May 29-31 Box Office Predictions

Blogger’s Update (05/28): Some revisions as weekday numbers for Obsession now have me thinking it will gain from its sophomore frame and place second with Mandalorian now dipping to third. Additionally, my projection for Backrooms continues to rise and I’m now putting it at $57 million, up from $54 million.

Horror flick Backrooms looks to open at the front of the charts while Nate Bargatze’s comedy The Breadwinner and World War II drama Pressure with Andrew Scott and Brendan Fraser seek impressive earnings. You can peruse my detailed prediction posts on the trio of newcomers here:

Based on a popular YouTube web series, Backrooms from Kane Parsons has a wide range of possibility. A worst case scenario could put it in second place behind the second frame of The Mandalorian and Grogu. There’s also the potential for an overperformance topping approaching $60 million. My mid 50s projection puts it in first with ease.

That’s because The Mandalorian got off to a so-so start (more on that below) and I suspect it’s headed for a precipitous fall in the high 60s.

Obsession, after a remarkable sophomore weekend hold, may only slide slightly for a third place showing. That could leave The Breadwinner well behind in fourth in the low teens though Bargatze’s fanbase may turn out enough for a better than anticipated premiere. Comedies are tricky. It might also struggle to make $10 million.

As for Pressure, with a reported theater count of around 1800, my $4.9 million forecast would put it outside of the top five.

Here’s how I have that high five shaking out:

1. Backrooms

Predicted Gross: $57 million

2. Obsession

Predicted Gross: $29.5 million

3. The Mandalorian and Grogu

Predicted Gross: $25.6 million

4. Michael

Predicted Gross: $13 million

5. The Breadwinner

Predicted Gross: $12.1 million

Box Office Results (May 22-25)

The Mandalorian and Grogu never appeared to have the excitement that greets Star Wars series entries and the numbers proved that over Memorial Day weekend. The continuation of the Disney+ show landed with the lowest opening of any franchise pic since the Mouse House took over distribution beginning in 2015 with Star Wars: The Force Awakens. Opening slightly under 2018’s Solo: A Star Wars Story, the Friday to Sunday three-day take was $81.6 million, just over my $80.3 million prediction. When counting Monday, it grew to $98 million and that managed to top my $94.7 million take. While those grosses would be pleasing for most summer titles, that’s simply not the case here.

Obsession was arguably a bigger story this weekend as it grew 39% over its first frame. This is pretty much unheard of for any picture and especially in the horror genre. The Friday to Sunday earnings of $23.9 million and $31.9 million over the four-day easily surpassed my respective projections of $17.5 million and $22.9 million and the two-week total rose to $62 million.

Michael went from to 1st to 3rd with $20.6 million (three-day) and $27.1 million (four-day), ahead of my $18.8 million and $23.9 million guesstimates. The music biopic has now amassed $321 million in five weeks.

The Devil Wears Prada 2 was fourth with $12.7 million over the traditional weekend and $16.2 million with Monday added. The comedy sequel took in more than my $9.7 million and $12.6 million estimates and it has $199 million in the bank after four weeks,.

The Sheep Detectives held impressively in fifth with $9.2 million from Friday to Sunday (I said $7 million) and $12.3 million counting Monday (I went with $8.9 million). The three-week gross is $46 million for the summer sleeper.

Scary movie Passenger managed to outdo my predictions with $8.7 million (Fri-Sun) and $10.3 million (Fri-Mon). While I went lower respectively with $6.3 million and $7.3 million, the 6th place newcomer was overshadowed by Obsession. Unlike that movie, a hefty sophomore drop is probably coming.

Mortal Kombat II was seventh with $6 million over the three-day. My guess? $6 million! Its $7.6 million four-day slightly edged my $7.2 million call and the three-week total is $74 million.

Finally, absurdist comedy I Love Boosters from Boots Riley kicked off in 8th with $3.7 million from Friday to Sunday. My guess? $3.7 million! Like Kombat, the $4.7 million four-day barely exceeded my $4.5 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: The Mandalorian and Grogu

2008’s animated Star Wars: The Clone Wars is the only LucasFilm entry in nearly 50 years that failed to grab at least one Academy Award mention. The other 11 movies – Episodes I-IX, Rogue One: A Star Wars Story, and Solo: A Star Wars Story – have a combined 37 nominations. The Mandalorian and the Grogu could be the second title not to register with Oscar voters.

