We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.
Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:
Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant.
9. Snow White and the Huntsman
Domestic Gross: $155 million
Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.
8. Ice Age: Continental Drift
Domestic Gross: $161 million
The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.
7. Men in Black 3
Domestic Gross: $179 million
The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.
6. Madagascar 3: Europe’s Most Wanted
Domestic Gross: $216 million
Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.
5. Ted
Domestic Gross: $218 million
Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.
4. Brave
Domestic Gross: $237 million
The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.
3. The Amazing Spider-Man
Domestic Gross: $262 million
After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.
2. The Dark Knight Rises
Domestic Gross: $448 million
While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.
1. The Avengers
Domestic Gross: $623 million
Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.
And now for some other pics worthy of discussion:
Magic Mike
Domestic Gross: $113 million
Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.
The Bourne Legacy
Domestic Gross: $113 million
Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.
The Best Exotic Marigold Hotel
Domestic Gross: $46 million
While it performed even better overseas, this British import with Judi Dench was a sleeper hit stateside that begat a 2015 sequel.
Moonrise Kingdom
Domestic Gross: $45 million
Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.
Beasts of the Southern Wild
Domestic Gross: $12 million
This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.
They’re not all winners so let’s get into some critical and/or commercial failures from the period:
Dark Shadows
Domestic Gross: $79 million
Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.
Battleship
Domestic Gross: $65 million
Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.
Total Recall
Domestic Gross: $58 million
And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.
Rock of Ages
Domestic Gross: $38 million
Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick.
That’s My Boy
Domestic Gross: $36 million
Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.
The Watch
Domestic Gross: $35 million
That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).
And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.
David Cronenberg came to prominence over four decades ago with his wild mix of gore and sci-fi that resulted in such notable pics as Scanners, Videodrome, and The Fly. In the 20th century, his crime thrillers A History of Violence and Eastern Promises were met with acclaim and acting nominations for William Hurt in Supporting Actor and Viggo Mortensen in lead, respectively.
At the Cannes Film Festival, the 79-year-old auteur returns to the body horror genre that made him known with Crimes of the Future. Like his earlier fare, critics indicate this may not be for everyone (including those with weak stomachs). Yet the Rotten Tomatoes score is currently a sturdy 90%.
Starring frequent collaborator Viggo Mortensen, Lea Seydoux, and Kristen Stewart (fresh off her Spencer nomination), I don’t see this staying fresh in awards voters brains after its stateside debut on June 3rd even as it may satisfy admirers of Cronenberg’s early work. My Oscar Prediction posts will continue…
Approximately a decade into their marriage, the union of Diana and Charles is as decayed as the floorboards in her abandoned childhood home and there seems to be nowhere to go but down. That early 90s mindset is where we find Kristen Stewart as the People’s Princess in Spencer from Pablo Larrain. Set at Christmas, it’s an unexpectedly claustrophobic mood piece punctuated by jazz beats and occasional moments of joy (mostly courtesy of young William and Harry). They’re weighed down by Diana’s loveless connection to her husband and in-laws.
Focused on someone who strained to follow royal patterns, it seems appropriate that Spencer refuses to follow ones in the biopic genre. That makes it unique and sometimes haunting – a bit like the title character. In 1991, Diana is well aware of the Prince’s other relationship. So are the paparazzi and they force curtains to be sewn shut as the Royals holiday at their Norfolk estate. Sewing the Princess’s garments are Maggie (Sally Hawkins), one of the few subjects that Diana can talk to. The same cannot be said for Major Gregory (Timothy Spall), who runs the home with the same military precision as the cooks preparing their meals.
In her room that she appears not to share with Charles, the reading list is suggestive. A novel about Anne Boleyn (a 16th century Queen executed by her King) leads to Diana having strange visions of the long beheaded branch of the complicated family tree.
