From 1992-1995, Emma Thompson scored a remarkable five Oscar nominations – winning twice. The first was for her lead role in 1992’s Howards End. The second was a screenplay win for 1995’s Sense and Sensibility. The other three nods were for The Remains of the Day and Sensibility (both lead) and supporting for In the Name of the Father.
In the quarter century plus since, the Academy has yet to call her name again. That could change with Good Luck to You, Leo Grande which premiered at Sundance. From director Sophie Hyde, the comedic drama finds Thompson as a retiree who enlists the services of a sex worker (Daryl McCormack of Peaky Blinders).
Early reviews are hailing the performances of both leads. With the right eventual distributor, I wouldn’t be surprised if Thompson in particular is in the mix for awards attention. If Oscar doesn’t bite, she could at least be in line for a Best Actress nod in the Musical/Comedy category at next year’s Golden Globes. Thompson made the cut with HFPA in 2019 for Late Night and the buzz for Grande might be larger. My Oscar Predictions posts will continue…
It is officially summertime 2021 and that brings my annual seasonal three-part series where I take a look back at the top ten pics, flops, and other notable selections from 30, 20, and 10 years ago. That means I’ll begin with 1991 at a time where Arnold Schwarzenegger said hasta la vista to all competitors.
Let’s count down from #10 to numero Ah-nuld along with other entries worthy of discussion (both good and bad).
10. Doc Hollywood
Domestic Gross: $54 million
Michael J. Fox had a midsize hit with this fish out of water comedy about an uppity surgeon stuck in the rural south. It marks the star’s last solid performer that he headlined.
9. Boyz n the Hood
Domestic Gross: $57 million
John Singleton had one of cinema’s most memorable directorial debuts with this coming-of-age drama set in South Central. He would become the youngest filmmaker ever to be nominated at the Oscars and the critically hailed pic kickstarted the careers of Cuba Gooding Jr. and Ice Cube.
8. One Hundred and One Dalmatians
Domestic Gross: $60 million
Disney re-released their 1961 classic three decades after its release and picked up a cool $60 million for it. Later in 1991, the studio would begin another renaissance with Beauty and the Beast becoming the first animated film to nab a Best Picture nomination. Five years later, Glenn Close would headline the live-action version and another reboot, Cruella with Emma Stone, is currently in the top five.
7. What About Bob?
Domestic Gross: $63 million
Bill Murray had one of his signature roles as the multi-phobic patient tormenting shrink Richard Dreyfuss on his vacation. Apparently this comedy was a bit dramatic behind the scenes with the two leads having an actual antagonistic relationship.
6. Hot Shots!
Domestic Gross: $69 million
Spoofs were a hot commodity in the early 90s following the success of 1988’s The Naked Gun. Jim Abrahams, one of that film’s writers, created this sendup of Top Gun and many others that starred Charlie Sheen. A sequel would follow two years later.
5. Backdraft
Domestic Gross: $77 million
Ron Howard directed this firefighting drama that heated up the box office with Kurt Russell, William Baldwin, Robert De Niro, and a creepy Donald Sutherland as a pyromaniac. There was even a sequel released in 2019 with Baldwin and Sutherland that went direct to streaming and that I frankly forgot existed.
4. The Naked Gun 2 1/2: The Smell of Fear
Domestic Gross: $86 million
The spoofing love continued as Leslie Nielsen reprised his role as doofus detective Frank Drebin in this sequel to the 1988 classic. It couldn’t hold up the original, but it was better than part 3 which followed in 1994. And, needless to say, this was a simpler time for costar O.J. Simpson.
3. City Slickers
Domestic Gross: $124 million
As New Yorkers learning life lessons on a cattle drive, Billy Crystal, Daniel Stern, and Bruno Kirby starred in the comedy smash of the summer and costar Jack Palance even ended up with a Best Supporting Actor victory. A less regarded follow-up would come in 1994.
2. Robin Hood: Prince of Thieves
Domestic Gross: $165 million
While his accent was spotty at best, Kevin Costner parlayed his Oscar success from the previous year’s Dances with Wolves into this blockbuster about the robbing from the rich and giving to the poor hero. The highlight was Alan Rickman’s sublime work as the Sheriff of Nottingham while critics mostly turned up their noses.
