For the first time in several weeks, we could have a competition for the #1 spot with Insidious: Out of the Further potentially challenging Spider-Man: Brand New Day‘s fourth frame at the box office. We also have Mutiny with Jason Statham hoping to land in the top five. You can peruse my detailed prediction posts on the newcomers here:
The sixth entry in a 13-year-old steady horror franchise, Further could scare up the mid 30s or higher in a best case scenario. If so, Spidey could be prevented from a fourth weekend atop the charts. Yet my near $30 million projection should put it in the runner-spot assuming Tom Holland’s hero sees a decline in the mid 40s to 50% range.
Mutiny could make $10 million or so if it hits the top end of its range, but my estimate would put it in sixth. I didn’t do individual posts predicting the opening grosses for Spa Weekend (a comedy with Leslie Mann and Isla Fisher) or the nationwide expansion of Anthony Bourdain early years biopic Tony. I don’t figure either will place higher than 6th. I’ll say $6 million for Tony and just $2.3 million for Spa.
The Odyssey should drop to 3rd after three weeks in 2nd in the high teens with PAW Patrol: The Dino Movie and dino movie The End of Oak Street in 4th and 5th. As for the latter, it may suffer a significant decline considering the meh B Cinemascore grade.
Here’s how I have the top 6 shaking out:
1. Spider-Man: Brand New Day
Predicted Gross: $38 million
2. Insidious: Out of the Further
Predicted Gross: $29.7 million
3. The Odyssey
Predicted Gross: $17.1 million
4. PAW Patrol: The Dino Movie
Predicted Gross: $9.6 million
5. The End of Oak Street
Predicted Gross: $8.2 million
6. Mutiny
Predicted Gross: $7.5 million
Box Office Results (August 14-16)
Spider-Man: Brand New Day achieved the second best third outing at domestic multiplexes ever with $70.7 million, swinging beyond my $60.2 million call. That’s well behind the $90 million third weekend for Star Wars: The Force Awakens and just in front of Avatar‘s $68 million. The MCU’s return to dominance stands at $786 million stateside thus far.
The Odyssey, despite serious competition, held in second with $23.6 million and ahead of my $21 million prediction. The epic tale grew to $505 million after five weeks.
David Robert Mitchell’s The End of Oak Street with Anne Hathaway and lots of CG prehistoric creatures had a softish landing in third with $21 million, easily under my $31.1 million take. As mentioned, so-so word-of-mouth might cause faster extinction in theaters.
PAW Patrol: The Dino Movie was fourth with $20.2 million, a tad below predecessor The Mighty Movie though ahead of my $18.7 million projection.
Katseye: Wild Hearts was fifth with $3.9 million. It admittedly was not on my radar and I didn’t do a prediction post for the documentary about the L.A. based pop group.
Finally, The Brink of War from Angel Studios faltered in seventh with $2.6 million (I said $4.5 million). Older audiences didn’t turn up for the drama about Reagan and Gorbachev’s 1986 summit in Iceland.
While Spider-Man: Brand New Day should face no trouble spinning a third weekend atop the charts, two dinosaur centered features will attempt to make their mark at multiplexes. We have 1980s set The End of Oak Street with Anne Hathaway and Ewan McGregor and animated three-quel PAW Patrol: The Dino Movie debuting. They premiere alongside The Brink of War from Angel Studios (recounting the Reagan/Gorbachev 1986 Icelandic summit) and you can peruse my detailed prediction posts on the newcomers here:
Buzz appears to picking up for Oak Street, the sci-fi adventure from acclaimed filmmaker David Robert Mitchell. While I wouldn’t discount an opening approaching $40 million in a best case scenario, the floor could be in the low 20s. My low 30s projection gives it a second place showing.
The third pic based on the Canadian kids TV series, I foresee PAW Patrol coming in a bit behind 2023 predecessor PAW Patrol: The Mighty Movie. It could be in third place, but I’ve got it in fourth slightly behind the fifth outing for The Odyssey.
The Brink of War should land the five spot. The political drama may get beyond my mid single digits estimate, but I’ll play it safe.