Spencer is not concerned with historical accuracy as much as how history affected the former Miss Spencer’s psyche. She longs to break free as evidenced by an excursion to her former residence. The dialogue between her and Charles (Jack Farthing) or the Queen (Stella Gonet) is curt and strained. There are no pearls of wisdom found in their interactions.
With a stirring score from Jonny Greenwood and masterful cinematography by Claire Mathon, this is a gorgeously rendered production. Stewart has shown her considerable talents post Twilight before – particularly in Personal Shopper. While she may not closely resemble Diana, her mannerisms do and her vulnerability is often something to marvel at. Those looking for a traditional experience may not gel with Spencer. I found myself not being able to look away.
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
It was a frenzied Sunday for awards prognosticators as both the BAFTA and Critics Choice Awards aired. Both can be sturdy forecasters for what Oscar will do. This time around, I did better with the Brits than the stateside reviewers. For BAFTA, I went 15/22 (not bad). As for the Critics… oof. Just 10 for 21. Let’s take a look at both with some commentary below:
BAFTA
What I Got Right:
Film – The Power of the Dog
Director – Jane Campion, The Power of the Dog
Actress – Joanna Scanlan, After Love
Supporting Actress – Ariana DeBose, West Side Story
Documentary – Summer of Soul
Film Not in the English Language – Drive My Car
Casting – West Side Story
Cinematography – Dune
Costume Design – Cruella
Makeup and Hair – The Eyes of Tammy Faye
Original Score – Dune
Production Design – Dune
Sound – Dune
Special Visual Effects – Dune
Outstanding British Film – Belfast
What I Got Wrong:
Actor – Will Smith, King Richard (Predicted: Benedict Cumberbatch, The Power of the Dog)
Supporting Actor – Troy Kotsur, CODA (Predicted: Kodi Smit-McPhee, The Power of the Dog)
Original Screenplay – Licorice Pizza (Predicted: Belfast)
Adapted Screenplay – CODA (Predicted: The Power of the Dog)
Animated Feature – Encanto (Predicted: Flee)
Editing – No Time to Die (Predicted: Dune)
Outstanding Debut by a British Writer, Director, or Producer – The Harder They Fall (Predicted: Passing)
Critics Choice Awards
What I Got Right:
Picture – The Power of the Dog
Director – Jane Campion, The Power of the Dog
Actor – Will Smith, King Richard
Supporting Actress – Ariana DeBose, West Side Story
Adapted Screenplay – The Power of the Dog
Foreign Language Film – Drive My Car
Cinematography – The Power of the Dog
Costume Design – Cruella
Score – Dune
Visual Effects – Dune
What I Got Wrong:
Actress – Jessica Chastain, The Eyes of Tammy Faye (Predicted: Kristen Stewart, Spencer)
Supporting Actor – Troy Kotsur, CODA (Predicted: Kodi Smit-McPhee, The Power of the Dog)
Original Screenplay – Belfast (Predicted: Licorice Pizza)
Animated Feature – The Mitchells vs. the Machines (Predicted: Encanto)
Comedy – Licorice Pizza (Predicted: The French Dispatch)
Young Actor/Actress – Jude Hill, Belfast (Predicted: Rachel Zegler, West Side Story)
Acting Ensemble – Belfast (Predicted: The Power of the Dog)
Editing – West Side Story (Predicted: Dune)
Hair and Makeup – The Eyes of Tammy Faye (Predicted: House of Gucci)
Production Design – Dune (Predicted: Nightmare Alley)
Song – “No Time to Die” from No Time to Die (Predicted: “Just Look Up” from Don’t Look Up)
Commentary –
Let’s start with the acting races. I would venture to say now that those four categories all have strong frontrunners: Jessica Chastain and Will Smith in lead and Ariana DeBose and Troy Kotsur in supporting. Smith and DeBose, in particular, appear unbeatable while Chastain and Kotsur are easy odds-on favorites.
Dune should win plenty of the down the line competitions and appears bound to win the most Oscars overall.
