Will Smith, Emancipation 

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 2) (E)

3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)

4. Hong Chau, The Whale (PR: 5) (+1)

5. Dolly De Leon, Triangle of Sadness (PR: 7) (+2)

Other Possibilities: 

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (E)

7. Nina Hoss, Tar (PR: 8) (+1)

8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 9) (+1)

9. Thuso Mbedu, The Woman King (PR: 10) (+1)

10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

Dropped Out:

Margot Robbie, Babylon (moved to Best Actress)

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Paul Dano, The Fabelmans (PR: 3) (E)

4. Ben Whishaw, Women Talking (PR: 4) (E)

5. Judd Hirsch, The Fabelmans (PR: 7) (+2)

Other Possibilities: 

6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)

7. Brad Pitt, Babylon (PR: 6) (-1)

8. Woody Harrelson, Triangle of Sadness (PR: 9) (+1)

9. Tom Hanks, Elvis (PR: Not Ranked)

10. Brian Tyree Henry, Causeway (PR: Not Ranked)

Dropped Out:

Jeremy Strong, Armageddon Time

Micheal Ward, Empire of Light 

Best Original Screenplay

Predicted Nominees:

1. The Fabelmans (PR: 2) (+1)

2. Everything Everywhere All at Once (PR: 1) (-1)

3. The Banshees of Inisherin (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. Tar (PR: 5) (E)

Other Possibilities:

6. Babylon (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Armageddon Time (PR: 8) (E)

9. Empire of Light (PR: 9) (E)

10. The Menu (PR: Not Ranked)

Dropped Out:

Broker 

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 5) (+2)

4. Glass Onion: A Knives Out Mystery (PR: 3) (-1)

5. White Noise (PR: 4) (-1)

Other Possibilities:

6. Living (PR: 6) (E)

7. Till (PR: 10) (+3)

8. Bones and All (PR: 7) (-1)

9. Top Gun: Maverick (PR: 8) (-1)

10. The Son (PR: Not Ranked)

Dropped Out:

All Quiet on the Western Front 

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Strange World (PR: 3) (E)

4. Wendell and Wild (PR: 5) (+1)

5. Marcel the Shell with Shoes On (PR: 4) (-1)

Other Possibilities: 

6. The Bad Guys (PR: 8) (+2)

7. The Sea Beast (PR: 6) (-1)

8. My Father’s Dragon (PR: 7) (-1)

9. Minions: The Rise of Gru (PR: 9) (E)

10. Lightyear (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 1) (E)

2. Decision to Leave (PR: 2) (E)

3. Close (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. Saint Omer (PR: 4) (-1)

Other Possibilities:

6. Klondike (PR: 8) (+2)

7. Holy Spider (PR: 6) (-1)

8. Alcarras (PR: 9) (+1)

9. Argentina, 1985 (PR: 7) (-2)

10. Corsage (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 2) (+1)

2. Descendant (PR: 1) (-1)

3. Navalny (PR: 3) (E)

4. All That Breathes (PR: 4) (E)

5. Fire of Love (PR: 6) (+1)

Other Possibilities:

6. The Territory (PR: 5) (-1)

7. Good Night Oppy (PR: 7) (E)

8. Moonage Daydream (PR: 9) (+1)

9. Last Flight Home (PR: 8) (-1)

10. Aftershock (PR: Not Ranked)

Dropped Out:

Sr. 

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Empire of Light (PR: 2) (E)

3. The Fabelmans (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. All Quiet on the Western Front (PR: 4) (-1)

Other Possibilities: 

6. Avatar: The Way of Water (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Banshees of Inisherin (PR: 8) (E)

9. Everything Everywhere All at Once (PR: 9) (E)

10. Emancipation (PR: Not Ranked)

Dropped Out:

The Batman

Best Costume Design 

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 5) (+1)

5. Corsage (PR: 7) (+2)

Other Possibilities:

6. The Woman King (PR: 5) (-1)

7. The Fabelmans (PR: 6) (-1)

8. Living (PR: 9) (+1)

9. Everything Everywhere All at Once (PR: 8) (-1)

10. Blonde (PR: Not Ranked)

Dropped Out:

