After amassing over $800 million at the box office and becoming the third highest domestic grosser of all time, Disney and Marvel are looking to spin more bucks for Spidey on Labor Day weekend. That’s in the form of Spider-Man: No Way Home – The More Fun Stuff Edition. The revamped version contains 11 minutes of additional footage including more of Tobey Maguire and Andrew Garfield donning the spandex alongside Tom Holland.
Over Labor Day 2021, the MCU made a killing when Shang-Chi and the Legend of the Ten Rings took in $94 million over the Monday to Friday frame. In 2022, Hollywood seems to be taking the holiday off. This could allow Marvel to hit #1 again with our webbed heroes. Fun is out on approximately 3000 screens and that wide release could allow for a seventh non-consecutive weekend atop the charts.
That said, I don’t expect this to top $10 million. The, um, less fun (?) iteration is already streaming and has been for some time. I don’t imagine a large audience will turn out for 11 extra minutes.
Spider-Man: No Way Home – The More Fun Stuff Edition opening weekend prediction: $7 million (Friday to Monday estimate)
For my Honk for Jesus. Save Your Soul. prediction, click here:
In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring.
By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.
20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.
As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:
When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.
9. Minority Report
Domestic Gross: $132 million
The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.
8. xXx
Domestic Gross: 142 million
Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.
7. Lilo & Stitch
Domestic Gross: $145 million
This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.
6. Scooby-Doo
Domestic Gross: $153 million
Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.
5. Men in Black II
Domestic Gross: $190 million
Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.
4. Austin Powers in Goldmember
Domestic Gross: $213 million
Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me.
3. Signs
Domestic Gross: $227 million
After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.
2. Star Wars: Episode II – Attack of the Clones
Domestic Gross: $302 million
$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.
Spider-Man
Domestic Gross: $403 million
When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.
Now let’s move to some other notable titles from the season:
The Bourne Identity
Domestic Gross: $121 million
While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.
The Sum of All Fears
Domestic Gross: $118 million
Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.
Road to Perdition
Domestic Gross: $104 million
His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.
Insomnia
Domestic Gross: $67 million
Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).
Unfaithful
Domestic Gross: $52 million
Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.
And now for some movies that didn’t perform so well…
Reign of Fire
Domestic Gross: $43 million
This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.
Windtalkers
Domestic Gross: $40 million
John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.
K-19: The Widowmaker
Domestic Gross: $35 million
Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.
Halloween: Resurrection
Domestic Gross: $30 million
Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.
Bad Company
Domestic Gross: $30 million
One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.
Blood Work
Domestic Gross: $26 million
Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.
The Adventures of Pluto Nash
Domestic Gross: $4 million
Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.
One of the big fights in Uncharted takes place at a Papa John’s in Barcelona. We know this because Mark Wahlberg announces he’s in a Papa John’s with more emotion than 90% of his other line deliveries. I’m sorry to say that a bored looking Wahlberg, a Tom Holland without quality Spidey material, and a screenplay borrowing heavily from superior franchises are not the better ingredients to make this a better slice of entertainment.
Directed by Ruben Fleischer (Venom), Uncharted raids the Indiana Jones, Pirates of the Caribbean, and National Treasure pics as did the PlayStation games it is based on. I won’t pretend to be an expert on its source material as I’ve never played it. I read that Holland and Wahlberg wouldn’t be the casting choices of its fanbase majority. All I can say is that their chemistry is rather nonexistent. The film only bails itself out a little in the third act with some impressive set pieces.
Nathan Drake (Holland) works nights bartending in New York City while pickpocketing his unsuspecting imbibers. 15 years prior (as we witness in the prologue), he and his brother Sam attempted to steal a map purportedly leading to Magellan’s 16th century gold. Sam gets kicked out of the orphanage they inhabit with a vow to Nathan to return. A decade and a half later, that hasn’t occurred but little bro does get an occasional postcard. Enter Sully (Wahlberg), a treasure seeker who enlists Nathan’s assistance when he reveals Sam is missing. The two team up to find fortune and family and are soon globetrotting along with Chloe (Sophie Ali), Sully’s distrustful colleague and potential love interest to Nathan.
The trio aren’t the only ones looking for Magellan’s ships filled with shiny bars. There’s Moncada (Antonio Banderas), whose lineage stems from the famed explorer’s funders. He believes the gold is his birthright and he’s got ruthless henchwoman Braddock (Tati Gabrielle) helping.
The treasure seeking brings us to Barcelona where key clues are buried beneath that aforementioned pizza franchise and its mediocre at best pizza with decent enough breadsticks if you get a double order of cheese sauce (that’s my P.J. review). It’s not until we reach the Philippines towards the final act that Uncharted‘s pulse is detected. The action sequences in that region and on the plane getting there (a definite standout) are well choreographed and offer more excitement than anything in the first two-thirds.
