Tag: Jane Austen

October 23-25 Box Office Predictions

**Blogger’s Update (10/21): I didn’t do an individual post for Wicker with Olivia Colman, but with the news that it is debuting on over 1400 screens, my $4.9 million puts it in fifth place on my chart.

Clayface from the DC Universe was, until very recently, expected to easily rule the box office charts this weekend. That may be challenged from a previously unanticipated source. We also have Laika Animation’s critically acclaimed Wildwood and Taika Waititi’s far from acclaimed sci-fi dramedy Klara and the Sun starring Jenna Ortega premiering. You can peruse my detailed prediction posts on the newcomers here:

Clayface Box Office Prediction
Wildwood Box Office Prediction
Klara and the Sun Box Office Prediction

Clayface could gross high teens for a floor to possibly mid to high 20s in the best case scenario. My estimate puts it right in the middle of the range in the low 20s. That’s far from impressive but not too shabby considering its reported $40 million budget.

As mentioned, that figure was thought to be enough to give it bragging rights at #1. Then You Can See Everything happened. Nathan Fielder and Lance Oppenheim’s documentary about imprisoned Theranos founder Elizabeth Holmes exceeded all expectations with a sizzling #2 debut on 855 screens (more on its opening below). It is slated to grow to around 2600 venues this weekend. I think the word-of-mouth could mean a low to mid 20s output in its sophomore frame. That means I’m giving it the edge for the top spot.

Wildwood, despite glowing reviews, may fall under $10 million for a fourth place start. As for Klara, my meager $2.3 million guesstimate might mean it struggles to even make the top 10.

Current champ Street Fighter should be third with a low 60s percentage fall while holdovers Sense and Sensibility, Whalefall, and Other Mommy all post similar grosses.

Here’s how I see it all shaking out:

1. You Can See Everything

Predicted Gross: $23.8 million

2. Clayface

Predicted Gross: $22 million

3. Street Fighter

Predicted Gross: $11.6 million

4. Wildwood

Predicted Gross: $7.2 million

5. Wicker

Predicted Gross: $4.9 million

6. Sense and Sensibility

Predicted Gross: $4.2 million

7. Other Mommy

Predicted Gross: $3.9 million

8. Whalefall

Predicted Gross: $3.7 million

Box Office Results (October 16-18)

Video game based Street Fighter kicked off in line with expectations at $30.7 million for first, managing to outdo my $24.5 million take. I look for it to fade quickly.

A24 nailed down the second highest non-concert documentary opening in history behind 2004’s Fahrenheit 9/11 with You Can See Everything. With over $18k per screen, the doc (which no one knew existed until it surprise screened at Telluride) was runner-up with $15.6 million. That’s well beyond my $8.9 million prediction as its future looks rosy.

Other Mommy dropped to third with $8.2 million (a 70% plummet) compared to my $9.1 million call. The horror flick with Jessica Chastain sits at $44 million after two weeks.

Survival tale Whalefall flopped in fourth with $7.8 million, in line with my $8.2 million projection. Mixed reviews helped sink it.

Sense and Sensibility rounded out the top five with a respectable $7.2 million, ahead of my $5.3 million forecast. The latest Jane Austen adaptation may hold up fairly in subsequent weekends.

Finally, Verity was sixth with $6 million (I said $5.9 million) as the romantic thriller brought its three-week tally to $65 million.

And that does it for now, folks! Until next time…

October 16-18 Box Office Predictions

A quartet of newcomers step into the box office ring this weekend. Video game adaptation Street Fighter looks to lead the pack while survival tale Whalefall, acclaimed documentary You Can See Everything, and the latest adaptation of Jane Austen’s Sense and Sensibility jockey for position in the top five. You can peruse my detailed prediction posts on them here:

Street Fighter Box Office Prediction
Whalefall Box Office Prediction
You Can See Everything Box Office Prediction
Sense and Sensibility Box Office Prediction

Arriving 32 years after the Jean-Claude Van Damme version was a considerable bomb, Street Fighter should fare better with a decent if unspectacular mid 20s start. That should easily give it a first place finish.

Whalefall features Resident Evil lead Austin Abrams stuck in the belly of a sperm whale and I have it logging a so-so fourth place start in the high single digits.

You Can See Everything is the major question mark. It made a splash at the Telluride Film Festival and the covering of Theranos founder Elizabeth Holmes before she entered prison should generate eyeballs. The challenge is that I’ve yet to see a screen count. My higher single digits estimate could put in anywhere from 2nd to 4th depending on the Other Mommy drop.