Amsterdam

Best Film Editing 

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. The Fabelmans (PR: 4) (+1)

4. Babylon (PR: 3) (-1)

5. Women Talking (PR: 8) (+3)

Other Possibilities: 

6. Elvis (PR: 6) (E)

7. Tar (PR: 9) (+2)

8. All Quiet on the Western Front (PR: 5) (-3)

9. Avatar: The Way of Water (PR: 7) (-2)

10. Bardo (PR: Not Ranked)

Dropped Out:

Decision to Leave

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Elvis (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. The Batman (PR: 5) (+1)

5. Everything Everywhere All at Once (PR: 4) (-1)

Other Possibilities:

6. Black Panther: Wakanda Forever (PR: 6) (E)

7. The Woman King (PR: 10) (+3)

8. (PR: 8) (E)

9. Blonde (PR: Not Ranked)

10. Three Thousand Years of Longing (PR: Not Ranked)

Dropped Out:

Amsterdam

Corsage

Best Original Score

Predicted Nominees:

1. The Fabelmans (PR: 1) (E)

2. Babylon (PR: 2) (E)

3. Empire of Light (PR: 3) (E)

4. Tar (PR: 6) (+2)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

7. Women Talking (PR: 4) (-3)

8. Bardo (PR: 10) (+2)

9. All Quiet on the Western Front (PR: 7) (-2)

10. Avatar: The Way of Water (PR: 8) (-2)

Dropped Out:

Top Gun: Maverick 

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Nobody Like U” from Turning Red (PR: 2) (E)

3. “Naatu Naatu” from RRR (PR: 4) (+1)

4. “Applause” from Tell It Like a Woman (PR: 3) (-1)

5. “Stand Up” from Till (PR: Not Ranked)

Other Possibilities:

6. “Carolina” from Where the Crawdads Sing (PR: 5) (-1)

7. “This is a Life” from Everything Everywhere All at Once (PR: 8) (+1)

8. “New Body Rhumba” from White Noise (PR: 7) (-1)

9. “On My Way” from Marry Me (PR: 6) (-3)

10. “Love Is Not Love” from Bros (PR: Not Ranked)

Dropped Out:

“I Ain’t Worried” from Top Gun: Maverick

“Heartbeat” from Lyle, Lyle, Crocodile 

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 4) (+2)

3. Avatar: The Way of Water (PR: 2) (-1)

4. Black Panther: Wakanda Forever (PR: 3) (-1)

5. Bardo (PR: 7) (+2)

Other Possibilities:

6. The Fabelmans (PR: 5) (-1)

7. Everything Everything All at Once (PR: 8) (+1)

8. Empire of Light (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

10. The Batman (PR: 10) (E)

Dropped Out:

All Quiet on the Western Front

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Elvis (PR: 3) (E)

4. Babylon (PR: 4) (E)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 6) (E)

7. Black Panther: Wakanda Forever (PR: 7) (E)

8. Nope (PR: 9) (+1)

9. The Fabelmans (PR: Not Ranked)

10. Bardo (PR: Not Ranked)

Dropped Out:

Everything Everywhere All at Once

Thirteen Lives

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)

5. The Batman (PR: 6) (+1)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: 4) (-2)

7. Black Panther: Wakanda Forever (PR: 8) (+1)

8. RRR (PR: 7) (-1)

9. Good Night Oppy (PR: 9) (E)

10. All Quiet on the Western Front (PR: Not Ranked)

Dropped Out:

Nope 

That equates to these movies getting these numbers of nominations:

10 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once

7 Nominations

Women Talking

6 Nominations

The Banshees of Inisherin, Elvis

5 Nominations

Tar, Top Gun: Maverick, The Whale

3 Nominations

All Quiet on the Western Front, Avatar: The Way of Water, Bardo, Triangle of Sadness 

2 Nominations

The Batman, Black Panther: Wakanda Forever, Empire of Light, Till, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, Close, Corsage, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, White Noise

Oscars 2021: The Case of Jesse Plemons

My Case Of posts arrive at the third Supporting Actor contender and it’s Jesse Plemons in The Power of the Dog. The first two write-ups can be found here:

Oscars 2021: The Case of Ciaran Hinds

Oscars 2021: The Case of Troy Kotsur

The Case for Jesse Plemons:

Having appeared in acclaimed TV and cinematic works including Breaking Bad and Fargo on the small screen and The Master, The Irishman, and Judas and the Black Messiah on the big one, Plemons scores his first Academy nod. Dog led all nominees with 13 and that includes Kirsten Dunst (the actor’s real life love interest).

