We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.
As for the other nine, let’s take a deeper dive:
Belfast
Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.
Does It Make the Final Five?
Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.
Don’t Look Up
Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).
Does It Make the Final Five?
No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.
Drive My Car
Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.
Does It Make the Final Five?
No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.
Dune
Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.
Does It Make the Final Five?
Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.
King Richard
Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.
Does It Make the Final Five?
No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.
Licorice Pizza
Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.
Does It Make the Final Five?
No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.
Nightmare Alley
Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.
Does It Make the Final Five?
No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.
The Power of the Dog
Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.
Does It Make the Final Five?
Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.
West Side Story
Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.
Does It Make the Final Five?
Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.
That means my final 2021 five is:
Belfast
CODA
Dune
The Power of the Dog
West Side Story
2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.
If you missed my entries for 2009-20, have no fear! They’re here:
My Year Of posts focusing on a half dozen performers who had us feeling ’22 continues with our second icon who turned the big 6-0 this year. The first was Tom Cruise and if you missed that post, you can find it here:
The next sexagenarian is Michelle Yeoh. For the past three decades, U.S. audiences have seen the Malaysian legend fighting alongside Jackie Chan in the Supercop pics, James Bond in Tomorrow Never Dies, and Chow Yun-fat in Ang Lee’s acclaimed Crouching Tiger, Hidden Dragon. In recent years, she probably came close to a Supporting Actress nomination as the overbearing mother in Crazy Rich Asians. Last year, she joined the MCU in Shang-Chi and the Legend of the Ten Rings.
There were plenty of projects in 2022. She lent her voice to Minions: The Rise of Gru and Paws of Fury: The Legend of Hank. A small role popped up in Netflix’s YA fantasy The School for Good and Evil. None of those projects are why Yeoh made this cut.
Everything Everywhere All at Once is. The sophomore effort of the Daniels (Dan Kwan and Daniel Scheinert) is the multi-genre rumination on life that casts Yeoh as frazzled laundromat owner Evelyn. She also (due to a seemingly infinite multiverse) plays the role in many other iterations including a movie star, a woman with hot dogs for fingers, and a rock. It’s a one-of-a-kind picture with the role of a lifetime for its lead.
An Oscar nomination is a near certainty and a win is quite possible. The box office was impressive with $70 million domestically against a considerably smaller budget. Costars Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis could all be headed for their own awards nods. I currently have Everything listed in 1st to take Best Picture.
A busy 2023 and beyond awaits Yeoh. More voice work is on deck with Transformers: Rise of the Beasts and Kenneth Branagh has put her in the ensemble of his third Poirot mystery A Haunting in Venice. Her Crazy Rich Asians director Jon M. Chu will be collaborating with her again on the two planned Wicked films (slated for 2024 and 2025). James Cameron has her showing up (apparently in human form) in the third and fourth Avatar pics.
Yeoh’s part in Everything was originally considered for her old costar Jackie Chan. That’s hard to picture now given her fantastic portrayal. She easily earns a spot in this series. My Year Of posts will continue with an actor who might’ve lost a friend in his Oscar contender, but gained plenty of praise for his body work throughout the year.
Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:
As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.
I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.
The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.
However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.
I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.
As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.
If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.
Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.
This race can and will evolve over the next couple of months. Here’s the state of the race right now:
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)
7. Park Chan-wook, Decision to Leave (PR: 6) (-1)
8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)
9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)
10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
The 27th Critics Choice Awards air this Sunday evening and they’re another often reliable indicator for who and what may win on Oscar night. As I have with SAG and the Golden Globes, I am giving you my winner predictions along with the runner-up pick.
Let’s get to it and I’ll have a recap up either Sunday evening or Monday!
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
tick, tick… Boom!
