Summer 2010: The Top 10 Hits and More

Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

https://toddmthatcher.com/2020/07/25/summer-2000-the-top-10-hits-and-more/

This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:

Salt

Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.

MacGruber

Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

Oscar Watch: Klaus

2019 is shaping up to be the breakout year for Netflix when it comes to awards visibility with legitimate Best Picture contenders like The Irishman, Marriage Story, and The Two Popes. A smaller story is that it might have a contender in the Animated Feature race with the just released Yuletide comedy Klaus. It comes from director Sergio Plablos, who’s best known for creating the Despicable Me franchise. The voice cast includes Jason Schwartzman, J.K. Simmons, Rashida Jones, Joan Cusack, Will Sasso, and Norm Macdonald.

In order to nab a nomination, Klaus looks to compete for the fourth or fifth slot as I believe three are already spoken for by higher profile theatrical release sequels – Toy Story 4 (the front runner), Frozen II, and How to Train Your Dragon: The Hidden World. Other efforts vying for those slots include Weathering with You, I Lost My Body, Missing Link, Abominable, and (perhaps) the yet to be released Spies in Disguise. 

The pic currently sports a 90% rating on Rotten Tomatoes and that’s actually higher than the number (82%) for Frozen II. Yet Disney should have little trouble getting that about to be massive blockbuster in the mix.

Bottom line: I wouldn’t count Klaus out, but competition is significant. My Oscar Watch posts will continue…

The Grinch Box Office Prediction

Blogger’s Note: on the eve of its premiere, I’m giving this a bump from $56.4 million to $63.4 million

Illumination Entertainment’s The Grinch looks to be a profitable one when it hits theaters next weekend. The animated take on the Dr. Seuss classic features the voice of Benedict Cumberbatch as the grumpy Christmas hating character. Other voice over work is provided by Cameron Seely, Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Scott Mosier and Yarrow Cheney (who co-directed Illumination’s The Secret Life of Pets) are the filmmakers.

In 2000, the live-action version of this tale with Jim Carrey was a massive smash for Universal (Illumination’s parent company). There has been plenty of family pics over the last couple of months and The Grinch will get plenty more competition in following weekends. Both Fantastic Beasts: The Crimes of Grindelwald and Ralph Breaks the Internet are on deck.

That said, Illumination has had an impressive track record during this decade with the Despicable Me/Minions franchise and Pets. This is their first foray into the month of November, but plenty of other studios have planted their animated flag into the same time frame. In 2012, Wreck-It Ralph took in $49 million for its start. Two years later, Big Hero 6 made $56 million. In 2015, The Peanuts Movie started with $44 million and Trolls premiered to $46 million a year later. Yet the best comp could end up being 2000’s How the Grinch Stole Christmas, which bowed to $55 million. I’ll put it just over that as this Grinch looks to leg out well throughout the holiday season.

The Grinch opening weekend prediction: $63.4 million

For my The Girl in the Spider’s Web prediction, click here:

https://toddmthatcher.com/2018/10/30/the-girl-in-the-spiders-web-box-office-prediction/

For my Overlord prediction, click here:

https://toddmthatcher.com/2018/10/30/overlord-box-office-prediction/

Box Office Predictions: July 7-9

There’s only one new major release this weekend hitting multiplexes, but it’s a big one in the form of Spider-Man: Homecoming. This is the third iteration of the beloved web slinger with Tom Holland inheriting the tights after his cameo in Captain America: Civil War. You can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2017/06/27/spider-man-homecoming-box-office-prediction/

Spidey should easily rule the charts this weekend and my prediction puts it a couple million above what the original accomplished 15 years ago.

As for holdovers, Despicable Me 3 had a somewhat disappointing debut (more on that below) and I look for it to lose nearly half its audience in the sophomore frame.

Baby Driver, on the other hand, was quite a breakout hit and word of mouth is strong. Its drop-off shouldn’t be as pronounced. Wonder Woman and Transformers look to round out the top five.

