Oscar Predictions – Minions: The Rise of Gru

Illumination Entertainment will rule the Fourth of July weekend at the box office when Minions: The Rise of Gru hits theaters on July 1st. This is the fifth entry in the franchise that began a dozen summers back with Despicable Me and the first in five years.

Some early reviews are out and they’re mostly indicating it’s a decent if unspectacular chapter of the series. With 67% on Rotten Tomatoes, that’s higher than the two previous pics – 2015’s Minions (55%) and 2017’s Despicable Me 3 (59%). Of course, Gru‘s number will soon rise or fall as more critics weigh in.

2010’s Despicable Me (81%) and its 2013 sequel (75%) fared better, but only part two received awards attention. It was nominated for Best Animated Feature and Original Song with Pharrell’s inescapable “Happy”. Due to Disney’s Frozen and the equally omnipresent “Let It Go”, it lost both.

Based on early buzz, I see no path for Gru to find its way to the Animated Feature derby. My Oscar Prediction posts will continue…

Minions: The Rise of Gru Box Office Prediction

Illumination and Universal Pictures should light up the Fourth of July weekend at the box office with Minions: The Rise of Gru. The sequel to the 2015 spinoff prequel and the fifth overall entry in the Despicable Me franchise, Kyle Balda directs with Steve Carell returning to voice the title character. Other performers in the booth include Pierre Coffin, Taraji P. Henson, Michelle Yeoh, RZA, Jean-Claude Van Damme, Lucy Lawless, Dolph Lundgren, Danny Trejo, Russell Brand, Julie Andrews, and Alan Arkin. How’s that for eclectic? I’m pretty sure this marks the first collaboration between Van Damme and Andrews.

This series has proved to be a financial windfall for its studio. All four previous pics have made over $250 million domestically. Minions took in $115 million out of the gate seven summers back with $336 million overall. Immediate predecessor Despicable Me 3 from 2017, while still a hit, wasn’t as high. It premiered with $72 million and ended up with $264 million.

Three years was previously the longest wait between films. The five year gap is a bit risky as some of its fans are simply older. We’ve also seen a very recent example of an animated disappointment with Pixar’s Lightyear. 

That said, I suspect Gru will rise to the occasion with a four-day holiday haul in the $75-85 million range. I’m starting out on the lower end of that scale, but my estimate could go up in the days ahead.

Minions: The Rise of Gru opening weekend prediction: $78.4 million (Friday to Monday estimate)

Summer 2010: The Top 10 Hits and More

Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:



This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:


Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.


Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

Oscar Watch: The Grinch

Over the weekend, Illumination Entertainment’s The Grinch dominated the box office with a mid 60s debut. The animated pic continues a string of pleasing grosses for the studio that houses the lucrative Despicable Me/Minions franchise.

Could that mean The Grinch finds its way into the mix for Best Animated Feature at the Oscars? It’s doubtful. For starters, reviews have been mixed as it currently sits at 55% on Rotten Tomatoes. The race is also filling up with Incredibles 2 and Isle of Dogs with probable reserved spots and the upcoming Ralph Breaks the Internet looking to nab one. I feel that other wide release pics like Early Man and Smallfoot could also be potential contenders.

Most importantly, while Illumination produces blockbusters, that success hasn’t translated into nominations. Only Despicable Me 2 got one, with better reviewed titles like The Secret Life of Pets and other Despicable efforts left out.

Bottom line: the studio’s Grinch reward will come from its earnings and not awards ceremonies. My Oscar Watch posts will continue…

The Grinch Box Office Prediction

Blogger’s Note: on the eve of its premiere, I’m giving this a bump from $56.4 million to $63.4 million

Illumination Entertainment’s The Grinch looks to be a profitable one when it hits theaters next weekend. The animated take on the Dr. Seuss classic features the voice of Benedict Cumberbatch as the grumpy Christmas hating character. Other voice over work is provided by Cameron Seely, Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Scott Mosier and Yarrow Cheney (who co-directed Illumination’s The Secret Life of Pets) are the filmmakers.