1. Terminator 2: Judgment Day
Domestic Gross: $204 million
Arnold Schwarzenegger’s android went from being the bad guy in the 1984 original to the good robot in James Cameron’s sequel that gave us eye popping and revolutionary special effects and a dynamite Linda Hamilton returning as a buffed up Sarah Connor. There’s been four more entries in the franchise and none have matched the potency of this one.
Now let’s turn the focus to some other notable releases:
Thelma & Louise
Domestic Gross: $45 million
Susan Sarandon and Geena Davis both scored lead actress Academy nods for Ridley Scott’s now iconic tale of feminism and revenge with an unforgettable ending. This also marked audiences falling in love with a then unknown actor by the name of Brad Pitt.
Point Break
Domestic Gross: $43 million
Patrick Swayze starred in the previous summer’s high earner with Ghost. This surfing action pic from director Kathryn Bigelow paired the actor with Keanu Reeves and has amassed a deserved cult following. An unnecessary remake wiped out in 2015.
Dead Again
Domestic Gross: $38 million
Kenneth Branagh’s sophomore effort after the acclaim of his Shakespearian Henry V was this Hitchcock homage costarring his then wife Emma Thompson, Andy Garcia, and Robin Williams. As tributes to the Master of Suspense go, this is one of the best.
Soapdish
Domestic Gross: $38 million
Sally Field, Kevin Kline, Robert Downey, Jr., and Whoopi Goldberg are part of the ensemble in this comedy set in the world of the afternoon melodramas that populate the airwaves. Not a big hit at the time, its reception has since grown.
Jungle Fever
Domestic Gross: $32 million
Spike Lee’s tale of an interracial couple played by Wesley Snipes and Annabella Sciorra received critical kudos. The two most memorable performances come from Samuel L. Jackson as a crack addict and Halle Berry (in her feature debut) as his girlfriend.
Madonna: Truth or Dare
Domestic Gross: $15 million
As she often is, Madonna was ahead of the cultural curve with this documentary set during her 1990 Blond Ambition Tour. This was reality programming before it exploded.
Barton Fink
Domestic Gross: $6 million
The Coen Brothers pitch black comedy was the darling of the Cannes Film Festival, winning Picture, Director, and Actor for John Turturro. It would land three Academy nominations including Michael Lerner in Supporting Actor.
Now it’s time for the pictures that either didn’t land with audiences or critics (or both):
The Rocketeer
Domestic Gross: $46 million
Disney was hoping for a new franchise with this comic book based property. Yet the period adventure underwhelmed at the box office. This was a different era for the genre before the MCU changed everything. Director Joe Johnston, coincidentally, would go on to make Captain America: The First Avenger 20 years later.
Dying Young
Domestic Gross: $33 million
This seems hard to believe now, but Premiere magazine predicted this romance would be the largest grossing feature of the summer. Not so much. However, Julia Roberts was just coming off her smash breakthrough Pretty Woman. This didn’t land with audiences in the same way.
Only the Lonely
Domestic Gross: $25 million
Chris Columbus was basking in the box office bonanza that was Home Alone. This rom com with John Candy and Ally Sheedy that followed six months later didn’t cause many filmgoers to leave their homes.
Mobsters
Domestic Gross: $20 million
1990 was gave us lots of mobster fare such as GoodFellas, The Godfather Part III, and Miller’s Crossing. Crowds and critics didn’t take to the Christian Slater and Patrick Dempsey versions of Lucky Luciano and Meyer Lansky, respectively.
Hudson Hawk
Domestic Gross: $17 million
Bruce Willis’s vanity project is considered one of the gargantuan flops in history. Grossing only about a fourth of its $65 million budget, it was awarded the Golden Raspberry for Worst Picture of the year.
V.I. Warshawski
Domestic Gross: $11 million
Based on a series of successful novels, audiences didn’t take to Kathleen Turner in the title role for this detective action comedy. It made less than half its budget.
Delirious
Domestic Gross: $5 million
Also set in the world of soap operas, this marked another dud for John Candy in the same season.
Another You
Domestic Gross: $2 million
Richard Pryor and Gene Wilder are a classic combo with well-regarded comedies like Silver Streak and Stir Crazy. Even See No Evil, Hear No Evil in 1989, despite critical scorn, performed well. That’s not the case with their last collaboration (which reviewers also drubbed).