As mentioned, Spidey is poised to make it three in a row. A percentage decline in the high 50s would mean a gross just north of $60 million and here’s how I have it all shaking out:
1. Spider-Man: Brand New Day
Predicted Gross: $60.2 million
2. The End of Oak Street
Predicted Gross $31.1 million
3. The Odyssey
Predicted Gross: $21 million
4. PAW Patrol: The Dino Movie
Predicted Gross: $18.7 million
5. The Brink of War
Predicted Gross: $4.5 million
Box Office Results (August 7-9)
Two new comedies struggled while Peter Parker and Odysseus continued to rule. Spider-Man: Brand New Day, after scoring the greatest domestic opening haul in box office history, had the third strongest sophomore weekend ever behind Star Wars: The Force Awakens ($149 million) and Avengers: Endgame ($147 million). The MCU saga took in $144.2 million. While that’s below my generous $153 million take, the ten-day total is a whopping $654 million.
The Odyssey held runner-up status once again with $31.7 million, on target with my $31.6 million call. The future awards player sits at $461 million after four weeks.
Rom com One Night Only starring Monica Barbaro and Callum Turner was third at the low end of expectations with $5.5 million. I thought it would nab $7.8 million.
Toy Story 5 was fourth with $4.2 million (I said $4.9 million) as the Pixar sequel brought its eight-week earnings to $470 million.
Finally, Super Troopers 3 fell way behind its 2018 predecessor in fifth. While part 2 made off with $15 million out of the gate, part 3 was good for only $4 million. I went with $7.6 million.
A history making weekend just occurred at the box office with Spider-Man: Brand New Day and The Odyssey breaking records. The blockbuster duo should easily rule the charts once again but we do have newcomers jockeying for third place. The Broken Lizard comedy gang returns in Super Troopers 3 while Monica Barbaro and Callum Turner headline the rom com One Night Only. You can peruse my detailed prediction posts on them here:
We’ll get to the newbies in a minute, but let’s talk Spidey. Brand New Day, the 38th overall MCU pic and 4th franchise effort with Tom Holland in the title role, swung the best opening weekend ever domestically (more on that below). Edging out seven-year record holder Avengers: Endgame by $3 million, Day could be in contention for the highest second frame of all time. In order to do so, it would need to top the $149 million that Star Wars: The Force Awakens earned in 2015 (Endgame did $147 million in its sophomore outing). I’m projecting it’ll get there with a gross just north of $150 million.
Christopher Nolan’s epic The Odyssey should continue its fantastic run with a second place finish in the $30-35 million range.
Third place is more of a question mark and I’m predicting a photo finish between One Night and Troopers. I don’t see either of them greatly exceeding expectations. My $7-8 million take on both gives Night minor bragging rights in third.
Toy Story 5 should place fifth and here’s how I have it shaking out:
1. Spider-Man: Brand New Day
Predicted Gross: $153 million
2. The Odyssey
Predicted Gross: $31.6 million
3. One Night Only
Predicted Gross: $7.8 million
4. Super Troopers 3
Predicted Gross: $7.6 million
5. Toy Story 5
Predicted Gross: $4.9 million
Box Office Results (July 31-August 2)
Spider-Man: Brand New Day astonished prognosticators and pummeled my prediction by nearly $100 million (!) as the MCU sequel swung $360 million. That’s way beyond my $268 million take and ahead of Endgame‘s $357 million record. Audience anticipation was clearly sky high after 2021 predecessor No Way Home as this looks to dominate August at multiplexes.
The Odyssey landed another $51 million in its third weekend to bring its gargantuan total to $395 million. That added coin, coupled with Spider-Man, contributed to the best box office weekend in history (unadjusted for inflation). My projection was slightly lower at $48.5 million.
Toy Story 5 was third in its seventh go-round with $6.7 million, a tad more than my $6.1 million call. The Pixar sequel has hauled in $462 million thus far.
Minions & Monsters was fourth with $6 million compared to my $5.6 million forecast for a five-week tally of $168 million.
Disney’s Moana rounded out the top five with $5.6 million (I said $5.7 million) for $115 million after four weeks.
Blogger’s Note (07/29): Spidey prediction was raised from $251 million to $268 million. That’s means I’m projecting it gets the #2 all-time domestic debut.
After a year away from multiplexes, the Marvel Cinematic Universe swings back into theaters with Spider-Man: Brand New Day. The fourth entry in Tom Holland’s web slinger franchise seeks and is highly likely to achieve 2026’s largest domestic debut. My detailed prediction post for it can be accessed here:
The year’s biggest stateside premiere belongs to Toy Story 5 at $159 million and Spidey should have no trouble toppling that record. A better question is where it’ll rank all-time in the U.S. and Canada. Projections are rising among some prognosticators. While the $357 million hauled in by Avengers: Endgame appears safe, some believe #2 could be in danger. That’s held by Brand predecessor Spider-Man: No Way Home at $260 million. My number puts it in fourth (and fourth MCU overall) just behind Avengers: Infinity War ($257 million) and ahead of Star Wars: The Force Awakens ($247 million).
