Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:
In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.
That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.
As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.
Here’s how I see the top 6 playing out:
1. Titanic 25th Anniversary
Predicted Gross: $11.6 million
2. Magic Mike’s Last Dance
Predicted Gross: $10.7 million
3. 80 for Brady
Predicted Gross: $8.1 million
4. Avatar: The Way of Water
Predicted Gross: $7.5 million
5. Knock at the Cabin
Predicted Gross: $5.9 million
6. Puss in Boots: The Last Wish
Predicted Gross: $5.6 million
Box Office Results (February 3-5)
As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.
80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.
Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.
Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.
I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.
A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.
Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…
The four leads in 80 for Brady – Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field – can tout a combined 12 Oscar nods for their performances and five victories. That hardware rivals the seven Super Bowls won by Tom Brady (who is also in the sports farce opening Friday).
That said – can an early February comedy contend for awards attention? The 63% Rotten Tomatoes score, while not bad, doesn’t inspire confidence. Perhaps if the main actress category in Musical or Comedy is weak at the Golden Globes, Tomlin could sneak in (she’s being singled out by some as best of the quartet). Even that is unlikely.
Yet there is one race where 80 for Brady could play and that’s Original Song. Diane Warren is the writer of “Gonna Be You” which is sung by the quintet of Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry. Between those five crooners, that’s over 80 Grammy nominations. Then there’s Diane Warren. She rather famously has received 13 Academy mentions without a trip to the stage. This includes ballads such as “Because You Loved Me” from Up Close & Personal and “How Do I Live” from Con Air. She received her 14th nod last week for “Applause” from Tell It Like a Woman where it’s doubtful the 14th time will be the charm. Warren is receiving a lifetime achievement prize so she will be an Oscar winner. With the star power involved in the “Gonna Be You”, the chances of 80 for Brady being a nominee are actually solid. My Oscar Prediction posts will continue…
**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.
The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:
Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.
80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).
As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first.Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:
1. Knock at the Cabin
Predicted Gross: $23.6 million
2. 80 for Brady
Predicted Gross: $15.5 million
3. Avatar: The Way of Water
Predicted Gross: $11.8 million
4. The Chosen: Season 3 Finale
Predicted Gross: $11 million
5. Puss in Boots: The Last Wish
Predicted Gross: $8.9 million
6. A Man Called Otto
Predicted Gross: $4.8 million
Box Office Results(January 27-29)
Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).
Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.
The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.
A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.
M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.
Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).
Between Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, and Guy Fieri – we have 12 Oscar nominations, 54 Emmy mentions, 38 Golden Globe nods, six Super Bowl championships, and hundreds of trips to Flavortown. All of them appear in 80 for Brady on February 3rd. Kyle Marvin directs the comedy which finds the aforementioned female quartet on a trek to watch the famed QB in the Super Bowl. Other costars include (in addition to Brady and Fieri as themselves) include Billy Porter, Harry Hamlin, Rob Corddry, Alex Moffat, Bob Balaban, and Glynn Turman. Some of Brady’s old teammates, such as Rob Gronkowski, Julian Edelman, and Danny Amendola also turn up.
The Paramount release looks to bring in an older female demographic and sports fans during the weekend between the NFL’s Conference Championships and the game where our leads travel to. Tomlin, Fonda, Moreno, and Field having been hitting the circuit hard in recent weeks to promote. I do believe there’s an opportunity for this to exceed expectations. Low to mid teens is where this likely touches down. That’s in line with what Book Club (also featuring Fonda) accomplished in 2018.
80 for Brady opening weekend prediction: $15.5 million
Spoiler Alert is out in limited release December 2nd with a nationwide expansion the following week. It’s based on the memoir of journalist Michael Ausiello as he recounts his boyfriend Kit’s battle with cancer. Jim Parsons plays Michael with Ben Aldridge as Kit. Costars include Sally Field and Bill Irwin. Michael Showalter, maker of The Big Sick (which received an Original Screenplay nod) and The Eyes of Tammy Faye (which won Jessica Chastain her Best Actress Oscar last year) directs.
The first handful of reviews are out and Spoiler currently has a 40% Rotten Tomatoes score. Parsons, of course, is an Emmy and Globe recipient for his small screen role on The Big Bang Theory. Like his other big screen starring role in 2020’s The Boys in the Band, don’t look for this to play to awards voters. And that’s not revealing too much to make that projection. My Oscar Prediction posts will continue…
It is officially summertime 2021 and that brings my annual seasonal three-part series where I take a look back at the top ten pics, flops, and other notable selections from 30, 20, and 10 years ago. That means I’ll begin with 1991 at a time where Arnold Schwarzenegger said hasta la vista to all competitors.
Let’s count down from #10 to numero Ah-nuld along with other entries worthy of discussion (both good and bad).
10. Doc Hollywood
Domestic Gross: $54 million
Michael J. Fox had a midsize hit with this fish out of water comedy about an uppity surgeon stuck in the rural south. It marks the star’s last solid performer that he headlined.
9. Boyz n the Hood
Domestic Gross: $57 million
John Singleton had one of cinema’s most memorable directorial debuts with this coming-of-age drama set in South Central. He would become the youngest filmmaker ever to be nominated at the Oscars and the critically hailed pic kickstarted the careers of Cuba Gooding Jr. and Ice Cube.
8. One Hundred and One DalmatiansÂ
Domestic Gross: $60 million
Disney re-released their 1961 classic three decades after its release and picked up a cool $60 million for it. Later in 1991, the studio would begin another renaissance with Beauty and the Beast becoming the first animated film to nab a Best Picture nomination. Five years later, Glenn Close would headline the live-action version and another reboot, Cruella with Emma Stone, is currently in the top five.
7. What About Bob?
Domestic Gross: $63 million
Bill Murray had one of his signature roles as the multi-phobic patient tormenting shrink Richard Dreyfuss on his vacation. Apparently this comedy was a bit dramatic behind the scenes with the two leads having an actual antagonistic relationship.
6. Hot Shots!
Domestic Gross: $69 million
Spoofs were a hot commodity in the early 90s following the success of 1988’s The Naked Gun. Jim Abrahams, one of that film’s writers, created this sendup of Top Gun and many others that starred Charlie Sheen. A sequel would follow two years later.
5. Backdraft
Domestic Gross: $77 million
Ron Howard directed this firefighting drama that heated up the box office with Kurt Russell, William Baldwin, Robert De Niro, and a creepy Donald Sutherland as a pyromaniac. There was even a sequel released in 2019 with Baldwin and Sutherland that went direct to streaming and that I frankly forgot existed.
4. The Naked Gun 2 1/2: The Smell of Fear
Domestic Gross: $86 million
The spoofing love continued as Leslie Nielsen reprised his role as doofus detective Frank Drebin in this sequel to the 1988 classic. It couldn’t hold up the original, but it was better than part 3 which followed in 1994. And, needless to say, this was a simpler time for costar O.J. Simpson.
3. City Slickers
Domestic Gross: $124 million
As New Yorkers learning life lessons on a cattle drive, Billy Crystal, Daniel Stern, and Bruno Kirby starred in the comedy smash of the summer and costar Jack Palance even ended up with a Best Supporting Actor victory. A less regarded follow-up would come in 1994.
2. Robin Hood: Prince of Thieves
Domestic Gross: $165 million
While his accent was spotty at best, Kevin Costner parlayed his Oscar success from the previous year’s Dances with Wolves into this blockbuster about the robbing from the rich and giving to the poor hero. The highlight was Alan Rickman’s sublime work as the Sheriff of Nottingham while critics mostly turned up their noses.
1. Terminator 2: Judgment Day
Domestic Gross: $204 million
Arnold Schwarzenegger’s android went from being the bad guy in the 1984 original to the good robot in James Cameron’s sequel that gave us eye popping and revolutionary special effects and a dynamite Linda Hamilton returning as a buffed up Sarah Connor. There’s been four more entries in the franchise and none have matched the potency of this one.
Now let’s turn the focus to some other notable releases:
Thelma & Louise
Domestic Gross: $45 million
Susan Sarandon and Geena Davis both scored lead actress Academy nods for Ridley Scott’s now iconic tale of feminism and revenge with an unforgettable ending. This also marked audiences falling in love with a then unknown actor by the name of Brad Pitt.
Point Break
Domestic Gross: $43 million
Patrick Swayze starred in the previous summer’s high earner with Ghost. This surfing action pic from director Kathryn Bigelow paired the actor with Keanu Reeves and has amassed a deserved cult following. An unnecessary remake wiped out in 2015.
Dead Again
Domestic Gross: $38 million
Kenneth Branagh’s sophomore effort after the acclaim of his Shakespearian Henry V was this Hitchcock homage costarring his then wife Emma Thompson, Andy Garcia, and Robin Williams. As tributes to the Master of Suspense go, this is one of the best.
Soapdish
Domestic Gross: $38 million
Sally Field, Kevin Kline, Robert Downey, Jr., and Whoopi Goldberg are part of the ensemble in this comedy set in the world of the afternoon melodramas that populate the airwaves. Not a big hit at the time, its reception has since grown.
Jungle Fever
Domestic Gross: $32 million
Spike Lee’s tale of an interracial couple played by Wesley Snipes and Annabella Sciorra received critical kudos. The two most memorable performances come from Samuel L. Jackson as a crack addict and Halle Berry (in her feature debut) as his girlfriend.
Madonna: Truth or Dare
Domestic Gross: $15 million
As she often is, Madonna was ahead of the cultural curve with this documentary set during her 1990 Blond Ambition Tour. This was reality programming before it exploded.
Barton Fink
Domestic Gross: $6 million
The Coen Brothers pitch black comedy was the darling of the Cannes Film Festival, winning Picture, Director, and Actor for John Turturro. It would land three Academy nominations including Michael Lerner in Supporting Actor.
Now it’s time for the pictures that either didn’t land with audiences or critics (or both):
The Rocketeer
Domestic Gross: $46 million
Disney was hoping for a new franchise with this comic book based property. Yet the period adventure underwhelmed at the box office. This was a different era for the genre before the MCU changed everything. Director Joe Johnston, coincidentally, would go on to make Captain America: The First Avenger 20 years later.
Dying Young
Domestic Gross: $33 million
This seems hard to believe now, but Premiere magazine predicted this romance would be the largest grossing feature of the summer. Not so much. However, Julia Roberts was just coming off her smash breakthrough Pretty Woman. This didn’t land with audiences in the same way.
Only the Lonely
Domestic Gross: $25 million
Chris Columbus was basking in the box office bonanza that was Home Alone. This rom com with John Candy and Ally Sheedy that followed six months later didn’t cause many filmgoers to leave their homes.
Mobsters
Domestic Gross: $20 million
1990 was gave us lots of mobster fare such as GoodFellas, The Godfather Part III, and Miller’s Crossing. Crowds and critics didn’t take to the Christian Slater and Patrick Dempsey versions of Lucky Luciano and Meyer Lansky, respectively.
Hudson Hawk
Domestic Gross: $17 million
Bruce Willis’s vanity project is considered one of the gargantuan flops in history. Grossing only about a fourth of its $65 million budget, it was awarded the Golden Raspberry for Worst Picture of the year.
V.I. Warshawski
Domestic Gross: $11 million
Based on a series of successful novels, audiences didn’t take to Kathleen Turner in the title role for this detective action comedy. It made less than half its budget.
Delirious
Domestic Gross: $5 million
Also set in the world of soap operas, this marked another dud for John Candy in the same season.
Another You
Domestic Gross: $2 million
Richard Pryor and Gene Wilder are a classic combo with well-regarded comedies like Silver Streak and Stir Crazy. Even See No Evil, Hear No Evil in 1989, despite critical scorn, performed well. That’s not the case with their last collaboration (which reviewers also drubbed).
And that concludes my look back at summer 1991. Next up is the sweltering season of 2001!
It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:
The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty.Â
Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.
The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.
Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).
In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.
The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).
The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.
Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).
Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).
Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).
Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…
In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).
Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.
And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!
The most visible Oscar precursor is unveiled tomorrow when the Golden Globe nominations come out. Unlike the Academy Awards, the Hollywood Foreign Press Association divides its Picture and lead acting races into two categories: Drama and Musical/Comedy. Additionally, it doesn’t split the screenplay race into Adapted and Original like the Oscars do.
Tonight on the blog, I am giving you my estimates for what and who will be nominated at the Globes, along with picking an alternate and a potential surprise in these races.
Let’s get to it!
BESTPICTUREÂ (DRAMA)
Predicted Nominees
Arrival
Fences
ManchesterbytheSea
Moonlight
Silence
Alternate: Jackie
Potential Surprise: Fences not getting a nod, allowing Jackie or Lion or HacksawRidge to get in.
BESTPICTURE (MUSICALORCOMEDY)
Predicted Nominees
FlorenceFosterJenkins
LaLaLand
TheLobster
RulesDon’tApply
20thCenturyWomen
Alternate: Hail, Caesar!
Potential Surprise: CaptainFantastic managing to get recognized.
BESTDIRECTOR
Predicted Nominees
Damien Chazelle, LaLaLand
Barry Jenkins, Moonlight
Kenneth Lonergan, ManchesterbytheSea
Martin Scorsese, Silence
Denis Villeneuve, Arrival
Alternate: Denzel Washington, Fences
Potential Surprise: Pablo Larrain getting a nod for Jackie.
BESTACTOR (DRAMA)
Predicted Nominees
Casey Affleck, ManchesterbytheSea
Joel Edgerton, Loving
Andrew Garfield, HacksawRidge
Tom Hanks, Sully
Denzel Washington, Fences
Alternate: Andrew Garfield, Silence – will be interesting to see which pic he’s nominated for.
Potential Surprise: Michael Keaton landing a nom for TheFounder, which could significantly boost his Oscar talk.
BESTACTOR (MUSICALORCOMEDY)
Predicted Nominees
Warren Beatty, RulesDon’tApply
Colin Farrell, TheLobster
Ryan Gosling, LaLaLand
Hugh Grant, FlorenceFosterJenkins
Viggo Mortensen, CaptainFantastic
Alternate: Adam Driver, Paterson
Potential Surprise: Grant not being nominated, which would essentially kill his slimming chances for a Supporting Actor Oscar nod.
BESTACTRESS (DRAMA)
Predicted Nominees
Amy Adams, Arrival
Jessica Chastain, MissSloane
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Alternate: Rachel Weisz, Denial
Potential Surprise: Hearing Rebecca Hall’s name called for the little seen Christine.
BESTACTRESS (MUSICALORCOMEDY)
Predicted Nominees
Kate Beckinsale, Love & Friendship
Annette Bening, 20thCenturyWomen
Susan Sarandon, TheMeddler
Emma Stone, LaLaLand
Meryl Streep, FlorenceFosterJenkins
Alternate: Sally Field, MyNameisDoris
Potential Surprise: Hailee Steinfeld sneaking in for the critically lauded TheEdge of Seventeen.
BESTSUPPORTINGACTOR
Predicted Nominees
Mahershala Ali, Moonlight
Lucas Hedges, ManchesterbytheSea
Issey Ogata, Silence
Dev Patel, Lion
Michael Shannon, NocturnalAnimals
Alternate: Mykelti Williamson, Fences
Potential Surprise: There could be a lot in this race, but let’s go with Aaron Eckhart getting recognized for Sully or BleedforThis.
BESTSUPPORTINGACTRESS
Predicted Nominees
Viola Davis, Fences
Greta Gerwig, 20thCenturyWomen
Naomie Harris, Moonlight
Nicole Kidman, Lion
Michelle Williams, ManchesterbytheSea
Alternate: Helen Mirren, EyeintheSky
Potential Surprise: Molly Shannon’s small indie work in OtherPeople making the cut.
BESTSCREENPLAY
Predicted Nominees
Arrival
LaLaLand
ManchesterbytheSea
Moonlight
Silence
Alternate: Fences
Potential Surprise: Well, predicting Fences gets left off is a bit of a surprise, so let’s go with that.
I’ll have a post up tomorrow recounting how I did with these predictions. Until then…
It’s Thursday and that means I’m back at it with my weekly Oscar predictions in the eight major categories. So what’s transpired over the past seven days? Quite a bit! The Girl on the Train, which opens tomorrow, was screened with very mixed critical reaction. It had been at the lower end (#24 last week) of possible Best Picture nominees, but it now appears its chances have been completely derailed. Don’t expect it to appear on the list again. I do still have Emily Blunt as a long-shot Actress possibility, but Haley Bennett’s work in Supporting Actress and an Adapted Screenplay nomination have also fallen off.
We also got a trailer for Pablo Larrain’s Jackie, which could be a contender in several races. And we received official word that Ben Affleck’s Prohibition era crime pic Live by Night will be released in limited fashion in late December, qualifying it for the Academy’s consideration.
And there was the debut at the New York Film Festival of Ana DuVernay’s race relations documentary 13th. It’s important to note that no doc has been nominated for Best Picture, so it’s got a steep hill to climb. Yet it’s possible and joins the contenders of hopefuls this week.
*A final note before we get to predictions. It is my plan throughout October to keep with listing 25 Best Picture possibilities and 15 in the other races. By the first week of November, this will shift to 20 for Best Picture and ten in the others.
And with that, this week’s predictions:
Best Picture
Predicted Nominees:
1. La La Land (Previous Ranking: 1)
2. Fences (PR: 2)
3. Silence (PR: 3)
4. Lion (PR: 5)
5. Billy Lynn’s Long Halftime Walk (PR: 4)
6. Manchester by the Sea (PR: 6)
7. Moonlight (PR: 7)
8. Loving (PR: 8)
9. Jackie (PR: 10)
Other Possibilities
10. Hidden Figures (PR: 9)
11. Arrival (PR: 11)
12. Sully (PR: 12)
13. Live by Night (PR: 15)
14. Nocturnal Animals (PR: 13)
15. Hell or High Water (PR: 14)
16. 13th (PR: Not Ranked)
17. The Birth of a Nation (PR: 16)
18. The Jungle Book (PR: 19)
19. 20th Century Women (PR: 18)
20. Florence Foster Jenkins (PR: 17)
21. The Founder (PR: 22)
22. Gold (PR: 21)
23. Allied (PR: 23)
24. Miss Sloane (PR: Not Ranked)
25. I, Daniel Blake (PR: 25)
Dropped Out:
Passengers
The Girl on the Train
Best Director
Predicted Nominees:
1. Damien Chazelle, La La Land (PR: 1)
2. Martin Scorsese, Silence (PR: 3)
3. Ang Lee, Billy Lynn’s Long Halftime Walk (PR: 2)
4. Denzel Washington, Fences (PR: 4)
5. Kenneth Lonergan, Manchester by the Sea (PR: 5)
Other Possibilities
6. Pablo Larrain, Jackie (PR: 9)
7. Garth Davis, Lion (PR: 6)
8. Barry Jenkins, Moonlight (PR: 7)
9. Denis Villenueve, Arrival (PR: 10)
10. Jeff Nichols, Loving (PR: 8)
11. Ana DuVernay, 13th (PR: Not Ranked)
12. Clint Eastwood, Sully (PR: 13)
13. Ben Affleck, Live by Night (PR: 15)
14. Tom Ford, Nocturnal Animals (PR: 12)
15. Theodore Melfi, Hidden Figures (PR: 11)
Dropped Out:
Nate Parker, The Birth of a Nation
Best Actor
Predicted Nominees:
1. Denzel Washington, Fences (PR: 1)
2. Casey Affleck, Manchster by the Sea (PR: 2)
3. Tom Hanks, Sully (PR: 3)
4. Ryan Gosling, La La Land (PR: 4)
5. Joel Edgerton, Loving (PR: 5)
Other Possibilities:
6. Joe Alwyn, Billy Lynn’s Long Halftime Walk (PR: 6)
It’s my weekly Thursday Oscar predictions in the eight major categories coming your way and there has been some news since last Thursday. It was officially confirmed that Martin Scorsese’s passion project Silence will be released in December in time for awards consideration (maybe we’ll finally get a trailer soon!). There were trailers released for some high-profile contenders: Denzel Washington’s Fences and Mike Mills’s 20th Century Women.Â
As we do every week, I’ll rank my top 25 contenders for Best Picture along with top 15 for the directing, acting, and screenplay races (you can also see the movement from the previous week’s ranking to now).
Let’s get to it!
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Fences (PR: 2)
3. Silence  (PR: 4)
4. Billy Lynn’s Long Halftime Walk (PR: 3)
5. Lion (PR: 7)
6. Manchester by the Sea (PR: 5)
7. Moonlight (PR: 6)
8. Loving (PR: 8)
9. Hidden Figures (PR: 9)
Other Possibilities:
10. Jackie (PR: 11)
11. Arrival (PR: 12)
12. Sully (PR: 13)
13. Nocturnal Animals (PR: 10)
14. Hell or High Water (PR: 16)
15. Live by Night (PR: 14)
16. The Birth of a Nation (PR: 15)
17. Florence Foster Jenkins (PR: 19)
18. 20th Century Women (PR: 17)
19. The Jungle Book (PR: 21)
20. Passengers (PR: 25)
21. Gold (PR: Not Ranked)
22. The Founder (PR: 22)
23. Allied (PR: 18)
24. The Girl on the Train (PR: Not Ranked)
25. I, Daniel Blake (PR: 23)
Dropped Out:
Collateral Beauty
Hacksaw Ridge
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Ang Lee, Billy Lynn’s Long Halftime Walk (PR: 2)
3. Martin Scorsese, Silence (PR: 3)
4. Denzel Washington, Fences (PR: 4)
5. Kenneth Lonergan, Manchester by the Sea (PR: 5)
Other Possibilities:
6. Garth Davis, Lion (PR: 8)
7. Barry Jenkins, Moonlight (PR: 6)
8. Jeff Nichols, Loving (PR: 7)
9. Pablo Larrain, Jackie (PR: 11)
10. Denis Villenueve, Arrival (PR: 10)
11. Theodore Melfi, Hidden Figures (PR: 12)
12. Tom Ford, Nocturnal Animals (PR: 9)
13. Clint Eastwood, Sully (PR: 13)
14. Nate Parker, The Birth of a Nation (PR: Not Ranked)
15. Ben Affleck, Live by Night (PR: 14)
Dropped Out:
Robert Zemeckis, Allied
Best Actor
Predicted Nominees
1. Denzel Washington, Fences (PR: 2)
2. Casey Affleck, Manchester by the Sea (PR: 1)
3. Tom Hanks, Sully (PR: 5)
4. Ryan Gosling, La La Land (PR: 3)
5. Joel Edgerton, Loving (PR: 4)
Other Possibilities:
6. Joe Alwyn, Billy Lynn’s Long Halftime Walk (PR: 6)
7. Dev Patel, Lion (PR: 7)
8. Michael Keaton, The Founder (PR: 9)
9. Andrew Garfield, Silence (PR: 10)
10. Miles Teller, Bleed for This (PR: 12)
11. Jake Gyllenhaal, Nocturnal Animals (PR: Not Ranked)
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