Oscar Watch: The Forty-Year-Old Version

After it debuted at the Sundance Film Festival to a Dramatic Competition Directing prize, Radha Blank’s The Forty-Year-Old Version is available on Netflix this weekend. A humorous take on the director/writer/star’s real life experiences, her first feature is being hailed in critical circles with a current Rotten Tomatoes score of 99%.

Its title emanating from the 2005 Steve Carell breakthrough The 40-Year-Old Virgin, the pic is certainly generating some buzz now that it’s available for mass consumption. However, I’m not confident that will translate to Oscar voters. Netflix has a mighty full plate of contenders to campaign for and this could fall under the radar. As I see it, Version‘s sole chance for recognition lies in its Original Screenplay. Unless critics groups give it momentum in the months ahead, that’s probably a stretch. My Oscar Watch posts will continue…

Summer 2010: The Top 10 Hits and More

Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

https://toddmthatcher.com/2020/07/25/summer-2000-the-top-10-hits-and-more/

This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:

Salt

Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.

MacGruber

Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

Oscar Watch: Irresistible

With his consistently Emmy winning work as host of The Daily Show, Jon Stewart became synonymous with biting political satire for a generation of viewers. Toward the end of his run hosting the program, he took a hiatus to helm his directorial debut Rosewater, a political drama that failed to gain much of an audience. It was released in 2014 and despite mostly positive reviews, it came and went with zero awards buzz. As a side note, the break that Stewart took allowed John Oliver to gain exposure and nab his own currently running acclaimed HBO show.

Stewart is back in the director’s chair again with Irresistible, a political satire focused on a small town mayoral race. The pic stars Steve Carell, who first entered the mainstream on the show Stewart hosted with a supporting cast including Rose Byrne, Chris Cooper, Topher Grace, and Natasha Lyonne. It hits a small number of theaters and the VOD circuit today after its original May release was postponed due to the COVID-19 pandemic.

While some reviews are quite positive (including Rolling Stone), many critics are saying Irresistible is quite resistible. The Rotten Tomatoes score stands at just 40%. So while Mr. Stewart picked up many awards for his television work, don’t look for his second feature behind the camera to follow suit. My Oscar Watch posts will continue…

The King of Staten Island Movie Review

Pete Davidson is not your average Saturday Night Live cast member. He is less known for characters he plays and is more known for essentially portraying himself on Weekend Update sketches. That includes warts and all with his much publicized romantic life, struggles with mental health and drug issues, and tragic family history. It is no surprise that Judd Apatow is the director to bring his semi autobiographical story to the big screen in The King of State Island. And the Apatow treatment comes with the high points of his previous efforts. It also comes with the warts and all of his pics that includes an unnecessarily lengthy running time and subplots that don’t really pan out.

The big screen treatment ended up being a misnomer since Island went the Video on Demand route due to the COVID-19 pandemic. Davidson is Scott Carlin, an aimless 24 year old living with his mom Margie (Marisa Tomei) in the borough where it is joked that New Jersey looks down upon. His little sister (Maude Apatow) is an achiever who is moving along to college. Scott’s longtime friend and sort of girlfriend Kelsey (Bel Powley) is a glass half full type in contrast with his constantly half empty outlook. The similarities between Davidson and his character are hard to miss. Scott’s father was a firefighter who died in the line of duty and so did Davidson’s on 9/11. Substance abuse and effects of ADD are prevalent with Scott and, as mentioned, the actor hasn’t been shy about addressing those matters.

One key difference: Davidson has been a pop culture fixture on the famous sketch comedy show for a few years. The man he is playing isn’t accomplishing much of anything. His idea to open a tattoo parlor/restaurant is met with understandable skepticism. Scott’s arrested development is dealt a setback when Margie finds romance after 17 years of being a widow with fireman Ray (Bill Burr). Their courtship elevates his anxieties to a new level.

