Tag Archives: Kathryn Hahn

2018 Golden Globe Predictions

The Golden Globes, perhaps the biggest precursor of all to the Oscars, unveils their nominees this Thursday as awards prognosticators like me attempt to read tea leaves. As a reminder, the Globes do it a bit differently than the Academy. For Picture and lead acting races, nominees are divided into Drama and Musical/Comedy. Unlike the Oscars, Screenplay is just one category with five pictures, whether they’re original or adapted works.

It should be strong showings for A Star Is Born and The Favourite in particular. Another difference between Globes and Oscar is that foreign features are only honored in their particular category. That’s significant this year as Roma will only be called for Foreign Language Film.

One item to pay attention to – Clint Eastwood’s The Mule. Despite coming out a week from Friday, it has yet to have reviews come out (perhaps this will change by Thursday). If it makes a showing in any of the dramatic races, that could bode well for Oscar attention.

Here are my predictions for the nominees in each category, along with an alternate and a wild card pick. I’ll have my weekly Oscar predictions updated on Thursday and we’ll see if the Globes alter those picks in any way.

Let’s get to it!

Best Motion Picture (Drama)

A Star Is Born

BlacKkKlansman

Black Panther

First Man

If Beale Street Could Talk

Alternate – Can You Ever Forgive Me?

Wild Card – The Mule

Best Motion Picture (Musical/Comedy)

Crazy Rich Asians

The Favourite

Green Book

Mary Poppins Returns

Vice

Alternate – Eighth Grade

Wild Card – Private Life

Best Director

Bradley Cooper, A Star Is Born

Alfonso Cuaron, Roma

Barry Jenkins, If Beale Street Could Talk

Yorgos Lanthimos, The Favourite

Spike Lee, BlacKkKlansman

Alternate – Peter Farrelly, Green Book

Wild Card – Damien Chazelle, First Man

Best Actor (Drama)

Bradley Cooper, A Star Is Born

Willem Dafoe, At Eternity’s Gate

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Rami Malek, Bohemian Rhapsody

Alternate – Clint Eastwood, The Mule

Wild Card – Lucas Hedges, Boy Erased

Best Actress (Drama)

Yalitza Aparicio, Roma

Glenn Close, The Wife

Viola Davis, Widows

Lady Gaga, A Star Is Born

Melissa McCarthy, Can You Ever Forgive Me?

Alternate – Julia Roberts, Ben Is Back

Wild Card – Toni Collette, Hereditary

Best Actor (Musical/Comedy)

Christian Bale, Vice

Lin-Manuel Miranda, Mary Poppins Returns

Viggo Mortensen, Green Book

Robert Redford, The Old Man & The Gun

Nick Robinson, Love, Simon

Alternate – John C. Reilly, Stan & Ollie

Wild Card – Ryan Reynolds, Deadpool 2

Best Actress (Musical/Comedy)

Emily Blunt, Mary Poppins Returns

Olivia Colman, The Favourite

Elsie Fisher, Eighth Grade

Charlize Theron, Tully

Constance Wu, Crazy Rich Asians

Alternate – Regina Hall, Support the Girls

Wild Card – Kathryn Hahn, Private Life

Best Supporting Actor

Mahershala Ali, Green Book

Timothee Chalamet, Beautiful Boy

Adam Driver, BlacKkKlansman

Sam Elliot, A Star Is Born

Richard E. Grant, Can You Ever Forgive Me?

Alternate – Nicholas Hoult, The Favourite

Wild Card – Michael B. Jordan, Black Panther

Best Supporting Actress

Amy Adams, Vice

Claire Foy, First Man

Regina King, If Beale Street Could Talk

Emma Stone, The Favourite

Rachel Weisz, The Favourite

Alternate – Nicole Kidman, Boy Erased

Wild Card – Michelle Yeoh, Crazy Rich Asians

Best Animated Feature Film

Incredibles 2

Isle of Dogs

Mirai

Ralph Breaks the Internet

Spider-Man: Into the Spider-Verse

Alternate – Smallfoot

Wild Card – The Grinch

Best Foreign Language Film

Cold War

Girl

Never Look Away

Roma

Shoplifters

Alternate – Capernaum

Wild Card – I Am Not a Witch

Best Screenplay

A Star Is Born

The Favourite

If Beale Street Could Talk

Roma

Vice

Alternate – Green Book

Wild Card – First Reformed

Best Original Score

BlacKkKlansman

First Man

If Beale Street Could Talk

Mary Poppins Returns

Mary Queen of Scots

Alternate – Widows

Wild Card – Suspiria

Best Original Song

“All the Stars” from Black Panther

“Girl in the Movies” from Dumplin’