The Case Against Jesse Plemons:

It also includes his costar Kodi Smit-McPhee, who’s nominated in the same category and won the Golden Globe. Despite a BAFTA mention, Plemons didn’t make the SAG, Globe, or Critics Choice shortlists. Smit-McPhee and Troy Kotsur (CODA) are looked at as the potential victors. Woody Harrelson in 2017 lost to his costar Sam Rockwell in Three Billboards Outside Ebbing, Missouri as did Lakeith Stranfield last year to Daniel Kaluuya for the aforementioned Judas. Plemons could play that role this time around.

Previous Nominations: 

None

The Verdict:

Plemons might be back again next year with Martin Scorsese’s Killers of the Flower Moon. Don’t look for an Oscar delivery here.

My Case Of posts will continue with Ryusuke Hamaguchi’s direction of Drive My Car

Oscars 2021: The Case of Jane Campion

The third entry in my Case Of posts for the Best Director nominees belongs to Jane Campion for The Power of the Dog. If you missed the first two, you can find them here:

Oscars 2021: The Case of Paul Thomas Anderson

Oscars 2021: The Case of Kenneth Branagh

The Case for Jane Campion:

After a 12 year absence from filmmaking, New Zealand’s Campion made an acclaimed return with the Netflix drama. It led all movies in terms of nods with an even better than anticipated 13. Already the winner of the Golden Globe, Campion has been the frontrunner ever since Dog‘s release. She would become just the third female to take this race after Kathryn Bigelow with 2009’s The Hurt Locker and Chloe Zhao for last year’s Nomadland. 

The Case Against Jane Campion:

If Dog is simply all nominations and very few wins (similar to The Irishman from two years ago), we could see plenty of upsets and that would include Campion losing here.

Previous Nominations: 1 (for directing only)

The Piano (1993)

The Verdict:

In 1993, Campion was probably runner-up in this category to Steven Spielberg for Schindler’s List. Even though Spielberg is up against her again with West Side Story, Campion comes into this ceremony as the sturdy favorite. Even if Power doesn’t take Best Picture, I’d still likely be forecasting Campion in this competition and in Adapted Screenplay. That would add Oscars two and three to her mantle after an Original Screenplay victory for The Piano. 

My Case Of posts will continue with the third Best Actress hopeful – Penelope Cruz in Parallel Mothers

2021 Oscar Predictions: The State of the Best Picture Race

I’m closing out my deep dives of the major Oscar races with the granddaddy of them all – Best Picture. If you missed my posts covering Best Director and the four acting categories, you can find them here:

2021 Oscar Predictions: The State of the Best Director Race

2021 Oscar Predictions: The State of the Best Actress Race

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

Unlike the previous several years where the Picture nominees could fluctuate between 5-10 (though 8 and 9 were the magic numbers), 2021 brings fluidity with a set 10 films being honored (I’d like to thank the Academy for that).

As I’ve done with the others, let’s take a look back at how I was performing in the early November time frame from 2019 and 2020. Two years ago, I had 8 of the eventual 9 movies pegged: winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The other – Joker – was mentioned in Other Possibilities.

2020 was trickier at this stage, but I identified 5 of the 8 hopefuls: winner Nomadland along with The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named as a possibility while I didn’t have Promising Young Woman or Sound of Metal yet in the 15 selections.

For 2021 – I feel confident that four already screened entries will make the dance. We begin with Kenneth Branagh’s Belfast, the 1960s set coming-of-age drama that could be looked at as the soft frontrunner. It’s been listed at #1 in my estimates for several weeks.

