Tag: Tessa Thompson

2021 Oscar Predictions: September 19th Edition

Thanks to the Toronto Film Festival, we have a new #1 atop the charts in Best Picture and it’s Kenneth Branagh’s Belfast. 

The coming-of-age drama won the festival’s People’s Choice Award and that is no minor development. 12 of the past 13 victors have received a BP nod. Five of them have won. And that’s enough to allow Belfast the designation of soft frontrunner (with lots of time to go and lots yet to be seen). However, the fact of the matter is, you have to go back to 2006’s The Departed to find a BP winner that didn’t screen at one of the higher profile festivals.

The Power of the Dog was a runner-up for the People’s Choice prize and it slides just one spot. Director Jane Campion  maintains top billing in her category.

There are further developments to point out:

    • King Richard is back in my top 10 BP projections edging out The Humans. The Will Smith sports drama also enters Original Screenplay over C’Mon C’Mon.
    • Paul Thomas Anderson (Licorice Pizza) is in for Best Director over Ridley Scott for House of Gucci.
    • The praise for Jessica Chastain in The Eyes of Tammy Faye is enough to put her at #2 in Actress. It’s not enough to dislodge Kristen Stewart (Spencer) from her ruling perch. I will admit that the subpar box office grosses for Faye this weekend doesn’t help, but I’m relatively confident at this juncture that she’s in.
    • The revolving door that is slot #5 in Best Actor lands on Joaquin Phoenix (C’Mon C’Mon) over Bradley Cooper (Nightmare Alley).
    • Big changes in Supporting Actor as Jamie Dornan (Belfast) and Jared Leto (House of Gucci) are in. Dropping are Dornan’s costar Ciaran Hinds and Kodi Smit-McPhee (The Power of the Dog).
    • While the Supporting Actress five stays intact, I’ve vaulted Ann Dowd (Mass) back to the top spot.

By this time next Sunday, we will know the buzz for Joel Coen’s The Tragedy of Macbeth as it opens the New York Film Festival this Friday. Stay tuned for my Oscar Predictions post on that next weekend.

You can peruse all the action below and the forecasts will be updated next Sunday!

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 4) (+3)

2. The Power of the Dog (PR: 1) (-1)

3. Nightmare Alley (PR: 2) (-1)

4. Dune (PR: 5) (+1)

5. House of Gucci (PR: 3) (-2)

6. Licorice Pizza (PR: 7) (+1)

7. The Tragedy of Macbeth (PR: 6) (-1)

8. West Side Story (PR: 8) (E)

9. Don’t Look Up (PR: 9) (E)

10. King Richard (PR: 12) (+2)

Other Possibilities:

11. The Humans (PR: 10) (-1)

12. Spencer (PR: 15) (+3)

13. CODA (PR: 11) (-2)

14. Mass (PR: 14) (E)

15. The Hand of God (PR: 13) (-2)

16. Flee (PR: 17) (+1)

17. The French Dispatch (PR: 16) (-1)

18. Tick, Tick… Boom! (PR: 19) (+1)

19. A Hero (PR: 18) (-1)

20. The Lost Daughter (PR: 20) (E)

21. C’Mon C’Mon (PR: 24) (+3)

22. Being the Ricardos (PR: 22) (E)

23. Cyrano (PR: 23) (E)

24. Passing (PR: 21) (-3)

25. Parallel Mothers (PR: 25) (E)

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Guillermo del Toro, Nightmare Alley (PR: 2) (E)

3. Kenneth Branagh, Belfast (PR: 4) (+1)

4. Denis Villeneuve, Dune (PR: 3) (-1)

5. Paul Thomas Anderson, Licorice Pizza (PR: 6) (+1)

Other Possibilities:

6. Ridley Scott, House of Gucci (PR: 5) (-1)

7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)

8. Steven Spielberg, West Side Story (PR: 8) (E)

9. Adam McKay, Don’t Look Up (PR: 9) (E)

10. Pablo Larrain, Spencer (PR: 11) (+1)

11. Paolo Sorrentino, The Hand of God (PR: 10) (-1)

12. Jonas Poher Rasmussen, Flee (PR: 13) (+1)

13. Reinaldo Marcus Green, King Richard (PR: Not Ranked)

14. Asghar Farhadi, A Hero (PR: 14) (E)

15. Stephen Karam, The Humans (PR: 12) (-3)

Dropped Out:

Wes Anderson, The French Dispatch

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)

3. Lady Gaga, House of Gucci (PR: 2) (-1)

4. Penelope Cruz, Parallel Mothers (PR: 4) (E)

5. Olivia Colman, The Lost Daughter (PR: 5) (E)

Other Possibilities:

6. Jennifer Hudson, Respect (PR: 6) (E)

7. Cate Blanchett, Nightmare Alley (PR: 7) (E)

8. Rachel Zegler, West Side Story (PR: 9) (+1)

9. Nicole Kidman, Being the Ricardos (PR: 8) (-1)

10. Renate Reinsve, The Worst Person in the World (PR: 13) (+3)

11. Jennifer Lawrence, Don’t Look Up (PR: 12) (+1)

12. Emilia Jones, CODA (PR: 10) (-2)

13. Jodie Comer, The Last Duel (PR: 11) (-2)

14. Halle Berry, Bruised (PR: 15) (+1)

15. Tessa Thompson, Passing (PR: 14) (-1)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)

4. Peter Dinklage, Cyrano (PR: 4) (E)

5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)

Other Possibilities:

6. Bradley Cooper, Nightmare Alley (PR: 5) (-1)

7. Adam Driver, House of Gucci (PR: 7) (E)

8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)

9. Andrew Garfield, Tick, Tick… Boom! (PR: 10) (+1)

10. Clifton Collins, Jr., Jockey (PR: 9) (-1)

11. Nicolas Cage, Pig (PR: 11) (E)

12. Ben Foster, The Survivor (PR: Not Ranked)

13. Jude Hill, Belfast (PR: Not Ranked)

14. Cooper Hoffman, Licorice Pizza (PR: Not Ranked)

15. Amir Jadidi, A Hero (PR: 12) (-3)

Dropped Out:

Adam Driver, Annette

Filippo Scott, The Hand of God

Simon Rex, Red Rocket

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass (PR: 2) (+1)

2. Caitriona Balfe, Belfast (PR: 3) (+1)

3. Kirsten Dunst, The Power of the Dog (PR: 1) (-2)

4. Ariana DeBose, West Side Story (PR: 5) (+1)

5. Jayne Houdyshell, The Humans (PR: 4) (-1)

Other Possibilities:

6. Frances McDormand, The Tragedy of Macbeth (PR: 6) (E)

7. Aunjanue Ellis, King Richard (PR: 8) (+1)

8. Rooney Mara, Nightmare Alley (PR: 10) (+2)

9. Toni Collette, Nightmare Alley (PR: 9) (E)

10. Judi Dench, Belfast (PR: 11) (+1)

11. Marlee Matlin, CODA (PR: 7) (-4)

12. Meryl Streep, Don’t Look Up (PR: 12) (E)

13. Martha Plimpton, Mass (PR: 14) (+1)

14. Ruth Negga, Passing (PR: 13) (-1)

15. Dakota Johnson, The Lost Daughter (PR: 15) (E)

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (PR: 1) (E)

2. Richard Jenkins, The Humans (PR: 2) (E)

3. Jamie Dornan, Belfast (PR: 7) (+4)

4. Jason Isaacs, Mass (PR: 5) (+1)

5. Jared Leto, House of Gucci (PR: 6) (+1)

Other Possibilities:

6. Kodi Smit-McPhee, The Power of the Dog (PR: 4) (-2)

7. Corey Hawkins, The Tragedy of Macbeth (PR: 8) (+1)

8. Ciaran Hinds, Belfast (PR: 3) (-5)

9. Mark Rylance, Don’t Look Up (PR: 10) (+1)

10. Jesse Plemons, The Power of the Dog (PR: 9) (-1)

11. Willem Dafoe, Nightmare Alley (PR: 12) (+1)

12. David Alvarez, West Side Story (PR: 13) (+1)

13. Troy Kotsur, CODA (PR: 11) (-2)

14. Andrew Garfield, The Eyes of Tammy Faye (PR: Not Ranked)

15. Reed Birney, Mass (PR: Not Ranked)

Dropped Out:

Timothy Spall, Spencer

Benny Safdie, Licorice Pizza

Best Original Screenplay

Predicted Nominees:

1. Belfast (PR: 1) (E)

2. Licorice Pizza (PR: 2) (E)

3. Don’t Look Up (PR: 3) (E)

4. Mass (PR: 4) (E)

5. King Richard (PR: 6) (+1)

Other Possibilities:

6. C’Mon C’Mon (PR: 5) (-1)

7. Spencer (PR: 7) (E)

8. The Hand of God (PR: 9) (+1)

9. The French Dispatch (PR: 8) (-1)

10. A Hero (PR: 12) (+2)

11. Parallel Mothers (PR: 10) (-1)

12. The Worst Person in the World (PR: 13) (+1)

13. Being the Ricardos (PR: 11) (-2)

14. Last Night in Soho (PR: 14) (E)

15. Annette (PR: Not Ranked)

Dropped Out:

Blue Bayou

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. Nightmare Alley (PR: 2) (E)

3. The Humans (PR: 3) (E)

4. House of Gucci (PR: 4) (E)

5. The Lost Daughter (PR: 5) (E)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 6) (E)

7. Dune (PR: 7) (E)

8. CODA (PR: 8) (E)

9. West Side Story (PR: 9) (E)

10. Passing (PR: 10) (E)

11. Cyrano (PR: 11) (E)

12. Tick, Tick… Boom! (PR: 12) (E)

13. The Last Duel (PR: 13) (E)

14. The Green Knight (PR: 15) (+1)

15. In the Heights (PR: Not Ranked)

Dropped Out:

The Eyes of Tammy Faye

2021 Oscar Predictions: September 12th Edition

With the Venice and Telluride Film Festivals having just wrapped and Toronto going strong, there are fresh updates to my Oscar predictions in every category but Director!

Of course, the big question from the past week might be: Will a movie with the word “pizza” in it finally get a Best Picture nomination? That’s more possible than ever since Paul Thomas Anderson’s latest (which had the working title Soggy Bottom) is now apparently called Licorice Pizza. It makes perfect sense if you research the setting.

It’ll be a while before we know how much of a contender that one actually is.   There is some movement based on actual buzz and it starts with Stephen Karam’s The Humans, which has screened at Toronto. I believe it could make the BP cut and I’ve got it in. I’m also returning West Side Story to the top ten. Dropping out are CODA and King Richard, though either could certainly find themselves back in the mix.

In other developments:

    • Penelope Cruz’s Venice win for Best Actress gets her back in the top five. Falling out is Jennifer Hudson for Respect.
    • I now have Bradley Cooper as a double nominee. In addition to him maintaining the top spot in Supporting Actor for Pizza (that’s gonna take some getting used to), he’s listed in Actor for Nightmare Alley. He takes the place of Adam Driver in House of Gucci. 
    • With category placement still in flux for certain pics, I’ve chosen to put the ensemble for Belfast all in supporting. That means Caitriona Balfe is in for Supporting Actress over her costar Judi Dench. I’m also elevating Jayne Houdyshell (The Humans) and dropping Marlee Matlin (CODA). Furthermore, I have Frances McDormand moved to supporting from lead and she sits just on the outside at #6. Kirsten Dunst takes over the #1 position over Ann Dowd in Mass.
    • Jamie Dornan (Belfast) also enters the competition in supporting instead of lead, but he’s not in my five. There is one change: Jason Isaacs (Mass) over Jared Leto (House of Gucci).
    • C’Mon C’Mon gets the 5th slot in Original Screenplay over Spencer. And Belfast is now listed first instead of Pizza. 
    • In Adapted Screenplay, The Humans and The Lost Daughter make the cut over The Tragedy of Macbeth and CODA. The latter did not have a good week as you can see (dropping out of Picture, Supporting Actress, and here).

We are mere hours away from knowing whether Jessica Chastain (The Eyes of Tammy Faye) deserves her #3 placement in Actress. Those developments and more will be available when I update next Sunday. Until then, you can peruse all the movement below!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 1)

2. Nightmare Alley (PR: 3)

3. House of Gucci (PR: 2)

4. Belfast (PR: 4)

5. Dune (PR: 6)

6. The Tragedy of Macbeth (PR: 5)

7. Licorice Pizza (PR: 7) – formerly Soggy Bottom

8. West Side Story (PR: 11)

9. Don’t Look Up (PR: 8)

10. The Humans (PR: 14)

Other Possibilities:

11. CODA (PR: 10)

12. King Richard (PR: 9)

13. The Hand of God (PR: 17)

14. Mass (PR: 12)

15. Spencer (PR: 13)

16. The French Dispatch (PR: 19)

17. Flee (PR: 16)

18. A Hero (PR: 15)

19. Tick, Tick… Boom! (PR: 20)

20. The Lost Daughter (PR: Not Ranked)

21. Passing (PR: 24)

22. Being the Ricardos (PR: 22)

23. Cyrano (PR: 18)

24. C’Mon C’Mon (PR: 25)

25. Parallel Mothers (PR: 23)

Dropped Out:

The Last Duel

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1)

2. Guillermo del Toro, Nightmare Alley (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Kenneth Branagh, Belfast (PR: 5)

5. Ridley Scott, House of Gucci (PR: 4)

Other Possibilities:

6. Paul Thomas Anderson, Licorice Pizza (PR: 6)

7. Joel Coen, The Tragedy of Macbeth (PR: 7)

8. Steven Spielberg, West Side Story (PR: 10)

9. Adam McKay, Don’t Look Up (PR: 8)

10. Paolo Sorrentino, The Hand of God (PR: 15)

11. Pablo Larrain, Spencer (PR: 9)

12. Stephen Karam, The Humans (PR: Not Ranked)

13. Jonas Poher Rasmussen, Flee (PR: 13)

14. Asghar Farhadi, A Hero (PR: 11)

15. Wes Anderson, The French Dispatch (PR: Not Ranked)

Dropped Out:

Reinaldo Marcus Green, King Richard

Sian Heder, CODA

Best Actress

Predicted Nominees:

1. Kristin Stewart, Spencer (PR: 1)

2. Lady Gaga, House of Gucci (PR: 2)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)

4. Penelope Cruz, Parallel Mothers (PR: 6)

5. Olivia Colman, The Lost Daughter (PR: 4)

Other Possibilities: 

6. Jennifer Hudson, Respect (PR: 5)

7. Cate Blanchett, Nightmare Alley (PR: 11)

8. Nicole Kidman, Being the Ricardos (PR: 10)

9. Rachel Zegler, West Side Story (PR: 15)

10. Emilia Jones, CODA (PR: 13)

11. Jodie Comer, The Last Duel (PR: 8)

12. Jennifer Lawrence, Don’t Look Up (PR: 12)

13. Renate Reinsve, The Worst Person in the World (PR: 14)

14. Tessa Thompson, Passing (PR: Not Ranked)

15. Halle Berry, Bruised (PR: Not Ranked)

Dropped Out:

Frances McDormand, The Tragedy of Macbeth (moved to Supporting Actress)

Caitriona Balfe, Belfast (moved to Supporting Actress)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2)

3. Denzel Washington, The Tragedy of Macbeth (PR: 3)

4. Peter Dinklage, Cyrano (PR: 5)

5. Bradley Cooper, Nightmare Alley (PR: 8)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

7. Adam Driver, House of Gucci (PR: 4)

8. Leonardo DiCaprio, Don’t Look Up (PR: 6)

9. Clifton Collins, Jr., Jockey (PR: 9)

10. Andrew Garfield, Tick, Tick… Boom! (PR: 10)

11. Nicolas Cage, Pig (PR: 12)

12. Amir Jadidi, A Hero (PR: 13)

13. Filippo Scott, The Hand of God (PR: Not Ranked)

14. Simon Rex, Red Rocket (PR: Not Ranked)

15. Adam Driver, Annette (PR: 14)

Dropped Out:

Jamie Dornan, Belfast (moved to Supporting)

Javier Bardem, Being the Ricardos 

Best Supporting Actress

Predicted Nominees:

1. Kirsten Dunst, The Power of the Dog (PR: 2)

2. Ann Dowd, Mass (PR: 1)

3. Caitriona Balfe, Belfast (PR: Not Ranked – moved from lead)

4. Jayne Houdyshell, The Humans (PR: 6)

5. Ariana DeBose, West Side Story (PR: 5)

Other Possibilities:

6. Frances McDormand, The Tragedy of Macbeth (PR: Not Ranked – moved from lead)

7. Marlee Matlin, CODA (PR: 4)

8. Aunjanue Ellis, King Richard (PR: 7)

9. Toni Collette, Nightmare Alley (PR: 8)

10. Rooney Mara, Nightmare Alley (PR: 12)

11. Judi Dench, Belfast (PR: 3)

12. Meryl Streep, Don’t Look Up (PR: 10)

13. Ruth Negga, Passing (PR: 9)

14. Martha Plimpton, Mass (PR: 11)

15. Dakota Johnson, The Lost Daughter (PR: Not Ranked)

Dropped Out:

Nina Arianda, Being the Ricardos

Olga Merediz, In the Heights

Jessie Buckley, The Lost Daughter 

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (PR: 1)

2. Richard Jenkins, The Humans (PR: 4)

3. Ciaran Hinds, Belfast (PR: 3)

4. Kodi Smit-McPhee, The Power of the Dog (PR: 2)

5. Jason Isaacs, Mass (PR: 6)

Other Possibilities:

6. Jared Leto, House of Gucci (PR: 5)

7. Jamie Dornan, Belfast (PR: Not Ranked – moved from lead)

8. Corey Hawkins, The Tragedy of Macbeth (PR: 7)

9. Jesse Plemons, The Power of the Dog (PR: 8)

10. Mark Rylance, Don’t Look Up (PR: 9)

11. Troy Kotsur, CODA (PR: 13)

12. Willem Dafoe, Nightmare Alley (PR: 10)

13. David Alvarez, West Side Story (PR: Not Ranked)

14. Timothy Spall, Spencer (PR: Not Ranked)

15. Benny Safdie, Licorice Pizza (PR: Not Ranked)

Dropped Out:

Reed Birney, Mass

Simon Helberg, Annette

J.K. Simmons, Being the Ricardos

Adam Driver, The Last Duel

Best Original Screenplay

Predicted Nominees:

1. Belfast (PR: 2)

2. Licorice Pizza (PR: 1)

3. Don’t Look Up (PR: 3)

4. Mass (PR: 4)

5. C’Mon C’Mon (PR: 10)

Other Possibilities:

6. King Richard (PR: 6)

7. Spencer (PR: 5)

8. The French Dispatch (PR: 9)

9. The Hand of God (PR: 11)

10. Parallel Mothers (PR: 7)

11. Being the Ricardos (PR: 12)

12. A Hero (PR: 8)

13. The Worst Person in the World (PR: 13)

14. Last Night in Soho (PR: Not Ranked)

15. Blue Bayou (PR: 14)

Dropped Out:

Annette

Best Adapted Screenplay 

Predicted Nominees:

1. The Power of the Dog (PR: 1)

2. Nightmare Alley (PR: 2)

3. The Humans (PR: 6)

4. House of Gucci (PR: 3)

5. The Lost Daughter (PR: 7)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 4)

7. Dune (PR: 8)

8. CODA (PR: 5)

9. West Side Story (PR: 12)

10. Passing (PR: 11)

11. Cyrano (PR: 10)

12. Tick, Tick… Boom! (PR: 13)

13. The Last Duel (PR: 9)

14. The Eyes of Tammy Faye (PR: 14)

15. The Green Knight (PR: 15)

2021 Oscars: A Mid-Year Report

We have somehow reached the midpoint of 2021 and that means it is time to take stock in the Oscar contenders that have been released or screened so far. In short, we are talking about fairly slim pickings.

That is not rare. The bulk of the Best Picture nominees are typically unveiled between September-December of a given year (or in the case of 2020 – January or February of 2021 as well). For the previous Academy Awards, not one of the 8 BP contenders were distributed in the first half of the year. However, 3 of them (The Father, Sound of Metal, Promising Young Woman) premiered at the Sundance Film Festival in January 2020. Another (Sound of Metal) was screened all the way back in September 2019 during Toronto’s festival.

As a reminder, Oscar rules were altered moving forward starting with next year’s ceremony. There will be a fixed number of 10 BP nominees (thank goodness). As I see it, the 2021 Sundance Fest gave us three potential hopefuls in the big race: Sian Heder’s Coda, Rebecca Hall’s Passing, and Fran Kranz’s Mass. 

Coda and Mass, in particular, seem like real possibilities. The former, in addition to a Picture nod, could see itself as a contender for Emilia Jones in Actress and Marlee Matlin in Supporting Actress. The latter sports a quarter of performers (Jason Isaacs, Martha Plimpton, Ann Dowd, Reed Birney) that could find themselves in the mix. Passing, while more of a long shot for BP, features Tessa Thompson and Ruth Negga and they will likely be campaigning.