There’s not really a performance that stands out, but I will reiterate that Wahlberg doesn’t seem much into the mission or movie. You have to wade through a lot of dusty material to find scenes worth keeping in Uncharted. In Papa John’s terms, there’s not enough cheese sauce to go around.
With no new wide releases this weekend (or the next one), The Batman should easily maintain its perch atop the charts. The question is how much it drops in the sophomore frame.
I’m projecting a dip in the low to mid 50s range which would give it around $60-$65 million. Other holdovers should maintain their current rankings in the top five with smallish declines considering the lack of competition.
Here’s how I see it breaking down:
1. The Batman
Predicted Gross: $62.5 million
2. Uncharted
Predicted Gross: $6.7 million
3. Dog
Predicted Gross: $4.4 million
4. Spider-Man: No Way Home
Predicted Gross: $3.8 million
5. Death on the Nile
Predicted Gross: $1.9 million
Box Office Results (March 4-6)
As was widely expected, The Batman easily achieved the second best opening of the COVID era (behind Spidey). Robert Pattinson’s introduction as the Caped Crusader took in $134 million. That’s not near as high as my $155.2 million projection but it’s still a solid haul. With an A- Cinemascore grade and little competition, it will rule the month of March until The Lost City arrives on March 25th.
Uncharted dropped to second with $11.1 million, a tad ahead of my $10.5 million forecast. Tom Holland’s almost sure to be newest franchise sits at a cool $100 million.
Channing Tatum’s Dog was third with $6.1 million (I said $6.4 million) for a three-week take of $40 million.
Spider-Man: No Way Home was fourth at $4.5 million compared to my $3.8 million prediction. The massive tally is $786 million.
Death on the Nile rounded out the top five with $2.7 million (I went with $2.5 million). Total is $37 million.
And that does it for now, folks! Until next time… same Bat time… same Bat channel…
It’s an eagerly awaited weekend at the box office as The Batman looks to have the second highest debut of the COVID era (behind only Spider-Man: No Way Home). The DCEU reboot with Robert Pattinson as the Caped Crusader is the only new release of this weekend (and the majority of March) and my detailed prediction post on it can be found here:
The range of possibility is wide (anywhere from $100 to $200 million depending on what you’re reading). I believe a gross just north of $150 million is most likely and my projection gives it the 20th largest domestic opening of all time.
Holdovers should experience heftier dips than this past weekend with Uncharted, Dog, Spider-Man, and Death on the Nile all sliding a spot. Here’s how I see it looking:
1. The Batman
Predicted Gross: $155.2 million
2. Uncharted
Predicted Gross: $10.5 million
3. Dog
Predicted Gross: $6.4 million
4. Spider-Man: No Way Home
Predicted Gross: $3.8 million
5. Death on the Nile
Predicted Gross: $2.5 million
Box Office Results (February 25-27)
The leftovers didn’t spoil during the last frame of February while the two newcomers didn’t prove appetizing to moviegoers.
Uncharted ruled the charts for the second frame with $23 million, just ahead of my $21.8 million forecast for a two-week total of $83 million. Tom Holland, as I mentioned last week, has himself another promising franchise.
Channing Tatum’s Dog was a good boy in its sophomore outing with $10.1 million, outpacing my $8.4 million take. The two-week haul is $30 million.
Spider-Man: No Way Home was third with $5.8 million (I said $6 million) for a gargantuan take of $779 million.
Death on the Nile was fourth with $4.4 million, edging my $3.7 million prediction for a stalled $32 million overall.
Jackass Forever rounded out the top five with $3.1 million (I went with $2.8 million). It’s up to $52 million.
The fresh product managed respective 8th and 9th place starts. Studio 666, the horror comedy from the Foo Fighters, made only $1.5 million compared to my $2.1 million estimate. Cyrano with Peter Dinklage fared even worse with $1.3 million (I said $1.8 million).
Blogger’s Update (02/23): The theater count for Studio 666 has been announced and it’s higher than expected with just over 2300 screens. I’m upping my estimate a bit from $1.4 million to $2.1 million.
As February closes out and we await the massive release of The Batman to begin March, the top five may look the same this weekend. There are two new titles: the musical romantic drama Cyrano with Peter Dinklage and the Foo Fighters led horror comedy Studio 666. You can peruse my detailed prediction posts on them here:
I’ve got both of the newcomers posting debuts in the $2 million range- $1.8 million for Cyrano and $2.1 million for 666. That would put both outside of the top five.
As for the holdovers, the post President’s Day weekend usually sees rather large drops for those returnees. After as its terrific debut (more on that below), Uncharted could be headed for a slide in the 50 percent range with Dog in the low to mid 40s. Spider-Man: No Way Home, Death on the Nile, and Jackass Forever should hold their spots in the 3-5 positions.