Apatow, over the past decade and half, has elevated numerous comedic performers to new heights. These include Steve Carell in The 40 Year Old Virgin, Seth Rogen in Knocked Up, and Amy Schumer in Trainwreck. The similarities here are most in line with the latter as Davidson’s known persona is put through the cinematic lens. As an avid SNL watcher, I have found his bits occasionally inspired and frequently a little grating. It is a credit to Apatow and Davidson that Island finds a balance that is primarily satisfying. However, that’s not to say there aren’t issues. Island is too long. A subplot regarding Scott and his buddies and a pharmaceutical heist could have easily been left on the cutting room floor. While it often deftly switches between humorous and serious segments, the tone shifts are not always consistent.

On the bright side, some scenes are quite well done. This includes a night out with Scott, Ray, and some fellow firefighters where his late dad’s angelic legacy is tarnished to his son’s delight. Every time romantic interest Kelsey (with a terrific performance by Powley) is around, it works. I actually found myself wishing Scott had more interest in her because she deserves more screen time.

Ultimately The King of Staten Island is vintage Apatow and that includes the glass being measured in both ways. Thankfully it is full for the most part.

*** (out of four)

Oscar Watch: The King of Staten Island

The latest dramedy from director Judd Apatow is receiving a lot of similar praise and a bit of the same criticism as other titles in his filmography. The King of Staten Island hits the VOD circuit this Friday after foregoing a theatrical release due to COVID-19. The pic is a showcase for Saturday Night Live cast member Pete Davidson, who’s received as much press for his personal life as his SNL antics. This is a semi-autobiographical vehicle for him and reviews out today give high marks to his work.

Overall Island currently stands at 79% on Rotten Tomatoes. Several critics are calling it Apatow’s most mature work. There are kudos for the supporting cast that includes Marisa Tomei, Bill Burr, and Bel Pawley. On the flip side, there are some complaints about its 136 minute runtime. This is a common gripe for the director’s efforts.

While Oscar attention is unlikely, the pic could garner the attention of Golden Globes voters since it splits acting races between Drama and Musical/Comedy. In the latter, Davidson could be a contender for Actor. Yet the Apatow track record at the Globes is shaky. Neither Steve Carell (The 40 Yr. Old Virgin) or Seth Rogen (Knocked Up) made the final five. I would especially say that Carell was robbed in 2005. On the other hand, 2015’s Trainwreck nabbed Amy Schumer an Actress mention.

Bottom line: some awards chatter for Apatow’s latest stand-up star could happen, but I don’t think it would be at the biggest show of all. My Oscar Watch posts will continue…

2019 SAG Award Predictions

In a week filled with Oscar precursor activity, the Screen Actors Guild (SAG) Award nominees will be announced tomorrow morning. This comes just two days following the reveal of the Golden Globe nods.

As you’re likely aware, this particular ceremony is made up of voters from the card carrying acting community. The top race is not honoring the Best Picture of the year. Instead, it’s bestowing the trophy for the favorite ensemble cast. This explains why, in this decade, the Oscar winner for BP and the winner here have matched only 4 of 9 times.

Let’s break it down in each category as I reveal my anticipated nominees with a first and second alternate. I’ll have a post up tomorrow recounting how I did and how the nominations could impact the Academy’s thought process.

Outstanding Performance by an Ensemble in a Motion Picture

The SAG voters are a tricky bunch to predict and the Ensemble race presents at least a dozen pictures that I feel could make the cut. When predicting the nominees, I’ll divide into three tiers that relate to the impending Oscar nods:

Our first tier consists of movies that are widely expected to be Best Picture nominees and contenders that might potentially win. That list would be The Irishman, Marriage Story, Once Upon a Time in Hollywood, and Parasite. I believe the first three here are close to guarantees for attention here. If any of them miss out, it’ll be widely reported as a surprising snub.

Our second tier consists of movies that are legitimate players for Best Picture nominations, but are unlikely to win. This list includes Bombshell, The Farewell, Jojo Rabbit, and Little Women. An argument could be made that Women would be most obvious to get in. Yet I think this could give Jojo the boost it needs for greater Academy attention.

Our third tier consists of movies that are long shot contenders for Oscar attention. We usually see one of these get a SAG nod. This list includes Dolemite Is My Name, Downton Abbey, Hustlers, Knives Out, and Waves. The trendy pick here is Knives as it should be quite fresh on the minds of voters. Waves would be the largest beneficiary since it’s received scant awards chatter lately. I have a hunch that Dolemite could register with the actors branch here.

