Tag: Michael Stuhlbarg

Bones and All Box Office Prediction

MGM/UA hopes younger viewers are hungry for some cannibal love when Bones and All opens wide on Wednesday, November 23rd. Based on a 2015 novel by Camille DeAngelis, Taylor Russell and Timothee Chalamet headline the road flick from director Luca Guadagnino. Costars include Mark Rylance, Michael Stuhlbarg, Andre Holland, Chloe Sevigny, David Gordon Green, and Jessica Harper.

The subject matter could be a challenging one for holiday crowds though Chalamet has a rabid fanbase that could turn up. The Thanksgiving release (it’s out five screens November 18 before the expansion) is also the only holiday newbie geared toward teens and young adults. Strange World is for the kids while Devotion and The Fabelmans skew older. Reviews are pretty appetizing with an 89% Rotten Tomatoes score following its September debut at the Venice Film Festival.

With a reported count of around 2500 venues, I’ll say Bones gets to mid single digits for the three-day and for the five.

Bones and All opening weekend prediction: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)

For my Strange World prediction, click here:

Strange World Box Office Prediction

For my Devotion prediction, click here:

Devotion Box Office Prediction

For my The Fabelmans prediction, click here:

The Fabelmans Box Office Prediction

Oscar Predictions: Bones and All

Love and cannibalism collide in Luca Guadagnino’s Bones and All, which has premiered at Venice before its November 23rd stateside theatrical release. The mix of gore and romance reunites the filmmaker with his Call Me by Your Name star Timothee Chalamet (I will refrain from making any Armie Hammer references from now on). Taylor Russell, who drew raves for the little seen Waves, is co-lead with a supporting cast including Mark Rylance, Michael Stuhlbarg, Andre Holland, Chloe Sevigny, and Jessica Harper.

The road movie, based on a 2015 YA novel from Camille DeAngelis, is drawing mostly positive early reaction in Italy. The Rotten Tomatoes meter is a strong 92%. Praise is plentiful for Chalamet (he scored an Oscar nod for Name), but Russell is being called the highlight.

Despite the encouraging buzz, I’m not sure voters will bite for this late 80s set horror tale. Five years ago, Guadagnino’s Name called up four Academy nods including Picture and winning Adapted Screenplay. His 2018 follow-up Suspiria didn’t make a dent with the awards crowd.

MGM/UA would need to mount a major campaign for Russell or Chalamet for them to be viable in my view. I would say Bones‘s best shot could be Adapted Screenplay or perhaps the score from Trent Reznor and Atticus Ross. My Oscar Prediction posts will continue…

Best Picture 2009: The Final Five

And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.

So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.

Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.

When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.

Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…

The Hurt Locker

Does It Make the Final Five?

Yes because it won Best Picture.

The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?

Avatar

When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…

Does It Make the Final Five?

Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.

The Blind Side

Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.

Does It Make the Final Five?

No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.

District 9

Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.

Does It Make the Final Five?

This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.

An Education

The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.

Does It Make the Final Five?

It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.

Inglourious Basterds

Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.

Does It Make the Final Five?

Yes. The 8 nominations are enough to indicate as much.

Precious

The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.

Does It Make the Final Five?

Yes. The screenplay win puts it over the top.

A Serious Man

The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.

Does It Make the Final Five?

Even with the love for its brotherly makers – No.

Up

As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.

Does It Make the Final Five?

I’m saying No, but I’m not sure of that. I’d probably put it sixth.

Up in the Air

Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.

Does It Make the Final Five?

Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.

So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:

The Hurt Locker (winner)

Avatar

Inglourious Basterds

Precious

Up in the Air 

An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.

I shall return soon with my rumblings and final five for 2010!

Doctor Strange in the Multiverse of Madness Review

Sam Raimi’s horror sense and gory sensibilities (Evil Dead style) permeates Doctor Strange in the Multiverse of Madness. On paper this is a sequel to 2016’s predecessor which introduced Benedict Cumberbatch as the cocky mythical surgeon Stephen Strange. As with most sagas in the MCU, his character has been in plenty of other adventures in the interim (most notably the gargantuan Avengers: Infinity War and Endgame). The fifth word is the most key in the title. As Spider-Man: No Way Home (with its understandably audience pleasing cameos) showed just a few months back, this cinematic universe is now comprised of scores of them. Multiverse has a limited amount of fun with this development that’s far less memorable.