“The Place Where Lost Things Go” from Mary Poppins Returns

“The Shallow” from A Star Is Born

“Trip a Little Light Fantastic” from Mary Poppins Returns

Alternate – “I’ll Never Love Again” from A Star Is Born

Wild Card – “A Place Called Slaughter Race” from Ralph Breaks the Internet

And that equates to the following number of nominations for each picture:

6 Nominations

The Favourite

5 Nominations

A Star Is Born, If Beale Street Could Talk, Mary Poppins Returns

4 Nominations

BlacKkKlansman, First Man, Roma, Vice

3 Nominations

Green Book

2 Nominations

Can You Ever Forgive Me?, Crazy Rich Asians

1 Nomination

Black Panther, At Eternity’s Gate, First Reformed, Bohemian Rhapsody, The Wife, Widows, The Old Man & The Gun, Love, Simon, Eighth Grade, Tully, Beautiful Boy, Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, Spider-Man: Into the Spider-Verse, Cold War, Never Look Away, Shoplifters, Mary Queen of Scots

I’ll have reaction up on Thursday with updated Oscar picks later that day!

Gotham Awards Reaction 2018

It’s only mid-October, but the first significant precursor of awards season rolled out nominations today in the form of the Gotham Awards. If you’re not familiar, the Gothams honor independent film in a limited number of categories.

While not as prolific as the Golden Globes or SAG nominations, there has been a correlation with movies and performers nominated here getting Oscar attention. Let’s take a look at the past five Gotham awards nominees and how they matched up with the Academy:

In 2013, 12 Years a Slave was nominated for Best Feature and went on to win the Oscar. In the Best Actor race, eventual Academy winner Matthew McConaughey (Dallas Buyers Club) was victorious here and Chiwetel Ejiofor (Slave) also was nominated for both. Cate Blanchett (Blue Jasmine) was nominated here and went on to win the gold statue. It’s worth noting that the Gothams do not have supporting acting categories (we’ll get to that in a minute).

In 2014, three movies that got Best Picture nods were honored here: Birdman (Oscar winner), Boyhood, and The Grand Budapest Hotel. In the acting races, Michael Keaton (Birdman) and Oscar/Gotham winner Julianne Moore (Still Alice) were included.

For 2015, no Best Actor nominees for the Gothams correlated to Oscars. However, there were actress match-ups with Oscar winner Brie Larson (Room) and Cate Blanchett (Carol). Also – the Gotham and Oscar Best Picture winners were the same – Spotlight.

That happened once again in 2016 as Moonlight won the Oscar and the Gotham. Manchester by the Sea was also nominated for both. Casey Affleck’s work in that film won Best Actor at both ceremonies. For Actress, Natalie Portman as Jackie got double nods.

Last year, two Gotham Film nominees got Best Picture recognition: Call Me by Your Name and Get Out. In Actor, it was Daniel Kaluuya for Get Out as a double recipient. In Actress, same goes for Saoirse Ronan (Lady Bird) and Margot Robbie (I, Tonya). And coming back to the fact that there’s no supporting races, Willem Dafoe received an Actor nomination at the Gothams for The Florida Project while being recognized for Supporting Actor at the Oscars.

So, as you can see, there’s usually some overlap for the two ceremonies. And that brings us to today’s nominees and how I think that overlap will occur this year:

In the Gotham Best Feature race, the nominees are:

The Favourite

First Reformed

If Beale Street Could Talk

Madeline’s Madeline

The River

The average number of Gotham/Oscar film nominees lately has been two and that likely holds true here with The Favourite and If Beale Street Could Talk. The other three are highly unlikely to get Academy recognition.

In the Best Actor race, the nominees are:

Adam Driver, BlacKkKlansman

Ben Foster, Leave No Trace

Richard E. Grant, Can You Ever Forgive Me?

Ethan Hawke, First Reformed

LaKeith Stanfield, Sorry to Bother You

Grant is probably this year’s Willem Dafoe and will be recognized by the Academy in Supporting Actor. Adam Driver falls in the same category, but is more of a long shot. Stanfield is out of the running for Actor at the Oscars, while Foster and Hawke remain possibilities. That said – like 2015 – this could well be a year where there’s no matches.

