A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:
In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.
Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.
Let’s begin with a reminder of each winner since 1990:
1990 – Dances with Wolves
1991 – The Silence of the Lambs
1992 – Unforgiven
1993 – Schindler’s List
1994 – Forrest Gump
1995 – Braveheart
1996 – The English Patient
1997 – Titanic
1998 – Shakespeare in Love
1999 – American Beauty
2000 – Gladiator
2001 – A Beautiful Mind
2002 – Chicago
2003 – Lord of the Rings: Return of the King
2004 – Million Dollar Baby
2005 – Crash
2006 – The Departed
2007 – No Country for Old Men
2008 – Slumdog Millionaire
2009 – The Hurt Locker
2010 – The King’s Speech
2011 – The Artist
2012 – Argo
2013 – 12 Years a Slave
2014 – Birdman
2015 – Spotlight
2016 – Moonlight
2017 – The Shape of Water
We start with my three least surprising winners:
3. Lord of the Rings: Return of the King (2003)
Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.
2. Titanic (1997)
James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.
1. Schindler’s List (1993)
Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.
Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.
3. Moonlight (2016)
La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.
2. Shakespeare in Love (1998)
All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.
1. Crash (2005)
Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.
And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.
For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.
And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.