And that concludes my look back at summer 1991. Next up is the sweltering season of 2001!
More often than not, the Disney live-action remakes related to their animated classics have managed to score Oscar nominations in various technical races. Two days ahead of its Memorial Day weekend domestic bow, the studio’s Cruella (a reboot of their 1961 animated tale and the Glenn Close live-action features) has seen its review embargo lifted. It is widely expected that the Academy will reward it in some of the races that their previous features have been mentioned in.
The Rotten Tomatoes meter currently stands at a decent 72% with many critics praising Emma Stone (Best Actress winner in 2016 for La La Land) in the title role of the dog despising villainess. She’s unlikely to get much attention in the lead race, but should certainly find herself in the mix in the Musical/Comedy competition at next year’s Golden Globes… if there is a Golden Globes next year.
As mentioned, the Academy has been kind to the remakes over the last decade plus. Alice in Wonderland won Art Direction (now Production Design) and Costume Design and was nominated for Visual Effects. Nods for the costumes were also received by Maleficent (2014) and Cinderella (2015). In 2017, Beauty and the Beast made the shortlist for Production and Costume Design. The Jungle Book (2016) was victorious in Visual Effects with Christopher Robin (2018) and The Lion King (2019) as nominees. Maleficent: Mistress of Evil (2019) nabbed a mention for its Makeup and Hairstyling. Last year’s Mulan got in for Costume Design and Visual Effects, winning neither.
All four categories mentioned are on the table for Cruella to varying degrees. Based on the buzz, Costume Design and Makeup and Hairstyling are highly probable and could even be wins. Production Design is also feasible while Visual Effects could be more of a stretch due to expected competition.
Additionally, Florence and the Machine have contributed the original song “Call Me Cruella”. I wouldn’t bank on it making the final five in that race, but you never know (sometimes there’s surprises in that category).
Bottom line: Cruella is looking good for at least two Academy mentions and possibly more. My Oscar Watch posts will continue…
Disney’s Cruella will try to scare up some box office business over the Memorial Day weekend after being delayed from its original December 2020 release date. The pic casts Emma Stone in the title role of the villainess as seen in the studio’s 1961 animated feature One Hundred and One Dalmatians and in the form of Glenn Close for two live-action flicks in the late 90s and early 00s. Craig Gillespie directs with a supporting cast including Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, and Mark Strong.
With a massive reported price tag of $200 million, Cruella hits theaters and Disney Plus premium on the same day. Home viewers will need to shell out $30 for couch watching, similar to Raya and the Last Dragon and the upcoming Jungle Cruise and Black Widow. It’s worth noting that Raya opened to $8.5 million in March under this platform. However, the holiday weekend and the fact that theaters are increasing capacity have set an understandably higher bar for Cruella.
Disney has had major success with their recent live-action remakes of animated classics, from The Lion King to Aladdin to The Jungle Book and Beauty and the Beast and more. Even the lower earners, like Dumbo, started out in the mid 40s. Obviously the dynamic has changed under COVID times. Some families may realize it’s more economical to pay the $30 compared to the cost of hauling the entire brood to the multiplex.
Early word of mouth is quite positive and that should help. I could easily foresee a low to mid 20s rollout for Ms. Stone, her likely to be Oscar nominated costumes, and company.
Cruella opening weekend prediction: $23.7 million (Friday to Monday estimate)
For my A Quiet Place Part II prediction, click here:
Last Christmas is an example of immense talent behind the scenes and blaring over the soundtrack resulting in a holiday concoction that just does not come together. It tries hard and it has attractive leads. Director Paul Feig has made rom coms successfully with Bridesmaids and shown range with 2018’s twisty humorous thriller A Simple Favor. Emma Thompson lends her writing skills and plays the over top mother to the lead character. And the film’s title is the eponymous 80s Wham! classic which plays frequently, in addition to numerous other tracks from the band and George Michael’s solo career.