Belfast displaced The Power of the Dog from Jane Campion in that spot, but I still see the Netflix title having no trouble securing its placement among the contenders.

King Richard should find its way as the inspirational sports flick that will have audiences on its side. Furthermore, Will Smith appears in position to possibly win Best Actor. You have to go back to Jeff Bridges (Crazy Heart) twelve years ago where the Oscar winning actor didn’t see his movie recognized in Picture.

Then there’s Dune. The sci-fi epic from Denis Villeneuve got the box office and critical kudos it needed to storm the competition. The filmmaker could make a victory play for his direction while the picture itself seems destined for a nod here and tech wins elsewhere.

In past years, the bulk of nominees in Picture were screened at festivals. In 2021, that dynamic could shift as there’s a slew of unscreened material that seems like Oscar bait. That list includes Guillermo del Toro’s Nightmare Alley, Paul Thomas Anderson’s Licorice Pizza, Steven Spielberg’s West Side Story, Ridley Scott’s House of Gucci, Lin-Manuel Miranda’s Tick, Tick… Boom!, and Adam McKay’s Don’t Look Up. 

The first four of the six are ones I’ve had in my ten for a bit and I’m not changing it today. That said, this could be altered quickly once their official reviews are up (and that will be soon). Some prognosticators are more confident with Don’t Look Up. I’ll believe it when I see it.

With the pics that have been seen, Pablo Larrain’s Spencer is sure looking like it will garner Kristen Stewart her first ever nod with a solid chance at a victory. I do believe the Princess Diana tale will manage to make the cut, but it could go either way.

This also holds true for Joel Coen’s The Tragedy of Macbeth, which should also manage some tech recognition and for its lead Denzel Washington and maybe Frances McDormand.

I will admit that it seems strange to leave off any titles that screened early at Sundance. After all, last year there were 3 pics from the fest (The Father, Minari, Promising Young Woman) that got in. There’s a trio that could do the same in 2021 and they’re all listed in Other Possibilities: CODA, Flee, and Mass. Of that group, Flee (which I do have predicted in Animated Feature, Documentary Feature, and International Feature Film) may have the strongest chance.

Foreign flicks could factor in and they include A Hero, The Hand of God, Parallel Mothers, and The Worst Person in the World. I wouldn’t completely discount Netflix hopefuls such as The Lost Daughter and Passing. 

Then there’s high profile fare where the luster has been lost either to mixed reviews or poor box office. That list includes Wes Anderson’s The French Dispatch, Ridley Scott’s The Last Duel, and certainly Chloe Zhao’s Eternals. 

The bottom line is this – in 2021, with two months left to go in the calendar, there’s a lot yet to be determined. Here’s my take for now:

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 1)

2. The Power of the Dog (PR: 2)

3. King Richard (PR: 3)

4. Dune (PR: 4)

5. Licorice Pizza (PR: 6)

6. Nightmare Alley (PR: 5)

7. West Side Story (PR: 7)

8. House of Gucci (PR: 8)

9. Spencer (PR: 9)

10. The Tragedy of Macbeth (PR: 10)

Other Possibilities:

11. Flee (PR: 13)

12. Don’t Look Up (PR: 11)

13. Mass (PR: 12)

14. Tick, Tick… Boom! (PR: 15)

15. CODA (PR: 14)

And that wraps the detailed looks, folks! Next weekend I’ll be back with updated estimates…

2021 Oscar Predictions: The State of the Best Director Race

After four posts focusing on the acting races at the 2021 Oscars, it’s time to turn to Best Director. If you missed those entries on the lead and supporting performer derbies, you can find them here:

2021 Oscar Predictions: The State of the Best Actress Race

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

With the directing category, I do believe there’s three filmmakers that have likely punched their ticket to a nomination. Before we get there, let’s take a look at how my projections panned out at the same early November time frame in 2019 and 2020.