Predicted Nominees

Dolemite Is My Name

The Irishman

Jojo Rabbit

Marriage Story

Once Upon a Time in Hollywood

First Alternate – Little Women

Second Alternate – Knives Out

Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture

The last five years of nominees have shown one 5 for 5 match with Oscar in 2016. The other four years gave us 4 out of the 5 eventual Academy nominees. In other words, this race is a massive indication of where voters may go.

2019 presents a challenge as there are nearly dozen legit contenders in the mix. Adam Driver and Joaquin Phoenix feel safe. The rest is a free for all.

Keeping with my Dolemite theme, the SAG branch may feel tempted to name the legendary Eddie Murphy here. I feel more confident about his inclusion than Adam Sandler, despite his early precursor attention.

Then I’m picking two spots between Christian Bale, Antonio Banderas, Robert De Niro, Leonardo DiCaprio, Taron Egerton, Paul Walter Hauser, and Jonathan Pryce. Not an easy task. The Globes notably snubbed De Niro. If that occurs here, expect lots of talk about his dwindling Oscar chances. I’ll say he makes it in along with Leo.

Predicted Nominees

Robert De Niro, The Irishman

Leonardo DiCaprio, Once Upon a Time in Hollywood

Adam Driver, Marriage Story

Eddie Murphy, Dolemite Is My Name

Joaquin Phoenix, Joker

First Alternate – Antonio Banderas, Pain and Glory

Second Alternate – Jonathan Pryce, The Two Popes

Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture

Renee Zellweger and Scarlett Johansson feel like shoo-ins. The rest is uncertain. While Charlize Theron in Bombshell looks good for Oscar, I don’t think it’s a slam dunk she’s named here. My feeling that Little Women gets snubbed in Ensemble could filter down to Saoirse Ronan and her chances. Awkwafina, Cynthia Erivo, and Lupita Nyong’o are all in the mix.

SAG has given us surprise contenders before, like Sarah Silverman in 2015’s I Smile Back. Could we see something in that order with Mary Kay Place (Diane) or Elisabeth Moss (Her Smell)?

Predicted Nominees

Awkwafina, The Farewell

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Charlize Theron, Bombshell

Renee Zellweger, Judy

First Alternate – Saoirse Ronan, Little Women

Second Alternate – Lupita Nyong’o, Us

Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture

Brad Pitt and The Irishman double play of Al Pacino and Joe Pesci should see their names called. Here’s a category where a non Oscar nominee can get in – think Hugh Grant in 2016’s Florence Foster Jenkins or Steve Carell in 2017’s Battle of the Sexes. That spot could go to someone like Wesley Snipes if my Dolemite love turns out real. There’s also Shia LaBeouf in Honey Boy, Song Kang-Ho in Parasite, or Sterling K. Brown for Waves. 

Yet I suspect the final two slots will be between Willem Dafoe, Tom Hanks, and Anthony Hopkins. I’ll readily admit it feels awfully strange to predict actors will leave Hanks out, but I’ll go there with trepidation.

Predicted Nominees

Willem Dafoe, The Lighthouse

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

First Alternate – Tom Hanks, A Beautiful Day in the Neighborhood

Second Alternate – Shia LaBeouf, Honey Boy

Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture

SAG threw everyone for a loop last year when they didn’t nominate Regina King in If Beale Street Could Talk. She ended up taking home the Globe and Oscar. Prior to that, the previous nine SAG winners here also were victorious with the Academy.

Truth be told, this is the category I fear I could go 2 for 5 in. Laura Dern and Jennifer Lopez seem relatively safe. And then it’s picking three slots among Kathy Bates, Annette Bening, Scarlett Johansson (I do believe this is her best opportunity for a double nod), Florence Pugh, Margot Robbie, Zhao Shuzhen, and Maggie Smith. Good luck cracking this one!