The screenplay races are filled with genuine drama. CODA taking Adapted Screenplay over The Power of the Dog at the BAFTAs was a shocker, but it could be a sign of things to come from the Academy (though I wouldn’t wager money on that). Original Screenplay is absolutely a two-horse race between Belfast and Licorice Pizza.
Drive My Car is going to take International Feature Film. Simple as that. Summer of Soul looks to be in solid shape for Doc. And even though The Mitchells vs. the Machines managed to take the critics prize, Disney’s Encanto is probably still out front for the Oscar.
In other down the line derbies, the double victories in Makeup and Hairstyling for The Eyes of Tammy Faye and Cruella in Costume Design make them favorites.
And despite The Power of the Dog not picking up some trophies at both ceremonies, it did so with Picture and Director at both. And it should do so on Oscar night.
That’s all for now! Next week (probably on Wednesday), look for my FINAL Oscar winner predictions!
The 27th Critics Choice Awards air this Sunday evening and they’re another often reliable indicator for who and what may win on Oscar night. As I have with SAG and the Golden Globes, I am giving you my winner predictions along with the runner-up pick.
Let’s get to it and I’ll have a recap up either Sunday evening or Monday!
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
tick, tick… Boom!
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Guillermo del Toro, Nightmare Alley
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner:
Jane Campion, The Power of the Dog
Runner-Up:
Denis Villeneuve, Dune
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Alana Haim, Licorice Pizza
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner:
Kristen Stewart, Spencer
Runner-Up:
Jessica Chastain, The Eyes of Tammy Faye
Best Actor
Nominees:
Nicolas Cage, Pig
Benedict Cumberbatch, The Power of the Dog
Peter Dinklage, Cyrano
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Caitríona Balfe, Belfast
Ariana DeBose, West Side Story
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Rita Moreno, West Side Story
Predicted Winner:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jared Leto, House of Gucci
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner:
Kodi Smit-McPhee, The Power of the Dog
Runner-Up:
Troy Kotsur, CODA
Best Original Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza
Predicted Winner:
Licorice Pizza
Runner-Up:
Belfast
Best Adapted Screenplay
Nominees:
CODA
Dune
The Lost Daughter
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Predicted Winner:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best Comedy
Nominees:
Barb and Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
Licorice Pizza
Predicted Winner:
The French Dispatch
Runner-Up:
Licorice Pizza
Best Foreign Language Film
Nominees:
Drive My Car
Flee
The Hand of God
A Hero
The Worst Person in the World
Predicted Winner:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Young Actor/Actress
Nominees:
Jude Hill, Belfast
Cooper Hoffman, Licorice Pizza
Emilia Jones, CODA
Woody Norman, C’Mon C’Mon
Saniyya Sidney, King Richard
Rachel Zegler, West Side Story
Predicted Winner:
Rachel Zegler, West Side Story
Runner-Up:
Emilia Jones, CODA
Best Acting Ensemble
Nominees:
Belfast
Don’t Look Up
The Harder They Fall
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Belfast
Best Cinematography
Nominees:
Belfast
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Costume Design
Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Predicted Winner:
Cruella
Runner-Up:
Dune
Best Editing
Nominees:
Belfast
Dune
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
Dune
Runner-Up:
West Side Story
Best Hair and Makeup
Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley
Predicted Winner:
House of Gucci
Runner-Up:
The Eyes of Tammy Faye
Best Production Design
Nominees:
Belfast
Dune
The French Dispatch
Nightmare Alley
West Side Story
Predicted Winner:
Nightmare Alley
Runner-Up:
Dune
Best Score
Nominees:
Don’t Look Up
Dune
Nightmare Alley
The Power of the Dog
Spencer
Predicted Winner:
Dune
Runner-Up:
The Power of the Dog
Best Song
“Just Look Up” from Don’t Look Up
“Dos Oruguitas” from Encanto
“Guns Go Bang” from The Harder They Fall
“Be Alive” from King Richard
“No Time to Die” from No Time to Die
Predicted Winner:
“Just Look Up” from Don’t Look Up
Runner-Up:
“Dos Oruguitas” from Encanto
Best Visual Effects
Nominees:
Dune
The Matrix Resurrections
Nightmare Alley
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Predicted Winner:
Dune
Runner-Up:
No Time to Die
That equates to the following pictures garnering these numbers for wins:
6 Wins
The Power of the Dog
3 Wins
Dune
2 Wins
West Side Story
1 Win
Cruella, Don’t Look Up, Drive My Car, Encanto, The French Dispatch, House of Gucci, King Richard, Licorice Pizza, Nightmare Alley, Spencer
Kristen Stewart’s role as Princess Diana in Spencer is the fifth and final Case Of post for the Best Actress contenders. The first four can be accessed here:
Awards attention for the Twilight star has been building for some time. After acclaimed performances in indie fare like Clouds of Sils Maria, Certain Women, and Personal Shopper, this high-profile role has been considered a potential frontrunner performance since it debuted at the Venice Film Festival.
The Case Against Kristen Stewart:
That frontrunner status hit massive speed bumps. While Stewart nabbed Golden Globe and Critics Choice nods, she was snubbed at SAG and BAFTA. She lost the Globe to Nicole Kidman (Being the Ricardos) and SAG went to Jessica Chastain. She’s yet to take a significant precursor (a Critics Choice Award this weekend could help). Furthermore, Spencer drew mixed reaction from critics and audiences and Stewart holds the sole Oscar nod for it.
Previous Nominations:
None
The Verdict:
It’s a guessing game in Best Actress. Despite Stewart’s setbacks, she’s still in the running in this wide open derby. Her exclusion in SAG could even cause Academy voters to grant her retribution. That said, she’s probably behind Chastain and Kidman at the moment.
My Case Of posts will continue with our last Best Actor player – Denzel Washington in The Tragedy of Macbeth…
The SAG Awards air this Sunday night and I’m here to give you my take. For some context, I went 4/5 in my projections from 2017-2019 and 3/5 last year. The winners here will certainly help themselves if they’re nominated for Oscars (as you’ll see – not all are).
Let’s get to it!
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Belfast
CODA
Don’t Look Up
House of Gucci
King Richard
Commentary:
I could offer an argument for anything but Gucci (partly because The Birdcage from 1996 is the only winner that wasn’t nominated for BP at the Oscars). The rest of the pics are BP players with the Academy. Belfast is the most likely to win (notice frontrunner The Power of the Dog isn’t here). Even though I’m not projecting its lone nominee (Balfe) to take the SAG and it was a surprise that Ciaran Hinds didn’t make it, I’ll say the cast is ultimately honored as a whole. CODA is right on its heels.
Predicted Winner: Belfast
Runner-Up: CODA
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Jennifer Hudson, Respect
Nicole Kidman, Being the Ricardos
Commentary:
Welcome to the confounding world of Best Actress in the 2021 awards season and this is easily the trickiest race to figure out. The Oscar/SAG match is 3/5. Gaga and Hudson didn’t make the Acadeny’s cut in favor of Penelope Cruz (Parallel Mothers) and Kristen Stewart (Spencer).
Let’s start with Gaga. The SAG winner in this race has never not been nominated for an Oscar so the superstar would certainly make history if she takes this. That stat discourages me from calling her name, but who knows? All hopefuls here would be first-time winners in this category (Hudson took Supporting Actress 15 years back in Dreamgirls). She seems least likely to win. So we’re down to Chastain, Colman, and Kidman. All could prevail. Kidman took the Golden Globe and a podium trip could solidify her status as the Oscar frontrunner. Chastain’s showy role could be honored and it’s a bit of a coin flip for me. I’ll give Kidman an ever so slight edge.