In 2000, the live-action version of this tale with Jim Carrey was a massive smash for Universal (Illumination’s parent company). There has been plenty of family pics over the last couple of months and The Grinch will get plenty more competition in following weekends. Both Fantastic Beasts: The Crimes of Grindelwald and Ralph Breaks the Internet are on deck.

That said, Illumination has had an impressive track record during this decade with the Despicable Me/Minions franchise and Pets. This is their first foray into the month of November, but plenty of other studios have planted their animated flag into the same time frame. In 2012, Wreck-It Ralph took in $49 million for its start. Two years later, Big Hero 6 made $56 million. In 2015, The Peanuts Movie started with $44 million and Trolls premiered to $46 million a year later. Yet the best comp could end up being 2000’s How the Grinch Stole Christmas, which bowed to $55 million. I’ll put it just over that as this Grinch looks to leg out well throughout the holiday season.

The Grinch opening weekend prediction: $63.4 million

For my The Girl in the Spider’s Web prediction, click here:


For my Overlord prediction, click here:


Box Office Predictions: July 7-9

There’s only one new major release this weekend hitting multiplexes, but it’s a big one in the form of Spider-Man: Homecoming. This is the third iteration of the beloved web slinger with Tom Holland inheriting the tights after his cameo in Captain America: Civil War. You can peruse my detailed prediction post on it here:


Spidey should easily rule the charts this weekend and my prediction puts it a couple million above what the original accomplished 15 years ago.

As for holdovers, Despicable Me 3 had a somewhat disappointing debut (more on that below) and I look for it to lose nearly half its audience in the sophomore frame.

Baby Driver, on the other hand, was quite a breakout hit and word of mouth is strong. Its drop-off shouldn’t be as pronounced. Wonder Woman and Transformers look to round out the top five.

And with that, my top 5 projections for the weekend ahead:

1. Spider-Man: Homecoming

Predicted Gross: $117.8 million

2. Despicable Me 3

Predicted Gross: $36.3 million (representing a drop of 49%)

3. Baby Driver

Predicted Gross: $13.6 million (representing a drop of 34%)

4. Wonder Woman

Predicted Gross: $9.9 million (representing a drop of 37%)

5. Transformers: The Last Knight

Predicted Gross: $7 million (representing a drop of 58%)

Box Office Results (June 30-July 2)

Illumination Entertainment’s Despicable Me 3 earned an estimated $72.4 million, which easily placed it first. However, this was easily $10 million below most of the lowest guesstimates. I projected a higher haul at $88.7M.

Edgar Wright’s critically acclaimed Baby Driver greatly exceeded expectations with a $20.5 million Friday to Sunday gross and a cool $29.5 million since its Wednesday opening. This blew away my respective predictions of $10.9M and $15.8M and proved that audiences are hungry for programming in the summer that isn’t a sequel or reboot.

Transformers: The Last Knight slipped to third with $16.8 million (in line with my $17.4M forecast) for a $102M total.

Wonder Woman was close behind in fourth with $15.7 million (I said $14.5M) to bring its massive earnings to $346M.

Cars 3 rounded out the top five with $9.6 million (I was higher at $12.1M) for a $120M overall gross.

The poorly reviewed Will Ferrell/Amy Poehler comedy The House was DOA in sixth place, earning only $8.7 million for its start (I said $13.8M).

Finally, Sofia Coppola’s The Beguiled expanded its theater count and took in $3.1 million compared to my $3.8M prediction.

And that does it for now, folks! Until next time…

Despicable Me 3 Box Office Prediction

Illumination Entertainment’s blockbuster animated franchise is back on screen next weekend as Despicable Me 3 debuts. The series returns the voices of Steve Carell and Kristin Wiig, as well as Trey Parker, Steve Coogan, Julie Andrews, and Jenny Slate.

The Despicable flicks began in 2010 when the original debuted to $56 million and a $251 million eventual domestic haul. The 2013 sequel reached higher with an $83 million premiere (8th largest animated opening ever) and $368 million overall. Two summers ago, the spin-off Minions opened to an amazing $115 million (good for 3rd animated debut all-time) and $336 million overall.