This picture should work. My faith that it would did not last long. Emilia Clarke sheds her Game of Thrones image as Kate, an aimless Londoner who immigrated from Yugoslavia with her parents and sister. She spends her days working at a year round Christmas shop run by a quirky store owner who goes by Santa (Michelle Yeoh). In fact, nearly everyone is quirky in this screenplay. Even the homeless people at the shelter where Kate volunteers when she finally starts to have a heart. They’re homeless, but ya know… they’re fun homeless.
Speaking of having a heart, that’s a big plot point and I guess that’s all I can say without going into spoiler territory. Kate’s outlook on life begins to change when she meets the elusive Tom (Henry Golding of Crazy Rich Asians and the aforementioned A Simple Favor). Their potential courtship is interrupted by occasional forays into commentary on immigration, mental health, a bizarre romance between Santa and a customer, and whatever George Michael ballad or uptempo tune fits the moment.
The result is a tonal mess even with the singer’s beautifully toned voice playing. I’m not a Scrooge. Thompson appeared in Love Actually and I ate that extravagant Yuletide offering right up. Despite the heart being in the right place of the filmmakers, Last Christmas mostly left me praying for my time back.
Recapping the Oscar Season of 2013, a few things stick out. The big winners were 12 Years a Slave and Gravity, which cleaned up in the tech races. The big loser was American Hustle, which came away with zero victories despite 10 nominations (tying it for most nods with Gravity, which won 7 of them). Another take: it was a packed year for Best Actor with some deserving gents left out.
As I have done with previous years, let’s take a deeper dive in the 86th Academy Awards in the major races:
Steve McQueen’s 12 Years a Slave unsurprisingly came away with the Best Picture prize in a field that yielded eight other films. They were David O. Russell’s American Hustle, Paul Greengrass’s Captain Phillips, Jean-Marc Vallee’s Dallas Buyers Club, Alfonso Cuaron’s Gravity, Spike Jonze’s Her, Alexander Payne’s Nebraska, Philomena from Stephen Frears, and Martin Scorsese’s The Wolf of Wall Street.
That’s a solid grouping of pictures and there’s probably no obvious omissions from my end in 2013.. That said, many young girls may protest Frozen not making the cut though it did win Best Animated Feature. And certainly Inside Llewyn Davis from the Coen Brothers had its ardent admirers.
There was a Picture/Director split with Cuaron emerging victorious for Gravity. The filmmaker would achieve the same feat five years later when he won for Roma but Green Book took Best Picture. Other nominees were McQueen, Payne, Russell, and Scorsese.I would argue that Greengrass and Jonze could have made the final five.
In the aforementioned crowded Best Actor derby, Matthew McConaughey took gold for his work in Dallas Buyers Club. The four other contenders were Christian Bale for Hustle, Bruce Dern in Nebraska, Leonardo DiCaprio for Wall Street, and Chiwetel Ejiofor in 12 Years a Slave. Note that all nominees came from Best Picture hopefuls.
Let’s start with Tom Hanks, who I absolutely feel should have gotten in for his remarkable performance in Captain Phillips. The clip I’ve included below proves it and then some. You could say the same for Joaquin Phoenix in Her. Others worth noting: Oscar Isaac in Inside Llewyn Davis, Hugh Jackman in Prisoners, and Robert Redford for All Is Lost.
Cate Blanchett was the latest actress to be honored for her work in a Woody Allen picture as she took Best Actress for Blue Jasmine. The other nominees were Amy Adams (American Hustle), Sandra Bullock (Gravity), Judi Dench (Philomena), and the ever present Meryl Streep (August: Osage County).
I’ll mention three others left out worthy of consideration: Brie Larson in Short Term 12, Julia-Louis Dreyfus for Enough Said, and Emma Thompson in Saving Mr. Banks. For the latter, it was a bit unexpected that she was left out.
McConaughey’s Dallas Buyers costar Jared Leto won Supporting Actor over Barkhad Abdi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), and Jonah Hill (The Wolf of Wall Street). Again, all nominees stemmed from Picture contenders.
Some others that didn’t quite make it: Daniel Bruhl in Rush, Steve Coogan for Philomena, Paul Dano in Prisoners, and Will Forte in Nebraska.
Another big 12 Years victory was Lupita Nyong’o in Supporting Actress. She took the prize despite competition from Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Julia Roberts (August: Osage County), and June Squibb (Nebraska).
