Thor: Love and Thunder Review

The 29th time is not the charm for the MCU with Thor: Love and Thunder, a franchise entry meant to be bursting with joy. It somehow feels middling the majority of the time and it’s a significant downgrade from Taika Waititi’s predecessor Thor: Ragnarok from 2017.

Our Asgardian God of a title character (Chris Hemsworth) has been through a lot in the last half of a cinematic decade. He’s lost his family (including Loki more than once) in earlier Thor and Avengers tales. That even caused him to turn to the bottle and humorously pack on the pounds during Avengers: Endgame. 

He found a new lease on life with the Guardians of the Galaxy during those previous Avengers epics. That’s where we find him at the outset, but it doesn’t last long. The Guardians are off on a new adventure while old acquaintances pop up for Thor. Jane Foster (Natalie Portman), who hasn’t been seen since 2013’s The Dark World, reappears in a cancer stricken state. She discovers that her ex’s hammer Mjolnir gives her super strengths. Her old beau needs all the help he can get with a new nemesis. Gorr the God Butcher (Christian Bale) is on a mission to off all the Gods (hence the name) after his own leader causes his young daughter to perish. That killing spree will eventually include Thor and the newish King of Asgard Valkyrie (Tessa Thompson).

In what has become a common theme in Marvel’s stories, the main villain sorta has a point with his murderous schemes. We see that most of the Gods, including Russell Crowe’s Zeus, have turned into lazy do-nothings. However, when Gorr snatches a bunch of Asgardian kids, the fight is on.

Ragnarok was able to find a measured balance between dramatic elements and Waititi’s comedic sensibilities. Thunder feels downright goofy most of the time with its screaming goats and Guns n Roses greatest hits soundtrack playing over the battles. Just a little patience from the director might’ve made it more tolerable. More often than not, it falls into self parody territory. Maybe it’s on purpose. That doesn’t make it worthwhile.

What’s clear is that Waititi was given plenty of freedom to paint his canvass with this fourth official pic in the Thor series. I wish that translated to a more fruitful experience. Thor and Jane’s romance in the first two movies was never exactly a highlight so their reunion left me ambivalent. To be honest, Portman almost seems a bit bored during her transformation to the Mighty Thor. Bale doesn’t seem disinterested but his bad guy is of the one note and forgettable variety.

Thor: Love and Thunder does have a few jokes that land (I chuckled at character mispronouncing Jane’s full name). Yet I couldn’t escape this thought when the credits rolled the first and second and final time… I’d rank this 29th MCU saga 29th.

** (out of four)

August 12-14 Box Office Predictions

There’s a trio of pics debuting or expanding this weekend, but they could all find themselves outside of the top five. A24’s slasher comedy Bodies Bodies Bodies hopes to build on its impressive NY/LA limited release while the Diane Keaton comedy Mack & Rita and survival thriller Fall premiere. You can peruse my detailed prediction posts on them here:

Bodies Bodies Bodies Box Office Prediction

Mack & Rita Box Office Prediction

Fall Box Office Prediction

Both Bodies and Fall are expected to hit around 1200 screens. That’s low and limits their range. Let’s start with Fall as its lack of promotion could find it failing to even make $1 million. I’m projecting $1.2 million and that obviously leaves it well outside the high five (and ten for that matter).

Bodies is a bit tougher to figure out. In six venues in our nation’s two largest cities, it took in a robust per screen average of nearly $40k. Yet as I mentioned in my individual post, I’m skeptical that this plays well in the middle of the country. My $4.4 million estimate also leaves it on the outside looking in.

Mack & Rita also seems to be suffering from lack of awareness. I’m only going with $2.3 million as this should come and go in multiplexes quickly.

With the newcomers out of the way, that leaves holdovers to talk about. Sony’s Bullet Train with Brad Pitt opened right on track with reasonable expectations (more on that below) and it should have no trouble remaining in the top spot again. With minimal competition, it could slide in the mid 40s in the best case scenario. That said, if you look at action titles of early August past, a drop in the low 50s to mid 50s seems just as likely. DC League of Super-Pets should stay in second… with a caveat.