Will part 3 continue the upward swing as far as openings go? Probably not. As I see it, kids and their folks will still come out in droves.  Illumination would love to see this open with the $104 million achieved by last summer’s The Secret Life of Pets and it’s certainly possible. However, I foresee a start roughly on par with part 2 and maybe a bit higher. My forecast gives it the 8th biggest animated opening, supplanting its predecessor.

Despicable Me 3 opening weekend prediction: $88.7 million

For my The House prediction, click here:


For my Baby Driver prediction, click here:


For my The Beguiled prediction, click here:


Sing Box Office Prediction

Illumination Entertainment has become a force in the animated world with huge hits including the Despicable Me franchise, spin-off Minions, and this summer’s The Secret Life of Pets.

They’re back at it again looking for a Christmas cash in with 3D animated musical Sing. The $75 million production should have no trouble bringing in kids and their parents over the holiday season. Singing animals is usually a decent formula for a blockbuster and this should be a strong #2 to the second weekend of Rogue One. There’s plenty of recognizable faces behind their characters including Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, John C. Reilly, Taron Egerton, and Nick Kroll.

I’ll predict Sing takes in high 40s during the long holiday weekend while reaching mid 60s when you include its Wednesday debut.

Sing opening weekend prediction: $55.3 million (Friday to Monday), $74.1 million (Wednesday to Monday)

For my Passengers prediction, click here:


For my Assassin’s Creed prediction, click here:


For my Why Him? prediction, click here:


For my Fences prediction, click here:


Top 25 Highest Grossing Actresses of All Time (10-6)

We have now reached Top Ten of the Top 25 Highest Grossing Actresses in box office history.

And now, numbers 10-6 before we reach our finale tomorrow…

10. Jennifer Lawrence

Career Earnings: $2.3 billion

Franchises: The Hunger Games, X-Men

Highest Grossing Picture: The Hunger Games: Catching Fire (2013) – $424 million

Number of $100M+ Earners: 9 (The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, X-Men: First Class, X-Men: Days of Future Past, X-Men: Apocalypse, Silver Linings Playbook, American Hustle)

Lowest Grosser: Garden Party (2008) – $10,000

Overall Rank: 57

9. Anne Hathaway

Career Earnings: $2.3 billion

Franchises: The Princess Diaries, Rio, Alice in Wonderland

Highest Grossing Picture: The Dark Knight Rises (2012) – $448 million

Number of $100M+ Earners: 10 (The Princess Diaries, The Devil Wears Prada, Get Smart, Valentine’s Day, Alice in Wonderland, Rio, The Dark Knight Rises, Les Miserables, Rio 2, Interstellar)

Lowest Grosser: Song One (2015) – $32,000

Overall Rank: 52

8. Sandra Bullock

Career Earnings: $2.4 billion

Franchises: Speed, Miss Congeniality

Highest Grossing Picture: Minions (2015) – $336 million

Number of $100M+ Earners: 8 (Minions, Gravity, The Blind Side, The Proposal, The Heat, Speed, A Time to Kill, Miss Congeniality)

Lowest Grosser: Who Shot Patakango? (1992) – $2,000

Overall Rank: 47

7. Emma Watson

Career Earnings: $2.6 billion

Franchises: Harry Potter

Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 (2011) – $381 million

Number of $100M+ Earners: 10 (Harry Potter and the Sorcerer’s Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, This is the End, Noah)

Lowest Grosser: Colonia (2016) – $15,000

Overall Rank: 32

6. Elizabeth Banks

Career Earnings: $2.7 billion

Franchises: Hunger Games, Pitch Perfect

Highest Grossing Picture: The Hunger Games: Catching Fire (2013) – $424 million

Number of $100M+ Earners: 8 (The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, The LEGO Movie, Pitch Perfect 2, Seabiscuit, The 40 Yr. Old Virgin

Lowest Grosser: Ordinary Sinner (2003) – $4,000

Top 5 manana!