A continuation of the Disney Plus series, Jon Favreau directs with Pedro Pascal and Sigourney Weaver headlining and Jeremy Allen White providing voiceover work. A number of reviews are claiming it’s an unimpressive feature in the famed franchise with 61% on Rotten Tomatoes and a 54 Metacritic. That’s lower than the numbers that greeted Solo in 2018. It received a sole nomination for Visual Effects. That category and Ludwig Göransson’s score might be Grogu‘s only shots at inclusion, but it is entirely possible it won’t be included in ballots at all. My Oscar Prediction posts will continue…

May 22-25 Box Office Predictions

The Mandalorian and Grogu marks the first Star Wars theatrical entry in six years and it should easily rule the Memorial Day weekend charts. We also have horror flick Passenger and Boots Riley’s absurdist comedy I Love Boosters premiering. You can peruse my detailed prediction posts on the trio here:

While Mandolarian will certainly have no trouble placing first, the opening could be rather weak by Star Wars standards. I am forecasting that the continuation of the Disney Plus series will fall under $100 million for the four-day and that would be considered an unimpressive start.

Passenger could fall victim to the buzz surrounding fellow scary movie Obsession in its sophomore outing (more on its debut below). I have it outside of the top five.

Same goes for Boosters which could be looking at eighth place in the lower to mid single digits. I’m not convinced that mostly solid reviews will cause it to exceed expectations.

As for holdovers, there could be a close race for second. Current champ Michael might be the safe bet. However, Obsession may not see much of a drop at all in weekend #2 thanks to word-of-mouth and an A- Cinemascore (very high for its genre). In fact, I have it slightly increasing.

The Devil Wears Prada 2, The Sheep Detectives, and Mortal Kombat II should be 4-6 and here’s how I see the 3-day and 4-day grosses shaking out:

1. The Mandalorian and Grogu

Predicted Gross: $80.3 million (Fri-Sun); $94.7 million (Fri-Mon)

2. Michael

Predicted Gross: $18.8 million (Fri-Sun); $23.9 million (Fri-Mon)

3. Obsession

Predicted Gross: $17.5 million (Fri-Sun); $22.9 million (Fri-Mon)

4. The Devil Wears Prada 2

Predicted Gross: $9.7 million (Fri-Sun); $12.6 million (Fri-Mon)

5. The Sheep Detectives

Predicted Gross: $7 million (Fri-Sun); $8.9 million (Fri-Mon)

6. Passenger

Predicted Gross: $6.3 million (Fri-Sun); $7.3 million (Fri-Mon)

7. Mortal Kombat II

Predicted Gross: $6 million (Fri-Sun); $7.2 million (Fri-Mon)

8. I Love Boosters

Predicted Gross: $3.7 million (Fri-Sun); $4.5 million (Fri-Mon)

Box Office Results (May 15-17)

Michael made a return to the top spot in its fourth week with $26.1 million, right on target with my $25.8 million call. The King of Pop biopic has (moon)walked away with $282 million in domestic dollars thus far.

The Devil Wears Prada 2, after two weeks in first, fell to second with $17.8 million. That 57% decline is steeper than my $23 million estimate though it’s grown to $175 million total.

Obsession is the story of the weekend. Budgeted at a reported $1 million and purchased by Focus Features for approximately $15 million, it slayed in third with $17.1 million. That’s well beyond my meager $9.6 million projection as it looks to play well throughout the season.

In fourth, Mortal Kombat II plummeted 65% in weekend #2 to $13.4 million. My prediction? $13.4 million! The martial arts sequel stands at $62 million.

The Sheep Detectives was fifth with $9.5 million (I said $10.2 million) for a decent two-week tally of $29 million.

Finally, Guy Ritchie’s In the Grey starring Henry Cavill and Jake Gyllenhaal was a dud in ninth with $2.9 million. I was generous at $5.9 million.

And that does it for now, folks! Until next time…

The Mandalorian and Grogu Box Office Prediction

Following a nearly six and a half year break between big screen releases, the Star Wars franchise blasts back into theaters over the Memorial Day holiday with The Mandalorian and Grogu. Building upon the Disney+ series The Mandalorian that aired from 2019 to 2023, Pedro Pascal returns in the title role with Jeremy Allen White voicing Rotta the Hutt and Sigourney Weaver in the human cast. Jon Favreau, who created the TV series, directs.