If Top Gun: Maverick continues percentage drops in the teens (and there’s no reason to think it won’t), it should re-enter the top 5. Nope could drop out altogether with Thor: Love and Thunder and Minions: The Rise of Gru battling it out for the 4 spot alongside Bodies Bodies Bodies. There’s even a chance Maverick could go from #6 to #2.

Here’s how I see the charts playing out and I’ll expand it to a top ten this time around:

1. Bullet Train

Predicted Gross: $14.1 million

2. DC League of Super-Pets

Predicted Gross: $7.2 million

3. Top Gun: Maverick

Predicted Gross: $6.2 million

4. Thor: Love and Thunder

Predicted Gross: $5.4 million

5. Minions: The Rise of Gru

Predicted Gross: $5.2 million

6. Bodies Bodies Bodies

Predicted Gross: $4.4 million

7. Nope

Predicted Gross: $4.2 million

8. Where the Crawdads Sing

Predicted Gross: $4.1 million

9. Elvis

Predicted Gross: $2.6 million

10. Easter Sunday

Predicted Gross: $2.5 million

11. Mack & Rita

Predicted Gross: $2.3 million

Box Office Results (August 5-7)

Bullet Train came in right where I thought it would with $30 million (my call  was $29.7 million). While it certainly didn’t exceed expectations, it’s a perfectly decent opening and its overseas grosses are solid. The B+ Cinemascore indicates a somewhat fair-weather reaction so it’s worth monitoring how it holds up. As mentioned, the lack of competition should help.

DC League of Super-Pets had a stiffer sophomore fall than I anticipated with $11 million compared to my $13.6 million take. The two-week total is a muted $44 million.

Nope saw a drop of over 50% once again with $8.5 million, in range with my $8.1 million prediction. The three-week tally is approaching nine digits at $97 million.

Thor: Love and Thunder was fourth at $7.7 million (I said $8.3 million) as the MCU sequel became the highest pic in the franchise by eclipsing 2017’s Ragnarok. Total is $316 million.

Minions: The Rise of Gru rounded out the top five with $7.1 million (I went with $6.9 million) for a $334 million haul.

Finally, the Jo Koy comedy Easter Sunday struggled in its start in 8th place with $5.4 million, just under my $5.6 million estimate.

And that does it for now, folks! Until next time…

July 15-17 Box Office Predictions

A trio of new titles populate the mid-July box office though Thor is unlikely to be dethroned in his second frame. We have rural drama Where the Crawdads Sing (based on the bestseller), animated martial arts family comedy Paws of Fury: The Legend of Hank, and the 1950s set dramedy Mrs. Harris Goes to Paris. You can peruse my detailed prediction posts on each of them here:

Where the Crawdads Sing Box Office Prediction

Paws of Fury: The Legend of Hank Box Office Prediction

Mrs. Harris Goes to Paris Box Office Prediction

Despite solid reviews thus far, Paris won’t reach the top five and top ten could even be tricky. Part of that is due to its smallish output on roughly 900 screens. My estimate is $2.3 million.

The wild card could be Crawdads. The novel is recent (it was the top selling book of 2019) and has its ardent fans. A debut of over $20 million is possible and it could reach the runner-up position. I’m putting it a bit under that and that should mean third place.

As for Paws, my projection of just over $10 million would put it in a dead heat with Top Gun: Maverick in its 8th weekend. If anything, I could see my guesstimate for the animated pic being revised down.

Thor: Love and Thunder hammered out the third largest opening of 2022 (more on that below). Yet the B+ Cinemascore average (low for the MCU) could mean a hefty sophomore dip. Doctor Strange in the Multiverse of Madness had the same grade and tumbled 67%. A low mid 60s drop for the Asgardian king should mean a $50-55 million range.