That is not the case with Actress and the nominees are:

Glenn Close, The Wife

Toni Collette, Hereditary

Kathryn Hahn, Private Life

Regina Hall, Support the Girls

Michelle Pfeiffer, Where is Kyra?

Collette is a possible nominee, but it’s Close that seems a near lock for Oscar attention and a possible win. The others? Not so much.

Finally, a Special Jury prize was initiated that honors the three actresses from The Favourite. That would be Olivia Colman, Emma Stone, and Rachel Weisz and all three could find themselves in the mix at Oscar time. The Gothams did the same jury designation for 2014’s Foxcatcher and 2015’s Spotlight. 

So there you have it! My take on how the Gotham Awards will relate to the biggest awards show of all…

 

Oscar Watch: Private Life

This Friday on Netflix, Private Life debuts. The comedic drama marks the first directorial effort from Tamara Jenkins in over a decade since her acclaimed The Savages in 2007. Paul Giamatti and Kathryn Hahn star as a couple dealing with infertility. Costars include Kayli Carter, Molly Shannon, Denis O’Hare, and John Carroll Lynch.

Life premiered at Sundance way back in January and warm reviews followed. It currently stands at 88% on Rotten Tomatoes. I don’t expect this to be a player in Best Picture or any of the acting races. However, it stands at least a shot at Best Original Screenplay. It could, however, be a long shot.

That category currently has three near sure things (The Favourite, Roma, Green Book), an unseen possibility on the horizon (Vice), and other contenders like Eighth Grade and The Ballad of Buster Scruggs. In its favor is that Jenkins was recognized here before for The Savages.

Bottom line: the only chance at a nod for Private Life is Original Screenplay. It’s unlikely, but not out of the realm of possibility.

My Oscar Watch posts will continue…

Hotel Transylvania 3: Summer Vacation Box Office Prediction

Adam Sandler’s animated franchise is back in theaters next weekend when Hotel Transylvania 3: Summer Vacation debuts. The Sony Pictures series moves to the summer season after its first two entries managed to set records in the month of September. While its star’s live-action efforts have gone the Netflix route, part 3 looks to score with family audiences in a more crowded marketplace than the parts I and II went up against.

Genndy Tartakovsky is back in the director’s chair. Besides Sandler, returning voices include Andy Samberg, Selena Gomez, Kevin James, David Spade, Steve Buscemi, Keegan-Michael Key, Molly Shannon, Fran Drescher, Mel Brooks and newcomers Kathryn Hahn and Jim Gaffigan.

As mentioned, kids and their parents have been receptive to this 3D monster mash on two occasions. In September 2012, the original premiered to $42.5 million with eventual domestic earnings of $148 million. That set the all-time largest debut for that month. Three years later, Hotel Transylvania 2 opened in September 2015 and made $48.4 out of the gate to break the month’s record held by its predecessor. It ended up at $169 million. The series held the 1-2 September spot until last year when It obliterated the record.

When it comes to competition for eyeballs, Incredibles 2 should be winding down though still grossing in the mid to possibly high teens. Marvel’s AntMan and the Wasp will only be in its second weekend and likely going strong. That said, Transylvania has proven itself before and I imagine it too will manage a low to mid 40s start even with the change of seasons. By doing so, that should put it in line for the #1 spot over AntMan and the debut of Dwayne Johnson’s Skyscraper.

Hotel Transylvania 3: Summer Vacation opening weekend prediction: $43.6 million

For my Skyscraper prediction, click here:

https://toddmthatcher.com/2018/07/03/skyscraper-box-office-prediction/

A Bad Moms Christmas Movie Review

2016’s Bad Moms took its concept of three frazzled matriarchs letting loose and rode that wave to high box office bucks. As far as its quality, I felt it was a rather mediocre exercise that often unsuccessfully blended raunchy with pathos. Yet moviegoers turned out so now we have A Bad Moms Christmas, in which it turns out the bad moms from part 1 all have questionable ones themselves.

Our original trio is feeling the natural stress that comes from holiday planning. Amy (Mila Kunis), Kiki (Kristen Bell), and Carla (Kathryn Hahn) decide to throw caution to the wind and not go crazy with the season’s headaches… other than the ones that their drunken mall trip hangovers might induce. Circumstances are altered when their mamas turn up. Christine Baranski is Amy’s control freak mom, Cheryl Hines is Kiki’s super clingy mom, and Susan Sarandon is Carla’s wild and distant mom.