Despite it being a voice only performance, I would say Scarlett Johansson in Her deserved a spot and the same could be said for Margot Robbie in Wall Street.
And there you have it, folks! My look back at the Oscar landscape in 2013. I’ll have 2014 up in due time…
Blogger’s Update (01/15): Revising prediction down to $22.3 million
Robert Downey Jr. can speak to animals in Dolittle, but will the film speak to family audiences when it opens next weekend? The pic takes the well known character (previously played by Rex Harrison and Eddie Murphy) and places him in a pricey $175 million budgeted adventure. Stephen Gaghan, known for directing the 2005 political thriller Syriana, is the rather surprising choice for behind the camera duties. Our marvelous cinematic Iron Man leads the human cast that also includes Harry Collett, Antonio Banderas, Michael Sheen, Jessie Buckley, and Jim Broadbent. Many familiar faces are responsible for voicing the animal cast. That list includes Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, Octavia Spencer, Tom Holland, Craig Robinson, Ralph Fiennes, Selena Gomez, and Marion Cotillard (four Oscar winners among them!).
Dolittle was slated to be released last spring before it underwent reportedly extensive reshoots. The release of a property like this with its budget and leading man in late January is a bit curious and perhaps concerning.
Opening over the long MLK weekend, Dolittle will be in a battle for first place with Bad Boys for Life. Gauging the box office prowess of Downey is tricky nowadays since he’s pretty much only been Tony Stark over the past several years (those movies sell themselves).
Family audiences have had plenty of titles to choose from in the past month including Star Wars: The Rise of Skywalker, Spies in Disguise, and Jumanji: The Next Level. All three should bring in decent amounts of cash over the long frame. However, even with shaky buzz, Dolittle should hit mid to high 20s over the four days and north of $30 million is feasible. That puts it in second position based on my Bad Boys forecast or perhaps even third behind the second frame of 1917.
Dolittle opening weekend prediction: $22.3 million (Friday to Monday estimate)
With the exception of two or three categories, the only thing that seems certain for Sunday night’s Golden Globe Awards is that host Ricky Gervais will say something to upset people. With questions about who and what will emerge victorious this awards season, there is plenty of drama to go with the music and comedy this weekend.
While I spend a lot of time prognosticating the Oscars on this blog, I only did one post estimating what the Hollywood Foreign Press gave us for consideration. And now it’s time to predict the winners.
First, a quick Globes 101. This ceremony splits the lead acting races and pictures into Drama and Musical or Comedy. They do not split screenplay into Adapted or Original like the Academy does. Furthermore, unlike the Oscars, foreign pictures are nominated only in that race and are not eligible for the two top Picture categories.
This creates a fascinating dynamic Sunday evening as Oscar’s likely top three potential Best Picture winners (The Irishman, Once Upon a Time in Hollywood, Parasite) are all in different races. Bottom line: the Globes could be more helpful in pointing out what direction Academy voters may go in the acting derbies. We shall see…
Here goes as I break down each competition with analysis and a winner pick:
Best Motion Picture – Drama
The Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes
Analysis: Of the three motion picture races, this is the one I feel least confident about. In 2018, the HFPA went with a giant blockbuster and a surprise with Bohemian Rhapsody. If they go this route again, you can expect Joker to be the victor. After all, 1917 hasn’t even opened wide yet (it could sneak a win too) and the other three are Netflix releases. This ultimately serves as the first major test for The Irishman as it moves through awards season. I’ll give it the edge, but not my much.
PREDICTED WINNER – THE IRISHMAN
Alternate – Joker
Best Motion Picture – Musical or Comedy
The Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman
Analysis: Some simple math here as Hollywood is the only nominee that also scored a nod for its director. That bodes well and this is the clear frontrunner.
PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD
Alternate – Rocketman
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
Analysis: This could certainly come down to Scorsese vs. Tarantino. Yet Sunday could be the beginning of a huge run for Joon-Ho picking up directing honors. I think that’s what happens.
PREDICTED WINNER – BONG JOON-HO
Alternate – Quentin Tarantino
Best Actor – Drama
The Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
Analysis: The Driver vs. Phoenix battle begins with the Globes. Joker did extremely well with Globes voters and this race probably represents its best chance for a victory. Driver is quite viable, but I’m going Phoenix.