Predicted Nominees

Laura Dern, Marriage Story

Scarlett Johansson, Jojo Rabbit

Jennifer Lopez, Hustlers

Florence Pugh, Little Women

Zhao Shuzhen, The Farewell 

First Alternate – Margot Robbie, Bombshell

Second Alternate – Annette Bening, The Report

That does it for now! Expect a recap coming your way at some juncture tomorrow…

Vice Box Office Prediction

Three years after receiving multiple Oscar nominations for The Big Short, Adam McKay is touching hot button issues yet again with Vice. The biopic of Dick Cheney is out Christmas Day with Christian Bale in the title role. Costars include Amy Adams as wife Lynne, Sam Rockwell as George W. Bush, Steve Carell as Don Rumsfeld, Tyler Perry as Colin Powell, Jesse Plemons, and Alison Pill.

Like The Big Short, this has been subject to awards recognition already as it led the Golden Globes in number of nominations. The embargo for reviews was up earlier this week and the Rotten Tomatoes rating is currently 67%. That’s a bit less than expected, but a Best Picture nod seems quite possible while nominations for Bale and Adams look assured.

The decision to release Vice in the competitive holiday week could limit its potential out of the gate – yet it could appeal to adult moviegoers and politicos. With Christmas falling on a Tuesday, it’s likely its first threes days of earnings could match or even exceed the traditional weekend that follows. Short took in just over $10 million in its Yuletide 2015 wide expansion. For another comp with similar subject matter, Oliver Stone’s 2008 biopic W. did the exact same number as Short. 

Considering there are six days to ponder, I’ll say $7 million for the weekend with over $7 million added from Tuesday-Thursday.

Vice opening weekend prediction: $7.2 million (Friday to Sunday); $14.8 million (Tuesday to Sunday)

For my Holmes & Watson prediction, click here:

https://toddmthatcher.com/2018/12/18/holmes-watson-box-office-prediction/

Oscar Watch: Welcome to Marwen

Nearly a quarter century ago, Robert Zemeckis was the toast of Oscar night with Forrest Gump, famously beating out now classic works including Pulp Fiction and The Shawshank Redemption. With the release of Welcome to Marwen this Friday, it’s clear that things have changed.

The true life drama (based on the acclaimed 2010 documentary Marwencol) casts Steve Carell as a victim of violence who develops amnesia and invents his own fantasy world. From the release of its first trailer, the film failed to garner any awards buzz. We are now seeing reviews only two days before it release. That’s rarely a positive sign. Its Rotten Tomatoes score is currently a troubling 21%. Box office estimates are low.

Bottom line: Welcome to Marwen never developed as a contender and the buzz out today shows why. There is one caveat. The pic did make the shortlist of ten possible nominees for Best Visual Effects. However, my current projections show Avengers: Infinity War, First Man, Black Panther, Ready Player One, and Mary Poppins Returns as the ones that will elevate. My weekly picks will be released early tomorrow and (spoiler alert!) Marwen will place 8th. My Oscar Watch posts will continue…

Welcome to Marwen Box Office Prediction

It’s looking to be a rough road ahead for Welcome to Marwen, which debuts next weekend and could get lost in the holiday shuffle. It casts Steve Carell in this based on a true story drama of an assault victim who develops amnesia and develops his own fantasy world. Robert Zemeckis, the man behind Back to the Future and Forrest Gump and most recently Allied, directs. Costars include Leslie Mann, Janelle Monae, and Gwendoline Christie.

Marwen simply hasn’t managed to generate any heat. It’s been the subject of zero awards chatter and we have a slew of real Oscar contenders populating multiplexes. If it performs poorly, it would be Carell’s second dramatic flop in a row this season after Beautiful Boy.

This film is reminding me a lot of last year’s Downsizing, which also opened Christmas weekend. It also had recognizable stars, a known director, genre similarities, and precious little buzz. The result? An opening of just over $5 million. I’m putting this even lower.

