80th Golden Globe Awards Winner Predictions

After controversies kept the 79th ceremony off of the air in 2021, the 80th Golden Golden Awards is set to air on NBC Tuesday night with Jerrod Carmichael hosting. When it comes down to winners for their contribution to film, we can safely bet on one. Eddie Murphy will receive the Cecil B. DeMille Award for his four decades of work onscreen. We can probably safely bet on more than just Eddie (Colin Farrell comes to mind).

Most categories are tougher to project. There are a number of races where I don’t feel confident with my arrived at winner. Quite frankly, if I go 7/14 this year, I’ll be content.

For each category, I’ll give you my pick and my runner-up. Unlike the Oscars, you won’t get detailed analysis though I will say here’s some of the categories that are tough:

Best Motion Picture (Drama) is a four-way race between everything not named Tár while Best Motion Picture (Musical or Comedy) is a genuine two-way competition between The Banshees of Inisherin and Everything Everywhere All at Once.

The Fabelmans might be fading with the Academy and that could hinder Spielberg’s chance at Director. The legendary filmmaker was very notably snubbed from the sixteen shortlist possibilities at BAFTA. However, that happened after voting had closed with HFPA. I still give him the slight edge with the Globes, but watch out for the Daniels or Baz Luhrmann.

In the lead acting races, three are easy to pick. Actor in a Drama is not as I think it’s a coin flip between Austin Butler and Brendan Fraser. My selection comes down to what I chose for Best Picture.

I don’t think Carey Mulligan takes Supporting Actress for She Said. The other four are all viable. While Kerry Condon might be the soft favorite for Oscar, I could see the HFPA going with a more famous performer with a celebrated body of work. Whether that’s Angela Bassett or Jamie Lee Curtis is an excellent question.

RRR could take Non-English Language Film and Song though the runners-up are both strong spoilers. Women Talking, The Fabelmans, and Babylon are all totally feasible for Score.

All right – enough talk! Time to (yikes) choose…

BEST MOTION PICTURE (DRAMA)

The Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick

Predicted Winner: Elvis

Runner-Up: Top Gun: Maverick

BEST MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

BEST DIRECTOR

The Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)

Predicted Winner: Steven Spielberg, The Fabelmans

Runner-Up: Daniels, Everything Everywhere All at Once

BEST ACTRESS IN A MOTION PICTURE (DRAMA)

The Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)

Predicted Winner: Cate Blanchett, Tár

Runner-Up: Michelle Williams, The Fabelmans

BEST ACTOR IN A MOTION PICTURE (DRAMA)

The Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)

Predicted Winner: Austin Butler, Elvis

Runner-Up: Brendan Fraser, The Whale

BEST ACTRESS IN A MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)

Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once

Runner-Up: Margot Robbie, Babylon

BEST ACTOR IN A MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)

Predicted Winner: Colin Farrell, The Banshees of Inisherin

Runner-Up: Is there one?? Let’s say Daniel Craig, Glass Onion: A Knives Out Mystery

BEST SUPPORTING ACTRESS

The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly De Leon (Triangle of Sadness), Carey Mulligan (She Said)

Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever

Runner-Up: Jamie Lee Curtis, Everything Everywhere All at Once

BEST SUPPORTING ACTOR

The Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Brendan Gleeson, The Banshees of Inisherin

BEST SCREENPLAY

The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking

Predicted Winner: The Banshees of Inisherin

Runner-Up: Everything Everywhere All at Once

BEST ANIMATED FEATURE

The Nominees: Guillermo del Toro’s Pinocchio, Inu-oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Marcel the Shell with Shoes On

BEST NON-ENGLISH LANGUAGE FILM

The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, Decision to Leave, RRR

Predicted Winner: RRR

Runner-Up: All Quiet on the Western Front

BEST ORIGINAL SCORE

The Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking

Predicted Winner: Women Talking

Runner-Up: The Fabelmans

BEST ORIGINAL SONG

The Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR

Predicted Winner: “Naatu Naatu” from RRR

Runner-Up: “Hold My Hand” from Top Gun: Maverick

That equates to these movies achieving these numbers in terms of wins:

3 Wins

Everything Everywhere All at Once

2 Wins

The Banshees of Inisherin, Elvis, RRR

1 Win

Black Panther: Wakanda Forever, The Fabelmans, Guillermo del Toro’s Pinocchio, Tár, Women Talking

I’ll have a recap up Tuesday night with analysis!