PREDICTED WINNER – JOAQUIN PHOENIX
Alternate – Adam Driver
Best Actress – Drama
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
Analysis: In what could absolutely be the Oscar final five, Zellweger’s work as the iconic Judy Garland seems like the type of performance HFPA will eat up. Johansson and Theron are threats, but this could be the first of a couple more Zellweger podium walks.
PREDICTED WINNER – RENEE ZELLWEGER
Alternate – Scarlett Johansson
Best Actor – Musical or Comedy
The Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo Dicaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)
Analysis: For Craig and Davis, it’s an honor to be nominated as this is a three person race. Both Egerton and DiCaprio should pick up significant votes and I’m awfully tempted to go Leo. However, Murphy’s acclaimed performance and his legendary status (especially coming so soon after his SNL return) could be irresistible to the HFPA.
PREDICTED WINNER – EDDIE MURPHY
Alternate – Leonardo DiCaprio
Best Actress – Musical or Comedy
The Nominees: Ana de Armas (Knives Out), Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)
Analysis: Awkwafina is really the only player here with an Oscar shot so she’s a strong frontrunner. It’s pretty much that simple. I’d say de Armas is the only upset possibility and it’s rather slim.
PREDICTED WINNER – AWKWAFINA
Alternate – Ana de Armas
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
Analysis: What a list of legends we have here as Pacino and Pesci may split votes and that paves the way for Pitt. Expect this to be a familiar refrain.
PREDICTED WINNER – BRAD PITT
Alternate – Joe Pesci
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
Analysis: The smart money is on Lopez, who’s had a remarkable comeback in 2019. I may regret this, but I’m going with a gut feeling that Dern takes it and that may represent the only win for Marriage Story of its six nods.
PREDICTED WINNER – LAURA DERN
Alternate – Jennifer Lopez
Best Screenplay
The Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes
Analysis: The only entry here I don’t see with a fair shot of winning is Popes. This is a coin flip situation. Despite what I just said about Dern, Marriage could absolutely win. The Parasite love could extend here and same with Irishman. Tough one, but I’ll give Tarantino the edge (especially since I’m betting against him in Director).
PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD
Alternate – Marriage Story
Best Foreign Language Film
The Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire
Analysis: All five pics have their ardent admirers, but here’s the deal. If Parasite doesn’t win, it would constitute the biggest upset of the evening. Not happening.
PREDICTED WINNER – PARASITE
Alternate – umm… let’s say Pain and Glory
Best Animated Feature Film
The Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4
Analysis: Disney has 60% of the nominees here, including that rather shocking Lion King inclusion. I wouldn’t totally count out Dragon, but Pixar should get the glory.
PREDICTED WINNER – TOY STORY 4
Alternate – How to Train Your Dragon: The Hidden World
Best Orignal Score
The Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn
Analysis: This one isn’t easy as just Brooklyn seems unlikely to get it. I’ll give Thomas Newman (1917) a small advantage over cousin Randy (Marriage Story), Alexandre Desplat (Women), and Hildur Guonadottir (Joker).
PREDICTED WINNER – 1917
Alternate – Little Women
Best Original Song
The Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet
Analysis: Never count out Disney with the ballad from Frozen II, but the general consensus is it’s no “Let It Go”. There’s some serious heavy hitters here with Beyonce, Taylor Swift, and Elton John in the mix. HFPA might want to see Elton onstage.
PREDICTED WINNER – “(I’M GONNA) LOVE ME AGAIN” FROM ROCKETMAN
Alternate – “Into the Unknown” from Frozen II
So this means I’m predicting the Globes spread it around with the following winner counts:
3 Wins
Once Upon a Time in Hollywood
2 Wins
Parasite
1 Win
1917, Dolemite Is My Name, The Farewell, The Irishman, Joker, Judy, Marriage Story, Rocketman, Toy Story 4
I’ll have a recap of the show up Sunday night with my results!
Perhaps the most preeminent Oscar precursor announced their nominations this morning and that means it’s both time for my analysis and a report on how yours truly did with the predictions!
Some quick takes before breaking down each race… Joker and The Two Popes had good mornings and did better than anticipated. Marriage Story led the way with 6 nominations followed by The Irishman and Once Upon a Time in Hollywood with five apiece. As for Martin Scorsese’s gangster epic, it did miss in one key category.