Minions: The Rise of Gru should remain in second (unless Crawdads impresses) with a third weekend take of between $20-25 million.

Here’s how I envision the top five:

1. Thor: Love and Thunder

Predicted Gross: $50.2 million

2. Minions: The Rise of Gru

Predicted Gross: $23.1 million

3. Where the Crawdads Sing

Predicted Gross: $18.7 million

4. Top Gun: Maverick

Predicted Gross: $10.9 million

5. Paws of Fury: The Legend of Hank

Predicted Gross: $10.5 million

Box Office Results (July 8-10)

Thor: Love and Thunder easily set a personal best among the four Chris Hemsworth led pics with $144.1 million, besting predecessor Ragnarok by over $20 million. While a rock solid start, it’s on the lower end of expectations and I said $155.7 million. Out of the 29 MCU blockbusters, it ranks 12th as far as beginnings.

Minions: The Rise of Gru slipped to second with $46.1 million, just shy of my $48.8 million prediction. The Illumination smash is up to $210 million already.

Top Gun: Maverick was third with $15.5 million and I was more generous with $18.5 million. Tom Cruise’s phenomenon is flying high with $597 million.

Elvis was fourth with $11.1 million (I said $11.6 million) as the biopic has taken in  a sturdy $91 million.

Jurassic World: Dominion rounded out the top five with $8.5 million. I went with $9.1 million. Total is $350 million.

And that does it for now, folks! Until next time…

July 8-10 Box Office Predictions

Thor: Love and Thunder is the 29th entry in the Marvel Cinematic Universe and it will be the 29th to debut in first place when it opens Friday. My detailed prediction post on it can be accessed here:

Thor: Love and Thunder Box Office Prediction

The franchise is riding high off the success of Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. The former King of Asgard’s fourth adventure is getting mixed reviews, but that didn’t hurt Multiverse and it shouldn’t matter much here. My projection in the mid 150s gives it a slightly better start than Guardians of the Galaxy Vol. 2 and Captain Marvel. 

As for holdovers, Minions: The Rise of Gru blew away expectations (more on that below). It should lose around 50-55% of the Friday to Sunday portion of its opening holiday weekend. Top Gun: Maverick will land in third displaying the smallest dip of the bunch with Elvis and Jurassic World: Dominion rounding out the top five at 40% range falls.

Here’s how I see it looking:

1. Thor: Love and Thunder

Predicted Gross: $155.7 million

2. Minions: The Rise of Gru

Predicted Gross: $48.8 million

3. Top Gun: Maverick

Predicted Gross: $18.5 million

4. Elvis

Predicted Gross: $11.6 million

5. Jurassic World: Dominion

Predicted Gross: $9.1 million

Box Office Results (July 1-4)

Minions: The Rise of Gru set a pandemic era record for animated features with a bountiful $107 million. The fifth entry in the Despicable Me/Minions tales, Steve Carell and company soared past my (and everyone else’s) expectations. I had it making $86.4 million over the four-day Independence  Day weekend. With an A Cinemascore grade, it should perform well into the future and keep the series chugging along (the next one is slated for summer 2024 already).

Top Gun: Maverick remained in second with $32.2 million – above my $29.8 million take. On the weekend of his 60th birthday, Tom Cruise’s biggest hit ever is up to $570 million.

Elvis shimmied down to third after premiering in first with $22.7 million, right in line with my $23.2 million projection. Baz Luhrmann’s musical biopic is at an impressive $71 million with $100 million firmly in its sights.

Jurassic World: Dominion was fourth with $19.6 million compared to my guesstimate of $17.3 million. The sixth dino flick’s tally roared to $335 million.

The Black Phone rounded out the top five with $14.1 million (I said $14.5 million) as the low budget horror pic has rung up a pleasing $49 million.

Finally, Pixar’s Lightyear continued its uninspiring run with $7.6 million for a $106 million tally. I was more generous at $10.2 million.