2022 Golden Globes Nominations Reaction

The Hollywood Foreign Press Association, after a controversial couple of years which resulted in no aired telecast for the last ceremony, is moving forward with Jerrod Carmichael hosting the show on NBC in a month. The nominations for the 14 cinematic races were unveiled this morning.

I went 54 for 70 on my picks – an improvement over my previous 2021 performance of 49/70. The big winner: Martin McDonagh’s The Banshees of Inisherin. Its 8 nods led all pictures and landed mentions everywhere it was expected to.

On the flip side, it was a disappointing day for Women Talking. Sarah Polley’s expected Oscar contender managed two nods (Screenplay and Score) and missed out on several races where it was thought to be viable.

Let’s take the competitions one by one with my thoughts, shall we?

Best Motion Picture (Drama)

Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick

How I Did: 4/5

Per above, the surprise here is Women Talking not making the cut. I had it in instead of Avatar (which is proving itself to be a highly likely hopeful for Oscar’s BP derby). While The Fabelmans could be considered a soft frontrunner, I would say everything but Tár has a shot to win.

Best Motion Picture (Musical/Comedy)

Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness

How I Did: 4/5

I went with The Menu over Triangle but the latter’s inclusion was not unexpected. This is almost certainly a battle between Banshees and Everything.

Best Director

Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)

How I Did: 4/5

Like in Best Drama, I went with Women Talking and its maker Sarah Polley instead of James Cameron. Also like that race, Spielberg might be favored but the others could upset the legend.

Best Actress (Drama)

Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)

How I Did: 4/5

Danielle Deadwyler (Till) failing to make the quintet is unexpected as is de Armas’s nod in the Marilyn Monroe biopic (which garnered plenty of poor reviews). You’re going to want to bet on Blanchett in this one.

Best Actor (Drama)

Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)

How I Did: 3/5

Jackman and Pope in over my selections of Tom Cruise (Top Gun: Maverick) and Paul Mescal (Aftersun). Mr. Cruise whiffing is noticeable. Perhaps the HFPA is still salty about him giving back his Globes during the height of their controversies. Elvis is the only picture in this group that received more than 1 nomination and Butler could certainly emerge victorious. So could Fraser.

Best Actress (Musical/Comedy)

Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywher All at Once)

How I Did: 5/5 (!)

This went as anticipated and should continue that way with Yeoh taking the trophy in January.

Best Actor (Musical/Comedy)

Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)

How I Did: 4/5

I went with Tom Hanks (A Man Called Otto) instead of Driver. It doesn’t matter much who the other four gentlemen are. This is Farrell’s to lose.

Best Supporting Actress

Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)

How I Did: 2/5 (ouch)

Supporting Actress has been a head scratcher all year as I’ve done Oscar projections. That proved true today with my poor performance. I went with Hong Chau (The Whale), Claire Foy (Women Talking), and Janelle Monae (Glass Onion) instead of Bassett, de Leon, and Mulligan. I’d say any of these contestants could win in this wide open field.

Best Supporting Actor

Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

How I Did: 3/5

I had Paul Dano (The Fabelmans) and Tom Hanks (yet again for Elvis), but Koeghan and Redmayne made it. Quan is probably out front but I wouldn’t rule Gleeson out.

Best Screenplay

Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking

How I Did: 5/5 (!)

Finally we get something for Women Talking. Yet this race (like Musical/Comedy) is probably either Banshees or Everything.

Best Animated Feature

Nominees: Guillermo del Toro’s Pinocchio, Inu-Oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red

How I Did: 4/5

Inu-Oh is the surprise (I said The Bad Guys instead). Pinocchio is favored but I wouldn’t discount Marcel (which is picking up critics prizes).

Best Foreign Language Film

Nominees: All Quiet on the Western Front, Argentina, 1985, Close, Decision to Leave, RRR

How I Did: 4/5

This could be a fascinating one. I don’t see Argentina or Close winning (which I left out for Bardo). The other 3 could.

