Tag: Keanu Reeves

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction

Oscar Predictions: Outcome

Outcome marks the second directorial feature from Jonah Hill. The dark comedy has premiered on Apple TV this weekend. Keanu Reeves headlines as an actor in hot water with Hill, Cameron Diaz, Matt Bomer, Cary Christopher, David Spade, Laverne Cox, Roy Wood Jr., Susan Lucci, and Martin Scorsese in the eclectic supporting cast.

Critical reaction indicates a sophomore slump for Hill. His behind the camera debut Mid90s (2018) received mostly positive notices. Rotten Tomatoes is 25% with a 37 on Metacritic. The fact that its review embargo didn’t lift until late this week now makes plenty of sense. We can be certain that awards chatter won’t be part of Outcome. My Oscar Prediction posts will continue…

October 24-26 Box Office Predictions

A trio of new releases are vying for the #1 spot this weekend as musical biopic Springsteen: Deliver Me from Nowhere, romantic drama Regretting You and anime fantasy Chainsaw Man: The Movie – Reze Arc are unveiled. You can peruse my detailed prediction posts on the trio here:

Springsteen: Deliver Me from Nowhere Box Office Prediction
Regretting You Box Office Prediction
Chainsaw Man – The Movie: Reze Arc Box Office Prediction

Potential over or under performances by the newbies make this an uncertain weekend. As mentioned, any of them could place 1st or Black Phone 2 could repeat atop the charts. I’m giving the slight edge to Springsteen with Jeremy Allen White as The Boss though my mid teens estimate means it would fall short of the eventual grosses of recent genre fare like Bohemian Rhapsody, Elvis and A Complete Unknown.

Regretting You has a shot of exceeding expectations since it’s based on source material from Colleen Hoover. The adaptation of her novel It Ends with Us was a smash last year. Yet my low teens take puts it in second as this doesn’t seem to have the buzz of the aforementioned.

As for Chainsaw, anime features (especially the most recent Demon Slayer) have been hot commodities, but this isn’t expected to reach anywhere that pic’s $70 million start. I’m going low double digits though it could surprise.

After a stellar start, Black Phone 2 should lose around its opening weekend audience with Tron: Ares shedding more than that and rounding out the top five.

Here’s how it see it shaking out:

1. Springsteen: Deliver Me from Nowhere

Predicted Gross: $16.1 million

2. Regretting You

Predicted Gross: $14 million

3. Black Phone 2

Predicted Gross: $13.7 million

4. Chainsaw Man: The Movie – Reze Arc

Predicted Gross: $12.8 million

5. Tron: Ares

Predicted Gross: $5 million

Box Office Results (October 17-19)

Black Phone 2 rang up decent business and outdid its 2022 predecessor with $27.3 million. That managed to top my $25.5 million prediction.

Tron: Ares fell 67% for $11.1 million in second, rising slightly ahead of my $10.2 million call. The flop of a threequel stands at $54 million after two weeks and this won’t be reaching nine digits domestically.

Aziz Ansari’s comedy Good Fortune couldn’t find it despite the star power of Seth Rogen and Keanu Reeves. It was third with $6.1 million, a shade below my $7.3 million estimate.

One Battle After Another was fourth with $3.8 million compared to my $4.9 million projection. The four-week total is $61 million.

Roofman took fifth with $3.7 million (I said $4.6 million) and it’s shackled with only $15 million in two weekends of play.

Finally, critically drubbed After the Hunt from Luca Guadagnino and starring Julia Roberts was ninth in wide release with a paltry $1.5 million. I was more generous at $3.5 million.

And that does it for now, folks! Until next time…

October 17-19 Box Office Predictions

Horror sequel Black Phone 2 should easily receive the most multiplex views this weekend as Aziz Ansari’s directorial debut Good Fortune with Seth Rogen and Keanu Reeves hopes to earn its title. We also have the expansion of Luca Guadagnino’s After the Hunt starring Julia Roberts. My detailed prediction posts on the trio can be accessed here:

Black Phone 2 Box Office Prediction
Good Fortune Box Office Prediction
After the Hunt Box Office Prediction

My projection for Phone gives it a couple million more than the 2022 original and grabbing a gross in the mid 20s range. I will note that it has the potential to over perform given that the genre often does. Hopefully something can wake up this sleepy October box office.

The runner-up position could certainly be held by Good Fortune if it manages $10 million plus. However, I’m going under that figure and putting it in third.

As for Hunt, it is slated for around 1200 venues and a lower to mid single digits figure might leave it just outside the top five.

Tron: Ares got off to an unimpressive start (more on that below) and I suspect a sophomore weekend plummet around 70% could be in store. Holdovers One Battle After Another and Roofman may round out the high 5 and here’s how I see it playing out:

1. Black Phone 2

Predicted Gross: $25.5 million

2. Tron: Ares

Predicted Gross: $10.2 million

3. Good Fortune

Predicted Gross: $7.3 million

4. One Battle After Another

Predicted Gross: $4.9 million

5. Roofman

Predicted Gross: $4.6 million

6. After the Hunt

Predicted Gross: $3.5 million

Box Office Results (October 10-12)

Disney had no trouble getting Tron: Ares to first place, but the Mouse House hardly has bragging rights. The third flick in the franchise that began in 1982 stumbled with $33.2 million compared to my $42.6 million call. That’s a hugely disappointing result considering the reported $180 million budget. Ares fell $10 million under the $43 million that predecessor Tron: Legacy managed 15 years ago and that’s not even adjusted for inflation.

Roofman with Channing Tatum was runner-up with $8.1 million as the dramedy opened in line with general expectations and over my $5.8 million projection. It is still an underwhelming number though it’ll hope to leg out respectably during the month.

One Battle After Another was third with $6.8 million, in line with my $6.4 million prediction. The Oscar hopeful has taken in $54 million after three weeks.

Gabby’s Dollhouse: The Movie was fourth and I incorrectly had it outside the top five. The $3.4 million gross gave it $26 million in three weeks of play.

The Conjuring: Last Rites rounded out the top five at $3.1 million. My guesstimate? $3.1 million! The horror sequel has amassed $172 million in five weeks.

I didn’t do an official prediction for the inspirational biographical drama Soul on Fire. I did speculate it could make around $3 million. It took in $2.8 million for sixth.

The Smashing Machine had a free fall in 8th with $1.7 million. This represents a 69% tumble for the former awards hopeful. I was more generous at $2.6 million and its ten-day tally is a mere $9 million.

Finally, Kiss of the Spider Woman with Jennifer Lopez premiered in lowly 12th place. The $891k figure is well under my $2.2 million take. Like Machine, the bad earnings don’t bode well for any Oscar attention.

And that does it for now, folks! Until next time…

Good Fortune Box Office Prediction

Good Fortune is hoping for just that when the Lionsgate release opens October 17th. The supernatural comedy marks the directorial debut of Aziz Ansasi. He also wrote the script and costars with Seth Rogen, Keke Palmer, Sandra Oh and Keanu Reeves as a guardian angel.

The film premiered at the Toronto Film Festival to mostly satisfied reviews (83% Rotten Tomatoes, 69 Metacritic). Humorous features have seen decreasing wide theatrical releases in recent years. In August, The Naked Gun managed mid teens out of the gate with name brand recognition.

I doubt Fortune is that fortunate. Low teens could be the ceiling and $10M+ is certainly possible, but I’m going lower as this genre struggles at multiplexes.

Good Fortune opening weekend prediction: $7.3 million

For my Black Phone 2 prediction, click here:

Black Phone 2 Box Office Prediction

For my After the Hunt prediction, click here:

After the Hunt Box Office Prediction

Oscar Predictions: Good Fortune

Angelic comedy Good Fortune will hope for just that when it opens on October 17th. Marking the directorial debut of comedian Aziz Ansari, it premiered at the Toronto Film Festival to mostly satisfied reaction. The body swap tale stars Seth Rogen and Ansari with Keanu Reeves as a “budget guardian angel”. The supporting cast includes Keke Palmer and Sandra Oh.

Rotten Tomatoes is at 81% with 66 on Metacritic. Plenty of critics particularly dig the Reeves casting. While the Academy won’t consider this, could Fortune make a play in Musical/Comedy at the Golden Globes? I don’t think the reviews are quite there for it to have a legit shot unless divine intervention is involved. My Oscar Prediction posts will continue…

Oscar Predictions: Ballerina

Ana de Armas headlines the John Wick franchise spinoff Ballerina this weekend with Keanu Reeves appearing in the action thriller from director Len Wiseman. Other costars include Gabriel Byrne, Catalinia Sandino Moreno, Norman Reedus, and Wick fixtures Anjelica Huston, Ian McShane, and the late Lance Reddick.

The Academy recently announced a new Achievement in Stunt Design category. However, it won’t begin until the 100th ceremony in 2028. That’s bad news for Ballerina and Mission: Impossible – The Final Reckoning in 2025. Both the Wick and Impossible series likely would’ve racked up multiple noms had that race existed over the past decade plus.

Four previous Wick pics couldn’t get into categories like Sound or Visual Effects and I doubt Ballerina will. My Oscar Predictions posts will continue…

June 6-8 Box Office Predictions

Ballerina, a spinoff of the John Wick franchise, hopes to step into the #1 spot this weekend and Wes Anderson’s latest comedy The Phoenician Scheme expands nationwide. My detailed prediction posts on the newcomers can be accessed here:

Ballerina Box Office Prediction
The Phoenician Scheme Box Office Prediction

Ana de Armas headlines Ballerina (full title: From the World of John Wick: Ballerina) with series regulars appearing including Keanu Reeves. While I don’t have this approaching the heights of the previous two Wick installments, my mid 30s projection should be enough to top the charts.

As for Phoenician, it had an impressive per screen average in six venues this past frame. My high single digits estimate as it increases to around 1500 locations should mean fourth or fifth place with it performing in line with Anderson predecessor Asteroid City.

Lilo & Stitch and Mission: Impossible – The Final Reckoning, the 1-2 finishers for the past two weekends, should each drop a spot with percentage dips in the mid 40s. I expect Karate Kid: Legends to experience a heftier decline in the mid to high 50s during its sophomore outing.

Here’s how I have the top five playing out:

1. Ballerina

Predicted Gross: $36.8 million

2. Lilo & Stitch

Predicted Gross: $31.9 million

3. Mission: Impossible – The Final Reckoning

Predicted Gross: $15 million

4. The Phoenician Scheme

Predicted Gross: $8.7 million

5. Karate Kid: Legends

Predicted Gross: $8.5 million

Box Office Results (May 30-June 1)

Disney’s Lilo & Stitch continued to reign supreme with $61.8 million, a bit under my $66.4 million call. The live-action remake of the 2002 animated feature has collected $278 million in its ten days of release.

Mission: Impossible – The Final Reckoning was runner-up with $27.2 million, on target with my $28.7 million forecast. Ethan Hunt’s final adventure stands at $122 million after two weeks in play.

Karate Kid: Legends debuted in third with $20.3 million which puts it in line with my $21.3 million prediction. The legacy sequel with Ralph Macchio and Jackie Chan premiered on the lower end of its anticipated range.

Final Destination Bloodlines was fourth with $10.9 million, ahead of my $8 million projection for a three-week tally of $111 million.

Finally, acclaimed A24 horror flick Bring Her Back brought in a so-so $7 million for fifth, not matching my $8.5 million call.

And that does it for now, folks! Until next time…

Ballerina Box Office Prediction

Ballerina looks to spin box office gold for Lionsgate when it debuts on June 6th. A spinoff of the John Wick franchise, Ana de Armas joins the world of assassins in this cinematic universe with Len Wiseman directing. Gabriel Byrne, Catalina Sandino Moreno, and Norman Reedus provide support. Lucky for the studio’s marketing department, so do several cast members of Wick installments including Anjelica Huston, Ian McShane, Lance Reddick (in his final feature role), and Mr. Wick himself Keanu Reeves.

Originally slated for last summer, the project was pushed back a full year. It takes place between the events of John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4. Recent TV ads have highlighted Keanu’s involvement with the title styled as From the World of John Wick: Ballerina.

Parabellum debuted to $56 million in 2019 while 2023’s fourth installment kicked off with $73 million, Ballerina is not expected to reach those heights and its start should be more in line with John Wick: Chapter Two‘s $30 million premiere in 2017. $40 million is possible, but I’ll say mid 30s.

Ballerina opening weekend prediction: $36.8 million

For my The Phoenician Scheme prediction, click here:

The Phoenician Scheme Box Office Prediction