And that does it for now, folks! Until next time…

Oscar Predictions – Thor: Love and Thunder

The Thor entries of the Marvel Cinematic Universe have yet to receive any attention at the Oscars. While that may not seem terribly surprising, it’s important to remember that 12 of the MCU blockbusters have nabbed Visual Effects nods. None have won.

Love and Thunder opens Friday and it’s the fourth adventure centered on Chris Hemworth’s Asgardian former King. Taika Waititi returns to direct after helming 2017’s Ragnarok. It was easily the most acclaimed of the series with a 93% Rotten Tomatoes score. It didn’t make the cut for its visuals though while fellow MCU entry Guardians of the Galaxy Vol. 2 did. Thunder‘s reviews don’t match its predecessor as it currently stands at 71%.

The MCU should get a 13th VE mention for Doctor Strange in the Multiverse of Madness. If Ragnarok couldn’t manage the final five for the visuals or Makeup or Hairstyling or Costume Design, I’m skeptical this follow-up will. My Oscar Prediction posts will continue…

Thor: Love and Thunder Box Office Prediction

Each Thor pic has outdone the last and Disney hopes that trend continues when Thor: Love and Thunder hits theaters on July 8th. The sixth MCU entry in the past 14 months, the franchise shows no signs of slowing down as this follows juggernauts Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. 

This particular series is only the second to have a fourth feature (the other being Avengers). Taika Waititi, who made 2017’s predecessor Ragnarok, returns behind the camera with Chris Hemsworth once again hammering away as the title character. Natalie Portman’s Jane is back after sitting out part 3 and other familiar faces include Tessa Thompson, Jaimie Alexander, and Jeff Goldblum. The Guardians of the Galaxy are also in the mix. Newcomers to the fold are Christian Bale as main villain Gorr the God Butcher and Russell Crowe as Zeus. Expect plenty of cameos as well.

The first Thor (only the 4th of now 29 MCU flicks) grossed $65 million out of the gate with an overall gross of $181 million. Two and a half years later, The Dark World improved upon that with $85 and $206 million, respectively. Ragnarok easily surpassed that with $122 million and $315 million eventually.

Love and Thunder should continue the trend. Since the character’s last stand-alone effort, Thor was prominently placed in the massive Avengers sagas Infinity War and Endgame. That said, Multiverse from early May was a direct benefactor of following No Way Home when it premiered with $187 million. Its Spidey predecessor swung the second largest domestic opening of all time behind Endgame. 

I don’t believe Thunder will reach the stratosphere of Multiverse. Somewhere between $140-$160 million seems doable. If buzz continues to grow louder in the coming days, I reserve the right to revise up. My current take puts it in the range of Guardians of the Galaxy Vol. 2 ($146 million) and Captain Marvel ($153 million). I’ll put it slightly over both.

Thor: Love and Thunder opening weekend prediction: $155.7 million

A Marvel Cinematic Oscar History: Best Supporting Actress

Wrapping up my look back at the 110 Oscar nominees and 20 winners that have appeared in the Marvel Cinematic Universe since Iron Man in 2008 and continuing through its next two releases (Black Widow and The Eternals), we arrive at Best Supporting Actress. If you missed my posts for the lead races and Supporting Actor, you can find them here:

https://toddmthatcher.com/2020/04/12/a-marvel-cinematic-oscar-history-best-actor/

https://toddmthatcher.com/2020/04/14/a-marvel-cinematic-oscar-history-best-actress/

https://toddmthatcher.com/2020/04/16/a-marvel-cinematic-oscar-history-best-supporting-actor/

Supporting Actress has the least number of nominees (19), but equals the most victories with six (tying Best Actor). We start with those six gold recipients:

Tilda Swinton, who appeared in Doctor Strange, won in 2007 for Michael Clayton

Marisa Tomei, Aunt May in the Spider-Man pics, was a surprise victor in 1992 for My Cousin Vinny