Best Original Score

Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking

How I Did: 4/5

This is where I should’ve left Avatar out as Banshees got in instead. This could be a close one and I’m not ready to pick a leader.

Best Original Song

Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR

How I Did: 4/5

Pop superstar Billie Eilish and “Nobody Like U” was left off for pop superstar Taylor Swift and “Carolina”. Don’t be shocked if this comes down to pop superstars Lady Gaga for “Hold My Hand” and Rihanna for “Lift Me Up”.

That means the following features nabbed these numbers in terms of nominations:

8 Nominations

The Banshees of Inisherin

6 Nominations

Everything Everywhere All at Once

5 Nominations

Babylon, The Fabelmans

3 Nominations

Elvis, Guillermo del Toro’s Pinocchio, Tár

2 Nominations

Avatar: The Way of Water, Black Panther Wakanda Forever, Glass Onion: A Knives Out Mystery, The Menu, RRR, Top Gun: Maverick, Triangle of Sadness, Women Talking

1 Nomination

All Quiet on the Western Front, Argentina, 1985, Blonde, Close, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, The Good Nurse, The Inspection, Inu-Oh, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, She Said, The Son, Turning Red, The Whale, Where the Crawdads Sing, White Noise, The Woman King

2022 Golden Globe Nomination Predictions

After a couple years of major controversy, the Hollywood Foreign Press Association’s big shindig is back on your television screens with the 80th Golden Globe Awards. The ceremony honoring the year’s best in film and TV returns to NBC on January 10th and the nominations are out on Monday, December 12th.

Readers of my blog are aware that I update my Oscar predictions every week to two weeks. With the Globes, it’s just one shot. As an aside, I don’t forecast the small screen races.

There are 14 categories to consider. As you may recall, the Globes split Drama and Comedy/Musical for Picture and the lead acting derbies. This is not the case with director or supporting. Furthermore, this ceremony has a sole Screenplay race while the Academy differentiates between original and adapted works.

Let’s get to it! For each competition, I’m also giving you my alternate. On Monday, I’ll have a recap up with my thoughts on the nominations and how I performed.

Best Motion Picture – Drama

Elvis

The Fabelmans

Tár

Top Gun: Maverick

Women Talking

Alternate: Avatar: The Way of Water

Best Motion Picture – Musical or Comedy

Babylon

The Banshees of Inisherin

Everything Everywhere All at Once

Glass Onion: A Knives Out Mystery

The Menu

Alternate: Triangle of Sadness

Best Director

Daniels, Everything Everywhere All at Once

Baz Luhrmann, Elvis

Martin McDonagh, The Banshees of Inisherin

Sarah Polley, Women Talking

Steven Spielberg, The Fabelmans

Alternate: Todd Field, Tár

Best Actress – Drama

Cate Blanchett, Tár

Olivia Colman, Empire of Light

Viola Davis, The Woman King

Danielle Deadwyler, Till

Michelle Williams, The Fabelmans

Alternate: Jennifer Lawrence, Causeway

Best Actor – Drama

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Brendan Fraser, The Whale

Paul Mescal, Aftersun

Bill Nighy, Living

Alternate: Hugh Jackman, The Son

Best Actress – Musical/Comedy

Lesley Manville, Mrs. Harris Goes to Paris

Margot Robbie, Babylon

Anya Taylor-Joy, The Menu

Emma Thompson, Good Luck to You, Leo Grande

Michelle Yeoh, Everything Everywhere All at Once

Alternate: Julia Roberts, Ticket to Paradise

Best Actor – Musical or Comedy

Diego Calva, Babylon

Daniel Craig, Glass Onion: A Knives Out Mystery

Colin Farrell, The Banshees of Inisherin

Ralph Fiennes, The Menu

Tom Hanks, A Man Called Otto

Alternate: Adam Driver, White Noise

Best Supporting Actress

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Claire Foy, Women Talking

Janelle Monae, Glass Onion: A Knives Out Mystery

Alternate: Jessie Buckley, Women Talking

Best Supporting Actor

Paul Dano, The Fabelmans

Brendan Gleeson, The Banshees of Inisherin

Tom Hanks, Elvis

Brad Pitt, Babylon

Ke Huy Quan, Everything Everywhere All at Once

Alternate: Ben Whishaw, Women Talking

Best Screenplay

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Tár

Women Talking

Alternate: Glass Onion: A Knives Out Mystery

Best Animated Motion Picture

The Bad Guys

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Puss in Boots: The Last Wish