Predicted Winner: Nicole Kidman
Runner-Up: Jessica Chastain
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
Not complicated like Actress as there’s a 5 for 5 lineup with the Academy’s nominees. Unlike the Oscars, I do buy into the theory that Garfield might be more of a spoiler than Cumberbatch to Smith. The SAG folks could reward Garfield’s showy role. That said, I’m not betting against Smith.
Predicted Winner: Will Smith
Runner-Up: Andrew Garfield
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Caitriona Balfe, Belfast
Cate Blanchett, Nightmare Alley
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Ruth Negga, Passing
Commentary:
There’s only a 2 for 5 symmetry with the big show and that’s DeBose and Dunst. Balfe, Blanchett, and Negga are in over Academy picks Jessie Buckley (The Lost Daughter), Judi Dench (Belfast), and Aunjanue Ellis (King Richard). I do think it’s between the Oscar contestants. Dunst is a threat though I’m going with DeBose sweeping until I see different.
Predicted Winner: Ariana DeBose
Runner-Up: Kirsten Dunst
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Ben Affleck, The Tender Bar
Bradley Cooper, Licorice Pizza
Troy Kotsur, CODA
Jared Leto, House of Gucci
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Like Supporting Actress, just a 2 for 5 (Kotsur, Smit-McPhee) match. Affleck, Cooper, and Leto got SAG love instead of Oscar selections Ciaran Hinds (Belfast), Jesse Plemons (The Power of the Dog), and J.K. Simmons (Being the Ricardos). And I’ll also say it’s between the two Academy players. This is difficult because I could easily see Smit-McPhee sweeping (he won the Globe). Yet I have a sneaking suspicion the thespians may go for Kotsur. With little confidence, I’ll pick that.
Predicted Winner: Troy Kotsur
Runner-Up: Kodi Smit-McPhee
I’ll have reaction up on the ceremony Sunday night!
Olivia Colman’s turn in Netflix’s The Lost Daughter is the second Case Of post for the five women competing for Best Actress. If you missed the first on Jessica Chastain in The Eyes of Tammy Faye, you can find it here:
It’s another hailed performance from the Oscar winner who surprisingly took to the podium three years back for The Favourite (upsetting frontrunner Glenn Close in The Wife). Colman gets her third nod in four years. In addition to the victory from 2018, she was nominated last year in supporting for The Father. She nabbed precursor attention at the Globes, SAG, and Critics Choice. Daughter performed decently with the Academy with Jessie Buckley receiving an unexpected spot in Supporting Actress and director Maggie Gyllenhaal’s being recognized for her adapted screenplay. Furthermore, Best Actress looks wide open and anything could happen.
The Case Against Olivia Colman:
Had Daughter managed a Best Picture slot, I might feel more confident in calling for a potential second trophy for Colman. That said, none of the five Actress’s films are in the big dance. Critics liked this better than general audiences judging from Rotten Tomatoes. In an unexpected twist, BAFTA did not include Colman. What gives me the most pause is that Colman is the most recent recipient – Jessica Chastain and Kristen Stewart (Spencer) have never won, Penelope Cruz (Parallel Mothers) is a supporting winner from 13 years ago, and Nicole Kidman (Being the Ricardos) took Actress 19 years ago.
Previous Nominations: 2
The Favourite (2018 – Actress, WON); The Father (2020 – Supporting Actress)
The Verdict:
This is a tricky one and good luck figuring out Best Actress in 2021. The counterargument to the recency bias is that it didn’t hurt Frances McDormand (Nomadland) last year. However, that was a frontrunner for BP and that narrative doesn’t exist this time around. If Colman can get a win at SAG this weekend or Critics Choice later on, it increases her viability with the Academy. If not, I doubt she gets her second Oscar.
My Case Of posts will continue with Benedict Cumberbatch in The Power of the Dog…
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