And with that, my top 5 projections for the weekend ahead:

1. Spider-Man: Homecoming

Predicted Gross: $117.8 million

2. Despicable Me 3

Predicted Gross: $36.3 million (representing a drop of 49%)

3. Baby Driver

Predicted Gross: $13.6 million (representing a drop of 34%)

4. Wonder Woman

Predicted Gross: $9.9 million (representing a drop of 37%)

5. Transformers: The Last Knight

Predicted Gross: $7 million (representing a drop of 58%)

Box Office Results (June 30-July 2)

Illumination Entertainment’s Despicable Me 3 earned an estimated $72.4 million, which easily placed it first. However, this was easily $10 million below most of the lowest guesstimates. I projected a higher haul at $88.7M.

Edgar Wright’s critically acclaimed Baby Driver greatly exceeded expectations with a $20.5 million Friday to Sunday gross and a cool $29.5 million since its Wednesday opening. This blew away my respective predictions of $10.9M and $15.8M and proved that audiences are hungry for programming in the summer that isn’t a sequel or reboot.

Transformers: The Last Knight slipped to third with $16.8 million (in line with my $17.4M forecast) for a $102M total.

Wonder Woman was close behind in fourth with $15.7 million (I said $14.5M) to bring its massive earnings to $346M.

Cars 3 rounded out the top five with $9.6 million (I was higher at $12.1M) for a $120M overall gross.

The poorly reviewed Will Ferrell/Amy Poehler comedy The House was DOA in sixth place, earning only $8.7 million for its start (I said $13.8M).

Finally, Sofia Coppola’s The Beguiled expanded its theater count and took in $3.1 million compared to my $3.8M prediction.

And that does it for now, folks! Until next time…

Despicable Me 3 Box Office Prediction

Illumination Entertainment’s blockbuster animated franchise is back on screen next weekend as Despicable Me 3 debuts. The series returns the voices of Steve Carell and Kristin Wiig, as well as Trey Parker, Steve Coogan, Julie Andrews, and Jenny Slate.

The Despicable flicks began in 2010 when the original debuted to $56 million and a $251 million eventual domestic haul. The 2013 sequel reached higher with an $83 million premiere (8th largest animated opening ever) and $368 million overall. Two summers ago, the spin-off Minions opened to an amazing $115 million (good for 3rd animated debut all-time) and $336 million overall.

Will part 3 continue the upward swing as far as openings go? Probably not. As I see it, kids and their folks will still come out in droves.  Illumination would love to see this open with the $104 million achieved by last summer’s The Secret Life of Pets and it’s certainly possible. However, I foresee a start roughly on par with part 2 and maybe a bit higher. My forecast gives it the 8th biggest animated opening, supplanting its predecessor.

Despicable Me 3 opening weekend prediction: $88.7 million

For my The House prediction, click here:

https://toddmthatcher.com/2017/06/21/the-house-box-office-prediction/

For my Baby Driver prediction, click here:

https://toddmthatcher.com/2017/06/21/baby-driver-box-office-prediction/

For my The Beguiled prediction, click here:

https://toddmthatcher.com/2017/06/26/the-beguiled-box-office-prediction/

Sing Box Office Prediction

Illumination Entertainment has become a force in the animated world with huge hits including the Despicable Me franchise, spin-off Minions, and this summer’s The Secret Life of Pets.

They’re back at it again looking for a Christmas cash in with 3D animated musical Sing. The $75 million production should have no trouble bringing in kids and their parents over the holiday season. Singing animals is usually a decent formula for a blockbuster and this should be a strong #2 to the second weekend of Rogue One. There’s plenty of recognizable faces behind their characters including Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, John C. Reilly, Taron Egerton, and Nick Kroll.

I’ll predict Sing takes in high 40s during the long holiday weekend while reaching mid 60s when you include its Wednesday debut.