How about movies that didn’t go the Sundance route? The obvious one is In the Heights from Jon M. Chu. The musical garnered glowing reviews when it premiered in theaters and on HBO Max last month. However, its surprisingly lackluster box office grosses may hinder its chances. Time will tell.

There are already three released animated features that could make the final five: The Mitchells vs. the Machines, Luca, and Raya and the Last Dragon. I think the first two have strong chances while Raya is more of a question mark. Flee, which screened at Sundance, was critically hailed and it could find itself competing here and in Documentary Feature.

As for other docs, keep an eye out for Summer of Saul (which actually releases tomorrow) and Roadrunner: A Film About Anthony Bourdain.

And when we look at below the line categories, there’s Cruella. Costume Design and Makeup and Hairstyling are two derbies where it could not only be nominated, but prevail. I also wouldn’t completely count out Coming 2 America for the same categories. The Sound race is open for A Quiet Place Part II. Godzilla vs. Kong is a hopeful in Visual Effects.

Bottom line: expect nearly all of 2021’s Best Picture players to see their release dates in the next six months. At least two could come from Sundance with Heights hoping its box office fall doesn’t sink its chances.

Oscar Watch: Passing

Rebecca Hall is known for her many performances including Vicky Cristina Barcelona, The Town, Iron Man 3, and The Gift, among others. At this year’s Sundance Film Festival, she’s made her directorial debut with Passing. Based on a 1929 novel by Nella Larsen, the drama pairs Tessa Thompson and Ruth Negga as mixed race friends navigating the tensions of the times. Costars include Andre Holland, Alexander Skarsgard, and Bill Camp.

Early critical reaction includes some raves with particular attention to the work of its leads. The Rotten Tomatoes score currently sits at 79%. Based on the buzz, there’s little question that Passing will score a streaming or studio pickup in short order. It’s also likely that whoever distributes this will mount an awards campaign.

What that will look like is in question. Some reviews have singled out Negga’s performance, who nabbed a Best Actress nomination in 2016 for Loving. It is feasible that both Thompson and Negga could both be campaigned for in the lead race, but a shift to Negga in Supporting Actress could increase the chance for exposure.

The current reviews indicate this could be a long shot for Best Picture or Director consideration. However, a well constructed push by its distributor may change that dynamic. Bottom line: Passing is worth keeping an eye on in 2021 and especially with Negga. My Oscar Watch posts will continue…

 

Daily Streaming Guide: March 29th Edition

The Streaming Guide today starts with a bold picture that defies genre explanation from 2018 and it’s currently available on Hulu:

Sorry to Bother You is one of the most audacious directorial debuts in recent memory from  Boots Riley, most known for his contributions to the world of hip hop. It is a daring race relations comedy and drama with an unmistakable point of view on capitalism. Sorry is also a romance, a tale of unions, and it manages to somehow incorporate science fiction elements with human and horse hybrids. That’s right… if you’re looking for something wholly original to view, this fits the bill. The cast includes Lakeith Stanfield, Tessa Thompson, Armie Hammer, and Danny Glover.

For my second pic (also via Hulu), I turn to 2017’s I, Tonya. From Craig Gillespie, it recounts the sordid saga of the 1994 Winter Olympics attack on figure skater Nancy Kerrigan. Margot Robbie earned an Oscar nod for her portrayal of rival Tonya Harding and Allison Janney took Supporting Actress gold as her wildly eccentric mother. Seek out ESPN’s 30 for 30 doc about the subject and watch I, Tonya as an added bonus.

And that does it for today, folks! Until next time…

Men in Black: International Movie Review

You won’t need one of those neuralyzer doohickeys to forget Men in Black: International, which extends the rust developed from part two of the franchise on. Will Smith has moved on from this series to dealing with aliens in Netflix pics and being the man in blue in Disney remakes. Tommy Lee Jones has retired as well. So the Marvel Cinematic duo of Chris Hemsworth and Tessa Thompson from Thor: Ragnarok don the sunglasses in this reboot. Their chemistry was better with the MCU team and that movie had a funnier alien in the guise of Jeff Goldblum.