Jessica Chastain’s horror flick opened in line with expectations (more on that below) but poor reviews and a dreadful D+ Cinemascore grade could spell a mid to high 60s percentage decline in weekend #2.

Sense and Sensibility doesn’t seem to have significant buzz and my mid single digits take should have it rounding out the top six just behind Verity‘s third frame.

Here’s how I see it shaking out:

1. Street Fighter

Predicted Gross: $24.5 million

2. Other Mommy

Predicted Gross: $9.1 million

3. You Can See Everything

Predicted Gross: $8.9 million

4. Whalefall

Predicted Gross: $8.2 million

5. Verity

Predicted Gross: $5.9 million

6. Sense and Sensibility

Predicted Gross: $5.3 million

Box Office Results (October 9-11)

Audiences were hungry for horror despite a critical drubbing as Other Mommy brought in $27.8 million, on pace with my $27.2 million prediction. As mentioned, even with genre fans craving scares, this should fade quickly.

Verity dropped to second with $12 million, just under my $13.1 million call. The thriller with Anne Hathaway and Dakota Johnson eased 63% for a two-week total of $54 million.

Resident Evil was third in its fourth frame with $8.5 million compared to my $7.8 million projection. This video game adaptation grew to $138 million.

Heart of the Beast took fourth with $7.4 million (I said $6.6 million) as the Brad Pitt survival tale hit $50 million after three weeks.

Finally, Aaron Sorkin’s The Social Reckoning tanked in fifth with $5 million. Taking in just a quarter of what 2010 predecessor The Social Network achieved out of the gate, the tech drama couldn’t match my $7.4 million number.

And that does it for now, folks! Until next time…

Sense and Sensibility Box Office Prediction

Georgia Oakley’s Sense and Sensibility is the latest update to Jane Austen’s 215-year-old novel and it arrives stateside on October 16th. The director’s follow-up to the acclaimed British debut Blue Jean, Daisy Edgar-Jones and Esmé Creed-Miles lead the cast with supporting turns from Caitriona Balfe, Frank Dillane, Herbert Nordrum, George MacKay, and Fiona Shaw.

The romantic drama is the first major retelling of the source material since Ang Lee’s rendering in 1995 with Emma Thompson and Kate Winslet. It was an awards hit with seven Oscar noms including Best Picture. The box office was strong with just over $40 million domestically and $135 million worldwide.

While reviews are respectful for Oakley’s take, they’re not as glowing as what preceded it three decades ago. Rotten Tomatoes is at 78% with 72 on Metacritic. This is not expected to be a significant Oscar player and that could have assisted with increased word-of-mouth.

I imagine the most dedicated Austen faithful will turn up and that could mean mid single digits.

Sense and Sensibility opening weekend prediction: $5.3 million

For my Street Fighter prediction, click here:

Street Fighter Box Office Prediction

For my Whalefall prediction, click here:

Whalefall Box Office Prediction

For my You Can See Everything prediction, click here:

You Can See Everything Box Office Prediction

Oscar Predictions: Sense and Sensibility

In 1995, Ang Lee’s take on Jane Austen’s early 19th-century novel Sense and Sensibility picked up seven Oscar nominations including Best Picture, Actress (Emma Thompson), and Supporting Actress (Kate Winslet). It would win Adapted Screenplay for Emma Thompson’s treatment of the source material.

Over two decades later, Georgia Oakley (director of 2022’s acclaimed Blue Jean) is making her version with Daisy Edgar-Jones and Esmé Creed-Miles playing the respective roles that Thompson and Winslet were up for. Costars include Caitriona Balfe, Frank Dillane, Herbert Nordrum, George MacKay, and Fiona Shaw. It hits U.K. venues this Friday with the U.S. premiere on October 16th.

Reviews are calling this a mostly successful retelling of Austen’s work with 82% on Rotten Tomatoes and a 73 Metacritic. The general consensus seems to be that it doesn’t match what Lee and Thompson accomplished. However, if the box office is strong, I could see it at least being a possibility in the same major races as 1995’s Sense. This includes Edgar-Jones in lead Actress though I feel Creed-Miles has a better chance in Supporting Actress (which is a bit of a head scratcher competition at the moment).

Tech categories such as Costume Design and Production Design are more likely and it’s entirely possible that this version only pops up there. The score is also getting some shoutouts. My sense at the moment is putting it in BP seems like a bit of a reach. My Oscar Prediction posts will continue…

Oscar Predictions: Persuasion

Adapted from the last novel ever written by Jane Austen, Persuasion streams on Netflix beginning July 15th. British theater vet Carrie Cracknell makes her directorial debut with Dakota Johnson headlining the cast. Costars include Cosmo Jarvis, Nikki Amuka-Bird, Richard E. Grant, and Henry Golding.

