Unless I’m vastly underestimating the number of toddlers clamoring for George Orwell adaptations, Animal Farm could face a tough road when it opens May 1st. Based on the author’s 1945 dystopian fable, Andy Serkis directs the animated treatment with an all-star voice cast. That includes Seth Rogen, Gaten Matatrazzo, Kieran Culkin, Glenn Close, Laverne Cox, Steve Buscemi, Woody Harrelson, Jim Parsons, Kathleen Turner, Iman Vellani, and Serkis himself voicing multiple parts.
Precious dollars might be hard to secure. Angel Studios is handling distribution duties and their marketing footprint appears light. Buzz is also quiet and the mostly mediocre reviews (36% Rotten Tomatoes, 40 Metacritic) should give parents pause to take the kiddos. Add all that up and this Farm might yielded a return in the low single digits.
Animal Farm opening weekend prediction: $2.7 million
For my The Devil Wears Prada 2 prediction, click here:
Angel Studios is distributing Andy Serkis’s animated rendering of George Orwell’s novella Animal Farm, out May 1st. With a screenplay from Nicholas Stoller, the third cinematic adaptation of the source material boasts an impressive voice cast including Seth Rogen, Gaten Matarazzo, Kieran Culkin, Glenn Close, Laverne Cox, Steve Buscemi, Woody Harrelson, Jim Parsons, Kathleen Turner, Iman Vellani, and Mr. Serkis himself.
Reviews are not precious. The middling reaction is evidenced by the 36% Rotten Tomatoes score and 42 Metacritic. Those results make it clear that you shouldn’t bet that Farm will be a factor in the animated awards races months down the line. My Oscar Prediction posts will continue…
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
A trio of new releases are vying for the #1 spot this weekend as musical biopic Springsteen: Deliver Me from Nowhere, romantic drama Regretting You and anime fantasy Chainsaw Man: The Movie – Reze Arc are unveiled. You can peruse my detailed prediction posts on the trio here:
Potential over or under performances by the newbies make this an uncertain weekend. As mentioned, any of them could place 1st or Black Phone 2 could repeat atop the charts. I’m giving the slight edge to Springsteen with Jeremy Allen White as The Boss though my mid teens estimate means it would fall short of the eventual grosses of recent genre fare like Bohemian Rhapsody, Elvis and A Complete Unknown.
Regretting You has a shot of exceeding expectations since it’s based on source material from Colleen Hoover. The adaptation of her novel It Endswith Us was a smash last year. Yet my low teens take puts it in second as this doesn’t seem to have the buzz of the aforementioned.
As for Chainsaw, anime features (especially the most recent Demon Slayer) have been hot commodities, but this isn’t expected to reach anywhere that pic’s $70 million start. I’m going low double digits though it could surprise.
After a stellar start, Black Phone 2 should lose around its opening weekend audience with Tron: Ares shedding more than that and rounding out the top five.
Here’s how it see it shaking out:
1. Springsteen: Deliver Me from Nowhere
Predicted Gross: $16.1 million
2. Regretting You
Predicted Gross: $14 million
3. Black Phone 2
Predicted Gross: $13.7 million
4. Chainsaw Man: The Movie – Reze Arc
Predicted Gross: $12.8 million
5. Tron: Ares
Predicted Gross: $5 million
Box Office Results (October 17-19)
Black Phone 2 rang up decent business and outdid its 2022 predecessor with $27.3 million. That managed to top my $25.5 million prediction.
Tron: Ares fell 67% for $11.1 million in second, rising slightly ahead of my $10.2 million call. The flop of a threequel stands at $54 million after two weeks and this won’t be reaching nine digits domestically.
Aziz Ansari’s comedy Good Fortune couldn’t find it despite the star power of Seth Rogen and Keanu Reeves. It was third with $6.1 million, a shade below my $7.3 million estimate.
One Battle After Another was fourth with $3.8 million compared to my $4.9 million projection. The four-week total is $61 million.
Roofman took fifth with $3.7 million (I said $4.6 million) and it’s shackled with only $15 million in two weekends of play.
Finally, critically drubbed After the Hunt from Luca Guadagnino and starring Julia Roberts was ninth in wide release with a paltry $1.5 million. I was more generous at $3.5 million.
Horror sequel Black Phone 2 should easily receive the most multiplex views this weekend as Aziz Ansari’s directorial debut Good Fortune with Seth Rogen and Keanu Reeves hopes to earn its title. We also have the expansion of Luca Guadagnino’s After the Hunt starring Julia Roberts. My detailed prediction posts on the trio can be accessed here:
My projection for Phone gives it a couple million more than the 2022 original and grabbing a gross in the mid 20s range. I will note that it has the potential to over perform given that the genre often does. Hopefully something can wake up this sleepy October box office.
The runner-up position could certainly be held by Good Fortune if it manages $10 million plus. However, I’m going under that figure and putting it in third.