Turning Red

Alternate: My Father’s Dragon

Best Foreign Language Motion Picture

All Quiet on the Western Front

Argentina, 1985

Bardo

Decision to Leave

RRR

Alternate: Saint Omer

Best Original Score

Avatar: The Way of Water

Babylon

The Fabelmans

Guillermo del Toro’s Pinocchio

Women Talking

Alternate: The Banshees of Inisherin

Best Original Song

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Hold My Hand” from Top Gun: Maverick

“Lift Me Up” from Black Panther: Wakanda Forever

“Naatu Naatu” from RRR

“Nobody Like U” from Turning Red

Alternate: “Carolina” from Where the Crawdads Sing

And that means I’m projecting the following number of mentions for these pictures:

6 Nominations

The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans

5 Nominations

Babylon, Women Talking

4 Nominations

Elvis

3 Nominations

Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, The Menu, Tár

2 Nominations

RRR, Turning Red, The Whale

1 Nomination

Aftersun, All Quiet on the Western Front, Argentina, 1985, Avatar: The Way of Water, The Bad Guys, Bardo, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, Living, A Man Called Otto, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, Till, The Woman King

Amsterdam Review

David O. Russell’s Amsterdam exasperates more than it fascinates. Opening with the tagline “A lot of this actually happened”, the brief explorations of American history between the World Wars hint at a compelling narrative. Wanting to go down a Wikipedia rabbit hole afterwards doesn’t necessarily make for a gratifying experience.

Dr. Burt Berendsen (Christian Bale) is a member of New York high society through marriage. His snooty in-laws and high maintenance wife (Andrea Riseborough) ship him off to what will become World War I in 1918. Under the command of the kindly Bill Meekins (Ed Begley Jr.), the good doc practices his skills for an all black regiment. They must wear French uniforms since the American forces aren’t integrated. That’s a part that actually happened. Burt makes fast friends with Harold Woodsman (John David Washington). They fight together and are seriously wounded together. Burt is given a glass eye that’s often used for screwball comedy effect. Their injuries introduce them to peculiar nurse Valerie (Margot Robbie), who takes the soldier’s battle scars (such as the metal embedded in their flesh) and turns it into surrealistic art. Burt, Harold, and Valerie form a close bond including the romantic sort for the latter two. The trio live a joyous existence in the title city until Burt returns to the Big Apple. Harold eventually follows suit to become an attorney. The men stay friends and colleagues while Valerie’s whereabouts are unknown.

Fifteen years later, the U.S. is in a depression. Our two New Yorkers have an even more pressing issue. Former war commander Meekins (now a Senator) turns up dead and mysteriously so. His daughter Elizabeth (Taylor Swift, in a performance that will surely generate memes) enlists dad’s former soldiers to investigate. This snooping leads to a vast government conspiracy – some of which falls under the actually happened headline. The case additionally leads them back to Valerie and an all-star cast beyond Bale, Washington, and Robbie.

Chris Rock is a member of the French uniformed clad force. Michael Shannon and Mike Myers are intelligence officers amusingly masquerading as bird experts. Zoe Saldana, in the picture’s most underdeveloped role, helps perform autopsy work and is a potential love interest for Burt. The most intriguing character is General Gill Dillenbeck (Robert De Niro), a combat hero being recruited for fascist propagandist purposes. Russell’s screenplay gives De Niro a noteworthy role to play with (this is the fourth collaboration between them). The legendary actor has done some of his finest 21st century work with the filmmaker.