While we’ve seen some Austen renderings attract Oscar attention such as Sense and Sensibility and Pride & Prejudice, don’t expect voters to be persuaded here. The pic is generating lackluster reviews and it currently stands at just 32% on Rotten Tomatoes.

For its star, there could be a silver lining as her supporting turn in Cha Cha Real Smooth could be recognized in Supporting Actress. My Oscar Prediction posts will continue…

Oscar Predictions: Mr. Malcolm’s List

Adapting her own 2009 novel, Suzanne Allain scripts the period piece dramedy Mr. Malcolm’s List. Out July 1st and apparently borrowing influence from Jane Austen, Emma Holly Jones makes her directorial debut. The cast includes Freida Pinto (from 2008’s Best Picture winner Slumdog Millionaire), Sope Dirisu, Oliver Jackson-Cohen, Ashley Park, Zawe Ashton, and Theo James.

Early reviews are decent at 89% on Rotten Tomatoes with the bulk calling it a pleasant diversion. That’s hardly enough for it to contend for any major awards prizes. Furthermore, distributor Bleecker Street has a sketchy track record getting their films noticed (ask the ensemble from Mass last year).

There’s always the possibility of Costume Design, but I suspect heavier hitters are arriving in the fall. My Oscar Prediction posts will continue…

Oscar Watch: Emma

Emma is the latest adaptation of the 1815 Jane Austen novel and it’s out this weekend in limited release and posting solid numbers. This version stars Anya Taylor-Joy in the title role. She’s best known for her work in the horror genre with The Witch, Split, and Glass. Reviews are praising with a current 88% rating on Rotten Tomatoes.

The film marks the debut of director Autumn de Wilde and arrives at an awfully early frame for awards voters to remember it. One of the last renderings of the book was in 1996 with Gwyneth Paltrow starring. It opened in the summer of that year and nabbed Oscar nods for Costume Design and Score. The former category is certainly a possibility. However, like what came before nearly a quarter century ago, I am skeptical this Emma contends for top of the line races.

On the other hand, it wouldn’t be a surprise for this to be placed in the Musical/Comedy lane at the Golden Globes. We have seen years where the Actress derby there is rather weak (including in 2019 when none of the five nominees managed Academy recognition). That could allow Taylor-Joy to be noticed at the Globes. My Oscar Watch posts will continue…

Oscar Watch: Love & Friendship

In 1990, writer/director Whit Stillman had a major critical success with Metropolitan that led to a Best Original Screenplay for him at the Oscars. Over a quarter century later, Mr. Stillman could find himself on the Academy’s radar screen again with Love & Friendship. The romantic comedy is based on the book Lady Susan by Jane Austen. Starring Kate Beckinsale, Chloe Sevigny and Stephen Fry, the film holds a 99% Rotten Tomatoes rating and has grossed over $4 million domestically on less than 500 screens.

If its box office grosses continue to hold well over the next few weeks, Oscar voters may take notice. None of the actors are likely to be factors for nods. Truth be told, this is probably a long shot for attention. Still – 2016 has yet to produce many awards contenders and Love & Friendship is at least worthy of mention.

Pride and Prejudice and Zombies Box Office Prediction

Based on a 2009 novel, the works of Jane Austen get a scary injenction with Pride and Prejudice and Zombies, out next weekend. The horror comedy features Cinderella star Lily James alongside Sam Riley, Jack Huston, Charles Dance, and Lena Headey. Interestingly at one time, Natalie Portman was tapped to headline this and David O. Russell was attached to direct.

Coming out on Super Bowl weekend, its tough to see this breaking out in any significant way. The marketing campaign has been iffy and it’s not like there hasn’t been plenty of zombie offerings in the past few years. I’m not at all confident this will approach $16.3 million managed by another mashup, Abraham Lincoln: Vampire Hunter, in the summer of 2012. In fact, unless horror aficiandos really turn out, I think this grosses about half that figure.

Pride and Prejudice and Zombies opening weekend prediction: $8.1 million

For my Hail, Casesar! prediction, click here:

https://toddmthatcher.com/2016/01/28/hail-caesar-box-office-prediction/

For my The Choice prediction, click here:

https://toddmthatcher.com/2016/01/28/the-choice-box-office-prediction/