The week leading to Christmas gives all three subplots time for arguments and making up, as well as Santa stripping shows and bonding over butthole waxing. That’s about as deep as we get from writer/directors Scott Moore and Jon Lucas, who are once again tasked with creating a shallow and surface level comedic dive into the female psyche.

A Bad Moms Christmas doesn’t go full throttle with its cartoonish aspects and doesn’t earn the attempted sentimentality it tries toward the end. What’s left is a sequel with less laughs than the first and the bar wasn’t exactly high. Among the cast, Hines comes off the best because she’s at least convincing as she apes daughter Bell’s look and mannerisms.

It’s tough for comedy sequels to succeed because most of them aren’t planned and feel rushed to capitalize on the success of what came before. This is yet another example.

*1/2 (out of four)

A Bad Moms Christmas Box Office Prediction

Last summer, Bad Moms was a breakout comedy that earned $23 million in its first weekend and went on to gross $113 million domestically. STXfilms has wasted no time in capitalizing with holiday themed sequel A Bad Moms Christmas, which opens next Wednesday. Mila Kunis, Kristen Bell, and Kathryn Hahn are back and this time around it’s their moms joining the mix in the form of Christine Baranski, Cheryl Hines, and Susan Sarandon. Jon Lucas and Scott Moore are back handling directorial duties.

The quick turn-around on this follow-up likely means sequelitis will not creep in. Christmas could well serve as smart counter programming for females to the weekend’s giant release that is Thor: Ragnarok. The Wednesday debut will also give it a bit of a head start.

Due to the five-day roll out, the sequel may not quite match the $23 million achieved in its predecessor’s opening weekend. Yet it may get over that number in the Wednesday to Sunday earnings. I’ll estimate a high teens to low 20s premiere for the traditional weekend with mid to high 20s for the entire frame.

A Bad Moms Christmas opening weekend prediction: $18.7 million (Friday to Monday), $26.2 million (Wednesday to Sunday)

For my Thor: Ragnarok prediction, click here:

https://toddmthatcher.com/2017/10/24/thor-ragnarok-box-office-prediction/

 

 

Bad Moms Movie Review

The Wolf Pack of The Hangover came from the minds of writers Jon Lucas and Scott Moore and it kicked off a male-centric trilogy of frequent hilarity (at least the first one) where bros could be wild bros. This same duo now tries to do the same with frazzled and overworked matriarchs in Bad Moms and the result is considerably more hit and miss. We don’t know the answer to this question, but perhaps if this pic had been penned by an actual mom, this may have been more insightful. As it stands, this is an often generic and frequently blander than it should be experience punctuated by occasional real laughs.

Amy (Mila Kunis) is a do everything and overworked mother of two with a husband not pulling his weight. When she catches him internet cheating and sends him packing, her already jam-packed agenda just expands. She finds a kindred spirit in Kiki (Kristen Bell) whose own hubby is lackadaisical in his duties and a free spirit in single mom Carla (Kathryn Hahn), who has a hands off approach with her teenager. Together, they form their own pack, rebelling against their kids school’s militant PTA leader Gwendolyn (Christina Applegate). It culminates with Amy challenging her for the next PTA election.

Bad Moms makes it point early – that youngsters today are too micro managed and coddled and that too much is often expected of them in class. The items of prohibited ingredients for the bake sale reads like a list of pretty much every one there is. The central trio here stick it to the (wo)man with their changed parenting style and learn that sometimes it works and sometimes it doesn’t. Kind of like this movie.

Since this is from the dudes responsible for The Hangover, there is a bit of raunch to go with a surprising amount of blandness. The cast is all just peachy, but no one particularly stands out (Bell’s character is pretty under written, truth be told). Hahn is a talent and she’s essentially given the Melissa McCarthy Bridesmaids part, even getting to give a big ole pep talk at one point. There is a romantic subplot between Amy and a single dad (Jay Hernandez) that doesn’t really warrant much attention.

Will Moms look at Bad Moms as a satisfactory excursion away from their crazy lives? I’m sure some will, but this never rose above a level of mediocrity for this non-parent. And if you say maybe you have to be a Mom to get it, remind yourself that it wasn’t written by one.

** (out of four)