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Guillermo del Toro, Nightmare Alley
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner:
Jane Campion, The Power of the Dog
Runner-Up:
Denis Villeneuve, Dune
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Alana Haim, Licorice Pizza
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner:
Kristen Stewart, Spencer
Runner-Up:
Jessica Chastain, The Eyes of Tammy Faye
Best Actor
Nominees:
Nicolas Cage, Pig
Benedict Cumberbatch, The Power of the Dog
Peter Dinklage, Cyrano
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Caitríona Balfe, Belfast
Ariana DeBose, West Side Story
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Rita Moreno, West Side Story
Predicted Winner:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jared Leto, House of Gucci
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner:
Kodi Smit-McPhee, The Power of the Dog
Runner-Up:
Troy Kotsur, CODA
Best Original Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza
Predicted Winner:
Licorice Pizza
Runner-Up:
Belfast
Best Adapted Screenplay
Nominees:
CODA
Dune
The Lost Daughter
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Predicted Winner:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best Comedy
Nominees:
Barb and Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
Licorice Pizza
Predicted Winner:
The French Dispatch
Runner-Up:
Licorice Pizza
Best Foreign Language Film
Nominees:
Drive My Car
Flee
The Hand of God
A Hero
The Worst Person in the World
Predicted Winner:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Young Actor/Actress
Nominees:
Jude Hill, Belfast
Cooper Hoffman, Licorice Pizza
Emilia Jones, CODA
Woody Norman, C’Mon C’Mon
Saniyya Sidney, King Richard
Rachel Zegler, West Side Story
Predicted Winner:
Rachel Zegler, West Side Story
Runner-Up:
Emilia Jones, CODA
Best Acting Ensemble
Nominees:
Belfast
Don’t Look Up
The Harder They Fall
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Belfast
Best Cinematography
Nominees:
Belfast
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Costume Design
Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Predicted Winner:
Cruella
Runner-Up:
Dune
Best Editing
Nominees:
Belfast
Dune
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
Dune
Runner-Up:
West Side Story
Best Hair and Makeup
Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley
Predicted Winner:
House of Gucci
Runner-Up:
The Eyes of Tammy Faye
Best Production Design
Nominees:
Belfast
Dune
The French Dispatch
Nightmare Alley
West Side Story
Predicted Winner:
Nightmare Alley
Runner-Up:
Dune
Best Score
Nominees:
Don’t Look Up
Dune
Nightmare Alley
The Power of the Dog
Spencer
Predicted Winner:
Dune
Runner-Up:
The Power of the Dog
Best Song
“Just Look Up” from Don’t Look Up
“Dos Oruguitas” from Encanto
“Guns Go Bang” from The Harder They Fall
“Be Alive” from King Richard
“No Time to Die” from No Time to Die
Predicted Winner:
“Just Look Up” from Don’t Look Up
Runner-Up:
“Dos Oruguitas” from Encanto
Best Visual Effects
Nominees:
Dune
The Matrix Resurrections
Nightmare Alley
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Predicted Winner:
Dune
Runner-Up:
No Time to Die
That equates to the following pictures garnering these numbers for wins:
6 Wins
The Power of the Dog
3 Wins
Dune
2 Wins
West Side Story
1 Win
Cruella, Don’t Look Up, Drive My Car, Encanto, The French Dispatch, House of Gucci, King Richard, Licorice Pizza, Nightmare Alley, Spencer
Judi Dench’s role as Granny in Kenneth Branagh’s Belfast is the third Case Of post for the Supporting Actress nominees. If you didn’t catch the first two, they can be accessed here:
The legendary veteran scored her 8th nomination and that’s 8 more than her four competitors have received… combined. She’s actually won just once for Shakespeare in Love and that was 23 years ago. The Academy could feel it’s time to honor her again and the fact that she surprisingly got in over costar Caitriona Balfe could be proof of that.
The Case of Judi Dench:
As mentioned, it was certainly a surprise nomination (perhaps more so than any other of the 16 acting hopefuls). Dench didn’t make the cut for the Golden Globes, SAG, Critics Choice, or even BAFTA.
Previous Nominations: 7
Mrs. Brown (1997 – Actress); Shakespeare in Love (1998 – Supporting Actress, WON); Chocolat (2000 – Supporting Actress); Iris (2001 – Actress); Mrs. Henderson Presents (2005 – Actress); Notes on a Scandal (2006 – Actress); Philomena (2013 – Actress)
The Verdict:
The tally should continue to be one victory for Dench as Ariana DeBose (West Side Story) is the overwhelming favorite.
My Case Of posts will continue in Supporting Actor with Jesse Plemons in The Power of the Dog…
Kenneth Branagh’s passion project Belfast is next up in my Case Of posts for Best Director. If you missed the first covering Paul Thomas Anderson with Licorice Pizza, it’s here:
The veteran actor/director originally caught the attention of the Academy in 1989 with Henry V and he was nominated for Director and Actor (winning neither). He’s actually been nominated in seven separate races – the other being Picture with this, Adapted Screenplay with Hamlet, Live-Action Short Film for Swan Song, Supporting Actor (My Week with Marilyn), and Original Screenplay here. Despite that impressive feat, he’s 0 for 5 going into the ceremony and voters may feel he’s overdue.
The Case Against Kenneth Branagh:
That overdue feeling should materialize in Original Screenplay and not in this race where Jane Campion (The Power of the Dog) is out front. In the former competition, Branagh appears to be neck-and-neck with none other than Paul Thomas Anderson, who could pick up his first hardware after several previous nods.
Previous Nominations: 1 (for directing only)
Henry V (1989)
The Verdict:
It’s a near certainty that Mr. Branagh or Mr. Anderson are headed for their inaugural statue. However, expect that to happen with their writing and not their direction.
My Case Of posts will continue with the second Best Actress write-up: Olivia Colman in The Lost Daughter…
The work of Ciaran Hinds as Pop in Kenneth Branagh’s Belfast is the first Case Of post for the Supporting Actor contenders.
The Case for Ciaran Hinds:
The Irish thespian nabs his inaugural Oscar nod after a long career of popping up in lots of movies you’ve seen. He won the Belfast nod sweepstakes over his costar Jamie Dornan while wife Granny (Judi Dench) got a mention in Supporting Actress instead of Caitriona Balfe. That could indicate strength for the veteran performers from the coming-of-age drama. He’s scored mentions at the Globes, SAG, and Critic’s Choice.