As for Hunt, it is slated for around 1200 venues and a lower to mid single digits figure might leave it just outside the top five.
Tron: Ares got off to an unimpressive start (more on that below) and I suspect a sophomore weekend plummet around 70% could be in store. Holdovers One Battle After Another and Roofman may round out the high 5 and here’s how I see it playing out:
1. Black Phone 2
Predicted Gross: $25.5 million
2. Tron: Ares
Predicted Gross: $10.2 million
3. Good Fortune
Predicted Gross: $7.3 million
4. One Battle After Another
Predicted Gross: $4.9 million
5. Roofman
Predicted Gross: $4.6 million
6. After the Hunt
Predicted Gross: $3.5 million
Box Office Results (October 10-12)
Disney had no trouble getting Tron: Ares to first place, but the Mouse House hardly has bragging rights. The third flick in the franchise that began in 1982 stumbled with $33.2 million compared to my $42.6 million call. That’s a hugely disappointing result considering the reported $180 million budget. Ares fell $10 million under the $43 million that predecessor Tron: Legacy managed 15 years ago and that’s not even adjusted for inflation.
Roofman with Channing Tatum was runner-up with $8.1 million as the dramedy opened in line with general expectations and over my $5.8 million projection. It is still an underwhelming number though it’ll hope to leg out respectably during the month.
One Battle After Another was third with $6.8 million, in line with my $6.4 million prediction. The Oscar hopeful has taken in $54 million after three weeks.
Gabby’s Dollhouse: The Movie was fourth and I incorrectly had it outside the top five. The $3.4 million gross gave it $26 million in three weeks of play.
The Conjuring: Last Rites rounded out the top five at $3.1 million. My guesstimate? $3.1 million! The horror sequel has amassed $172 million in five weeks.
I didn’t do an official prediction for the inspirational biographical drama Soul on Fire. I did speculate it could make around $3 million. It took in $2.8 million for sixth.
The Smashing Machine had a free fall in 8th with $1.7 million. This represents a 69% tumble for the former awards hopeful. I was more generous at $2.6 million and its ten-day tally is a mere $9 million.
Finally, Kiss of the Spider Woman with Jennifer Lopez premiered in lowly 12th place. The $891k figure is well under my $2.2 million take. Like Machine, the bad earnings don’t bode well for any Oscar attention.
Good Fortune is hoping for just that when the Lionsgate release opens October 17th. The supernatural comedy marks the directorial debut of Aziz Ansasi. He also wrote the script and costars with Seth Rogen, Keke Palmer, Sandra Oh and Keanu Reeves as a guardian angel.
The film premiered at the Toronto Film Festival to mostly satisfied reviews (83% Rotten Tomatoes, 69 Metacritic). Humorous features have seen decreasing wide theatrical releases in recent years. In August, The Naked Gun managed mid teens out of the gate with name brand recognition.
I doubt Fortune is that fortunate. Low teens could be the ceiling and $10M+ is certainly possible, but I’m going lower as this genre struggles at multiplexes.
Good Fortune opening weekend prediction: $7.3 million
Angelic comedy Good Fortune will hope for just that when it opens on October 17th. Marking the directorial debut of comedian Aziz Ansari, it premiered at the Toronto Film Festival to mostly satisfied reaction. The body swap tale stars Seth Rogen and Ansari with Keanu Reeves as a “budget guardian angel”. The supporting cast includes Keke Palmer and Sandra Oh.
Rotten Tomatoes is at 81% with 66 on Metacritic. Plenty of critics particularly dig the Reeves casting. While the Academy won’t consider this, could Fortune make a play in Musical/Comedy at the Golden Globes? I don’t think the reviews are quite there for it to have a legit shot unless divine intervention is involved. My Oscar Prediction posts will continue…
Before we get to the headlines (and certainly there are), let’s dispense with some quick takes on the 82nd Golden Globes Awards ceremony. Nikki Glaser did a very good job hosting and I’d expect to see her back. Seth Rogen correctly pointed out that the camera angle on the presenters tonight was awkward. And Vin Diesel made the evening awkward too when he said hi from the stage to Dwayne Johnson. They famously did not get along working together on Fast and Furious franchise features.
Back to the awards. I went 9 for 15 in my picks. Quite frankly, I would’ve been pleased with getting over half in this unpredictable ceremony and I did so I’ll take it. Emilia Pérez had a big night with four victories. So did The Brutalist with three. Anora… not so much.
Jacques Audiard’s Pérez took three prizes I predicted it would in Non-English Language Film, Supporting Actress (Zoe Saldaña), and Original Song (“El Mal”). Yet I had it falling short to Sean Baker’s Anora for Best Musical/Comedy and it prevailed. Has Pérez‘s stock risen? Probably.