After Disney prioritized streaming content in the 2020s, this looks to kickstart multiplex studio efforts with Star Wars: Starfighter slated to open next Memorial Day weekend. Grogu is a real test for Star Wars fan loyalty. It can be argued that this would have fared better when the Disney+ show was fresher in the minds of viewers. The last two theatrical efforts -2018’s Solo: A Star Wars Story and 2019’s Star Wars: The Rise of Skywalker, were considered letdowns critically and commercially.

The best comp is Solo which debuted over the same holiday frame with $84 million from Friday to Sunday and $103 million when factoring Monday. Disney is surely hoping for nine figure bragging rights. I’m putting it under that for what would be considered a so-so start.

The Mandalorian and Grogu opening weekend prediction: $80.3 million (Friday to Sunday); $94.7 million (Friday to Monday)

For my Passenger prediction, click here:

For my I Love Boosters prediction, click here:

Oscar Predictions: The Tale of Silyan

Six years after her feature Honeyland was nominated for Best International Feature Film and Best Documentary Feature, Tamara Kotevska will try to achieve the same with follow-up The Tale of Silyan. The Macedonian production marks the filmmaker’s first solo effort as Ljubomir Stefanov was her partner on previous works.

Centered on a farmer nursing an injured stork back to life, Silyan played the Venice Film Festival and was picked up by National Geographic domestically. Reviews are impressive with 100% on RT and an 84 Metacritic. A limited (and Oscar qualifying) run arrives November 28th followed by a Disney+ release. Macedonia has already announced it as their selection for the international competition.

The combo of Nat Geo and the Mouse House campaigning could bode well for its prospects. I’ve yet to list this in either IFF or Doc Feature as a possibility, but that might change with my next update. I do feel it has a stronger shot in the latter as IFF is plenty crowded already. My Oscar Prediction posts will continue…

Predator: Badlands Box Office Prediction

Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.

Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.

Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.

Predator: Badlands opening weekend prediction: $27.6 million

For my Christy prediction, click here:

September 12-14 Box Office Predictions

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle seeks to conquer the box office while Downton Abbey: The Grand Finale, Stephen King adaptation The Long Walk and mockumentary sequel Spinal Tap II: The End Continues hope for strong showings. My detailed prediction posts on the quartet of newcomers can be accessed here:

The influx of material could cause the top 5 to consist of 80% fresh product. Demon Slayer appears primed for a breakout performance that doubles the best in show previous start of the franchise in 2021. My low to mid 50s estimate should easily give it the top spot.

The Conjuring: Last Rites vastly blew past expectations (more on that below). In its sophomore frame, a slippage in the mid to even high 60s could occur and would be perfectly understandable.

Franchise finale Abbey should debut in range with its 2022 predecessor in the mid to higher teens for a likely third place posting.

Despite impressive reviews, The Long Walk could struggle to each double digits (it doesn’t help that Conjuring is still out there).

Finally, Spinal Tap II might see mid single digits and that may be enough for fifth place.

Here’s how I have it shaking out:

1. Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle

Predicted Gross: $64.6 million

2. The Conjuring: Last Rites

Predicted Gross: $28.5 million

3. Downton Abbey: The Grand Finale

Predicted Gross: $18.1 million

4. The Long Walk

Predicted Gross: $8.7 million

5. Spinal Tap II: The End Continues

Predicted Gross: $3.4 million

Box Office Results (September 5-7)

Even the rosiest of prognoses didn’t match what The Conjuring: Last Rites managed to accomplish. The ninth overall pic in the franchise and fourth with a Conjuring moniker scared up $84 million and ghosted my measly $58.2 million prediction. Rites surpassed the best opening of the series (The Nun at $53 million) with plenty of room to spare. Warner Bros continued its remarkable 2025 in the horror genre (Sinners, Weapons).

Hamilton, a filmed version of the already iconic play, was second with $10.1 million on its 10th anniversary. That’s ahead of my $8.7 million estimate and a commendable gross considering this has been streaming on Disney+ for five years. This is only a one-week engagement which explains why you won’t find it in the top 5 above.

Weapons was third with $5.2 million, in range with my $5.5 million call. In five weeks, it has amassed $142 million.

Freakier Friday, also in week 5, was fourth with $3.8 million (I said $3.9 million) for $87 million total. It should fall just under or place just over $100 million.

Caught Stealing rounded out the top five with a hefty 59% decline at $3.1 million. I went a bit higher at $4 million. The two-week take is an underwhelming $14 million.