Todd’s Weekly Oscar Predictions: January 1st Edition

Happy New Year, loyal blog readers!!

We begin 2016 with my weekly Oscar predictions leading up to nominations being announced on January 14th. This will mean I’ll have two more posts prognosticating on what and who will be nominated (one on Friday the 8th and one likely the day before the announcements).

A couple of quick notes on various races:

  • There is considerable speculation as to whether Rooney Mara will be nominated in the category of Best Actress or Supporting Actress for her work in Carol. So far, I’ve speculated a nomination for her in the latter. Today, I am changing it to the former.
  • Same goes for Alicia Vikander in The Danish Girl, but I’m keeping her in Supporting Actress for now. There is also speculation that her nod could come for Ex Machina and not Danish Girl.
  • The historic box office performance of Star Wars: The Force Awakens is increasing its shot at a Best Picture nomination. I’ve still got it on the outside looking in, but don’t be shocked if that changes in the coming days.

And with that, here’s my weekly predictions that list all possibilities for each race and how they’ve fluctuated since Christmas Day:

Best Picture

  1. Spotlight (No Change)
  2. Room (No Change)
  3. The Big Short (+2)
  4. Mad Max: Fury Road (+2)
  5. Carol (-2)
  6. The Martian (+1)
  7. The Revenant (-3)
  8. Brooklyn (No Change)
  9. Bridge of Spies (No Change)

Other Possibilities:

10. Star Wars: The Force Awakens (+8)

11. Inside Out (-2)

12. The Hateful Eight (No Change)

13. Straight Outta Compton (-2)

14. Beasts of No Nation (-1)

15. Son of Saul (+2)

16. Steve Jobs (No Change)

17. Creed (-2)

18. Sicario (+1)

19. Trumbo (-5)

20. The Danish Girl (No Change)

21. Anomalisa (Previously Unranked)


Best Director

  1. Tom McCarthy, Spotlight (No Change)
  2. George Miller, Mad Max: Fury Road (No Change)
  3. Ridley Scott, The Martian (+1)
  4. Alejandro Gonzalez Inarritu, The Revenant (-1)
  5. Todd Haynes, Carol (No Change)

Other Possibilities:

6. Adam McKay, The Big Short (+1)

7. Lenny Abrahamson, Room (-1)

8. Steven Spielberg, Bridge of Spies (No Change)

9. Quentin Tarantino, The Hateful Eight (No Change)

10. Laszlo Nemes, Son of Saul (+3)

11. J.J. Abrams, Star Wars: The Force Awakens (+4)

12. John Crowley, Brooklyn (-2)

13. Cary Fukanaga, Beasts of No Nation (-2)

14. Ryan Coogler, Creed (-2)

DROPPED OUT: F. Gary Gray, Straight Outta Compton


Best Actor

  1. Leonardo DiCaprio, The Revenant (No Change)
  2. Michael Fassbender, Steve Jobs (No Change)
  3. Eddie Redmayne, The Danish Girl (No Change)
  4. Matt Damon, The Martian (+1)
  5. Bryan Cranston, Trumbo (-1)

Other Possibilities:

6. Johnny Depp, Black Mass (No Change)

7. Will Smith, Concussion (No Change)

8. Steve Carell, The Big Short (No Change)

9. Michael Caine, Youth (+1)

10. Ian McKellen, Mr. Holmes (-1)

11. Michael B. Jordan, Creed (No Change)

12. Tom Hanks, Bridge of Spies (No Change)

13. Geza Rohrig, Son of Saul (No Change)


Best Actress

  1. Brie Larson, Room (No Change)
  2. Saoirse Ronan, Brooklyn (No Change)
  3. Cate Blanchett, Carol (No Change)
  4. Rooney Mara, Carol (Previously Unranked In This Category)
  5. Jennifer Lawrence, Joy (-1)

Other Possibilities:

6. Charlotte Rampling, 45 Years (-1)

7. Charlize Theron, Mad Max: Fury Road (-1)

8. Blythe Danner, I’ll See You In My Dreams (-1)

9. Helen Mirren, Woman in Gold (No Change)

DROPPED OUT: Sarah Silverman, I Smile Back

WHAT’S CHANGED – In: Mara. Out: Rampling.

