Daily Streaming Guide: March 20th Edition

For today’s Daily Streaming Guide, let’s call this one the “in-between” movies. Three pictures that arrived at midpoints between career highlights for certain huge directors and stars. And all three are recommendable watches that stand on their own.

HBO Streaming

The sci-fi tale The Abyss hit theaters in 1989 from director James Cameron. Its release came in-between two acclaimed sequels from the filmmaker: 1986’s Aliens and 1991’s Terminator 2: Judgment Day. Cameron had two massive blockbusters in a row with the first Terminator and Aliens. This represented more of a gamble and the aquatic thriller divided critics and audiences. While it isn’t a classic like some of the director’s other efforts, The Abyss is well worth viewing (deservedly winning an Oscar for Best Visual Effects). Even South Park ended up parodying one of its memorable near death scenes in their landmark trilogy “Imaginationland”.

Netflix

1981’s Nighthawks is a gritty NYC crime thriller that arrived in-between the creation of Sylvester Stallone’s two iconic characters. It came five years after Rocky and its first sequel and one year prior to First Blood (aka Rambo). It also features Billy Dee Williams (in-between stints as Lando in The Empire Strikes Back and Return of the Jedi) with Rutger Hauer as the main baddie (a year prior to his more famed villainous turn in Blade Runner). As far as watching Stallone in non Rocky and Rambo material, this is on the higher end of material.

Amazon Prime

1974’s The Conversation was nominated for three Oscars, including Best Picture. Yet it’s also the movie in-between Francis Ford Coppola’s two masterpieces: The Godfather and its sequel. Gene Hackman is featured in one of his best roles as a surveillance expert caught up in a government conspiracy. In multiple ways, The Conversation is a film ahead of its time. In an era rich with great pictures, this is an often overlooked gem.

That’s all for now, folks! Until next time…

Terminator: Dark Fate Box Office Prediction

Arnold Schwarzenegger is back for the fifth time in his signature role with Terminator: Dark Fate next weekend. This time around, there’s some other franchise favorites who’ve gone unseen since 1991’s landmark Terminator 2: Judgment Day. James Cameron shares story credit in what’s being called a direct sequel to the first follow up from 28 years ago (Fate hits theaters just over 35 years after the original). That means you shouldn’t have to keep up with the three subsequent series entries. Also returning are Linda Hamilton as Sarah Connor and Edward Furlong as John Connor (a role that’s since been filled by Nick Stahl, Christian Bale, and Jason Clarke). Tim Miller, maker of Deadpool, directs with a supporting cast including Mackenzie Davis, Natalia Reyes, and Gabriel Luna.

Early word of mouth suggests this might be the most solid Terminator flick since 1991 (even though that’s not really saying a whole lot). The franchise hit a low point just over four years ago with Genisys. It was the only sequel not to reach $100 million domestically with at $89 million overall and reviews and audience reaction were poor. The inclusion of some favorites should help some, but this could still suffer from franchise fatigue that we’ve witnessed several times already in 2019.

Using comps for a debut is a little tricky as this is the first sequel not to open on a holiday weekend. Judgment, 2003’s Terminator 3: Rise of the Machines, and Genisys all premiered over Independence Day frames. 2009’s Terminator: Salvation rolled out over Memorial Day. For the traditional Friday to Sunday portion of their long weekends, Machines holds the record with $44 million. I don’t believe Fate gets there. The low mark is Genisys with $27 million. I don’t think this falls that low.

My hunch is that mid to high 30s is the likeliest scenario for the Governator and his familiar friends.

Terminator: Dark Fate opening weekend prediction: $38.1 million

For my Motherless Brooklyn prediction, click here:

https://toddmthatcher.com/2019/10/23/motherless-brooklyn-box-office-prediction/

For my Arctic Dogs prediction, click here:

https://toddmthatcher.com/2019/10/23/arctic-dogs-box-office-prediction/

For my Harriet prediction, click here:

https://toddmthatcher.com/2019/10/26/harriet-box-office-prediction/

Oscar Watch – Alita: Battle Angel

James Cameron is no stranger to Oscar attention with Titanic winning Best Picture 21 years ago and Avatar picking up a slew of nominations in 2009. In two weeks, he serves as co-writer for Alita: Battle Angel along with Laeta Kologridis. It’s directed by Robert Rodriguez. The pic is based on a well-known series of cyberpunk graphic novels from Japan. Rosa Salazar voices the title character and provides motion capture work for her movements in this mix of live and CG action.

Reviews are out and they’re skewing negative, along with some positive here and there. The Rotten Tomatoes score is currently 44%. A lot of the critics are particularly picking apart the screenplay and that’s not an uncommon knock on Cameron’s writing.

Alita comes with a reported budget upwards of $200 million and it’s being seen as a potential costly flop stateside (foreign grosses could be a different story). While this clearly won’t contend for major categories in awards season, the state of the art visuals have been praised. And it’s worth noting that Cameron’s directorial efforts Aliens, The Abyss, Terminator 2: Judgment Day, Titanic, and Avatar all won Best Visual Effects at the Oscars.

That said, there’s plenty of eye-popping blockbuster feasts on the schedule in 2019 (Avengers: Endgame and the next Star Wars included). With the possibility of negative buzz enveloping it, this may not even be a slam dunk in that category. In that sense, it could be similar to 2017’s Valerian and the City of a Thousand Planets, which also had poor word-of-mouth and missed out in its most obvious slot for recognition. If this manages a nod, the two Sound races are possible as well.

My Oscar Watch posts will continue…

Top 25 Best Movie Trailers (1990-2015): Nos. 10-6

This evening we arrive at part four of my personal top 25 best movie trailers of the last 25 years and that means we’ve reached the top ten! We’ve got numbers 10-6 tonight with the top five coming tomorrow. Here we go:

10. Terminator 2: Judgment Day (1991)

This simple yet very effective teaser for Jim Cameron’s follow-up to his 1984 sci-fi hit shows Arnold’s famous Terminator being assembled with the money line at the end, “I’ll be back.” As good as teasers get.

9. Watchmen (2009)

With its Smashing Pumpkins track being used to great effect, Zack Snyder’s adaptation of the famed graphic novel is an expertly edited and visually beautiful trailer that rightly got fan boys into a tizzy a few years back.

8. Independence Day (1996)

So Roland Emmerich’s smash hit was a bit underwhelming and too silly in my view, but this teaser showing the impending alien invasion was all kinds of awesome with its White House money shot to top it off.

7. The Matrix Reloaded (2003)

Expectations were sky high for the sequel to 1999’s watershed science fiction pic and the trailer for Reloaded delivered on every front with its eye popping visuals, even if the film itself was seen as a letdown by many.

6. Star Wars Episode 1: The Phantom Menance (1999)

Yes, I could have listed the trailer for the upcoming Force Awakens here. Yet for those old enough to remember, whether the picture itself turned out well (and it really didn’t), this teaser for Episode 1 was and is probably the most breathlessly awaited teaser ever. It succeeded at stoking the anticipation for the world’s most famous franchise to return.

Tune in tomorrow to check out my top 5, ladies and gents!