Welcome to Marwen opening weekend prediction: $3.8 million

For my Aquaman prediction, click here:

https://toddmthatcher.com/2018/12/11/aquaman-box-office-prediction/

For my Mary Poppins Returns prediction, click here:

https://toddmthatcher.com/2018/12/10/mary-poppins-returns-box-office-prediction/

For my Bumblebee prediction, click here:

https://toddmthatcher.com/2018/12/11/bumblebee-box-office-prediction/

For my Second Act prediction, click here:

https://toddmthatcher.com/2018/12/14/second-act-box-office-prediction/

2018 Weekly Oscar Predictions: December 6th Edition

We’ve had Golden Globe nominations this morning and AFI’s top ten list on Tuesday, but my top 10 Best Picture picks for Oscar glory have stayed remarkably the same. In case you missed my recap of those major precursors, you can find them here:

https://toddmthatcher.com/2018/12/06/2018-golden-globe-nominations-reaction/

https://toddmthatcher.com/2018/12/04/afi-picks-favourites/

Let’s get to the predictions, shall we?

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. Green Book (PR: 4)

5. If Beale Street Could Talk (PR: 5)

6. BlacKkKlansman (PR: 6)

7. Vice (PR: 7)

8. Black Panther (PR: 8)

9. Mary Poppins Returns (PR: 9)

10. First Man (PR: 10)

Other Possibilities:

11. Can You Ever Forgive Me? (PR: 13)

12. First Reformed (PR: 11)

13. Eighth Grade (PR: 12)

14. Crazy Rich Asians (PR: Not Ranked)

15. Widows (PR: 14)

Dropped Out:

Mary Queen of Scots

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Spike Lee, BlacKkKlansman (PR: 5)

4. Barry Jenkins, If Beale Street Could Talk (PR: 4)

5. Yorgos Lanthimos, The Favourite (PR: 3)

Other Possibilities:

6. Peter Farrelly, Green Book (PR: 6)

7. Adam McKay, Vice (PR: 7)

8. Ryan Coogler, Black Panther (PR: 8)

9. Rob Marshall, Mary Poppins Returns (PR: 10)

10. Damien Chazelle, First Man (PR: 9)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 3)

4. Rami Malek, Bohemian Rhapsody (PR: 5)

5. Ethan Hawke, First Reformed (PR: 4)

Other Possibilities:

6. Willem Dafoe, At Eternity’s Gate (PR: 7)

7. Ryan Gosling, First Man (PR: 6)

8. Robert Redford, The Old Man & The Gun (PR: 8)

9. Lucas Hedges, Boy Erased (PR: 10)

10. Clint Eastwood, The Mule (PR: 9)

Best Actress

1. Glenn Close, The Wife (PR: 2)

2. Lady Gaga, A Star Is Born (PR: 1)

3. Olivia Colman, The Favourite (PR: 3)

4. Emily Blunt, Mary Poppins Returns (PR: 4)

5. Melissa McCarthy, Can You Ever Forgive Me? (PR: 5)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 6)

7. Viola Davis, Widows (PR: 7)

8. Nicole Kidman, Destroyer (PR: Not Ranked)

9. Julia Roberts, Ben Is Back (PR: 9)

10. Rosamund Pike, A Private War (PR: Not Ranked)

Dropped Out:

Toni Collette, Hereditary

Saoirse Ronan, Mary Queen of Scots

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Sam Elliot, A Star Is Born (PR: 2)

3. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)

4. Adam Driver, BlacKkKlansman (PR: 4)

5. Timothee Chalamet, Beautiful Boy (PR: 5)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 6)

7. Nicholas Hoult, The Favourite (PR: 7)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Russell Hornsby, The Hate U Give (PR: Not Ranked)

10. Daniel Kaluuya, Widows (PR: 10)

Dropped Out:

Steve Carell, Vice

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Claire Foy, First Man (PR: 6)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 6)

7. Natalie Portman, Vox Lux (PR: 10)

8. Michelle Yeoh, Crazy Rich Asians (PR: 8)

9. Marina De Tavira, Roma (PR: 7)

10. Margot Robbie, Mary Queen of Scots (PR: 9)

Best Adapted Screenplay

1. BlacKkKlansman (PR: !)

2. If Beale Street Could Talk (PR: 3)

3. A Star Is Born (PR: 2)

4. Can You Ever Forgive Me? (PR: 4)

5. First Man (PR: 5)

Other Possibilities:

6. Black Panther (PR: Not Ranked)

7. Widows (PR: 6)

8. Crazy Rich Asians (PR: 7)

9. Leave No Trace (PR: 10)

10. The Hate U Give (PR: 8)

Dropped Out:

Boy Erased

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 2)

3. Green Book (PR: 4)

4. Vice (PR: 6)

5. First Reformed (PR: 3)

Other Possibilities:

6. Eighth Grade (PR: 5)

7. Private Life (PR: 8)

8. A Quiet Place (PR: 7)

9. The Ballad of Buster Scruggs (PR: 9)

10. Ben Is Back (PR: Not Ranked)

Dropped Out:

The Mule

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Capernaum (PR: 4)

5. Girl (PR: 8)

Other Possibilities:

6. Burning (PR: 5)

7. Never Look Away (PR: 6)

8. Border (PR: 7)

9. Birds of Passage (PR: 9)

10. I Am Not a Witch (PR: Not Ranked)

Dropped Out:

The Guilty 

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Spider-Man: Into the Spider-Verse (PR: 3)

3. Isle of Dogs (PR: 2)

4. Ralph Breaks the Internet (PR: 4)

5. Mirai (PR: 5)

Other Possibilities:

6. Smallfoot (PR: 6)

7. Ruben Brandt, Collector (PR: 9)

8. Early Man (PR: 7)

9. Lu Over the Wall (PR: 8)

10. Teen Titans Go! To the Movies (PR: Not Ranked)

Dropped Out:

Tito and the Birds

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Three Identical Strangers (PR: 2)

3. Free Solo (PR: 3)

4. RBG (PR: 4)

5. Minding the Gap (PR: 5)

Other Possibilities:

6. Crime + Punishment (PR: 6)

7. Dark Money (PR: 8)

8. Hale County This Morning, This Evening (PR: 7)

9. Science Fair (PR: 10)

10. Quincy (PR: Not Ranked)

Dropped Out:

Amazing Grace

Best Film Editing

1. First Man (PR: 1)

2. Roma (PR: 3)

3. A Star Is Born (PR: 2)

4. The Favourite (PR: 5)

5. Black Panther (PR: 4)

Other Possibilities:

6. Vice (PR: 8)

7. If Beale Street Could Talk (PR: 9)

8. BlacKkKlansman (PR: 10)

9. Green Book (PR: 7)

10. Widows (PR: 6)

Best Cinematography

1. Roma (PR: 1)

2. If Beale Street Could Talk (PR: 4)

3. First Man (PR: 2)

4. The Favourite (PR: 3)

5. A Star Is Born (PR: 5)

Other Possibilities:

6. Black Panther (PR: 6)

7. Cold War (PR: 7)

8. Widows (PR: 9)

9. The Ballad of Buster Scruggs (PR: 8)

10. Vice (PR: Not Ranked)

Dropped Out:

Green Book

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. First Man (PR: 3)

4. Mary Poppins Returns (PR: 4)

5. Roma (PR: 6)

Other Possibilities:

6. Mary Queen of Scots (PR: 5)

7. A Star Is Born (PR: 7)

8. Crazy Rich Asians (PR: 8)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)

10. If Beale Street Could Talk (PR: Not Ranked)

Dropped Out:

Colette

Best Costume Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Queen of Scots (PR: 4)

4. Mary Poppins Returns (PR: 3)

5. Crazy Rich Asians (PR: 7)

Other Possibilities:

6. A Star Is Born (PR: Not Ranked)

7. Colette (PR: 5)

8. Fantastic Beasts: The Crimes of Grindelwald (PR: 6)

9. If Beale Street Could Talk (PR: Not Ranked)

10. Bohemian Rhapsody (PR: 9)

Dropped Out:

The Nutcracker and the Four Realms

Best Makeup and Hairstyling

1. Black Panther (PR: 1)

2. Mary Queen of Scots (PR: 2)

3. Vice (PR: 3)

Other Possibilities:

4. Stan & Ollie (PR: 6)

5. The Favourite (PR: 5)

6. Colette (PR: 7)

7. A Star Is Born (PR: 8)

8. Mary Poppins Returns (PR: 4)

9. Deadpool 2 (PR: Not Ranked)

10. Solo: A Star Wars Story (PR: 10)

Dropped Out:

A Wrinkle in Time

Best Sound Editing

1. First Man (PR: 1)

2. A Quiet Place (PR: 4)

3. A Star Is Born (PR: 3)

4. Black Panther (PR: 2)

5. Roma (PR: 5)

Other Possibilities:

6. Incredibles 2 (PR: 7)

7. Mary Poppins Returns (PR: 6)

8. Mission: Impossible – Fallout (PR: Not Ranked)

9. Solo: A Star Wars Story (PR: Not Ranked)

10. Ready Player One (PR: 10)

Dropped Out:

Annihilation

Avengers: Infinity War

Best Sound Mixing 

1. First Man (PR: 1)

2. A Star Is Born (PR: 2)

3. A Quiet Place (PR: 5)

4. Mary Poppins Returns (PR: 4)

5. Black Panther (PR: 3)

Other Possibilities:

6. Bohemian Rhapsody (PR: 6)

7. Roma (PR: 7)

8. Incredibles 2 (PR: 8)

9. Solo: A Star Wars Story (PR: Not Ranked)

10. Ready Player One (PR: 10)

Dropped Out:

Avengers: Infinity War

Best Visual Effects

1. First Man (PR: 2)

2. Avengers: Infinity War (PR: 1)

3. Ready Player One (PR: 3)

4. Mary Poppins Returns (PR: 4)

5. Black Panther (PR: 5)

Other Possibilities:

6. Solo: A Star Wars Story (PR: 8)

7. A Quiet Place (PR: 9)

8. Fantastic Beasts: The Crimes of Grindelwald (PR: Not Ranked)

9. Incredibles 2 (PR: Not Ranked)

10. Ant-Man and the Wasp (PR: 10)

Dropped Out:

Annihilation

A Wrinkle in Time

Best Original Score

1. First Man (PR: 2)

2. If Beale Street Could Talk (PR: 1)

3. Mary Poppins Returns (PR: 3)

4. Mary Queen of Scots (PR: 4)

5. BlacKkKlansman (PR: 5)

Other Possibilities:

6. Isle of Dogs (PR: Not Ranked)

7. Colette (PR: 7)

8. Widows (PR: 6)

9. Black Panther (PR: Not Ranked)

10. Incredibles 2 (PR: 8)

Dropped Out:

The Ballad of Buster Scruggs

Roma

Best Original Song

1. “The Shallow” from A Star Is Born (PR: 1)

2. “Trip a Little Light Fantastic” from Mary Poppins Returns (PR: Not Ranked)

3. “All the Stars” from Black Panther (PR: 4)

4. “I’ll Fight” from RBG (PR: 3)

5. “Girl in the Movies” from Dumplin’ (PR: 7)

Other Possibilities:

6. “Revelation” from Boy Erased (PR: 9)

7. “Time for Change” from On the Basis of Sex (PR: 5)

8. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 2)

9. “We Won’t Move” from The Hate U Give (PR: 6)

10. “I’ll Never Love Again” from A Star Is Born (PR: 8)

Dropped Out:

“Gravity” from Free Solo 

And that correlates to the following movies getting this number of nominations:

11 Nominations

A Star Is Born

10 Nominations

The Favourite, First Man

9 Nominations

Black Panther

8 Nominations

Mary Poppins Returns, Roma

6 Nominations

If Beale Street Could Talk

5 Nominations

BlacKkKlansman, Vice

4 Nominations

Green Book

3 Nominations

Can You Ever Forgive Me?, Mary Queen of Scots

2 Nominations

A Quiet Place, First Reformed, RBG

1 Nomination

Bohemian Rhapsody, The Wife, Beautiful Boy, Cold War, Shoplifters, Capernaum, Girl, Incredibles 2, Spider-Man: Into the Spider-Verse, Isle of Dogs, Ralph Breaks the Internet, Mirai, Won’t You Be My Neighbor?, Three Identical Strangers, Free Solo, Minding the Gap, Crazy Rich Asians, Avengers: Infinity War, Ready Player One, Dumplin’