Cate Blanchett, the villainess in Thor: Ragnarok, in 2004 for The Aviator

Lupita Nyong’o, of Black Panther, for 2013’s 12 Years a Slave

Rachel Weisz, who’s in the forthcoming Black Widow, for 2005’s The Constant Gardner

Angelina Jolie, who will appear in The Eternals, in 1999’s Girl, Interrupted

As for the 13 other nominees:

Scarlett Johansson, aka Black Widow, for last year’s Jojo Rabbit

Natalie Portman, Thor’s flame, for 2004’s Closer

Glenn Close, who appeared in Guardians of the Galaxy, is a three-time nominee in this category for 1982’s The World According to Garp, 1983’s The Big Chill, and 1984’s The Natural

Rachel McAdams, also of Doctor Strange, for 2015’s Spotlight

Marisa Tomei was nominated twice more after her Vinny win for 2001’s In the Bedroom and 2008’s The Wrestler

Cate Blanchett received two additional nods for 2006’s Notes on a Scandal and 2007’s I’m Not There

Annette Bening, from Captain Marvel, for 1990’s The Grifters

Florence Pugh, costar of the upcoming Black Widow, for last year’s Little Women

Rachel Weisz received another nod for 2018’s The Favourite 

And that concludes my look back on the MCU and its Oscar pedigree. Hope you enjoyed!

A Marvel Cinematic Oscar History: Best Supporting Actor

Continuing with my series showcasing the voluminous amount of Oscar nominees and winners that have appeared in the 25 Marvel Cinematic Universe pictures (including the upcoming Black Widow and The Eternals), we arrive at Best Supporting Actor.

If you missed my previous posts covering the lead performers in Actor and Actress, you can find them here:

https://toddmthatcher.com/2020/04/12/a-marvel-cinematic-oscar-history-best-actor/

https://toddmthatcher.com/2020/04/14/a-marvel-cinematic-oscar-history-best-actress/

Supporting Actor, of the four acting categories, contains the most nominees at 36. However, there are only 4 wins represented. As a reminder, the MCU has given us 110 total nominees and 20 golden recipients.

Let’s start with the four gentlemen who made a trip to the podium:

Sam Rockwell, who costarred in Iron Man 2, took gold in 2017 for Three Billboards Outside Ebbing Missouri 

Tommy Lee Jones, who appeared in Captain America: First Avenger, emerged victorious in 1993 for The Fugitive

Benicio del Toro, who memorably appeared in Guardians of the Galaxy, won in 2000 for Traffic

J.K. Simmons, who popped up in Spider-Man: Far From Home reprising his role as J. Jonah Jameson from the original Spidey trilogy, won in 2014 for Whiplash

And now the 29 additional performers who received nods:

Tony Stark himself, Robert Downey Jr., received a nomination in 2008 for Tropic Thunder

Jeff Bridges, the Iron Man villain, is a four-time nominee for 1971’s The Last Picture Show, 1974’s Thunderbolt and Lightfoot, 2000’s The Contender, and Hell or High Water in 2016

Samuel L. Jackson, who has played Nick Fury in numerous MCU entries, got a nod in 1994 for Pulp Fiction

Edward Norton, who was the Hulk before Mark Ruffalo, is a two-time nominee for 1996’s Primal Fear and 2014’s Birdman

Tim Roth, bad guy in Norton’s The Incredible Hulk, for 1995’s Rob Roy

William Hurt, whose MCU appearances also began in The Incredible Hulk, for 2005’s A History of Violence

Sam Rockwell was nominated a year after his Billboards win in 2018 for Vice

Anthony Hopkins, Thor’s dad, for 1997’s Amistad and last year’s The Two Popes

Stanley Tucci, also of Captain America: First Avenger, in 2010 for The Lovely Bones

Mark Ruffalo is a three-time nominee: 2010’s The Kids Are All Right, 2014’s Foxcatcher, and in 2015 for Spotlight

Jeremy Renner, aka Hawkeye, in 2010’s The Town

Ben Kingsley, from Iron Man 3, is a two-time mention for 1991’s Bugsy and 2001’s Sexy Beast