Instead this sequel often serves as a continuation of Disney Plus’s first Marvel streaming series WandaVision with Elizabeth Olsen. If you didn’t watch that, you’re going to be a little lost. Olsen’s Wanda, on the TV show, created an idyllic home life with Vision (Paul Bettany) and two cute kids with superhero powers. The problem – it was a completely invented reality and Wanda was causing harm to others by continuing the charade. She comes to her senses eventually. Multiverse finds Wanda being taken over by her alter ego the Scarlet Witch after acquiring a book of magic spells. Her character motivations stretch credibility with the same elasticity as a certain cameo where she battles familiar MCUers with some different faces.

Wanda/Scarlet’s plans to reunite with her made up kiddos jeopardize life in plenty of multiverses. None of them involve her wanting to reunite with the love of her life Vision (there’s that credibility issue). It does involve Doctor Strange teaming up with America Chavez (Xochitl Gomez). I’m sure her persona will be fleshed out in future installments. For now she’s a teen with the ability to jump multiverses who possesses powers she’s just beginning to harness. Strange first makes her acquaintance while attending the wedding of his former flame Christine (Rachel McAdams). A CG monster interrupts the reception on the streets outside and an eye popping (literally) battle ensues. The Scarlet Witch wants America for her own nefarious purposes so the Doc must protect her across multiple dimensions.

Actually… only a couple of dimensions as Multiverse never gets much screen time to explore the possibilities other than a brief and very cool sequence. Therein lies part of the problem. While I know we’re dealing with intergalactic mayhem that can mean all sorts of unanticipated cameos and landscapes, Madness can feel surprisingly low stakes. It doesn’t help with the aforementioned matters of Scarlet’s clunky story treatment.

What does occasionally assist in the entertainment value is Raimi being in the director’s chair. Taking over for Scott Derrickson, the veteran filmmaker doesn’t shy away from jump scares and his unique brand made notable four decades ago in Evil Dead. There are unquestionably some impressive and spellbinding visuals. There’s also a pop-in by Bruce Campbell that is more satisfying than higher profile cameos. Unfortunately this suffers from a malady similar to Raimi’s Spider-Man 3 with villainous plots that don’t quite ultimately work. Chiwetel Ejiofor unceremoniously returns as a version of Mordo, Strange’s former ally turned foe.

All this Strange magic while Stephen pines for Christine makes for a middle of the universe to lower tier universe experience. I appreciate Kevin Feige and the team allowing Raimi so much creative control. However, while previous confrontations were fought in fewer dimensions, I felt they covered more meaningful ground. As the MCU moves forward across all these galaxies (sometimes with inspiration and sometimes trudging on shaky foundations), we’ll have lots of opportunities to see how the mix turns out. I still have guarded optimism.

**1/2 (out of four)

Oscar Predictions: Doctor Strange in the Multiverse of Madness

Last year, The Power of the Dog scored the most Oscar nominations including Best Actor for Benedict Cumberbatch. His return as Marvel’s superhero in Doctor Strange in the Multiverse of Madness hopes to land at least one mention in a category where the MCU has received plenty.

The review embargo lifted today ahead of its Friday premiere and the Rotten Tomatoes score is currently 79% (that’s a match with last summer’s Black Widow). Sam Raimi’s directorial contribution to the world’s biggest franchise, based on some critics and their reservations, really only has a shot at Best Visual Effects.

That’s where 12 previous movies starting with Iron Man and ending with 2021’s Shang-Chi and the Legend of the Ten Rings and Spider-Man: No Way Home have made the final five. Somewhat shockingly, none have won. In the middle of that pack is predecessor Doctor Strange from 2016 (it lost to The Jungle Book).

Considering the original Strange made the cut, Madness could absolutely be in line to follow suit. It’ll need to do so over two forthcoming MCU adventures (Thor: Love and Thunder and Black Panther: Wakanda Forever). None of the Thor pics managed a VE nod and neither did the first Panther. Therefore it strands to reason that this could be the best MCU bet for inclusion in 2022. Like the others, I don’t believe it has a shot to win. My Oscar Prediction posts will continue…

Doctor Strange in the Multiverse of Madness Box Office Prediction

In what Hollywood is hoping looks more like a traditional summer season, it’s the MCU kicking it off with Doctor Strange in the Multiverse of Madness. The 28th feature in the biggest franchise of all is technically the follow-up to 2016’s Doctor Strange with Benedict Cumberbatch in the title role. It is, however, the character’s sixth appearance overall in the cinematic universe with the most recent being December’s massive Spider-Man: No Way Home. 