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies (No Change)
  2. Sylvester Stallone, Creed (No Change)
  3. Idris Elba, Beasts of No Nation (No Change)
  4. Christian Bale, The Big Short (No Change)
  5. Michael Shannon, 99 Homes (+1)

Other Possibilities:

6. Michael Keaton, Spotlight (-1)

7. Mark Ruffalo, Spotlight (+1)

8. Tom Hardy, The Revenant (+1)

9. Paul Dano, Love and Mercy (-2)

10. Jacob Tremblay, Room (+1)

11. Benicio del Toro, Sicario (-1)

WHAT’S CHANGED – In: Shannon. Out: Keaton.

Best Supporting Actress

  1. Jennifer Jason Leigh, The Hateful Eight (+3)
  2. Kate Winslet, Steve Jobs (+1)
  3. Alicia Vikander, The Danish Girl (-2)
  4. Helen Mirren, Trumbo (+1)
  5. Joan Allen, Room (+4)

Other Possibilities:

6. Rachel McAdams, Spotlight (+1)

7. Jane Fonda, Youth (-1)

8. Alicia Vikander, Ex Machina (Previously Unranked)

9. Kristen Stewart, Clouds of Sils Maria (-1)

10. Elizabeth Banks, Love and Mercy (No Change)

WHAT’S CHANGED – In: Allen. Out: Rooney Mara (moved to Best Actress)

Best Original Screenplay

  1. Spotlight (No Change)
  2. Inside Out (No Change)
  3. The Hateful Eight (No Change)
  4. Bridge of Spies (No Change)
  5. Ex Machina (No Change)

Other Possibilities:

6. Straight Outta Compton (No Change)

7. Love and Mercy (+2)

8. 99 Homes (-1)

9. Son of Saul (-1)

10. Sicario (No Change)

11. Joy (Previously Unranked)



Best Adapted Screenplay

  1. The Big Short (+1)
  2. Room (+1)
  3. Carol (-2)
  4. Steve Jobs (No Change)
  5. Brooklyn (No Change)

Other Possibilities:

6. The Martian (No Change)

7. The Revenant (+2)

8. Beasts of No Nation (-1)

9. Anomalisa (+1)

10. Trumbo (-2)

11. Creed (+2)

12. The Danish Girl (No Change)

13. Mad Max: Fury Road (-2)


Best Animated Feature

  1. Inside Out (No Change)
  2. Anomalisa (No Change)
  3. Shaun the Sheep Movie (+1)
  4. The Peanuts Movie (+1)
  5. Kahlil Gabran’s The Prophet (-2)

Other Possibilities:

6. The Good Dinosaur (No Change)

7. When Marnie Was There (No Change)

8. Minions (Previously Unranked)


Best Cinematography

  1. The Revenant (No Change)
  2. The Hateful Eight (+1)
  3. Mad Max: Fury Road (-1)
  4. Sicario (No Change)
  5. Bridge of Spies (+3)

Other Possibilities:

6. The Martian (No Change)

7. Son of Saul (-2)

8. Carol (-1)

9. Star Wars: The Force Awakens (Previously Unranked)

DROPPED OUT: In the Heart of the Sea

WHAT’S CHANGED – In: Bridge of Spies. Out: Son of Saul.

Best Editing

  1. Mad Max: Fury Road (+1)
  2. The Revenant (+2)
  3. Spotlight (-2)
  4. The Martian (+2)
  5. Steve Jobs (No Change)

Other Possibilities:

6. Sicario (Previously Unranked)

7. The Big Short (-4)

8. Bridge of Spies (-1)

9. The Hateful Eight (-1)

10. Star Wars: The Force Awakens (No Change)

11. Carol (Previously Unranked)

12. Room (-3)

WHAT’S CHANGED – In: The Martian. Out: The Big Short.