After two impressive stints in first, Christopher Nolan’s The Odyssey will fall to second. While its sophomore weekend hold was dynamite (more on that below), I’ll project a mid-40s decline this time around due to Mr. Holland’s other adventure.
The rest of top six should be a close race between family fare Toy Story 5, Moana, and Minions & Monsters. Here’s how I have it shaking out:
1. Spider-Man: Brand New Day
Predicted Gross: $268 million
2. The Odyssey
Predicted Gross: $48.5 million
3. Toy Story 5
Predicted Gross: $6.1 million
4. Moana
Predicted Gross: $5.7 million
5. Minions & Monsters
Predicted Gross: $5.6 million
Box Office Results (July 24-26)
The Odyssey continued its fabulous box office journey with a scant 27% ease in weekend #2. Adding $90 million to its coffers, the eventual Oscar contender has amassed $289 million as it breezed past my $74.6 million prediction. After a massive start, word-of-mouth is clearly assisting Nolan’s latest.
Moana was second with $10.6 million, in range with my $10.2 million estimate. The live-action version of Disney’s 2016 animated feature passed nine digits with $102 million after three weeks. There’s no doubt the studio was hoping for more at this juncture.
Hadestown: The Musical, a stage recording of the Broadway smash, kicked off with $10.2 million in third and ahead of my $8.5 million call. Initially set for a five-day engagement in theaters, demand has changed the release plan.
Toy Story 5 was fourth with $10.1 million (I said $9.7 million) for a six-week tally of $448 million. Animated competition Minions & Monsters rounded out the top five with $9.7 million compared to my $9 million take. In four weeks, it has taken in $155 million.
Blogger’s Update (05/28): Some revisions asweekday numbers for Obsession now have me thinking it will gain from its sophomore frame and place second with Mandalorian now dipping to third. Additionally, my projection for Backrooms continues to rise and I’m now putting it at $57 million, up from $54 million.
Horror flick Backrooms looks to open at the front of the charts while Nate Bargatze’s comedy The Breadwinner and World War II drama Pressure with Andrew Scott and Brendan Fraser seek impressive earnings. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on a popular YouTube web series, Backrooms from Kane Parsons has a wide range of possibility. A worst case scenario could put it in second place behind the second frame of The Mandalorian and Grogu. There’s also the potential for an overperformance topping approaching $60 million. My mid 50s projection puts it in first with ease.
That’s because The Mandalorian got off to a so-so start (more on that below) and I suspect it’s headed for a precipitous fall in the high 60s.
Obsession, after a remarkable sophomore weekend hold, may only slide slightly for a third place showing. That could leave The Breadwinner well behind in fourth in the low teens though Bargatze’s fanbase may turn out enough for a better than anticipated premiere. Comedies are tricky. It might also struggle to make $10 million.
As for Pressure, with a reported theater count of around 1800, my $4.9 million forecast would put it outside of the top five.
Here’s how I have that high five shaking out:
1. Backrooms
Predicted Gross: $57 million
2. Obsession
Predicted Gross: $29.5 million
3. The Mandalorian and Grogu
Predicted Gross: $25.6 million
4. Michael
Predicted Gross: $13 million
5. The Breadwinner
Predicted Gross: $12.1 million
Box Office Results (May 22-25)
The Mandalorian and Grogu never appeared to have the excitement that greets Star Wars series entries and the numbers proved that over Memorial Day weekend. The continuation of the Disney+ show landed with the lowest opening of any franchise pic since the Mouse House took over distribution beginning in 2015 with Star Wars: The Force Awakens. Opening slightly under 2018’s Solo: A Star Wars Story, the Friday to Sunday three-day take was $81.6 million, just over my $80.3 million prediction. When counting Monday, it grew to $98 million and that managed to top my $94.7 million take. While those grosses would be pleasing for most summer titles, that’s simply not the case here.
Obsession was arguably a bigger story this weekend as it grew 39% over its first frame. This is pretty much unheard of for any picture and especially in the horror genre. The Friday to Sunday earnings of $23.9 million and $31.9 million over the four-day easily surpassed my respective projections of $17.5 million and $22.9 million and the two-week total rose to $62 million.