The political potboiler aspects kick into gear when Dillenbeck pops up for the second half. That’s when Amsterdam improves. The first half feels like Russell’s attempt to do a Wes Anderson or Coen Bros type whimsical comedy and he fails the test. There’s a lot of characters crowding the scene. Rami Malek is an affluent textile magnet with connections to Valerie. Anya Taylor-Joy is his wife, who has a funny fangirl crush on Dillenbeck. Alessandro Nivola and Matthias Schoenaerts are detectives assigned to track the lead trio.

Once Russell gets to what Amsterdam is really about (with some unmistakable current events overtones), I realized lots of these famous faces and subplots could’ve been jettisoned for a more focused approach. Of all the names, Bale (always committed) and De Niro come out best. The director’s eye for the solid material keeps getting dislodged – like Burt’s fake one. This makes it questionable as to whether it’s worth seeing. More of the stuff that actually happened and not the forced whimsy would have been a reasonable start.

**1/2 (out of four)

The Menu Box Office Prediction

Searchlight Pictures is hoping moviegoers check out The Menu when it opens November 18th. Mark Mylod, best known for small screens fare like Game of Thrones and Shameless, directs. The black comedy features a large cast of cooks and diners including Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light, John Leguizamo, Reed Birney, Aimee Carrero, and Arturo Castro.

For the most part, critics like what they were served when this debuted at Toronto. The Rotten Tomatoes score is 88%. That said, The Menu is not generating much awards chatter which could’ve helped in appetizing an older audience.

A debut at or above $10 million would be quite an accomplishment. I don’t think it gets there with $7-9 million being more likely.

The Menu opening weekend prediction: $8.2 million

For my She Said prediction, click here:

Amsterdam Box Office Prediction

David O. Russell’s Amsterdam will need to rely on star power to bring in audiences when it opens October 7th. Considering the middling word-of-mouth and so-so trailers and TV spots, that could be an uphill battle. The comedic mystery is the filmmaker’s first picture since 2015’s Joy. It boasts an impressive cast led by Christian Bale, Margot Robbie, and John David Washington. Other familiar faces include Zoe Saldana, Anya Tayl0r-Joy, Robert De Niro, Chris Rock, Rami Malek, Alessandro Nivola, Mike Myers, Michael Shannon, Taylor Swift, Timothy Olyphant, Andrea Riseborough, and Matthias Schoenaerts.

From 2010-2013, Russell had a trilogy of Oscar and audience friendly titles. The Fighter, in addition to multiple Academy nods, made $93 million domestically. Silver Linings Playbook, in addition to multiple Oscar nods, took in $132 million. American Hustle, in addition to its several award nominations, earned $150 million.

Times have changed. The aforementioned Joy, which drew a more mixed reaction than Russell’s predecessors, grossed $56 million. In the seven years that have followed, the director has been embroiled in some concerning stories about his personal life.

20th Century Studios didn’t bother to screen Amsterdam for the film festival circuit a couple of weeks back. Critical reaction has skewed toward the negative with a 36% Rotten Tomatoes rating. Despite the pedigree, the red lights glowing indicate a high profile flop. This might not manage double digits.

Amsterdam opening weekend prediction: $8.4 million

For my Lyle, Lyle, Crocodile prediction, click here:

Lyle, Lyle, Crocodile Box Office Prediction

Oscar Predictions: Amsterdam

From 2010-13, David O. Russell made three pictures (The Fighter, Silver Linings Playbook, American Hustle) that collectively earned an astonishing 25 Oscar nominations. This included acting wins for Christian Bale, Melissa Leo, and Jennifer Lawrence. The filmmaker himself has yet to receive a gold statue and his previous effort (2015’s Joy) nabbed just 1 Academy nod for its lead Lawrence.

His latest is Amsterdam and the comedic mystery will be lucky to garner any attention during awards season. It was a curious decision when Russell’s first feature in seven years skipped the festival circuit of Venice, Telluride, and Toronto. Now we may know why.