Speaking of Spidey, Sam Raimi, maker of Tobey Maguire’s 2002-2007 trilogy, directs (taking over from Scott Derrickson). Costars back in the mix are Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Michael Stuhlbarg, and Rachel McAdams. Newcomers to the MCU include Xochitl Gomez and Patrick Stewart (in an undisclosed role that could turn out to be quite familiar).

Madness has the big advantage of following a juggernaut in No Way Home. That has served as an advantage to other MCU properties. For instance, Captain Marvel in 2019 was the follow-up to Avengers: Endgame and it made $153 million out of the gate. That was slightly better than the Guardians of the Galaxy sequel from two years earlier. Assisting Multiverse is that the good Doctor had a sizable part in the previous Spidey adventure.

Five and a half years ago, the first Strange took in $85 million for its start with an eventual domestic haul of $232 million. In the MCU world, it’s way more normal for sequels to outdo their predecessors and that will certainly apply here. It should have no trouble achieving the largest premiere for 2022 – currently held by The Batman at $134 million.

No one is really thinking this will approach the $260 million weekend of No Way Home, but $200 million is definitely feasible. Underestimating the MCU is usually not wise so I’ll say it hits that mark. My projection would get it the 7th largest domestic debut of all time (right behind Jurassic World and just ahead of The Avengers).

Doctor Strange in the Multiverse of Madness opening weekend prediction: $208.5 million

Oscar Watch: Shirley

In 2019, The Handmaid’s Tale lead Elisabeth Moss picked up a bit of awards buzz for Her Smell. That speculation never really went anywhere and she came up empty-handed at the majors. Moss might have another contender in 2020 with Shirley, which premiered over the weekend at the Sundance Film Festival.

Moss stars as horror novelist Shirley Jackson with a supporting cast including Michael Stuhlbarg, Odessa Young, and Logan Lerman. This is the follow-up to director Josephine Decker’s Madeline’s Madeline, which nabbed some attention on the indie awards circuit two years ago. Early reviews are encouraging.

What’s currently unknown is how much exposure Shirley receives over the course of the year. The limited visibility of Her Smell might have prevented Moss’s first real Oscar attention. If Shirley can mount a vibrant campaign, perhaps that dynamic will change. My Oscar Watch posts will continue…

Michael Stuhlbarg and Elisabeth Moss appear in Shirley by Josephine Decker, an official selection of the U.S. Dramatic Competition at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Thatcher Keats.
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The Post Movie Review

If you could envision a picture made in a factory for Best Picture consideration, The Post might be it. Two-time Oscar-winning director Steven Spielberg? Check. Three-time winner and most nominated actress ever Meryl Streep? Yep. Two-time recipient Tom Hanks? Indeed. A historical context that has connections to what’s happening today? Present. Luckily, the film itself manages to be an often engrossing experience that is (surprise) quite well-acted and directed. Does it match the high mark of some other journalistic features that cover similar ground? Not in my view.

The Post opens with State Department analyst Daniel Ellsberg (Matthew Rhys) in Vietnam in the late 1960s and his growing realization that the conflict has no end in sight. Ellsberg has access to classified government docs and by the early 1970s, he wishes to expose the top secrets of the U.S. Government’s involvement overseas from the Truman through Nixon administrations. He first leaks some information to the vaunted New York Times, but attention soon turns to The Washington Post, which at this juncture is considered more of a hometown paper. That paper is run by Katharine Graham (Streep) and she’s the first woman to run such an operation. She inherited the Post after the deaths of her father and husband. While the film’s attention is mostly centered on the impending giant story that they may break, we also witness the difficulties Graham experiences as a woman working in a man’s world. This provides some of the best moments and more examples of Streep’s limitless abilities as a performer.

Graham runs in the D.C. social circles and she’s close with many of the figures her journalists look to expose, including Secretary of Defense Robert McNamara (Bruce Greenwood). The paper’s editor is Ben Bradlee (Hanks), a hard charging type who doesn’t think of the corporate exposure landmines that go along with spilling these secrets. Graham must do so because her business is about to go up for public offering and President Nixon isn’t exactly warm-hearted when dealing with media types.