Best Production Design

  1. Carol (No Change)
  2. The Danish Girl (No Change)
  3. Mad Max: Fury Road (No Change)
  4. Bridge of Spies (+1)
  5. The Hateful Eight (+2)

Other Possibilities:

6. Cinderella (No Change)

7. Brooklyn (-3)

8. The Revenant (+1)

9. Star Wars: The Force Awakens (-1)

10. Far from the Madding Crowd (Previously Unranked)

11. MacBeth (-1)

DROPPED OUT: The Martian

WHAT’S CHANGED – In: The Hateful Eight. Out: Brooklyn.

Best Costume Design

  1. Carol (+1)
  2. The Danish Girl (-1)
  3. Cinderella (No Change)
  4. Brooklyn (No Change)
  5. Far from the Madding Crowd (+3)

Other Possibilities:

6. The Hateful Eight (+1)

7. Mad Max: Fury Road (-2)

8. MacBeth (+1)

9. The Revenant (+1)

10. Suffragette (-4)

11. Star Wars: The Force Awakens (Previously Unranked)

WHAT’S CHANGED – In: Far from the Madding Crowd. Out: Mad Max: Fury Road.

Best Makeup and Hairstyling

  1. Mad Max: Fury Road (No Change)
  2. The Revenant (+4)
  3. Black Mass (+1)

Other Possibilities:

4. Concussion (Previously Unranked)

5. Mr. Holmes (+2)

6. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (Previously Unranked)

7. Legend (Previously Unranked)

DROPPED OUT: The Danish Girl, Carol, Star Wars: The Force Awakens (these top seven finalists indicated above have now been announced)

WHAT’S CHANGED – In: The Revenant, Black Mass. OUT: The Danish Girl, Carol

Best Sound Mixing

  1. Mad Max: Fury Road (No Change)
  2. Star Wars: The Force Awakens (No Change)
  3. The Revenant (No Change)
  4. The Martian (No Change)
  5. Sicario (+1)

Other Possibilities:

6. The Hateful Eight (-1)

7. In the Heart of the Sea (No Change)

8. Jurassic World (No Change)

WHAT’S CHANGED – In: Sicario. Out: The Hateful Eight.

Best Sound Editing

  1. Mad Max: Fury Road (No Change)
  2. The Revenant (No Change)
  3. Star Wars: The Force Awakens (+1)
  4. The Martian (-1)
  5. In the Heart of the Sea (No Change)

Other Possibilities:

6. Sicario (No Change)

7. The Hateful Eight (No Change)

8. Jurassic World (No Change)


Best Visual Effects

  1. Mad Max: Fury Road (+1)
  2. Star Wars: The Force Awakens (-1)
  3. The Martian (No Change)
  4. Jurassic World (No Change)
  5. Ex Machina (+3)

Other Possibilities:

6. In the Heart of the Sea (-1)

7. The Walk (-1)

8. Everest (Previously Unranked)

9. The Revenant (-2)

WHAT’S CHANGED – In: Ex Machina. Out: In the Heart of the Sea.

Best Original Score

  1. The Hateful Eight (No Change)
  2. Bridge of Spies (No Change)
  3. Carol (+1)
  4. Star Wars: The Force Awakens (-1)
  5. The Danish Girl (No Change)

Other Possibilities:

6. Spotlight (No Change)

7. Steve Jobs (+1)

8. Inside Out (+1)

9. Mad Max: Fury Road (-2)

10. The Revenant (Previously Unranked)


Best Original Song

  1. “Til It Happens to You” from The Hunting Ground (No Change)
  2. “See You Again” from Furious 7 (+1)
  3. “So Long” from Concussion (-1)
  4. “Simple Song #3” from Youth (+1)
  5. “Earned It” from Fifty Shades of Grey (-1)

Other Possibilities:

6. “Writing’s on the Wall” from Spectre (+1)

7. “Love Me Like You Do” from Fifty Shades of Grey (-1)

DROPPED OUT: “I’ll See You In My Dreams” from I’ll See You in My Dreams


And there you have it – my latest Oscar predictions and first post of 2016!