The Case Against Ciaran Hinds:
The real strength is this race may be with Kodi Smit-McPhee in The Power of the Dog or perhaps an emotional favorite like Troy Kotsur in CODA. Hinds’s inclusion was expected with the precursors, but he’s not forecasted to win any of them (and he already lost to Smit-McPhee at the Globes).
Previous Nominations:
None
The Verdict:
Belfast missing some key categories (including no love for his younger costars) makes Hinds a long shot to make it 1 for 1 at the big show.
My Case Of posts will continue with Kenneth Branagh’s direction for Belfast…
The video game adaptation Uncharted with Tom Holland and Mark Wahlberg looks to rule the #1 spot over the four-day President’s Day weekend while Channing Tatum’s directorial debut Dog hopes for a solid second place showing. They’re the newbies coming on Friday and you can peruse my detailed prediction posts on both of them here:
While reviews are mixed (50% currently on Rotten Tomatoes) for Uncharted, it should easily take a commanding lead for the POTUS frame. My low to mid 30s take puts it at about two and half times the gross of Dog, which finds Mr. Tatum in his first starring role in nearly half a decade.
As for holdovers, the long weekend should allow for smallish drop-offs. We’ve seen that play out previously during the mid February time period. Death on the Nile, following its mediocre start, might flirt with staying in double digits (I have it just under) with Spider-Man: No Way Home (that other Holland pic), Marry Me, and Jackass Forever filling out the rest of the chart.
Here’s how I envision the top 6 and these are estimates over the Friday to Monday holiday:
1. Uncharted
Predicted Gross: $33.7 million
2. Dog
Predicted Gross: $13.3 million
3. Death on the Nile
Predicted Gross: $9.8 million
4. Spider-Man: No Way Home
Predicted Gross: $7.3 million
5. Marry Me
Predicted Gross: $6 million
6. Jackass Forever
Predicted Gross: $5.7 million
Box Office Results (February 11-13)
As mentioned, Kenneth Branagh’s Death on the Nile (his follow-up to 2017’s Murder on the Orient Express) went a bit off the tracks with $12.8 million. That’s shy of my $14.3 million projection and it’s less than half of what Orient accomplished out of the gate.
Jackass Forever dropped to second with $8 million. The 65% drop was the largest of the five picture franchise and under my prediction of $11.3 million. The prankster sequel stands at $37 million after ten days.
Jennifer Lopez and Owen Wilson couldn’t get audiences to fall for them as Marry Me debuted in third with $7.9 million. That didn’t match my expectation of $11.2 million. Its simultaneous Peacock streaming start might have caused many couples to simply view from home.
Spider-Man: No Way Home was fourth with $7.5 million (I said $7.1 million) for $759 million overall. The MCU smash is just $1 million away from Avatar and becoming the third largest domestic earner of all-time (obviously it will hit that mark this week).
Liam Neeson’s latest revenge thriller Blacklight performed in line with his other COVID genre tales Honest Thief and The Marksman. The fifth place tally was $3.5 million, in range with my $3.8 million estimate.
Finally, Moonfall took a giant step down to #8 and fell 70% with $2.9 million in its sophomore outing (I was a little more generous with $3.5 million). Sing 2 and Scream managed to leap it for the sixth and seventh spots. The putrid gross is just $15 million.
Now that the nominations for 94th Academy Awards are out, I’m moving to the next phase of speculation. Welcome to my “Case Of” posts where I dive deeper into the contenders for Best Picture, Director, and the four acting categories.
Here’s how it works. Over the next few weeks before the March 27th ceremony airs, I’m doing individualized entries for the 35 hopefuls in the aforementioned races. With each one, I’ll make the best case for the movie or person winning as well as the case against them and a final verdict as I see it now.
It starts with the 10 BP nominees (alphabetically) before switching up between Director, Actress, Actor, Supporting Actress, and Supporting Actor. We begin with Kenneth Branagh’s Belfast:
The Case for Belfast
For several weeks after its premiere at the Telluride Film Festival, the Irish set coming of age tale and passion project from Branagh appeared to be out front in the BP derby. If Academy voters go with the feel good pic of the ten contenders, this could certainly come out on top (though it’s got competition with CODA and King Richard). Belfast had a decent showing on Tuesday morning with 7 nominations including key races like Director, Original Screenplay, and two supporting mentions for Judi Dench (surprisingly making the cut over costar Caitriona Balfe) and Ciaran Hinds.
The Case Against Belfast
The early buzz has waned a bit and much of that is due to The Power of the Dog. The Netflix drama amassed a better than expected 12 nods and is rightfully being called the frontrunner. Power has already shown early precursor love by winning Best Drama at the Golden Globes. And then there’s the categories where Belfast missed – Editing, Cinematography, and Production Design. This indicates that several Academy branches weren’t bowled over by it. Editing, in particular, is a major miss. It’s extremely rare for a BP winner not to make the final five for that one.
The Verdict
There’s certainly a path for Belfast to take the top prize and it likely sits at #2 behind Dog. However, I would say Dog is a heavy favorite and it might be hard for anything to overcome it.
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