Benicio del Toro also received a nomination for 2003’s 21 Grams

Bradley Cooper, Rocket from Guardians of the Galaxy, for 2013’s American Hustle

Djimon Hounsou, who first appeared in Guardians, for both 2003’s In America and 2006’s Blood Diamond

John C. Reilly, another Guardians performer, for 2002’s Chicago

Josh Brolin, aka Thanos, for 2008’s Milk

Sylvester Stallone, who appeared in the Guardians sequel, for 2015’s Creed

Matt Damon, who had a cameo in Thor: Ragnarok, for Invictus in 2009

Jude Law, from Captain Marvel, received a nomination 20 years earlier for The Talented Mr. Ripley

Jake Gyllenhaal, villain for Spider-Man: Far From Home, for 2005’s Brokeback Mountain

And that does it for now, folks! I’ll have Supporting Actress up in short order…

 

 

A Marvel Cinematic Oscar History: Best Actress

Today brings part two of my exploration of the Marvel Cinematic Universe and the rather astonishing number of actors in the MCU that have received Oscar nominations or won. The total is 110 nominations and 20 wins. I started with the lead performers who received Best Actor nods and victories. If you missed that post, you can find it here:

https://toddmthatcher.com/2020/04/12/a-marvel-cinematic-oscar-history-best-actor/

We move to Best Actress and the numbers there are bit lower. For Actor, it’s 33 nominations and 6 wins, encompassing 23 total men. For Actress, it’s 11 women who’ve received a tally of 22 nominations and 4 trips to the stage. The reasoning behind this could be simple. It wasn’t until the 22nd MCU pic (last year’s Captain Marvel) where a female received overall top billing. And Captain Marvel herself is among the 4 victorious thespians. I’ll remind you that I am including Marvel’s next two features (Black Widow and The Eternals) in the count.

Let’s break them down by winners first:

Gwyneth Paltrow, Iron Man’s main squeeze Pepper Potts, won in 1998 for Shakespeare in Love

Natalie Portman, girlfriend to Thor in those first two pics, won in 2010 for Black Swan

Cate Blanchett, nemesis to the Asgard God in Thor: Ragnarok, took the prize in 2013 for Blue Jasmine

Captain Marvel Brie Larson was a gold recipient in 2015 for Room

Here are the 18 nominees:

Scarlett Johansson, Black Widow, scored her first leading actress nod last year for Marriage Story

Natalie Portman was additionally nominated in 2016 for Jackie

Glenn Close, who appeared in Guardians of the Galaxy, is a four-time nominee in the lead category for 1987’s Fatal Attraction, 1988’s Dangerous Liaisons, 2011’s Albert Nobbs, and 2018’s The Wife

Cate Blanchett received three more nods for 1998’s Elizabeth, 2007 sequel Elizabeth: The Golden Age, and 2015’s Carol

Angela Bassett, mother to Black Panther, was nominated for her portrayal of Tina Turner in 1993’s What’s Love Got to Do With It?

Michelle Pfeiffer, costar of Ant-Man and the Wasp, is a three-time contender for 1988’s Dangerous Liaisons (alongside Close), 1989’s The Fabulous Baker Boys, and 1992’s Love Field

Annette Bening, from Captain Marvel, is also a three-time hopeful for 1999’s American Beauty, 2004’s Being Julia, and 2010’s The Kids Are All Right

Salma Hayek, from the upcoming The Eternals, scored a nomination for 2002’s Frida

Angelina Jolie, also from The Eternals, got a nod for 2008’s Changeling

I’ll have Supporting Actor up in short order!

A Marvel Cinematic Oscar History: Best Actor

I was rewatching Avengers: Endgame over the weekend and it once again struck me how many famous actors are in that thing. I mean… seriously. It’s rather amazing. This got me thinking and yes, current world events may have given me an opportunity to do so:

Just how many performers that have been in Marvel Cinematic Universe entries have won Oscars or been nominated for Oscars? I knew the number would be high, but the answer still astonished me. In fact, you have to back to 1981 for a year where no actor that eventually appeared in the MCU didn’t receive a nomination.