Let’s take it race by race, shall we?
Best Motion Picture – Drama
Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes
How I Did: 3/5
Analysis: As mentioned, it was indeed a solid morning for Joker and Popes. Those were the two entries I didn’t predict and they got in over Ford v Ferrari and Little Women (which had a rather subpar day). They were my two picks for alternates at least. This appears to be a race between the pictures with the most nods – Irishman and Marriage Story with the former having the edge (see Director).
Best Motion Picture – Musical or Comedy
Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman
How I Did: 4/5
Analysis: It was my first alternate Dolemite getting in over Cats, which did screen for Hollywood Foreign Press voters even though its review embargo hasn’t yet lapsed. This is Hollywood‘s category to lose and it’s the strong front-runner.
Best Director
Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
How I Did: 4/5
Analysis: The surprise here is certainly Phillips, who I didn’t have listed as an alternate. He gets in over Noah Baumbach, which could mean a Best Drama victory for the film itself got tougher. I’m thinking Scorsese vs. Tarantino here with Joon-Ho as a very serious spoiler.
Best Actor – Drama
Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
How I Did: 4/5
Analysis: That key category that The Irishman missed is here with Robert De Niro not getting in the mix in favor of my first alternate Christian Bale. Another miss here is Adam Sandler in Uncut Gems as he’s won some precursors from the critical community. Just like the Oscars could be, this may come down to Driver or Phoenix.
Analysis: No surprises here! It is worth mentioning that, despite some early critical precursor love, the work of Lupita Nyong’o in Us didn’t factor in. Zellweger may have the edge here, followed by Johansson or Theron. This could also match what the Academy does.
Best Actor – Musical or Comedy
Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo DiCaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)
How I Did: 5/5
Analysis: Another sweep here as this list was as anticipated. DiCaprio is the favorite, but don’t sleep on Murphy or Egerton as spoilers.
Best Actress – Musical or Comedy
Nominees: Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Ana de Armas (Knives Out), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)
How I Did: 4/5
Analysis: It’s first alternate Blanchett in for over Constance Wu from Hustlers. As I do believe Awkwafina is the only actress here with Oscar viability, look for her to win here.
Best Supporting Actor
Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
How I Did: 5/5
Analysis: Today could have given a boost to Willem Dafoe in The Lighthouse or other outliers such as Wesley Snipes (Dolemite) or Song Kang-Ho (Parasite), but it wasn’t to be as this very star studded list materialized as predicted. With Pacino and Pesci potentially splitting votes, Pitt is in the driver’s seat.
Best Supporting Actress
Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
How I Did: 3/5
Analysis: I was a little shakier here as my first alternate Bening and unlisted Bates get in over Scarlett Johansson (Jojo Rabbit) and Florence Pugh (Little Women). Expect Dern vs. Lopez in this one.
Best Screenplay
Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes
How I Did: 4/5
Analysis: Another feather in the cap for Popes, which could in over Jojo (which had a rather subpar morning). Hollywood could have a very slight edge over Marriage.
Best Motion Picture – Foreign Language
Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire
How I Did: 4/5
Analysis: Nothing unexpected as Les Miserables (my first alternate) was named over Atlantics. No doubt that Parasite is the massive favorite.
Best Motion Picture – Animated
Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4
How I Did: 4/5
Analysis: Perhaps the shocker of the day is The Lion King nabbing a nod here. I said I Lost My Body instead. With Disney holding now three of the five slots, they’ve got 60% chance to win. Dragon could upset, but Toy Story is the probable recipient.
Best Original Score
Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn
How I Did: 4/5
Analysis: Brooklyn got a surprise nod. I had Ford v Ferrari instead. 1917 looks to take the trophy.
Best Original Song
Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet
How I Did: 4/5
Analysis: Second alternate “Stand Up” is in over my “Daily Battles” from Motherless Brooklyn. The Globe voters could be tempted to go with Elton John here, though Frozen II is probably a soft favorite.
So, al in all, I went 54 for 70 on my overall estimates. The Golden Globes airs January 5th on NBC with Ricky Gervais hosting.