Those who have followed my Oscar predictions on the blog will notice I’ve never had Anora listed in first in Best Picture. A lot of other prognosticators have. I’m not patting myself on the back. This is one of the more unpredictable seasons in memory. I’ve just never bought the narrative that Anora will take the grand prize and tonight fuels it.
A bigger surprise than Anora losing Musical/Comedy, in my view, was Mikey Madison not taking Actress. That went instead to Demi Moore in The Substance, who gave the strongest acceptance speech of the night. You have to wonder if this makes Moore the frontrunner. I have had Madison listed for weeks in 1st place for the Academy’s Actress statue and that could change when I update my picks in the next couple of days (hopefully tomorrow). Anora also didn’t get Screenplay and I thought it would. That went instead to Conclave.
After Conclave‘s screenplay award, I thought maybe it would go onto take Best Drama. However, Globe voters opted for The Brutalist (which my was pick). Its maker Brady Corbet won Director. I also had it forecasted for Original Score but that went to Challengers in a surprise call. I’ve had The Brutalist placed in 1st for months in BP for the Oscars. Interestingly, in the previous ten years, only 3 GG Drama winners correlated with Oscar (Moonlight, Nomadland, last year’s Oppenheimer). I still think it’s the odds on favorite.
Adrien Brody did give The Brutalist a third Globe in Best Actor and I went with Timothée Chalamet in A Complete Unknown. This could signal Brody’s performance will be favored in ceremonies to come. I also missed Best Actress (Drama). I went with Angelina Jolie in Maria while my runner-up Fernanda Torres (I’m Still Here) made the podium walk.
With Moore and Torres victorious over Madison and Jolie, the Oscar Best Actress is looking wide open with several hopefuls jockeying for position.
Let’s run down some races I got right. Kieran Culkin is your Supporting Actor for A Real Pain. The hard to figure out Best Actor in a Musical/Comedy derby is one I was lucky with when Sebastian Stan in A Different Man was picked. Wicked took the Cinematic and Box Office Achievement award. And I will pat myself on the back for going with Flow in Animated Feature instead of The Wild Robot.
So where do we stand now with Oscar as I prepare a new forecast? Anora is down. Emilia is up. The Brutalist holds strong. Demi Moore could be a real threat in Actress. And I think Dwayne Johnson still dislikes Vin Diesel…
30 years ago, Disney’s animated The Lion King landed four Oscar nominations with three of its tracks nominated in Original Song. “Can You Feel the Love Tonight” (performed by Elton John) was the victorious track over “Circle of Life” and “Hakuna Matata”. Tim Rice also took home the gold for his score. 25 years later, the photorealistic remake directed by Jon Favreau was up for Visual Effects but fell short to 1917.
And now – Mufasa: The Lion King, which serves as a prequel and sequel to the remake, hits multiplexes Friday. Barry Jenkins, maker of 2016’s Best Picture Moonlight, made the surprising choice to direct it. Donald Glover, Seth Rogen, Billy Eichner, Beyoncé and her daughter Blue Ivy, Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, and Anika Noni Rose are among the cast.
Will this contend for anything? We do know it has two chances. The Oscar shortlists were unveiled this afternoon (a post regarding that will be up shortly) and Mufasa made the ten possibilities for Visual Effects and “Tell Me It’s You” is among 15 tunes eligible.
Those are likely the only two races where this stands a chance. The Rotten Tomatoes score is 59% with Metacritic at 58. I think it has a better shot in VE than Original Song, but wouldn’t be surprised to see it miss both come nomination morning. My Oscar Prediction posts will continue…
Mufasa: The Lion King roars into theaters December 20th serving as a prequel and sequel to 2019’s live-action The Lion King. It was, of course, a remake of the 1994 Disney animated classic and it grossed a massive $1.6 billion worldwide. Barry Jenkins, the Oscar winning director of Moonlight, directs. The voiceover cast with several returning from five years ago includes Donald Glover, Seth Rogen, Billy Eichner, Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika None Rose, Blue Ivy Carter, and her mom Beyoncé Knowles-Carter.
In the summer of ’19, King turned out to be a phenomenon with a $191 million opening and eventual $543 million domestic haul. Despite the heavy cash, many critics were harsh though it did earn an A Cinemascore. I’m still not sure audiences are clamoring for the prequel/sequel.
Don’t get me wrong. Plenty of parents and their kiddos will turn up. I’m just not expecting anywhere near the figures of what we saw a half decade ago. The Christmas holiday typically means even tentpole titles will start out slower than what they might in other seasons. Mufasa also must contend with Sonic the Hedgehog 3 which debuts directly against it and could be more front loaded.
I’m projecting the Lion premieres in second behind the Hedgehog with a low 50s gross and it’ll probably leg out solidly in the weeks to follow.
Mufasa: The Lion King opening weekend prediction: $51.3 million
For my Sonic the Hedgehog 3 prediction, click here:
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