If you count Marvel’s next two pictures (Black Widow, The Eternals) and then count the 23 movies prior that started in 2008 with Iron Man, it encapsulates 110 acting nominations and 20 wins! I am not yet putting Christian Bale in there though he’s rumored to be playing the villain in the fourth Thor flick. I’ll wait for confirmation on that. If you did count Bale, the numbers go to 114 nods and 21 Academy victories.

Due to this research, I’m writing 4 blog posts dedicated to each acting race and we begin with Best Actor:

The leading man category makes up 33 out of the 110 nominations with 6 wins. The victorious gentlemen are as follows:

Jeff Bridges, the main baddie in Iron Man, won in 2009 for Crazy Heart

William Hurt, who appeared in The Incredible Hulk and other MCU titles, took Best Actor in 1985 for Kiss of the Spider Woman

Anthony Hopkins, aka Thor’s Dad, was stage bound in 1991 for his iconic role as Dr. Hannibal Lecter in The Silence of the Lambs

Ben Kingsley, who sparred with Tony Stark in Iron Man 3, is a 1982 recipient in the title role of Gandhi

Michael Douglas, who appeared in both Ant-Man pics, was Best Actor in 1987 for Wall Street

Forest Whitaker, who costarred in Black Panther, took gold in 2006 for The Last King of Scotland

Aside from the winners, here are the other 27 Actor nods:

Iron Man himself, Robert Downey Jr., for 1992’s Chaplin

Terrence Howard, who was in the first Iron Man, for 2005’s Hustle & Flow

Jeff Bridges scored two additional nominations for 1984’s Starman and 2010’s True Grit

Edward Norton, who was Hulk before Mark Ruffalo, for 1998’s American History X

William Hurt, like fellow winner Bridges, also landed two other nods for 1986’s Children of a Lesser God and 1987’s Broadcast News

Don Cheadle, who replaced Terrence Howard in Iron Man 2 and more, for 2004’s Hotel Rwanda

Mickey Rourke, the villain in Iron Man 2, for 2008’s The Wrestler

Anthony Hopkins, following his Lambs victory, was nominated twice more for 1993’s The Remains of the Day and 1995’s Nixon

Tommy Lee Jones, from Captain America: First Avenger, for 2007’s In the Valley of Elah

Jeremy Renner, aka Hawkeye, for his breakthrough role in 2009’s The Hurt Locker

Robert Redford, who was in Captain America: The Winter Soldier, surprisingly only has one acting nod for 1973’s The Sting. He is, however, a twice nominated director and won in 1980 for Ordinary People 

Bradley Cooper, Rocket in Guardians of the Galaxy, has been nominated thrice with no wins: 2012’s Silver Linings Playbook, 2014’s American Sniper, and 2018’s A Star Is Born

Benedict Cumberbatch, aka Doctor Strange, for 2014’s The Imitation Game

Chiwetel Ejiofor, also in Doctor Strange, for 2013’s 12 Years a Slave

Sylvester Stallone, who popped up in Guardians of the Galaxy Vol. 2, for his signature role in 1976’s Rocky

Michael Keaton, the villain in Spider-Man: Homecoming, for 2014’s Birdman

Matt Damon, who had a memorable cameo in Thor: Ragnarok, is twice nominated for 1997’s Good Will Hunting and 2015’s The Martian

Daniel Kaluuya, Black Panther costar, for 2017’s Get Out

Laurence Fishburne, supporting player in Ant-Man and the Wasp, as Ike Turner in 1993’s What’s Love Got to Do With It

Jude Law, from Captain Marvel, for 2003’s Cold Mountain 

Whew. And there you have it. I’ll be back at it shortly with the Best Actress nominees who got their Marvel on!