So as the Caped Crusader readies for his closeup and a nine figure start (my box office prediction for it will be up tomorrow), here’s how I see things happening this weekend:
1. Uncharted
Predicted Gross: $21.8 million
2. Dog
Predicted Gross: $8.4 million
3. Spider-Man: No Way Home
Predicted Gross: $6 million
4. Death on the Nile
Predicted Gross: $3.7 million
5. Jackass Forever
Predicted Gross: $2.8 million
Box Office Results (February 18-21)
It’s Tom Holland’s world and we’re just living in it as his adventure flick Uncharted with Mark Wahlberg dominated the four-day holiday frame with a much bigger than anticipated $51.3 million. That blows away my forecast of $33.7 million and shows that its lead’s star power extends beyond him in the Spidey suit. Expect a sequel to be fast tracked.
Channing Tatum received a welcome return after a lengthy starring role absence as his directorial debut Dog took in $17.3 million, lapping my $13.3 million estimate. With an A- Cinemascore grade, this could perform well over subsequent weeks as Tatum has The Lost City lined up with Sandra Bullock a month from now.
That other franchise of Holland’s – Spider-Man: No Way Home – was third with $9.2 million as it swung past my $7.3 million take. At $772 million, it’s perched at #3 domestically all-time.
Death on the Nile stalled in its sophomore frame and fell from first to fourth with $7.7 million (I went higher at $9.8 million). The underwhelming two week total is $26 million.
Jackass Forever was fifth with $6 million (I said $5.7 million) for a three week tally of $47 million.
Finally, Jennifer Lopez’s rom com Marry Me was sixth in its second go-round with $4.3 million compared to my more generous $6 million prediction. It’s made $17 million.
The video game adaptation Uncharted with Tom Holland and Mark Wahlberg looks to rule the #1 spot over the four-day President’s Day weekend while Channing Tatum’s directorial debut Dog hopes for a solid second place showing. They’re the newbies coming on Friday and you can peruse my detailed prediction posts on both of them here:
While reviews are mixed (50% currently on Rotten Tomatoes) for Uncharted, it should easily take a commanding lead for the POTUS frame. My low to mid 30s take puts it at about two and half times the gross of Dog, which finds Mr. Tatum in his first starring role in nearly half a decade.
As for holdovers, the long weekend should allow for smallish drop-offs. We’ve seen that play out previously during the mid February time period. Death on the Nile, following its mediocre start, might flirt with staying in double digits (I have it just under) with Spider-Man: No Way Home (that other Holland pic), Marry Me, and Jackass Forever filling out the rest of the chart.
Here’s how I envision the top 6 and these are estimates over the Friday to Monday holiday:
1. Uncharted
Predicted Gross: $33.7 million
2. Dog
Predicted Gross: $13.3 million
3. Death on the Nile
Predicted Gross: $9.8 million
4. Spider-Man: No Way Home
Predicted Gross: $7.3 million
5. Marry Me
Predicted Gross: $6 million
6. Jackass Forever
Predicted Gross: $5.7 million
Box Office Results (February 11-13)
As mentioned, Kenneth Branagh’s Death on the Nile (his follow-up to 2017’s Murder on the Orient Express) went a bit off the tracks with $12.8 million. That’s shy of my $14.3 million projection and it’s less than half of what Orient accomplished out of the gate.
Jackass Forever dropped to second with $8 million. The 65% drop was the largest of the five picture franchise and under my prediction of $11.3 million. The prankster sequel stands at $37 million after ten days.
Jennifer Lopez and Owen Wilson couldn’t get audiences to fall for them as Marry Me debuted in third with $7.9 million. That didn’t match my expectation of $11.2 million. Its simultaneous Peacock streaming start might have caused many couples to simply view from home.
Spider-Man: No Way Home was fourth with $7.5 million (I said $7.1 million) for $759 million overall. The MCU smash is just $1 million away from Avatar and becoming the third largest domestic earner of all-time (obviously it will hit that mark this week).
Liam Neeson’s latest revenge thriller Blacklight performed in line with his other COVID genre tales Honest Thief and The Marksman. The fifth place tally was $3.5 million, in range with my $3.8 million estimate.
Finally, Moonfall took a giant step down to #8 and fell 70% with $2.9 million in its sophomore outing (I was a little more generous with $3.5 million). Sing 2 and Scream managed to leap it for the sixth and seventh spots. The putrid gross is just $15 million.
A popular series of PlayStation games comes to life when Uncharted opens on February 18th. The adventures tale from Zombieland and Venom director Ruben Fleischer features Tom Holland and Mark Wahlberg headlining. Costars include Sophia Ali, Tati Gabrielle, and Antonio Banderas.