Therein lies the drama with The Post as Graham and Bradlee struggle to do the right thing. The pic clearly reveres it main subjects and the virtuous acts they took. It also adores the bygone and pre-digitized era of the news. There are lovingly crafted shots of the newspapers being developed for print and frenzied reporters furiously typing their copy to meet their deadline. We also witness occasional spurts of dialogue that border on preachy. Screenwriters Liz Hannah and Josh Singer craft a couple of monologues that could warrant a bright red MESSAGE signal across the screen while its actors are speaking.

That said, the story itself is inherently fascinating and it’s told in a well-crafted manner. There are plenty of actors who pop up in supporting roles, including a very nice performance from Bob Odenkirk as an editor who goes way back with Ellsberg and is instrumental in the paper’s expose. This is primarily the Streep and Hanks show, however. And in case you didn’t know, the two can act. Hanks is playing a part made most famous by Jason Robards in All the President’s Men (for which he won a gold statue). It is that movie that you may wish to draw comparisons with. The Post isn’t in that league, but few reach that level of greatness. The Post, rather, is exceedingly competent.

*** (out of four)

 

 

Todd’s 2017 FINAL Oscar Predictions

Well, here we are folks!

For over four months, I have been making weekly Oscar predictions and it all comes down to this Tuesday morning when they are at last revealed. These are my FINAL predictions along with a first and second alternate in each category.

Tuesday on the blog – I’ll have results on how I did with reaction to the nominations in general. Let’s get to it!

Best Picture

Call Me by Your Name

Dunkirk

The Florida Project

Get Out

Lady Bird

The Post

The Shape of Water

Three Billboards Outside Ebbing, Missouri

1st Alternate – I, Tonya

2nd Alternate – The Big Sick

Best Director

Guillermo del Toro, The Shape of Water

Greta Gerwig, Lady Bird

Martin McDonagh, Three Billboards Outside Ebbing, Missouri

Christopher Nolan, Dunkirk

Jordan Peele, Get Out

1st Alternate – Steven Spielberg, The Post

2nd Alternate – Sean Baker, The Florida Project

Best Actor

Timothee Chalamet, Call Me by Your Name

Daniel Day-Lewis, Phantom Thread

James Franco, The Disaster Artist

Daniel Kaluuya, Get Out

Gary Oldman, Darkest Hour

1st Alternate – Tom Hanks, The Post

2nd Alternate – Denzel Washington, Roman J. Israel, Esq.