Sing opening weekend prediction: $55.3 million (Friday to Monday), $74.1 million (Wednesday to Monday)

For my Passengers prediction, click here:

https://toddmthatcher.com/2016/12/14/passengers-box-office-prediction/

For my Assassin’s Creed prediction, click here:

https://toddmthatcher.com/2016/12/14/assassins-creed-box-office-prediction/

For my Why Him? prediction, click here:

https://toddmthatcher.com/2016/12/14/why-him-box-office-prediction/

For my Fences prediction, click here:

https://toddmthatcher.com/2016/12/14/fences-box-office-prediction/

Oscar Watch: Sing and Kubo and the Two Strings

Much attention has been paid on this blog to the Best Actress race at the 2016 Oscars and deservedly so as it figures to be the most competitive it’s been in some time. Yet there’s another category that’ll be fun to watch. This year has been a banner one for animated features. In some years, it’s a bit of a challenge to think of five worthy of inclusion. In 2016, it’ll be fascinating to see what’s left out.

Two contenders have an odd thing in common: Matthew McConaughey. The 2013 Best Actor winner for Dallas Buyers Club has his voice featured in both Kubo and the Two Strings and Sing, which has screened in Toronto and will be out statewide in time for Christmas. Animated McConaughey has, in fact, had a much stronger year than the Lincoln Lawyer in human form. His summer Civil War drama Free State of Jones was a critical and commercial flop. Late last month, he starred in Gus Van Sant’s drama The Sea of Trees. It also received scorn from reviewers and has grossed a truly embarrassing $20,000 in its limited release. Perhaps this December’s Gold will turn things around for him.

Back to his cartoon version. Kubo opened last month to decent box office numbers (it’s made $40 million domestically thus far). Critics went wild for it though and its RT score stands at 97%. Though there’s other animated material that will gross far more than it, its inclusion for a nomination looks solid.

One of those movies that’ll probably far outgross it is Sing. The 3D computer animated musical comes from the company behind the Despicable Me franchise. In addition to McConaughey, it feature the voices of Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, and John C. Reilly. Early reaction from Toronto is positive and suggests it’ll be a major holiday hit.

Yet its chances at an Animated Feature nod appear murkier due to the aforementioned heavy competition. Let’s briefly run the rest of the contenders down. There’s Disney’s spring juggernaut Zootopia. It’s in. There’s Disney’s Moana, their November offering from the team behind The Little Mermaid and Aladdin. Most prognosticators, including myself, are reserving a slot for it. The foreign title The Red Turtle opened to raves at Cannes. Japanese entry Miss Hokusai looks to be a factor. And there’s mega-hits like Finding Dory and The Secret Life of Pets to think about. Finally, how about Sausage Party?

All in all, this is one of the most exciting races to follow in 2016 and who knew the stoner guy from Dazed and Confused would be right in the thick of it?

 

 

Minions Box Office Prediction

Two summers ago, Despicable Me 2 rocketed out of the gate over the July 4th weekend with a better than expected $83.5 million over the three day traditional weekend and $143 million over the holiday frame. Its eventual domestic gross of $368 million would be good for fourth on the list of 2013 earners.

With that glorious performance fresh in mind, it’s anticipated that Minions, out Friday, should have a stealthy opening. The 3D animated pic is a spinoff of Universal’s venerable franchise that should easily tide fans over until Despicable Me 3 hits screens in the summer of 2017.

Lots of familiar faces populate the voices behind the characters, including Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney, Steve Coogan and Geoffrey Rush. Reviews have been mostly positive as it stands at 74% on Rotten Tomatoes, which exactly matches the number posted by DM2. There will be competition as Pixar’s Inside Out continues to post robust numbers, but family audiences should have no trouble fitting these cute little Minions in their schedule.

I would anticipate the film debuting to just under the $100 million mark and the possibility certainly exists that it could top that magic century mark. Whether or not it reaches the eventual gross of its franchise predecessor remains to be seen.