Early reviews for the October 7th release are not encouraging. There’s only a handful of official reviews which show a 20% Rotten Tomatoes rating. Yet we also have plenty of social media reaction claiming this is a high profile disappointment. The impressive cast is led by Bale, Margot Robbie, and John David Washington with tons of other familiar faces including Robert De Niro, Zoe Saldana, Taylor Swift, Anya Taylor-Joy, Rami Malek, Michael Shannon, and Chris Rock (to name some). I wouldn’t expect any to compete in the acting derbies. Bale and De Niro are getting some decent notices, but it shouldn’t matter (maybe Bale could show up at the Globes for Best Actor in a Musical/Comedy if competition is light).

As I see it, Costume Design and/or Production Design are the only possibilities for Amsterdam to be an Academy player. It’s entirely feasible that it won’t show up at all. My Oscar Prediction posts will continue…

Oscar Predictions: The Menu

Mark Mylod’s The Menu is receiving mostly positive orders after premiering in Toronto before its November 18th domestic release. Will awards voters find it appetizing? The black comedy stars Anya Taylor-Joy, Nicholas Hoult, Ralph Fiennes, Hong Chau, Janet McTeer, Judith Light, and John Leguizamo.

The Searchlight Pictures release stands at 89% on Rotten Tomatoes with plenty of critics praising the screenplay. Perhaps the original script from Seth Reiss and Will Tracy could contend. Fiennes, in particular, is being singled out and a Supporting Actor nod is potentially in the mix.

Yet I suspect the Palme d’or winning Ruben Ostlund’s Triangle of Sadness, with its similar subject matter, might achieve Academy attention instead of this. There could be room for both, but I’m uncertain. Where The Menu could make a play is at the Golden Globes in the Musical/Comedy Best Picture derby. That’s also where Taylor-Joy may surface in Best Actress. My Oscar Prediction posts will continue…

The Northman Box Office Prediction

Robert Eggers is an acclaimed director with two critical darlings (The Witch, The Lighthouse) to his credit. His third project is considerably bigger in scale with The Northman, out April 22nd. Budgeted at a rather shocking $90 million, the  Viking epic stars Alexander Skarsgard with a supporting cast including Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Bjork, and Willem Dafoe.

Just like with his first two efforts, reviews are on the side of Eggers with a current 88% Rotten Tomatoes score. Yet I’m not seeing a marketing effort from Focus Features that inspires confidence (especially considering that price tag). The Witch is the director’s largest earner with $25 million. The Lighthouse took in $10 million. This should top both of them domestically, but certainly not by as much as its studio is hoping for.

If something like Ambulance couldn’t manage a gross north of $10 million, I’m skeptical that The Northman will. I realize it’s not an apples to apples comparison, but they’re both action oriented pictures with no nexus to known IP.

Perhaps I’m feeling generous in that I’ll say The Northman manages to barely squeak into double digits (with low confidence).

The Northman opening weekend prediction: $10.3 million

For my The Bad Guys prediction, click here:

The Bad Guys Box Office Prediction

For my The Unbearable Weight of Massive Talent prediction, click here:

The Unbearable Weight of Massive Talent Box Office Prediction

Oscar Predictions: The Northman

To call The Northman a box office gamble is an understatement. This is a fantasy bloodbath about Vikings (budgeted at a reported $90 million) from a filmmaker known for low-budget (though beautifully shot) horror tales. Robert Eggers directs with a cast led by Alexander Skarsgard and supporting players consisting of Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Bjork, and Willem Dafoe. Its Oscar prospects are iffy as well.

Ahead of its April 22nd stateside bow, the review embargo is lifted. Like 2016’s The Witch and 2019’s The Lighthouse (the director’s previous movies), this is garnering solid reviews at 88% currently on Rotten Tomatoes. Whether audiences take to it is yet to be determined.

Critics are particularly praising some of the tech aspects. Costume Design, Production Design, Sound, Visual Effects, and Cinematography could all be in play come awards time. Three years ago, The Lighthouse received a Cinematography nod for Jarin Blaschke and he returns behind the camera. For The Lighthouse, Willem Dafoe likely came close to a Supporting Actor nod. I don’t envision any of the cast vying for acting prizes in the third Eggers effort.

Bottom line: don’t expect The Northman to be up for Best Picture or in other major categories. Down the line races could be another story… or it could just as easily end up like 2021’s The Green Knight and come up empty-handed. My Oscar Prediction posts will continue…