Hemsworth is the hunky Agent H, top operative at the U.K. MiB branch run by Liam Neeson’s High T. Thompson is essentially a fangirl of the super secretive force who’s been aware of their existence since childhood. She recruits herself to the suit and is assigned by Emma Thompson’s Agent O (reprising her Men in Black 3 part) to travel overseas and partner with her Thor. The plot involves stopping a nasty species that goes by the Hive. One of the baddies is an arms dealer played by Rebecca Ferguson that had an inter species love affair with H. Some of the other villains are kept secret for most of the running time, though you’ll see it coming from a galactic mile away. And there’s Kumail Nanjiani voicing the CG creation Pawny. He gets in a few mildly amusing lines.

F. Gary Gray has taken over directorial duties from Barry Sonnenfeld and he doesn’t have to top a high bar of its predecessors. 1997’s original was a fun summer blockbuster melding science fiction and comedy with genuine chemistry from the two leads. I struggle to recall anything about the first sequel. #3 was a slight improvement if only for Josh Brolin’s uncanny impression of a young Tommy Lee Jones.

I doubt many have much of an affinity for this franchise beyond what came 22 years ago. And while International does indeed trot the globe from Paris to London and Morocco and New York to Italy, it mostly feels flat.

** (out of four)

Men in Black: International Box Office Prediction

The Men in Black are back onscreen for the first time in seven years, but they look a lot different this time around. Subtitled International, this is a sequel/reboot of the franchise that ruled the summer 22 years ago. Will Smith and Tommy Lee Jones are nowhere to be found. Instead it’s Marvel Cinematic Universe and Thor: Ragnarok stars Chris Hemsworth and Tessa Thompson in the lead roles with F. Gary Gray taking over directorial duties from Barry Sonnenfeld. The supporting cast includes Rebecca Ferguson, Kumail Nanjiani, Rafe Spall, Liam Neeson, and Emma Thompson (reprising her role from 2012’s MIB3).

Despite its two stars being part of this season’s behemoth Avengers: Endgame, audiences might be skeptical to revisit a two decade old series that they identified with Smith (currently headlining the hit Aladdin). Comparing the opening grosses of the MIB trilogy that preceded it is tricky. All three opened over holiday weekends with the first two over July 4th and the third over Memorial Day weekend. Their traditional Friday to Sunday grosses were consistent in the low to mid 50s. When factoring in the extra holiday additions, parts one and two got into the 80s with #3 nearing $70 million. It’s worth mentioning that each entry earned less domestically overall than the previous one.

Men in Black: International, holiday or no holiday, looks bound for the lowest premiere yet in the franchise. I’ll say low 30s.

Men in Black: International opening weekend prediction: $30.7 million

For my Shaft prediction, click here:

https://toddmthatcher.com/2019/06/06/shaft-box-office-prediction/

For my Late Night prediction, click here:

https://toddmthatcher.com/2019/06/09/__trashed/

For my The Dead Don’t Die prediction, click here:

https://toddmthatcher.com/2019/06/09/the-dead-dont-die-box-office-prediction/

Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

Oscar Watch – Avengers: Endgame

Last year, Marvel’s Black Panther became the first comic book pic to score a Best Picture nomination. While it didn’t win, it took home three gold trophies from its seven nods. This weekend, box office records are highly likely to break with the release of Avengers: Endgame. The 22nd MCU title had its review embargo lift hours ago… try to your best to avoid spoilers.

The verdict? A 98% Rotten Tomatoes score thus far. Some critics are going as far as saying it’s the best overall entry in the massive franchise. Others write ups, while positive, don’t go that far. One thing seems certain as Endgame is classified as an epic experience.

Could lightning strike two years in a row for Marvel with Academy voters? Here’s the advantage: this fourth Avengers saga is seen as the culmination of not just its three predecessors, but also the many other pictures MCU blockbusters over the past 11 years. That lifts its chances for recognition as Oscar could see this as an “atta boy” for the whole series.

That said, I’m doubtful. The first three Avengers flicks garnered a grand total of two nominations. The 2012 original and last year’s Infinity War both received Visual Effects nods. Neither won. The middle child (2015’s Age of Ultron) got no love. Last year, Disney was undoubtedly more focused on getting Black Panther recognition and they succeeded. In 2019, they could put together a more robust campaign for Endgame.

A third calling in Visual Effects is probably inevitable, but anything else from the Academy is questionable and maybe even doubtful. Yet I wouldn’t totally count out some Disney marketing campaign magic. My Oscar Watch posts will continue…

Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $285 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $289.6 million