Best Actress

Sally Hawkins, The Shape of Water

Frances McDormand, Three Billboards Outside Ebbing, Missouri

Margot Robbie, I, Tonya

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

1st Alternate – Jessica Chastain, Molly’s Game

2nd Alternate – Judi Dench, Victoria and Abdul

Best Supporting Actor

Willem Dafoe, The Florida Project

Armie Hammer, Call Me by Your Name

Woody Harrelson, Three Billboards Outside Ebbing, Missouri

Richard Jenkins, The Shape of Water

Sam Rockwell, Three Billboards Outside Ebbing, Missouri

1st Alternate – Michael Stuhlbarg, Call Me by Your Name

2nd Alternate – Christopher Plummer, All the Money in the World

Best Supporting Actress

Mary J. Blige, Mudbound

Hong Chau, Downsizing

Allison Janney, I, Tonya

Laurie Metcalf, Lady Bird

Octavia Spencer, The Shape of Water

1st Alternate – Holly Hunter, The Big Sick

2nd Alternate – Lesley Manville, Phantom Thread

Best Adapted Screenplay

Call Me by Your Name

The Disaster Artist

Molly’s Game

Mudbound

Wonder

1st Alternate – Victoria and Abdul

2nd Alternate – Wonderstruck

Best Original Screenplay

Get Out

I, Tonya

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

1st Alternate – The Big Sick

2nd Alternate – The Florida Project

Best Animated Feature

The Breadwinner

Coco

Ferdinand

The Girl Without Hands

Loving Vincent

1st Alternate – The LEGO Batman Movie

2nd Alternate – Cars 3

Best Foreign Language Film

A Fantastic Woman

Foxtrot

The Insult

In the Fade

Loveless

1st Alternate – The Square

2nd Alternate – The Wound

Best Documentary Feature

City of Ghosts

Faces Places

Icarus

Jane

Long Strange Trip

1st Alternate – Strong Island

2nd Alternate – Last Men in Aleppo

Best Film Editing

Baby Driver

Dunkirk

I, Tonya

The Shape of Water

Three Billboards Outside Ebbing, Missouri

1st Alternate – The Post 

2nd Alternate – Get Out

Best Cinematography

Blade Runner 2049

Dunkirk

Mudbound

The Post

The Shape of Water

1st Alternate – Darkest Hour

2nd Alternate – Three Billboards Outside Ebbing, Missouri

Best Production Design

Blade Runner 2049

Darkest Hour

Dunkirk

Phantom Thread

The Shape of Water

1st Alternate – Beauty and the Beast

2nd Alternate – Murder on the Orient Express

Best Costume Design

Beauty and the Beast

Murder on the Orient Express

Phantom Thread

The Shape of Water

Victoria and Abdul

1st Alternate – The Post

2nd Alternate – The Beguiled

Best Makeup and Hairstyling

Darkest Hour

I, Tonya

Wonder

1st Alternate – Bright

2nd Alternate – Victoria and Abdul

Best Visual Effects

Blade Runner 2049

Dunkirk

The Shape of Water

Star Wars: The Last Jedi

War for the Planet of the Apes

1st Alternate – Okja

2nd Alternate – Kong: Skull Island

Best Sound Editing

Baby Driver

Blade Runner 2049

Dunkirk

Star Wars: The Last Jedi

War for the Planet of the Apes

1st Alternate – The Shape of Water

2nd Alternate – The Greatest Showman

Best Sound Mixing

Baby Driver

Blade Runner 2049

Dunkirk

The Greatest Showman

The Shape of Water

1st Alternate – Star Wars: The Lat Jedi

2nd Alternate – Beauty and the Beast

Best Original Score

Darkest Hour

Dunkirk

Phantom Thread

The Post

The Shape of Water

1st Alternate – Victoria and Abdul

2nd Alternate – Star Wars: The Last Jedi

Best Original Song

“It Ain’t Fair” from Detroit

“Mighty River” from Mudbound

“Remember Me” from Coco

“Stand Up for Something” from Marshall

“This is Me” from The Greatest Showman

1st Alternate – “Evermore” from Beauty and the Beast

2nd Alternate – “The Mystery of Love” from Call Me by Your Name 

And that leaves the final predicted list of nominations for each picture:

13 Nominations

The Shape of Water

9 Nominations

Dunkirk

7 Nominations

Three Billboards Outside Ebbing, Missouri

5 Nominations

Lady Bird, I, Tonya, Blade Runner 2049

4 Nominations

Get Out, Phantom Thread, Darkest Hour, The Post, Mudbound

3 Nominations

Baby Driver

2 Nominations

The Florida Project, The Disaster Artist, Wonder, Coco, Star Wars: The Last Jedi, War for the Planet of the Apes, The Greatest Showman

1 Nomination

Downsizing, Molly’s Game, Beauty and the Beast, Murder on the Orient Express, Victoria and Abdul, Detroit, Marshall, The Breadwinner, Ferdinand, The Girl Without Hands, Loving Vincent, A Fantastic Woman, Foxtrot, The Insult, In the Fade, Loveless, City of Ghosts, Faces Places, Icarus, Jane, Long Strange Trip 

And there you have it, folks! I’ll have reaction up Tuesday…

Todd’s 2017 Weekly Oscar Predictions: January 15th Edition

We have arrived at my penultimate weekly Oscar predictions. With the Oscar nods arriving in 8 days, I will be making my final estimates next Monday. And as we get closer and closer to actually knowing the nominees, there are some notable changes today:

  • Jordan Peele has at last entered my predicted five in the Director category,  replacing Steven Spielberg.
  • Daniel Kaluuya is in Best Actor for the first time, replacing Tom Hanks.
  • Frances McDormand has taken the #1 spot in Actress over Saoirse Ronan.
  • In more good news for Three Billboards, Sam Rockwell has reached the top spot in Supporting Actor over Willem Dafoe.
  • Octavia Spencer has replaced Holly Hunter in Supporting Actress.

You can read it all here with those last estimates coming in one week!