Two years back, I correctly identified four of the five contenders: winner Bong Joon-ho (Parasite) as well as Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was mentioned in Other Possibilities. 2020 was more unpredictable with two months left to go and that resulted in only two directors being accurately named: Chloe Zhao (Nomadland), who took the gold, and David Fincher (Mank). Lee Isaac Chung (Minari) was in Other Possibilities while neither Emerald Fennell (Promising Young Woman) or surprise nominee Thomas Vinterberg (Another Round) were yet listed in my top ten.

Back to 2021 and the three individuals who I believe stand probable shots at making the cut. They are Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Denis Villeneuve (Dune).

It was 28 years ago that Campion was nominated for The Piano. If it hadn’t been for Oscar juggernaut Schindler’s List, she likely would’ve been making a speech. Upon its premiere in Venice, Campion took the Silver Lion (equivalent to this competition) for Dog. I don’t see her being left off the ballot.

Belfast is the current frontrunner for Best Picture and it’s hard to envision  writer/director Branagh not making it in. If so, it would be his first nod in directing since Henry V some 32 years back.

Dune is being heralded for its technical wizardry and it should pick up numerous down the line wins and nominations. Five years after his behind the camera work was recognized for Arrival, Villeneuve should be a factor again.

Interestingly, I don’t feel there’s a clear favorite to win. There are plausible scenarios for any member of this trio to emerge victorious. Campion, Branagh, and Villeneuve constitute my top 3 (in that order), but it’s more of a 1a, 1b, and 1c at press time.

As for the other two slots, there’s a few contenders stemming from unseen product. There’s big names in that bunch: Guillermo del Toro (Nightmare Alley, who won four years ago for The Shape of Water), Paul Thomas Anderson (Licorice Pizza, a two-time nominee for There Will Be Blood and Phantom Thread), Ridley Scott (for House of Gucci and not The Last Duel), Adam McKay (Don’t Look Up, previously nominated for The Big Short), Lin-Manuel Miranda (Tick, Tick… Boom!), and Steven Spielberg (West Side Story,  a two-time winner for Schindler’s List and Saving Private Ryan).

Any of these gentlemen could bubble up to the surface once their pictures are screened. I’m sticking with the two I’ve had in my five recently: del Toro and Anderson.

King Richard has a chance to win Best Picture, but I’m skeptical its maker Reinaldo Marcus Green makes it here. The sports drama seems destined to be recognized more for its performances, but if the Academy really falls for it, Green could be theoretically be swept in. That holds true for Joel Coen (The Tragedy of Macbeth) and Pablo Larrain (Spencer) as well.

Lastly, Thomas Vinterberg’s nod in 2020 for Another Round came out of nowhere. While it was pegged to take International Feature Film (which it did), Round was not nominated in Best Picture. There’s a slew of directors who could fill the “surprise” slot this time around (many from foreign features): Pedro Almodovar (Parallel Mothers), Julia Ducournau (Titane), Asghar Farhari (A Hero), Paolo Sorrentino (The Hand of God), Joachim Trier (The Worst Person in the World). I wouldn’t completely count out Rebecca Hall for Passing. Yet none of these upset selections are in my top ten.

The one that is: Jonas Poher Rasmussen for festival darling Flee. While I don’t have it nabbing a Best Pic nom at the moment, I do foresee the Danish doc contending in Animated Feature, Documentary Feature, and International Feature Film. That kind of attention could cause the voters to include him.

Here’s how those rankings look at the start of November:

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (Previous Ranking: 1)

2. Kenneth Branagh, Belfast (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Guillermo del Toro, Nightmare Alley (PR: 4)

5. Paul Thomas Anderson, Licorice Pizza (PR: 5)

Other Possibilities:

6. Pablo Larrain, Spencer (PR: 6)

7. Steven Spielberg, West Side Story (PR: 7)

8. Jonas Poher Rasmussen, Flee (PR: Not Ranked)

9. Reinaldo Marcus Green, King Richard (PR: 9)

10. Ridley Scott, House of Gucci (PR: Not Ranked)

Dropped Out:

Joel Coen, The Tragedy of Macbeth

Julia Ducournau, Titane

Best Picture is next!