Michael went from to 1st to 3rd with $20.6 million (three-day) and $27.1 million (four-day), ahead of my $18.8 million and $23.9 million guesstimates. The music biopic has now amassed $321 million in five weeks.
The Devil Wears Prada 2 was fourth with $12.7 million over the traditional weekend and $16.2 million with Monday added. The comedy sequel took in more than my $9.7 million and $12.6 million estimates and it has $199 million in the bank after four weeks,.
The Sheep Detectives held impressively in fifth with $9.2 million from Friday to Sunday (I said $7 million) and $12.3 million counting Monday (I went with $8.9 million). The three-week gross is $46 million for the summer sleeper.
Scary movie Passenger managed to outdo my predictions with $8.7 million (Fri-Sun) and $10.3 million (Fri-Mon). While I went lower respectively with $6.3 million and $7.3 million, the 6th place newcomer was overshadowed by Obsession. Unlike that movie, a hefty sophomore drop is probably coming.
Mortal Kombat II was seventh with $6 million over the three-day. My guess? $6 million! Its $7.6 million four-day slightly edged my $7.2 million call and the three-week total is $74 million.
Finally, absurdist comedy I Love Boosters from Boots Riley kicked off in 8th with $3.7 million from Friday to Sunday. My guess? $3.7 million! Like Kombat, the $4.7 million four-day barely exceeded my $4.5 million prediction.
2008’s animated Star Wars: The Clone Wars is the only LucasFilm entry in nearly 50 years that failed to grab at least one Academy Award mention. The other 11 movies – Episodes I-IX, Rogue One: A Star Wars Story, and Solo: A Star Wars Story – have a combined 37 nominations. The Mandalorian and the Grogu could be the second title not to register with Oscar voters.
A continuation of the Disney Plus series, Jon Favreau directs with Pedro Pascal and Sigourney Weaver headlining and Jeremy Allen White providing voiceover work. A number of reviews are claiming it’s an unimpressive feature in the famed franchise with 61% on Rotten Tomatoes and a 54 Metacritic. That’s lower than the numbers that greeted Solo in 2018. It received a sole nomination for Visual Effects. That category and Ludwig Göransson’s score might be Grogu‘s only shots at inclusion, but it is entirely possible it won’t be included in ballots at all. My Oscar Prediction posts will continue…
Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?
2009: 5/10 match
2010: 9/10
2011: 7/9
2012: 8/9
2013: 7/9
2014: 6/8
2015: 6/8
2016: 7/9
2017: 7/9
2018: 5/8
2019: 7/9
2020: 6/8
2021: 8/10
2022: 7/10
2023: 8/10
There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.
Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
A Real Pain
Sing Sing
Wicked
Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.
Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.
Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.
Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.
That said… we don’t expect this to be the Oscar top ten…
Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…
Keep an eye on this blog for all Oscar precursor chatter!
Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.
After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:
I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.
Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.
For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.
Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.
Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.
While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.
And with that, here’s how I see the top 6 playing out:
1. Barbie
Predicted Gross: $82.6 million
2. Oppenheimer
Predicted Gross: $43.8 million
3. Haunted Mansion
Predicted Gross: $25.4 million
4. Sound of Freedom
Predicted Gross: $14.7 million
5. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $10.6 million
Box Office Results (July 21-23)
Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.
Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.
Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.
Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.
And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.
Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.
I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
As the fourth day of May is upon us, it occurred to me that I’ve never done an official ranking of the 11 Star Wars movies that kicked off 46 years ago today.
I’m not going to go into detail beyond the actual numbers other than to say the following:
My #1 is the one most would pick so no points for originality there.
I do not, however, hold the first trilogy at 1-2-3. Yes, rewatches of Return of the Jedi through the years have lowered my opinion (especially compared to its predecessors).
I do not look at The Force Awakens as a disappointing retread of the 1977 original as its reputation has increasingly become. And I’m a pretty big admirer of its follow-up The Last Jedi. Not so much for The Rise of Skywalker.
Here’s my personal list (from weakest to strongest) of the series!
11. Star Wars: Episode II – Attack of the Clones (2002)
10. Solo: A Star Wars Story (2018)
9. Star Wars: The Rise of Skywalker (2019)
8. Star Wars: Episode I – The Phantom Menace (1999)
7. Star Wars: Episode III – Revenge of the Sith (2005)
All My Life... I Wanted To Be A Blogster 