Budgeted at a reported $120 million, this should pretty easily top the charts over the long President’s Day weekend. Per usual, it’s undergone a few release date changes in the pandemic era. This time around, the pushback may have helped.
Arriving just two months after Holland’s work as Spider-Man in No Way Home got the box office to unprecedented COVID time levels, audiences may wish to check out his latest potential blockbuster. It doesn’t hurt that gamers could show up too (thought it’s worth mentioning that video game adaptations have a troubled history at multiplexes).
The range for Uncharted is wide. A best case scenario for scenario could be in the $50 million range from Friday to Monday. The floor could be about half of that. I’ll say low to mid 30s is where this ends up.
Uncharted opening weekend prediction: $33.7 million (Friday to Monday estimate)
Spider-Man’s neighborhood grows exponentially in No Way Home, our third iteration of Tom Holland’s web slinger adventures with Jon Watts back directing. Not all the visitors he encounters are of the friendly sort. As you may recall, the conclusion of predecessor Far From Home had the scheming Mysterio (Jake Gyllenhaal) reveal Peter Parker’s identity to the masses. That has serious repercussions as Peter/Spidey’s anonymity is gone and the Daily Bugle and others paint him as a bad guy.
It might be easier to erase that divulgence so Peter visits his old avenging buddy Doctor Strange (Benedict Cumberbatch) to cast a spell to accomplish that. It doesn’t go as planned and it opens to a portal to a multiverse of characters who knew of Spider-Man’s alter ego. THIS IS WHERE WE GO INTO SPOILERS SO CONSIDER YOURSELF WARNED.
Crashing into this trilogy are the antagonists from Spider-tales of old. As in the Tobey Maguire and Andrew Garfield entries that we witnessed from 2002-2014. The sinister company consists of the Green Goblin (Willem Dafoe), Doc Ock (Alfred Molina), Electro (Jamie Foxx), Lizard (Rhys Ifans), and Sandman (Thomas Haden Church).
With the great power of the Marvel Cinematic Universe comes a responsibility to tap into our nostalgic leanings and No Way Home does it in heavy doses. Seeing Dafoe’s maniacal Goblin and Molina’s Doc from the first two Maguire installments is a kick. As for the rest, they came from lesser pics (Maguire’s last and both Garfield excursions). That said, Foxx’s characterization is a lot more fun than what we saw in The Amazing Spider-Man 2.
My reviews of Homecoming and Far From Home concentrated on the best moments being the most grounded. Holland (the most effective Spidey in my view) and his interactions with love interest MJ (Zendaya), Aunt May (Marisa Tomei), and bestie Ned (Jacob Batalon) were highlights. That holds true here, but No Way Home is anything but grounded. The third go-round is bigger in every sense.
In many ways, it’s the most satisfying since Maguire’s original double feature. Is it gimmicky? Absolutely and there’s an overload of exposition to plow through in the first act. Yet it also reminds us how unique Spider-Man is in the realm of superheroes. It’s also a plus that the villains in this series are complicated ones (for the genre at least) whose motivations are varied and often understandable.
I could go even further down spoiler territory and it’s fair to say the most amazing moments are ones I won’t delve into. No Way Home does provide humorous retribution for one hero in particular (you’ll know when you see it). This is grand entertainment that occasionally approaches the scale of the wars and endgame of Spider-Man’s former team. He’s got a fresh troupe of buddies to collaborate with to save humanity in this trilogy capper. The teamwork provide multiple thrills.
Going into 2021, Zendaya had already collected an Emmy for her leading role on HBO’s Euphoria and was known to moviegoers for her parts in the Spider-Man franchise and The Greatest Showman. She is the subject of my second write-up for performers who had a meaningful 2021 and it’s no coincidence that she’s the second that appeared in Spider-Man: No Way Home (currently breaking all pandemic era box office records). The first was Benedict Cumberbatch… and we might not be done yet with Home costars.
Her inclusion isn’t just due to her onscreen (and apparently offscreen) pairing with Spidey himself, Tom Holland. The actress/singer began the year garnering Oscar chatter for the Netflix drama Malcolm & Marie with John David Washington. While she didn’t ultimately nab an Academy mention, she was on the Critics Choice Awards radar for her acclaimed performance.
By summertime, she lent her voice to Space Jam: A New Legacy (voicing Lola Bunny). Her involvement with Warner Bros/HBO Max continued in the fall with the long awaited sci-fi epic Dune. It looks to be her first picture that will achieve plenty of award nominations and the sequel is already lined up for 2023.
And, of course, she capped it all off with her third appearance as MJ in the massive MCU series. Zendaya expanded her reach in 2021 as her films reached plenty of homes this year. My Year of posts will continue…
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