And that does it for now, folks! Until next time…

Hamilton Box Office Prediction

Timed to coincide with the 10th anniversary of the Broadway phenomenon, Disney is at last releasing Hamilton on the big screen on September 5th. The biographical musical turned Lin-Manuel Miranda into a sensation when it premiered back in 2015 with the play nabbing 11 Tonys and a Pulitzer to boot.

A filmed version of the production with the original cast was slated for theatrical output in October 2021. COVID interrupted those plans and Mouse House execs opted to unveil it on Disney+ in July 2020. That original cast includes Miranda in the title role alongside Leslie Odom Jr., Daveed Diggs, Renée Elise Goldsberry, Phillipa Soo, Anthony Ramos, Jonathan Groff, and Jasmine Cephas Jones.

Obviously Hamilton has its legions of fans who have seen it on Broadway, at regional offshoots, and now on streaming for the past five years. That could certainly limit the excitement factor than an October ’21 release would have brought.

I could alter my estimate based on an eventual screen count. In 2021, I might have leaned toward a $20 million plus start. Now I think it’ll be fortunate to achieve half of that figure.

Hamilton opening weekend prediction: $8.7 million

For my The Conjuring: Last Rites prediction, click here:

Oscar Predictions – Predator: Killer of Killers

In 2022, Dan Trachtenberg took over the Predator franchise after invigorating the Cloverfield series with 10 Cloverfield Lane. The result was the acclaimed Hulu prequel Prey. This November, futuristic follow-up Predator: Badlands will touch down in theaters. In the meantime, Trachtenberg has helmed the R-rated animated Predator: Killer of Killers which is available for your streaming pleasure via Hulu and Disney+ this weekend.

Prey was a pleasantly bloody surprise to most critics and Killers can proclaim the same. The Rotten Tomatoes score is 98% with Metacritic at 78 with reviewers praising the anthology tale. Is it enough that the Academy would consider this for a Best Animated Feature slot? If so, it would mark the franchise’s second nom after the 1987 original was up for Visual Effects and lost to Innerspace.

Even with the high marks, I just don’t see this contending at the moment. Let’s see how the competition shakes out for the rest of the year though. My Oscar Prediction posts will continue…

Lilo & Stitch Box Office Prediction

Blogger’s Update (05/21/25): I am upping my Lilo & Stitch estimate considerably from $118.6 million from Friday to Sunday and $143.7 million from Friday to Monday to $159.7 million for the three-day and $196.6 million for the four-day. That would easily be a new Memorial Day weekend record.

23 summers ago, Disney’s animated Lilo & Stitch narrowly opened in second to Minority Report with Tom Cruise. This Memorial Day weekend, the Mouse House’s live-action (and also animated) remake will attempt to outpace Cruise’s Mission: Impossible – The Final Reckoning. That’s a mission it should achieve with room to spare.

Dean Fleischer Camp, maker of the acclaimed Marcel the Shell with Shoes On, is behind the camera. Chris Sanders, who wrote and directed the 2002 original, still provides the voice of Stitch with Maia Keoloha as Lilo. The supporting cast includes Sydney Elizebeth Agudong, Billy Magnussen, Hannah Waddingham, Courtney B. Vance, Zach Galifianakis, Tia Carrere, Amy Hill, and Jason Scott Lee.

Expectations are high for a project that once was anticipated to be a Disney+ streaming premiere. Tracking suggests a nine digit performance over the holiday frame. The studio is no stranger to Memorial Day outputs and that includes these remakes. In 2019, Aladdin took in $91 million from Friday to Sunday and $116 million when factoring in Monday. Two years ago, The Little Mermaid made $95 million for the three-day and $118 million over four.

Lilo took in $273 million worldwide for its run nearly a quarter century ago and spawned direct-to-video sequels. A nostalgia factor and a dearth of competition for family audiences (as A Minecraft Movie winds down) could mean an even stronger opening than the aforementioned titles. I’ll say it manages to get close to $120 million from Friday to Sunday and over $140 million adding Monday. That would give it the second all-time Memorial weekend behind Top Gun: Maverick (more Cruise comparisons!) and just ahead of Disney’s Pirates of the Caribbean: Dead Men’s Chest.

Lilo & Stitch opening weekend prediction: $159.7 million (Friday to Sunday); $196.6 million (Friday to Monday)

For my Mission: Impossible – The Final Reckoning prediction, click here:

For my The Last Rodeo prediction, click here:

For my Friendship prediction, click here: