Tag: Kenneth Branagh

Oscar Predictions: The Devil Wears Prada 2

The Devil Wears Prada 2, despite a two decade long break from its predecessor, seems to be fresh in the consciousness of moviegoers. The sequel is expected to make a killing at the box office with Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci reprising their roles from the 2006 comedy. Justin Theroux and Kenneth Branagh join the fun with David Frankel back directing.

Prada part one managed to get awards attention 20 years ago. Meryl Streep landed her 14th nomination for Best Actress (she’s now up to 21), falling short to Helen Mirren as The Queen. The fashion centric flick also contended for Costume Design. At the Golden Globes, Streep won lead Actress in a Musical or Comedy. The pic itself was up for Best Film in that Musical or Comedy derby while Emily Blunt was among the quintet vying for Supporting Actress.

The original posted scores of 75% on Rotten Tomatoes and a 62 Metacritic. The follow-up? 75% on RT with 61 on Metacritic! That tracks with the general consensus that 2 is a worthy if unspectacular continuation for these characters. I doubt Streep gets Academy nod #22 for this but she could certainly get her 35th Golden Globe at-bat. A spot in Best Musical or Comedy will be dependent on level of competition.

At the Oscars, Costume Design is obviously in play. Then there’s the original song “Runway” from Lady Gaga and Doechii. It could mark the former’s 4th nom in Original Song. She won with “Shallow” from A Star Is Born while “Til It Happens to You” (2015’s The Hunting Ground) and “Hold My Hand” (2022’s Top Gun: Maverick) made the dance. The Prada track is more uptempo and may not be as Academy-friendly as the aforementioned ballads. I still wouldn’t count her out. My Oscar Prediction posts will continue…

The Devil Wears Prada 2 Box Office Prediction

Arriving two decades after its predecessor on May 1st is the fashion dramedy The Devil Wears Prada 2. It will bank on riding a nostalgic wave and large female audience. David Frankel is back in the director’s seat with returning stars Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci alongside series newbies Justin Theroux and Kenneth Branagh (and a number of cameos).

In the summer of 2006, the first Prada was a solid counter programing performer. Opening to $27.5 million, it legged out impressively to a $124 million domestic haul. Most importantly, it has stuck around in the cultural zeitgeist over the past 20 years.

This truly appears to be an example where the sequel will outdo the original. Marketing has been heavy and the dawn of May indicates supreme confidence from 20th Century Studios. For Streep, it should blow away her best ever debut held by Mamma Mia! ($27.6 million) with the OG Devil right behind it. I believe this could triple (or more) what part one achieved (not adjusted for inflation) during its launch.

The Devil Wears Prada 2 opening weekend prediction: $86.5 million

For my Hokum prediction, click here:

Hokum Box Office Prediction

For my Animal Farm prediction, click here:

Animal Farm Box Office Prediction

Oscar Predictions: The King of Kings

Inspired by a children’s book from Charles Dickens released some 60 plus years following his death, Angel Studios has the faith-based animated offering The King of Kings in multiplexes this weekend. Seong-ho Jang directs the bio of Jesus Christ with Oscar Isaac voicing him. Kenneth Branagh is Dickens with Uma Thurman, Mark Hamill, Pierce Brosnan, Roman Griffin Davis, Forest Whitaker, and Ben Kingsley also providing behind the mic contributions.

Early box office indicators show this might perform well in the pre-Easter frame. Reviews are so-so with 62% on Rotten Tomatoes and a 48 Metacritic. It likely doesn’t have a prayer for a nomination in Best Animated Feature at the Academy Awards and precursor ceremonies. My Oscar Prediction posts will continue…

The King of Kings Box Office Prediction

Blogger’s Note (04/07): Deadline reports that Kings is already seeing nearly $8 million in pre-sales four days before its debut. Angel Studios is employing a marketing strategy which includes kids receiving a free ticket to screenings with the family. This is causing me to raise my projection from $11.4 million to a sizzling $21.4 million.

Angel Studios, which had an unexpectedly massive hit with Sound of Freedom in 2023, has witnessed mixed returns for subsequent releases. The faith-based outlet goes the animation route on April 11th via The King of Kings. Based on a children’s book, it involves Charles Dickens (voiced by Kenneth Branagh) narrating the life of Jesus (Oscar Isaac). Other performers behind the mic include Uma Thurman, Mark Hamill, Roman Griffin Davis, Forest Whitaker, and Ben Kingsley.

Will Christians and kiddos turn out? Timed for a pre-Easter premiere, it does have direct competition from The Chosen: Last Supper – Part 3, the popular show which will broadcast the final 3 episodes for season 5. There’s also the sophomore frame for A Minecraft Movie which caters to family crowds.

Like the other new releases next weekend, I think this will hover around $10 million. I’ll project it gets a little over that and it might have a heavenly hold over the holiday in its second go-round.

The King of Kings opening weekend prediction: $21.4 million

For my The Amateur prediction, click here:

The Amateur Box Office Prediction

For my Drop prediction, click here:

Drop Box Office Prediction

For my The Chosen: Last Supper – Part 3 prediction, click here:

The Chosen: Last Supper – Part 3 Box Office Prediction

For my Warfare prediction, click here:

Warfare Box Office Prediction

September 22-24 Box Office Predictions

Jason Statham and Sylvester Stallone look to top the charts as Expend4bles, the fourth entry in the action franchise, is the only new wide release this weekend. You can peruse my detailed prediction post on it here:

Expend4bles Box Office Prediction

I have it just under the teens and that’s a far cry from the mid 30s/high 20s premieres that parts 1 and 2 achieved. It’s also below the $15.8 million that The Expendables 3 made in 2014. That said, given the weak box office frame happening, it should be enough for a #1 debut.

Just as the competition for #1 was a photo finish this past weekend (more on that below), The Nun II and A Haunting in Venice should duke it out for the runner-up spot.

Nos. 4 and 5 should go to holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3. However, Barbie might manage to stay fifth depending on the Greek drop and the fact that it’s playing on IMAX screens this weekend.

Here’s how I think it’ll shake out from 1-6:

1. Expend4bles

Predicted Gross: $12.8 million

2. The Nun II

Predicted Gross: $7.5 million

3. A Haunting in Venice

Predicted Gross: $7.2 million

4. The Equalizer 3

Predicted Gross: $4.9 million

5. Barbie

Predicted Gross: $3.1 million

6. My Big Fat Greek Wedding 3

Predicted Gross: $2.6 million

Box Office Results (September 15-17)

In a minor upset, The Nun II managed to remain #1 for a second weekend. That upends the conventional wisdom that A Haunting in Venice would claim the top slot. With a better than expected 55% fall (decent for the horror genre), The Nun II made $14.5 million compared to my $10.9 million projection. The scary sequel has made $56 million in two weeks.

A Haunting in Venice, the third Kenneth Branagh entry in his Hercule Poirot series, was a close second with $14.2 million. That’s right on track with my $14.6 million take. Considering last year’s Death on the Nile struggled as well, I wouldn’t anticipate seeing the mustachioed detective for a fourth mystery.

The Equalizer 3 was third with $7.2 million, in line with my $7 million call. Denzel Washington’s alleged capper to his franchise has made $73 million in three weeks.

My Big Fat Greek Wedding 3 saw a sophomore frame decline above 50% with $4.7 million (I was more generous at $5.9 million). Total is just $18 million.

Barbie rounded out the top five with $3.8 million (I said $3.6 million) to bring its nine-week haul to $625 million.

And that does it for now, folks! Until next time…

September 15-17 Box Office Predictions

Sequel heavy September chugs along this weekend as Kenneth Branagh’s A Haunting in Venice continues his Hercule Poirot series and seeks a #1 start. You can peruse my detailed prediction post on it here:

A Haunting in Venice Box Office Prediction

The follow-up to 2017’s Murder on the Orient Express and last year’s Death on the Nile is actually receiving some of the best reviews of the trio. I suspect it may manage to top what Nile did while only reaching about half of what Express grossed out of the gate.

After a solid if unspectacular start, The Nun II may see a high 60s plummet that’s fairly normal for its genre. That would mean a second place showing barely in the double digits.

Holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3 will likely populate the 3-4 slots with drops in the low to mid 40s while Barbie should round out the top five. I figure the year’s biggest hit will remain in the high five as I look for Jawan to have a hefty decline after its impressive premiere (more on that below).

Here’s how I envision that top five:

1. A Haunting in Venice

Predicted Gross: $14.6 million

2. The Nun II

Predicted Gross: $10.9 million

3. The Equalizer 3

Predicted Gross: $7 million

4. My Big Fat Greek Wedding 3

Predicted Gross: $5.9 million

5. Barbie

Predicted Gross: $3.6 million

Box Office Results (September 8-10)

The Nun II didn’t come anywhere near the franchise Conjuring Universe peak $53 million that its predecessor made in 2018. It still scared up a respectable $32.6 million, under my $38.7 million prognosis.

The Equalizer 3 tumbled in the mid 60s during its sophomore frame with $12 million, below my $15.4 million call. The two-week total is $61 million as it hopes to hit $100 million like parts 1 and 2. It’s a legit question mark as to whether it gets there.

My Big Fat Greek Wedding 3 debuted in line with my expectations with a meh $10 million (I said $10.3 million). That is slightly better than other estimates though it’s well under the $16 million of part 2 from 2016.

Acclaimed Hindi action flick Jawan admittedly was not on my radar screen like it should’ve been. The $6.1 million haul put it in fourth place with the second strongest per theater average after The Nun II.

Barbie rounded out the top five with $5.7 million (I went with $6.4 million) as its eight week total rose to a massive $620 million.

I incorrectly had Blue Beetle in the top five, but it was sixth with $3.8 million. I was right on pace with $3.9 million. The DCU disappointment made $63 million in four weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: A Haunting in Venice

Nearly half a century ago, Sidney Lumet’s cinematic adaptation of Agatha Christie’s Murder on the Orient Express tracked down six nominations. This included a Supporting Actress victory for Ingrid Bergman.

Kenneth Branagh’s 2017 version of the mystery found decent box office success and a Production Design nom at Critics Choice. Academy voters didn’t honor it anywhere and the same holds true for follow-up Death on the Nile from last year.

The third feature in the series is A Haunting in Venice (out September 15th), based on Christie’s Hallowe’en Party. Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh, and Branagh’s Hercule Poirot make up the cast. With more horror elements than the previous pics, it hopes to scare up decent business. With the review embargo lifted, it holds the best Rotten Tomatoes score among the trio. Orient‘s is 61%, Nile is similar with 62%, and Haunting is posting 81% at this early stage (of course it could go down when more reaction comes in).

That said, Production Design and Costume Design are really the only feasible inclusions. I deduce the Academy will look to others for their final five. My Oscar Prediction posts will continue…

A Haunting in Venice Box Office Prediction

Kenneth Branagh’s grandly mustachioed master sleuth Hercule Poirot is back in cinemas on September 15th with A Haunting in Venice. Based on Agatha Christie’s 1969 work Hallowe’en Party, this is the third mystery in the franchise that began with Branagh’s 2017 version of Murder on the Orient Express and continued last year with Death on the Nile. In addition to its director/star, the cast includes Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, and current Best Actress winner Michelle Yeoh.

The first trailer for Haunting definitely leaned on the horror elements of its story and not the fact that it’s a continuation of the Express and Nile series. That’s not surprising when you consider that Nile came in well under its predecessor. While the Orient remake made $28 million out of the gate and $102 million overall domestically, the oft delayed Nile only earned $12.9 million for its start and $45 million overall a year and a half ago.

That horror angle might be a smart one for 20th Century Studios, but genre fans might be satiated with The Nun II (out the weekend prior). I do think this manages to top Death though not by much.

A Haunting in Venice opening weekend prediction: $14.6 million

Oscar Predictions: Oppenheimer

When it comes to Academy love for Christopher Nolan and his filmography, the magic number appears to be 8. That’s how many nominations happened for 2008’s The Dark Knight, 2010’s Inception, and 2017’s Dunkirk. The filmmaker looks to exceed that figure with Oppenheimer. The three-hour epic biopic starring Cillian Murphy as the father of the atomic bomb opens this weekend and the review embargo lapsed today. The massive supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie (among others). Seriously when I say among others. As in, Gary Oldman plays Harry Truman and that’s far down on the Wiki list of familiar faces.

The Academy has a checkered history with Mr. Nolan. While The Dark Knight managed those eight mentions and won two, it famously missed Best Picture. Many believe the expansion to 10 features from five a year later was due to the Dark snub. Nolan himself has only been up for Best Director once with Dunkirk. His omission for Inception was a surprise. As far as actors who’ve competed in his works, that list consists of only one: Heath Ledger in The Dark Knight. He, of course, posthumously won.

Based on the critical reaction to Oppenheimer, Nolan’s record for nods may be broken and the acting list should expand. The Rotten Tomatoes meter is at 93% and while not all write-ups are raves, I believe enough are so that Best Picture and Director are likely happening. In fact, I see both of them occurring before an Adapted Screenplay spot (which could still materialize).

It’s no surprise that this should play in tech races. From Cinematography to Film Editing and Original Score and Production Design. Those might be givens as is Sound. Costume Design, Makeup and Hairstyling, and certainly Visual Effects are all feasible too.

If you’re keeping score, we’re already potentially above 8. Then there’s the performances. Murphy (obviously in lead) was assumed to be a surefire contender (his first at bat) and that’s bearing out. The bigger question was which supporting players would emerge. The answer it seems is Blunt and Downey Jr. For Blunt, it somehow would mark her first nomination. For Downey Jr., it would be the third – 31 years after Chaplin in lead and 15 years following Tropic Thunder in Supporting.

Bottom line: Oppenheimer appears positioned to be Nolan’s personal best showing at the big dance. It should be right up there with Killers of the Flower Moon and perhaps Dune: Part Two as far as numerical possibilities. My Oscar Prediction posts will continue…

Oppenheimer Box Office Prediction

Blogger’s Update (07/19): I’ve increased my prediction from $52.3M to $65.3M

As one of the few directors whose name can open a movie, Christopher Nolan’s epic biopic Oppenheimer reaches theaters on July 21st. Cillian Murphy headlines the three-hour historical epic as the title character, known as the father of the atomic bomb. The large supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie.

Shot for a reported $100 million, the Oscar hopeful is targeting a second place showing by outpacing the second frame of Mission: Impossible – Dead Reckoning Part One. First place appears unreachable due to Barbie. The social media world has had a ball with memes and GIFs celebrating the premieres of these two huge projects on the same date. The term “Barbenheimer” has even been coined with thousands of moviegoers having already planned long days at the multiplex to view both.

Thanks in large part to his Dark Knight trilogy, Nolan serves as the biggest main draw for his own projects. He boasts a directorial bankability that few of his colleagues share (Tarantino is another example). Non-Batman projects have seen impressive starts. In 2010, Inception (hot on the heels of The Dark Knight) premiered with $62 million. Interstellar started with $47 million in 2014. Over Labor Day weekend in 2020, Tenet braved unfavorable COVID conditions and managed a $20 million beginning.

Oppenheimer faces its challenges. There’s obviously the competition from an iconic doll and Ethan Hunt. The subject matter may not be enticing to younger viewers who typically drive the summer box office. Still early indications including some sold out IMAX venues at considerably higher prices have me thinking it could top $50 million.

Oppenheimer opening weekend prediction: $65.3 million

For my Barbie prediction, click here:

Barbie Box Office Prediction