On Monday, one of the most significant Oscar precursors announces their nominations. Yes, we have the Golden Globe nods coming out with the SAG Awards following on Wednesday (except my predictions on them early this week).
While I’ve been updating my Oscar projections on a near weekly basis, I don’t do the same with the Globes. This will serve as my first and last batch of predictions for the ceremony airing in January with Ricky Gervais hosting.
As you’re likely aware, this show does it a bit different than the Oscars by splitting their film and lead actor categories into separate Drama and Musical/Comedy categories. For each race, I’m making my five predicted features or performers that I believe will make the cut as well as a first and second alternate.
Let’s get to it!
Best Motion Picture – Drama
1917
Ford v Ferrari
The Irishman
Little Women
Marriage Story
1st Alternate – Joker
2nd Alternate – The Two Popes
Best Motion Picture – Musical or Comedy
Cats
Jojo Rabbit
Knives Out
Once Upon a Time in Hollywood
Rocketman
1st Alternate – Dolemite Is My Name
2nd Alternate – Hustlers
Best Director
Noah Baumbach, Marriage Story
Bong Joon-Ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
1st Alternate – Greta Gerwig, Little Women
2nd Alternate – James Mangold, Ford v Ferrari
Best Actress – Drama
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
1st Alternate – Lupita Nyong’o, Us
2nd Alternate – Alfre Woodard, Clemency
Best Actor – Drama
Antonio Banderas, Pain and Glory
Robert De Niro, The Irishman
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
1st Alternate – Christian Bale, Ford v Ferrari
2nd Alternate – Adam Sandler, Uncut Gems
Best Actress – Comedy or Musical
Awkwafina, The Farewell
Ana de Armas, Knives Out
Beanie Feldstein, Booksmart
Emma Thompson, Late Night
Constance Wu, Hustlers
1st Alternate – Cate Blanchett, Where’d You Go, Bernadette
2nd Alternate – Kaitlyn Dever, Booksmart
Best Actor – Comedy or Musical
Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name
1st Alternate – Shia LaBeouf, The Peanut Butter Falcon
2nd Alternate – Himesh Patel, Yesterday
Best Supporting Actress
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
1st Alternate – Annette Bening, The Report
2nd Alternate – Zhao Shuzhen, The Farewell
Best Supporting Actor
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
1st Alternate – Willem Dafoe, The Lighthouse
2nd Alternate – Taika Waititi, Jojo Rabbit
Best Screenplay
The Irishman
Jojo Rabbit
Marriage Story
Once Upon a Time in Hollywood
Parasite
1st Alternate – The Two Popes
2nd Alternate – Knives Out
Best Motion Picture – Animated
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4
1st Alternate – Weathering with You
2nd Alternate – Abominable
Best Motion Picture – Foreign Language
Atlantics
The Farewell
Pain and Glory
Parasite
Portrait of a Lady on Fire
1st Alternate – Les Miserables
2nd Alternate – Monos
Best Original Score
1917
Ford v Ferrari
Joker
Little Women
Marriage Story
1st Alternate – The Aeronauts
2nd Alternate – Us
Best Original Song
“Beautiful Ghosts” from Cats
“Daily Battles” from Motherless Brooklyn
“(I’m Gonna) Love Me Again” from Rocketman
“Into the Unknown” from Frozen II
“Spirit” from The Lion King
1st Alternate – “I Can’t Let You Throw Yourself Away” from Toy Story 4
2nd Alternate – “Stand Up” from Harriet
And that equates to the following features nabbing these numbers when it comes to nominations:
7 Nominations
Marriage Story
6 Nominations
The Irishman
5 Nominations
Once Upon a Time in Hollywood
4 Nominations
Jojo Rabbit, Little Women
3 Nominations
1917, Knives Out, Parasite, Rocketman
2 Nominations
Bombshell, Cats, The Farewell, Ford v Ferrari, Frozen II, Hustlers, Joker, Pain and Glory, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, Atlantics, Booksmart, Dolemite Is My Name, Harriet, How to Train Your Dragon: The Hidden World, I Lost My Body, Judy, Late Night, The Lion King, Missing Link, Portrait of a Lady on Fire, Toy Story 4
Rest assured that I will have a post up with reaction to the Monday announcements with a recap on how I did! Until then…
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