Minions opening weekend prediction: $96.4 million

For my Self/less prediction, click here:

https://toddmthatcher.com/2015/07/04/selfless-box-office-prediction/

For my The Gallows prediction, click here:

https://toddmthatcher.com/2015/07/04/the-gallows-box-office-prediction/

Summer 2015 Movies: The Predicted Century Club

The 2015 Summer Movie Season officially kicks off two weeks from today when Avengers: Age of Ultron blasts into theaters. It will compete for the largest domestic opening of all time (where it needs to beat its predecessor) and is highly likely to be the season’s highest earner. That got me to thinking – while Ultron is poised to gross $500 million or higher, it’s been the $100 million mark that studios still like to brag about. This prompted me to look at the past five summer flick seasons and how many pictures reached that milestone.

In 2010, it was 13 movies that reached the mark: Toy Story 3, Iron Man 2, Twilight Saga: Eclipse, Inception, Despicable Me, Shrek Forever After, The Karate Kid, Grown Ups, The Last Airbender, The Other Guys, Salt, Robin Hood, and The Expendables.

Things improved in 2011 with 18 films reaching the century club: Harry Potter and the Deathly Hallows Part 2, Transformers: Dark of the Moon, The Hangover Part II, Pirates of the Caribbean: On Stranger Tides, Cars 2, Thor, Rise of the Planet of the Apes, Captain America: First Avenger, The Help, Bridesmaids, Kung Fu Panda 2, X-Men: First Class, The Smurfs, Super 8, Horrible Bosses, Green Lantern, Bad Teacher, and Cowboys and Aliens.

The low mark was the following year in 2012 with just 12: The Avengers, The Dark Knight Rises, The Amazing Spider-Man, Brave, Ted, Madagascar 3, Men in Black 3, Ice Age: Continental Drift, Snow White and the Huntsman, Prometheus, Magic Mike, and The Bourne Legacy.

Yet the high mark came the following summer in 2013 with 19: Iron Man 3, Despicable Me 2, Man of Steel, Monsters University, Fast and Furious 6, Star Trek Into Darkness, World War Z, The Heat, We’re the Millers, The Great Gatsby, The Conjuring, Grown Ups 2, The Wolverine, Now You See Me, Lee Daniels’ The Butler, The Hangover Part III, Epic, Pacific Rim, and This is the End.

2014 dipped with 14: Guardians of the Galaxy, Transformers: Age of Extinction, Maleficent, X-Men: Days of Future Past, Dawn of the Planet of the Apes, The Amazing Spider-Man 2, Godzilla, 22 Jump Street, Teenage Mutant Ninja Turtles, How to Train Your Dragon 2, Neighbors, Lucy, The Fault in Our Stars, and Edge of Tomorrow. 

That averages out to 15 pictures earning $100M plus per summer over this decade.

So where do I have 2015 matching up? Not breaking records, but in good shape. My predictions for the year’s $100M earners is 16 and they are as follows (in order of release date): Avengers: Age of Ultron, Mad Max: Fury Road, Pitch Perfect 2, Tomorrowland, San Andreas, Spy, Jurassic World, Inside Out, Ted 2, Magic Mike XXL, Terminator: Genisys, Minions, Ant-Man, Trainwreck, Mission: Impossible – Rogue Nation, and Fantastic Four. 

Of course, there’s always sleepers. And there’s others that I could have predicted but think will fall short: the Reese Witherspoon/Sofia Vergara comedy Hot Pursuit, horror remake Poltergeist, the film version of Entourage, the Adam Sandler video game inspired action comedy Pixels, the Vacation reboot, and the NWA biopic Straight Outta Compton are among them.

As predicted, summer 2015 should see its number of century club inductees on the slightly high end without reaching the heights of 2013. And as always, you’ll see box office predictions every Saturday from me on each and every one of ’em!