Best Picture

Predicted Nominees:

1. Three Billboards Outside Ebbing, Missouri (Previous Ranking: 1)

2. The Shape of Water (PR: 2)

3. Lady Bird (PR: 3)

4. Dunkirk (PR: 4)

5. Get Out (PR: 6)

6. The Post (PR: 5)

7. Call Me by Your Name (PR: 7)

8. The Florida Project (PR: 8)

Other Possibilities:

9. The Big Sick (PR: 9)

10. I, Tonya (PR: 11)

11. Mudbound (PR: 10)

12. Darkest Hour (PR: 13)

13. Phantom Thread (PR: 12)

14. Molly’s Game (PR: 14)

15. Wonder Woman (PR: 15)

Best Director

Predicted Nominees:

1. Guillermo del Toro, The Shape of Water (PR: 1)

2. Christopher Nolan, Dunkirk (PR: 2)

3. Greta Gerwig, Lady Bird (PR: 3)

4. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 4)

5. Jordan Peele, Get Out (PR: 5)

Other Possibilities:

6. Steven Spielberg, The Post (PR: 5)

7. Sean Baker, The Florida Project (PR: 7)

8. Luca Guadagnino, Call Me by Your Name (PR: 8)

9. Dee Rees, Mudbound (PR: 9)

10. Paul Thomas Anderson, Phantom Thread (PR: 10)

Best Actor

Predicted Nominees:

1. Gary Oldman, Darkest Hour (PR: 1)

2. Daniel Day-Lewis, Phantom Thread (PR: 2)

3. Timothee Chalamet, Call Me by Your Name (PR: 3)

4. Daniel Kaluuya, Get Out (PR: 7)

5. James Franco, The Disaster Artist (PR: 4)

Other Possibilities:

6. Tom Hanks, The Post (PR: 5)

7. Denzel Washington, Roman J. Israel, Esq. (PR: 6)

8. Jake Gyllenhaal, Stronger (PR: 8)

9. Christian Bale, Hostiles (PR: 9)

10. Robert Pattinson, Good Time (PR: 10)

Best Actress

Predicted Nominees:

1. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)

2. Saoirse Ronan, Lady Bird (PR: 1)

3. Margot Robbie, I, Tonya (PR: 3)

4. Sally Hawkins, The Shape of Water (PR: 4)

5. Meryl Streep, The Post (PR: 5)

Other Possibilities:

6. Jessica Chastain, Molly’s Game (PR: 6)

7. Judi Dench, Victoria and Abdul (PR: 7)

8. Michelle Williams, All the Money in the World (PR: 9)

9. Emma Stone, Battle of the Sexes (PR: 8)

10. Kate Winslet, Wonder Wheel (PR: 10)

Best Supporting Actor

Predicted Nominees:

1. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)

2. Willem Dafoe, The Florida Project (PR: 1)

3. Richard Jenkins, The Shape of Water (PR: 3)

4. Woody Harrelson, Three Billboards Outside Ebbing, Missouri (PR: 4)

5. Armie Hammer, Call Me by Your Name (PR: 5)

Other Possibilities:

6. Christopher Plummer, All the Money in the World (PR: 7)

7. Michael Stuhlbarg, Call Me by Your Name (PR: 6)

8. Steve Carell, Battle of the Sexes (PR: 8)

9. Mark Rylance, Dunkirk (PR: 10)

10. Michael Shannon, The Shape of Water (PR: 9)

Best Supporting Actress

Predicted Nominees:

1. Allison Janney, I, Tonya (PR: 1)

2. Laurie Metcalf, Lady Bird (PR: 2)

3. Mary J. Blige, Mudbound (PR: 3)

4. Hong Chau, Downsizing (PR: 4)

5. Octavia Spencer, The Shape of Water (PR: 6)

Other Possibilities:

6. Holly Hunter, The Big Sick (PR: 5)

7. Lesley Manville, Phantom Thread (PR: 8)

8. Melissa Leo, Novitiate (PR: 7)

9. Kristin Scott Thomas, Darkest Hour (PR: Not Ranked)

10. Tiffany Haddish, Girls Trip (PR: 9)

Dropped Out:

Bria Vinaite, The Florida Project

Best Adapted Screenplay

Predicted Nominees:

1. Call Me by Your Name (PR: 1)

2. Molly’s Game (PR: 2)

3. Mudbound (PR: 3)

4. The Disaster Artist (PR: 4)

5. Wonder (PR: 5)

Other Possibilities:

6. Wonderstruck (PR: 6)

7. Victoria and Abdul (PR: 7)

8. All the Money in the World (PR: 8)

9. Wonder Woman (PR: Not Ranked)

10. Hostiles (PR: 9)

Dropped Out:

The Beguiled

Best Original Screenplay

Predicted Nominees:

1. Three Billboards Outside Ebbing, Missouri (PR: 1)

2. Lady Bird (PR: 2)

3. Get Out (PR: 3)

4. The Shape of Water (PR: 4)

5. The Big Sick (PR: 5)

Other Possibilities:

6. The Florida Project (PR: 6)

7. I, Tonya (PR: 8)

8. The Post (PR: 7)

9. Phantom Thread (PR: 9)

10. Darkest Hour (PR: Not Ranked)

Dropped Out:

Dunkirk

Best Animated Feature

Predicted Nominees:

1. Coco (PR: 1)

2. The Breadwinner (PR: 2)

3. Loving Vincent (PR: 3)

4. The Girl Without Hands (PR: 4)

5. Ferdinand (PR: 5)

Other Possibilities:

6. Cars 3 (PR: 7)

7. The LEGO Batman Movie (PR: 6)

8. Birdboy: The Forgotten Children (PR: 8)

9. The Big Bad Fox and Other Tales (PR: 9)

10. Despicable Me 3 (PR: 10)

Best Foreign Language Film

Predicted Nominees:

1. Foxtrot (PR: 1)

2. Loveless (PR: 2)

3. A Fantastic Woman (PR: 4)

4. In the Fade (PR: 5)

5. The Insult (PR: 3)

Other Possibilities:

6. The Square (PR: 6)

7. The Wound (PR: 7)

8. On Body and Soul (PR: 8)

9. Felicite (PR: 9)

Best Documentary Feature

Predicted Nominees:

1. Jane (PR: 1)

2. Faces Places (PR: 2)

3. Long Strange Trip (PR: 3)

4. Icarus (PR: 5)

5. City of Ghosts (PR: 4)

Other Possibilities:

6. Strong Island (PR: 6)

7. Last Men in Aleppo (PR: 7)

8. LA 92 (PR: 9)

9. One of Us (PR: Not Ranked)

10. Human Flow (PR: 8)

Dropped Out:

Ex Libris: The New York Public Library

Best Film Editing

Predicted Nominees:

1. Dunkirk (PR: 1)

2. The Shape of Water (PR: 2)

3. Three Billboards Outside Ebbing, Missouri (PR: 4)

4. Baby Driver (PR: 6)

5. The Post (PR: 3)

Other Possibilities:

6. I, Tonya (PR: 5)

7. Get Out (PR: 7)

8. Lady Bird (PR: 9)

9. Blade Runner 2049 (PR: 8)

10. Darkest Hour (PR: 10)

Best Cinematography

Predicted Nominees:

1. Dunkirk (PR: 1)

2. Blade Runner 2049 (PR: 2)

3. The Shape of Water (PR: 3)

4. The Post (PR: 4)

5. Mudbound (PR: 7)

Other Possibilities:

6. Darkest Hour (PR: 5)

7. Three Billboards Outside Ebbing, Missouri (PR: 7)

8. Call Me by Your Name (PR: 8)

9. Wonderstruck (PR: 9)

10. I, Tonya (PR: Not Ranked)

Dropped Out:

Lady Bird

Best Production Design

Predicted Nominees:

1. The Shape of Water (PR: 1)

2. Dunkirk (PR: 3)

3. Blade Runner 2049 (PR: 2)

4. Darkest Hour (PR: 8)

5. Beauty and the Beast (PR: 4)

Other Possibilities:

6. Murder on the Orient Express (PR: 6)

7. Phantom Thread (PR: 5)

8. Downsizing (PR: 9)

9. The Post (PR: 7)

10. Wonderstruck (PR: Not Ranked)

Dropped Out:

The Greatest Showman

Best Costume Design

Predicted Nominees:

1. Phantom Thread (PR: 1)

2. Beauty and the Beast (PR: 2)

3. The Post (PR: 5)

4. The Shape of Water (PR: 3)

5. Victoria and Abdul (PR: 7)

Other Possibilities:

6. Murder on the Orient Express (PR: 6)

7. The Beguiled (PR: 10)

8. Darkest Hour (PR: 9)

9. The Greatest Showman (PR: 8)

10. I, Tonya (PR: 4)

Best Makeup and Hairstyling

Predicted Nominees:

1. Darkest Hour (PR: 1)

2. Wonder (PR: 2)

3. I, Tonya (PR: 3)

Other Possibilities:

4. Bright (PR: 4)

5. Victoria and Abdul (PR: 6)

6. Guardians of the Galaxy Vol. 2 (PR: 5)

7. Ghost in the Shell (PR: 7)

Best Visual Effects

Predicted Nominees:

1. Blade Runner 2049 (PR: 1)

2. War for the Planet of the Apes (PR: 2)

3. The Shape of Water (PR: 4)

4. Star Wars: The Last Jedi (PR: 3)

5. Dunkirk (PR: 5)

Other Possibilities:

6. Okja (PR: 6)

7. Kong: Skull Island (PR: 8)

8. Guardians of the Galaxy Vol. 2 (PR: 7)

9. Valerian and the City of a Thousand Planets (PR: 9)

10. Alien: Covenant (PR: 10)

Best Sound Editing

Predicted Nominees:

1. Dunkirk (PR: 1)

2. Blade Runner 2049 (PR: 2)

3. The Shape of Water (PR: 4)

4. Baby Driver (PR: 3)

5. Star Wars: The Last Jedi (PR: 6)

Other Possibilities:

6. War for the Planet of the Apes (PR: 7)

7. The Greatest Showman (PR: 5)

8. Coco (PR: 8)

9. Beauty and the Beast (PR: 10)

10. Detroit (PR: Not Ranked)

Dropped Out:

The Post

Best Sound Mixing

Predicted Nominees:

1. Dunkirk (PR: 1)

2. Blade Runner 2049 (PR: 2)

3. Baby Driver (PR: 3)

4. The Shape of Water (PR: 4)

5. The Greatest Showman (PR: 5)

Other Possibilities:

6. Star Wars: The Last Jedi (PR: 6)

7. War for the Planet of the Apes (PR: 7)

8. Detroit (PR: Not Ranked)

9. Coco (PR: 8)

10. Beauty and the Beast (PR: 10)

Dropped Out:

The Post

Best Original Score

Predicted Nominees:

1. The Shape of Water (PR: 1)

2. Dunkirk (PR: 2)

3. Phantom Thread (PR: 4)

4. The Post (PR: 3)

5. Darkest Hour (PR: 5)

Other Possibilities:

6. Victoria and Abdul (PR: 6)

7. Star Wars: The Last Jedi (PR: 9)

8. Three Billboards Outside Ebbing, Missouri (PR: 8)

9. Blade Runner 2049 (PR: 7)

10. Wonderstruck (PR: 10)

Best Original Song

Predicted Nominees:

1. “Stand Up for Something” from Marshall (PR: 1)

2. “This is Me” from The Greatest Showman (PR: 2)

3. “Remember Me” from Coco (PR: 3)

4. “It Ain’t Fair” from Detroit (PR: 5)

5. “Mighty River” from Mudbound (PR: 4)

Other Possibilities:

6. “Evermore” from Beauty and the Beast (PR: 6)

7. “The Mystery of Love” from Call Me by Your Name (PR: 8)

8. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 7)

9. “Prayers for this World” from Cries from Syria (PR: 9)

10. “The Star” from The Star (PR: 10)

And that leaves the following breakdown of nominations for each picture –

14 Nominations

The Shape of Water

9 Nominations

Dunkirk

7 Nominations

Three Billboards Outside Ebbing, Missouri

6 Nominations

The Post

5 Nominations

Lady Bird, Blade Runner 2049

4 Nominations

Get Out, Call Me by Your Name, Darkest Hour, Mudbound

3 Nominations

Phantom Thread, I, Tonya, Baby Driver

2 Nominations

The Florida Project, The Disaster Artist, Wonder, Coco, Beauty and the Beast, Star Wars: The Last Jedi, The Greatest Showman

1 Nomination

Downsizing, Molly’s Game, The Big Sick, Victoria and Abdul, War for the Planet of the Apes, Marshall, Detroit, The Breadwinner, Loving Vincent, The Girl Without Hands, Ferdinand, Foxtrot, Loveless, A Fantastic Woman, In the Fade, The Insult, Jane, Faces Places, Long Strange Trip, Icarus, City of Ghosts

See you next week!